One of my favorite movies of any genre has always been SCARLET STREET. I used to watch the grainy Public Domain print on my local cable access channel over and over. When I saw that TCM was running the film last October, I recorded it for future reference, as I was in the midst of my “Halloween Havoc” marathon. I finally got the chance recently to sit down and enjoy this beautiful, crispy clear print and watch the film as it was meant to be seen.
Meek, mousey cashier Christopher Cross receives a gold watch at a party honoring his 25 years of service to J.J. Hogarth’s company. Chris has done his boring, repetitious job without complaint, though his dream has always to be a successful painter. When Hogarth leaves the party, Chris watches him get into a car with a pretty young girl. Walking home with friend and co-worker Pringle, Chris muses aloud what it would be like…
The Godfatheris such a classic film that it’s always somewhat surprising to be reminded that it wasn’t exactly an Oscar powerhouse. When the Academy Awards for 1972 were handed out, The Godfather may have won Best Picture, Adapted Screenplay, and Actor but, out of 10 nominations, that’s all it won. Francis Ford Coppola did not win Best Director, Gordon Willis was not even nominated for Best Cinematography, and neither Al Pacino, James Caan, nor Robert Duvall won Best Supporting Actor. According to the fascinating book Inside Oscar, Godfather producer Al Ruddy started his acceptance speech by acknowledging that, “We were getting a little nervous there.”
When you look at the 1972 Academy Awards, what quickly becomes obvious is that the year’s big winner was Cabaret. All of those Oscars that people naturally assume went to The Godfather? They went to Cabaret. Out of ten nominations, Cabaret won eight. It set a record for the most Oscars won by a film that did not win best picture.
If it hadn’t been for The Godfather, Cabaret would have won best picture and it would have totally deserved it. Oh my God — how I envy all of our readers who were alive in 1972! How wonderful it must have been to have not one but two legitimately great and groundbreaking films released in the same year! Five years ago, I was lucky enough to see both The Godfather and Cabaret on the big screen and it was an amazing experience but I can only imagine what it was like to discover these two films for the very first time, with no preconceived notions.
Seriously, I need a time machine and I need it now.
Cabaret takes place in Berlin in 1931. Germany is still struggling to recover from World War I. When the reserved English academic Brian (Michael York) first arrives in the city, he barely notices the buffoonish men standing on street corners, handing out anti-Semitic pamphlets. He’s more interested in earning his doctorate. When he moves into a boarding house, he meets and cautiously befriends Sally Bowles (Liza Minnelli), a free-spirited American actress who dances at the Kit Kat Klub. When Sally tries to seduce Brian, he is curiously passive. Finally, after she asks him if he doesn’t like girls, Brian tells her that he’s tried to have sex with three separate women and each time, he failed. However, Sally is not one to give up and eventually she does manage to seduce Brian, telling him that the other women were just the “wrong three girls.”
To make money, Brian gives English lessons. One of his students is the wealthy and innocent, Natalia (Marisa Berenson). While Brian teachers her English and Sally gives her advice about sex and love, Natalia finds herself more and more of an outsider in Berlin. She’s Jewish and as a result, her dog is murdered. Fritz Wendel (Fritz Wepper) falls in love with Natalia but marrying her means publicly revealing that he’s Jewish and putting both of their lives in danger.
Sally performs at the Kit Kat Klub, where the Emcee (Joel Grey) gives the wealthy audiences a taste of decadence. At first, the audience is full of well-dressed and upper class people but, with each performance, we notice that the audience is changing. More humorless men in uniforms appear at the tables, like constantly multiplying cancer cells. Outside the Klub, men are attacked in the streets but the show inside continues. Though they may not know it (and Sally would certainly never admit it), we watch the performances in Kit Kat Klub with the full knowledge of what is going to eventually happen to the majority of the people who we see on stage. (That the Emcee is played by an actor who is both Jewish and gay only serves to drive the point home.) As a result, the performances are both entertaining and ominous at the same time.
