International Weirdness : “Ejecta”


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

ejecta

I wanted to like this one. I really did.

When I heard that Tony Burgess, writer of Pontypool (as well as the novel on which the film was based, Pontypool Changes Everything) was back with a new independent Canadian horror effort called Ejecta, and that it was going to star one of my all-time favorite Great White North actors, Julian Richings, I was stoked. And when I heard it was going to be about one man’s “possession” (for lack of a better term) by an unseen alien intelligence, I was even more stoked. After all, Burgess had pulled off the “off-camera monsters” bit so well with the just-mentioned earlier flick that I figured, hey, this must be a new sub-genre of his own creation that he is setting out to be the absolute lord and master of. Seriously — what could possibly go wrong?

Sadly, it turns out…

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Film Review: Shaun The Sheep (dir by Richard Starzak and Mark Burton)


Shaun_the_Sheep_MoviePosterIf you want to see a film that will truly make you happy and actually give you a reason to feel optimistic about the future of civilization, then you simply must see Shaun The Sheep, the new stop-motion animated film from Aardman Animations, the same people behind Wallace and Gromit.

The film tells the story of Shaun, a sheep who lives on Mossy Bottom Farm.  Though Shaun and the other sheep have a good relationship with both the farmer and the farmer’s dog, Bitzer, Shaun still finds himself growing bored with the monotonous routine of life on the farm.  He wants to take a day off and go down to the Big City.  (It’s even identified as being the “Big City” on a nearby road sign.)  Shaun comes up with a plan.  He and his fellow sheep trick the farmer into watching as they jump over a fence.  The farmer falls asleep.  They put the farmer in a trailer, the inside of which they’ve disguised to look like the farmer’s bedroom.  The farmer will sleep through the day and, by the time he awakens, Shaun will have returned from the Big City.

And it’s actually a pretty good plan but we all know what they say about the best laid plans of sheep and men.  The trailer ends up rolling away, eventually reaching the city.  Once the farmer wakes up, he gets a blow to head that causes him to develop amnesia.  However, despite not knowing who he is, the farmer has enough vague memories of shearing the sheep that he quickly finds work as a hair stylist.  Working under the name “Mr. X,” the farmer is soon a minor celebrity himself.

Discovering what the sheep have done, Bitzer goes to the city to search for the farmer.  When he doesn’t return, Shaun and the other sheep come to realize how much they actually did like life with the farmer.  They go to the city themselves, searching for both the farmer and Bitzer.  However, once they arrive, they find themselves being stalked by A. Trumper, a fanatical animal control worker.

(Shaun the Sheep is a remarkably good-natured film, with almost every human and animal being kind at heart.  Trumper is the only exception.)

Can Shaun protect the other sheep from Trumper?  Can they track down Bitzer and the farmer?  Will the farmer ever remember the simple joys of country life or will he live the rest of his life as Mr. X, hair stylist to the stars?  You’ll have to watch Shaun the Sheep to find out!

And you really should watch it!  Shaun the Sheep is one of the most delightful films that I’ve seen in a long time.  It’s the perfect movie for kids but, at the same time, it’s smart enough that adults will be able to enjoy it as well.  Yes, a huge part of the film’s appeal is that Shaun is just so cute!  But, at the same time, this cheerful animated film also manages to work in homages to everything from The Great Escape to Silence of the Lambs.  My personal favorite of the film’s many in-jokes was a nod to The Night of the Hunter and no, I’m not going to spoil it for you here.  Why?  Because I want you to see this movie and I want you to have the same joy of discover that I did!

This is a movie that will make you laugh and yes, it will make you cry.  Most of all, Shaun the Sheep is a delightful film!  See it!

Val’s Movie Roundup #18: Hallmark Edition


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Mystery Woman: Game Time (2005) – For those of you counting. This is my 7th Mystery Woman film. I believe that leaves me four more to see. As for this one, it’s average, which is honestly the best you can expect from most Hallmark movies. Although, my cable box seemed to disagree as the plot summary it gave me described it as a “humdrum whodunit.” In a string of Hallmark movies that screw up computer stuff, this one revolves around a computer game so it has it’s humorous moments.

It starts right off with one of them. A guy comes up to Kellie Martin in the bookstore and tries to show her a computer game mystery to sell in her store. Oh, and I’m getting really sick of the establishing shots of the bookstore in these movies. Do they honestly think we’ll be confused if they just cut to the inside? They show it over and over throughout the movies. But back to the plot. After identifying himself as working in the game business. Kellie Martin comes right out and gives a line that probably came right from the mouth of a politician in the early 90’s getting angry about the game Night Trap without actually knowing anything about video or computer games. She says they are “hours of mind-numbing glee watching some non-human kill and maim everything in it’s path.” I know she comes around over the course of the film, but Martin’s character is plenty young enough to know better. It’s a little ridiculous. But not as ridiculous as what he then says. He says he just “created the world’s very first computer game mystery.” Wow! That must have been news to Her Interactive who had been making Nancy Drew games for years prior. Not to mention going way back to the Sierra games and beyond. I played mystery games all the time as a kid in the 80s.