It’s easy to be critical of Sally. In fact, I think it’s a little bit too easy for some critics. Sally may be apathetic and she may be self-centered and apolitical but how different is she from most of us? With the exception of Natalia, Sally may be the only truly honest character in the film. She alone understand that life is a nonstop performance and that there’s nothing she can do to change the world in which she’s found herself. All she can do is look out for herself.
Sally and Brian eventually meet and enter into a brief ménage à trois with Max (Helmut Griem), a wealthy baron. Sally occasionally allows herself to dream of being a baroness while Brian struggles to deal with the jealousy he feels towards both Max and Sally.
Of the three of them, Brian is the only one to eventually become alarmed by the rise of the National Socialism. Sally refuses to take consider anything that’s happening outside of her own life and her own dreams. Meanwhile, Max holds the Nazis in disdain but insists that the aristocracy can control them and that the Nazis are useful for keeping the lower classes in line.
And then this happens:
This scene is one of the most important in the history of cinema and it’s one that is even more relevant today than ever. With the U.S. currently in the middle of a bitter and angry election cycle, everyday seems to bring more of the political mob mentality that this scene epitomizes. In Cabaret, the mob sang in a beer garden. In the modern world, they hop on twitter and start hashtags.
Whenever I watch Cabaret, I always think about that old man in the beer garden. He alone sits there and does not sing. He alone seems to understand.
Cabaret is a powerful and important film, now more than ever.
Okay, technically the movie doesn’t start by just showing that title card. We first get random shots of things with newspaper clippings in the background while Lori Loughlin looks at a key before we get this title card with a wacky “A” in “Sale”.
Now we see a car begin to pull up next to a house when it comes up and says “Two Years Ago”.
Hmmm….that seems a little unusual. I mean I expect a fake license plate that says “The Native State”…
but don’t movies usually start, then after showing something they cut to the present and say “Two Years Later”? No matter, a guy snoops around, there’s a lady in bed who opens her eyes, baseball cards, and somebody gets shot. Then we cut to “Present Day”.
I love that Loughlin’s shop is a real world antique shop called Country Lane Antiques in Fort Langley, British Columbia. Oh, but it gets better. The name Country Lane Antiques may sound familiar if you watched The Nine Lives Of Christmas cause Superman and McKenna from All Things Valentine ran near it.
The Nine Lives Of Christmas (2014, dir. Mark Jean)
Also, if you follow Glover Rd, which the shop is on, one block up, turn right, then go one block you will reach what used to be the Village Coffee & Tea shown in June In January.
June in January (2014, dir. Mark Griffiths)
Back to the movie though. An old friend of Jennifer’s (Lori Loughlin) comes into the store to tell her some good news. She’s closing her shop and is willing to give Jennifer first dibs on her stuff. What does Jennifer think of this?
Then Jennifer goes home to remind us that Lori Loughlin has been cast as a mother to K-12 children in four separate decades and is still believable in the role. Now we setup a Good Witch style subplot when Jennifer comes into her son’s room and makes sure we know he is good with computers.
Don’t be so hard on yourself, Jennifer! Looks like it’s just a couple of screenshots the art department sent over to be looked at using IrfanView. The one is some modeling program and the other is some Java code written in a text editor. I have to wonder why they went with an image viewer that happens to use such a recognizable mascot/icon. IrfanView is the image viewer with the red roadkill cat as it’s icon. You don’t forget that once you’ve seen it. Also, where did this code come from? You can see the name Jeff and Jeffrey in there. Makes one wonder.
Anyways, after Jennifer and her husband speak in exposition dialog to tell us more about the lady closing her shop, we get to the next day at Jennifer’s shop. Just as her husband did, Jennifer’s employee Dani (Sarah Strange) warns her about just going over to this lady’s shop and buying everything. It’s cause of this.
Look, all you need to know is that those random numbers in an Excel spreadsheet means the shop isn’t doing so well and that Dani hasn’t taken her salary for the last three months. Doesn’t matter because getting her friend’s stuff might help turn the business around. So Jennifer is off to her friend’s place called Past Perfect.
It’s also known as Sadie Ann McMurray Antiques and is located in Mission, British Columbia. The only thing better than that they left the actual phone number of the place on the building is that they gave it the same name as the database that museums and historical societies use to catalog their collections. My city’s historical society uses it.
Inside, Jennifer is in Canadian Pickers heaven. Unfortunately, she can’t possibly buy everything in there because there really is a lot of stuff. The lady tells Jennifer that’s not a problem, they should go eat, and she will explain.
They go to eat at the Mission Lighthouse Cafe, which is of course in Mission as well.
Before I explain the deal here, let me point out a humorous casting thing going on here. I am awful at remembering character’s names and even worse at going from IMDb glamour shots to the way they look in a movie so I don’t know which role Johannah Newmarch plays in this. However, I find it hilarious that she has been in three of the Garage Sale Mystery movies and happened to be in Lifetime’s The Unauthorized Full House Story.
Okay, the deal is this lady was once engaged and she thinks he ran off with another woman two years ago. She has hooked up with a new guy and has decided to move away. She remembered Jennifer and figured she’d just give her everything on consignment. Anything Jennifer happens to sell, she’s to send her 20%. Sounds like a good deal, but first we need to setup another Good Witch style subplot for Dani as they have done with Jennifer’s son Logan (Connor Stanhope).
Actress Valerie McNicol, who obviously stole my first name before I picked it out last year, comes into the store. She’s dressed up like she should be saying racist and anti-Semitic comments at a country club. She’s there to try and lure Dani away from the store. Spoiler alert! Dani ultimately declines her offer. Of course she does! Actress Sarah Strange doesn’t need what this lady has to offer. I mean she is going to be in Kindergarten Cop 2 with Dolph Lundgren after all!
Meanwhile, Logan’s subplot is playing out. I really think screenwriter Walter Klenhard may be a little bit of a fan of WarGames (1983). Just maybe. The deal here is that Logan’s friends want to break into the school’s computer system to change their grades. They want Logan’s help since apparently he’s got skillz! Even his friend’s DDOS attacks don’t work and apparently all the backdoors are closed up. It’s even got 64-bit encryption. What this means is that typing “Joshua” (the backdoor password from WarGames) won’t get you in, some technical jargon, and that apparently his friends have a bot net that they used to attack the school’s computer system. Yeah, his friends just casually mention this. To bring it down to plain terms, it means they have a bunch of computers that they have hacked so that they can use them to attack a particular computer or computers on the Internet to prevent people from reaching it and/or causing things like firewalls to crash. Hence the name Distributed Denial Of Service attacks. The school would have been all over this by now. Guess that’s better than Crackle’s movie The Throwaways (2015) where the hacker character warns a guy going into a night club that Bulgarian hackers are known for anti-virtualization. Yeah, somehow knowing that these hackers are good at writing viruses and malware that operate differently when being looked at by security professionals in order to make their jobs more difficult is important information to know when confronting them in person.
Before we return to the main plot, let’s follow this subplot to its end cause it’s kind of awesome. So with all this buildup, how does he get in? He just keeps trying passwords till he hits the right one. No explanation given. They didn’t even have him do it the same way as Matthew Broderick in WarGames. I mean sure, they couldn’t have him tell his biology teacher that his wife came up with asexual reproduction to get sent to the principal’s office and look at where they write down the password, but still. They could have done something here instead of him just typing in passwords.
He gets in and I believe his friends actually had gotten in on their own before this because what he does is go in to change their grades from A’s back to C’s. That’s an element from WarGames where Broderick changed Ally Sheedy’s grade to an A. Except here it’s done to show that he’s a good kid. Take a look at his computer screen just before he gets into the school system.
It actually says that the screenshot we are looking at is called “Logan’s hacking screen”. That’s just so great. Bravo, Hallmark! I don’t care if this was done on purpose or not. It’s a great easter egg in the movie.
So how do his friends respond to getting C’s? They want to tell the school they broke in and how they did it to become “cyber-security advisors”. That’s movie jargon for Pen Testers or Penetration Testers. They do what Robert Redford’s firm did in the movie Sneakers (1992) by having companies hire them to break into their systems, then tell them how to shore up their security to fix the holes. It’s what the infamous hacker Kevin Mitnick now does for a living. Of course he had to be saved by things like the “Free Kevin” movement to keep from being ridiculously punished by the federal government. These kids not only would get in trouble for breaking in, but would be charged with all the crimes of breaking in and setting up the bot net. I could give you Logan’s face after his friends say this, but I’m pretty sure “the stupidest person on the face of the Earth” clip from Ruthless People (1986) is still up and will do just fine.
Getting back to Jennifer, she finds out that not only does her friend have all the stuff in the store, but a barn full of stuff as well. However, Loughlin is in a series of movies made by people who are probably big fans of Murder, She Wrote. As a result, she stumbles on an underground area that even this lady says she didn’t know existed and there’s a body down there. This movie, just like Murder, She Baked: A Peach Cobbler Mystery, has a part where someone gives Jennifer the “another body!” line. Here’s what Jennifer thinks of that!
The rest plays out like the title suggests. The lady ends up getting arrested for the crime since the body turns out to be the guy she thought ran away with another woman 2 years prior. Jennifer works to figure out who really did it. The mystery is okay. It’s not too cryptic and basically tells you who did it pretty quickly. Jennifer is basically doing the Columbo thing of figuring out how this murder played out while having her strong suspicions of who it is. I’m not a mystery person, but my Dad is, and he seemed to enjoy it well enough. Of course I say this as a person who spent Super Bowl Sunday watching 7 murder mystery movies from the 1930s and 1940s. I’m weird.
There are only a couple of more things to mention. There are a few more locations that are from Mission, British Columbia. There are also a couple more computer screens, but they had nothing I think is worth noting. What I did like is the newspaper.
That story on the right is an actual story from the Calgary Herald with some of the names and facts changed. It’s actually a nice little story about a tow-truck driver who left a wallet with money he promised a friend to send to that friend’s mother in Ghana. The driver found it and turned it in. That’s why Fred Bediako considers bus driver Mustaf Gashi his hero. I wonder why they made the changes they did. I keep spotting Hallmark movies using actual articles from newspapers or official documents posted online. I wonder if they get permission, or need to, in order to use them like this.
All in all, I recommend this one. I just think they need to drop the subplots thing. That was stupid in the Good Witch movies and doesn’t need to be added here. If you want those characters to have a purpose in the story, then actually involve them in the mystery.
Just as with Meet My Mom, here’s Lori Loughlin judging me for taking too long to get to her movie.
Interestingly enough (and this is something that did not occur to me until about five minutes agp), Mulder & Scully Meet The Weremonster was also the halfway point of this 6-episode revival. I assume that both tonight’s episode and the next week’s episode are meant to set the foundation for the season finale, My Struggle II. A good deal of tonight’s episode consisted of Mulder and Scully just talking. With Scully’s mother dying in the hospital, they talked about the “big” issues of life, death, and family. They also talked about their son, William. This is the son that they gave up for adoption and which they both ususally spend a good deal of time trying not to talk or think about.
So, I’m going to make this prediction right now. It’s not a huge prediction and I’m hardly the first one to make it. You’ve probably already made it yourself. The 6th episode of season 10 — My Struggle II — will be about William. At first, I thought that William would probably be reunited with his parents during this episode but, narratively, that’s short-sighted and way too easy. Instead, I imagine that season 10 will end with either Scully or Mulder announcing that he or she is going to find their son and rescue him from whatever conspiracy has gotten its hands on him.
And that search will lead to Season 11 and perhaps every season after that. It’s a search that will go on until Fox decides to cancel the show for a second time. And I’ll be watching as Mulder and/or Scully search for William because, despite my initial skepticism, The X-Files has captured me. Though I still sometimes strain to understand what they’re saying and I’m starting to get seriously concerned about my hearing, I’ve grown to love the chemistry between David Duchovny and Gillian Anderson. That chemistry was on full display in tonight’s episode. If last week’s episode featured Duchovny at his deadpan best, this episode was all about Anderson. It was heart breaking to watch her as she struggled to deal with her mother’s death and the legacy of her fractured family.
As for this week’s monster — well, the Trashman was no Weremonster but he was still scary enough to make me go, “Agck!” whenever he showed up and he helped to turn Downtown into an unlikely but powerful anthem of doom. As well, whenever he popped out of the back of that trash truck, I was reminded of the final scene of Once Upon A Time In America and that’s always a good thing.
(Seriously, Once Upon A Time In America is such a good movie!)
Overall, it was a good episode and I look forward to seeing what happens next week. Also, I’m going to keep referring to William as “Sculder” until that becomes his official nickname. It may not happen tomorrow but give me two years and Sculder will a trending topic.
Kozy Books was a New York-based publishing firm that operated during the late 50s and early 1960s. Using the tagline “Cozy up with Kozy Books,” they specialized in publishing “adult fiction.” A typical Kozy book cover featured an attractive and active woman in the foreground being watched by a passive man in the background. Unfortunately, Kozy Books never credited the artists who painted their covers so if you know who was responsible for the covers below, please let us know in the comments!
So, as our longtime readers know, the only reason I ever watch the Super Bowl is for the commercials. Every year, I post my 6 favorite Super Bowl commercials. Now, I have to be honest, it’s hard to pick 6 from this year’s crop. This was a seriously bland year! There were no sexy commercials. There were no secretly subversive commercials. There were no commercials so offensive that I simply had to post them just to be annoying.
Instead, we got stuff like the Super Bowl Babies. And I know that a lot of people loved the Super Bowl Babies but … bleh. Seriously, it was a really creepy and kind of annoying commercial and I refuse to believe that anyone actually enjoyed it. I think people saw the babies and thought, “Oh, I have to enjoy this or else it means I don’t love babies.” The babies were cute but the commercial was super creepy.
And then there was this stupid Puppy Monkey Baby thing. What the Hell was that supposed to be!?
I have to say — if I was going to have a pet that was half baby, that’s not the half that I would want.
Anyway, I did finally manage to come up with 6 that I did like. And here they are! Please understand that being include on this list does not mean that this site or any author of this site is saying that you should use any of the services or products being advertised. In fact, seeing as how we’re not getting any money for highlighting this excellent commercials, I would suggest that you not use anything featured in these commercials.
Here are the commercials:
6) Coca-Cola: Little Marvels
Those little minicans drive me crazy and I refuse to allow them in either the house or here at the TSL offices. Just a few days ago, Leonard try to stock some in the break room fridge and I spent the next few hours pouring them all out on the floor just to make a point! But, taking all that into consideration, I still like this ad because … well, Ant-Man’s cute.
5) Kia: Walken Closet
I liked this one because it featured Christopher Walken and … well, that’s pretty much the only reason. But it’s a good reason! If nothing else, it kept me from thinking about how much I hate car commercials. I hope Walken does a truck commercial next because I want him to explain what torque means.
4) T-Mobile — Drop The Balls
I liked this one because 1) Steve Harvey has a good sense of humor about traumatizing Miss Colombia and 2) it makes fun of Verizon. Seriously, Verizon commercials are so smug! Anyway, you tell them, Steve and keep praying for all us heathens.
3) Avocados From Mexico: Avos In Space
I really enjoyed this ad. I’ll probably hate it after I see it another 100 times but for now, good job!
2) Prius: Getaway Car
I’m still trying to get the Dazzling Erin to buy a Prius so I can make fun of her for getting one. But, after seeing this commercial, I now understand that a Prius is also a great car to own if you’re planning on fleeing from the police. Seeing as how I always root for the guy being chased whenever there’s a high-speed police chase, I appreciated this feature of the car. Add to that, I love the way that the Prius 4 become celebrities because that’s exactly what would happen in real life.
1) T-Mobile: Restricted Bling
It’s Jimmy! And he can walk again!
And that’s it for this year! Next year, advertisers, let’s bring back the sexy and the pretentious, okay? It’ll make it a lot easier to make out a list.
Okay, one more Super Bowl movie preview to go! Here’s the Super Bowl TV spot for Independence Day: Resurgence! Here’s hoping the aliens win this time and blow up the whole damn planet…
Here’s the Super Bowl TV spot for 10 Cloverfield Lane! I have to admit that, after some initial skepticism, I am really looking forward to this film. It’s got a great cast and it looks intense!
Through the Shattered Lens 