Then we meet a reclusive author played by William Katt. That’s right! The Greatest American Hero is in this and they kill him off in short order. What a shame. He should have been wearing the suit. He was asphyxiated, which according to this film either means poison or strangling. Honestly, I don’t remember one person saying that he couldn’t have just choked on a piece of a hot dog. What follows starts simple then turns to lunacy that I kind of expect from a movie made in 2005.

We do get to the see the game! It actually looks pretty cool. Seems to have around 35 levels, a trained killer squirrel, and you get to throw a cat at someone pointing a gun at you. That’s kinda cool. However, this game is treated like it’s some unpublished manuscript by an extremely well known author. We often buy that one of those will be worth millions to people, but an unreleased computer game mystery in 2005 is a little ridiculous. Even if they stop to give us an anti-piracy speech about all the money that is made pirating movies and games and tie it back to the Russian mafia with chemical weapons. Fresh off of Napster for this movie! There is also a speech equating playing games to drug addiction. The ending tries to tell us it was just meant to be humorous, but I don’t completely buy that.

There’s also some stupid scenes with Clarence Williams III doing tech stuff. He actually points to a screen that is basically white and reads off of it. It’s clear as day and they linger on it too with Martin coming up to join him and look at it. Then there’s the part where he opens up the hard drive that apparently took blows from a hammer, but it is in pristine condition. Then he describes computer forensics as not being hacking, but then uses a hard drive recovery tool called “H.A.C.K. v7.02”. He also throws around some hard drive jargon. It’s all kind of embarrassing.

But not as embarrassing as when Hallmark actually censored the word “butt” when Williams said “pain in the butt”. He says it. You can clearly see his lips. But the movie goes silent on that word then cuts to Martin. That seems a bit much and makes me wonder if it originally aired that way or if they actually received complaints about it.

Oh, well. This is average, but fun to laugh at the computer and gaming stuff.

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The Color of Rain (2014) – Isn’t it purple? I mean the title screams either The Color Purple, Purple Rain, or just self-important title. Anyways, this is about what happens when cancer kills off a wife and a husband, then have the widows and their children spend time with each other in a Hallmark movie. Yep, I could stop right here, but there a couple of things to mention.

It is boilerplate melodrama. It definitely relies on gender stereotypes. It’s either a Dad thing or a Mom thing or a boy thing with this movie. Couldn’t the poor guy at least know how to do his laundry? I know it’s based on real events as adapted from a book based on those real events, but please. And the kids really needed a little personality. They basically act like they are objects rather than kids. They just do what the plot tells them to do. It’s kind of annoying. It is a little heavy on the religious part, but that’s really not that bad except there is one scene where they are singing with the kids and oh my God, it’s 7th Heaven all of a sudden. Unfortunately, no one finds a joint then acts like a mass murder has happened.

Only two other things are worth mentioning. Near the end the tone shifts rather suddenly concerning their relationship, but then shifts right back without much resolution. They needed to iron that out more. The other thing is awesome. There is a scene where the two are emailing each other and I swear, I believe Lacey Chabert was using Linux. In particular some generic looking version of Ubuntu. Lacey Chabert using Linux in a Hallmark movie is pretty cool to me.

Hopefully you know what you are getting in terms of the content, but this is the quality of production you should demand from the Hallmark Channels. This is what I thought their movies were like till I actually started watching them. I’m up to 63 of them now.

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A Way Back Home/Shuffleton’s Barbershop (2013) – I don’t have much to say about the last two films. This has a troubled singer returning to his hometown only to find that the barber played by Danny Glover who was basically a surrogate father to him is dead. The singer had left town years prior angry about his father, his father’s relationship with his mother, and his brother in the military. I’m not sure if the brother was dead already when he left or not, but he’s gone by the time he comes back. Of course there are two ladies involved in this. This isn’t one where a romantic interest could be absent.

The movie as a whole is just kind of nice. You just sort of spend time with the singer and the folks in town with plot points revealing themselves whenever it’s convenient. Then before you know it, the movie is over. If it were a horror movie, then he would have discovered Glover dead and sought revenge on the town with Glover’s ghost egging him on. It’s close, except instead of revenge, it’s reconciliation with Glover’s ghost and the singer’s recollections of him egging him on.

This one’s okay, but easily forgettable.

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Undercover Bridesmaid (2012) – All you really need to know is that Brooke Burns is ordered to go undercover as a bridesmaid. She is confronted with overt female stereotypes even by Hallmark standards. But she doesn’t descend into Tasha Yar in a dress territory. Thank goodness! They just have her be the way she seems to naturally be in the Gourmet Detective movies and on The Chase. Just a little out of her comfort zone. She is put undercover because someone has made threats to carry out something bad during the wedding.

Really there’s only one more thing I think of that you should know. When I got to the wedding at the end, I thought I must have missed the resolution and was going to rewatch. If you find yourself thinking that, then don’t worry, cause you didn’t. It’s still going to happen.

This one is perfectly harmless. You’re better off with The Gourmet Detective movies, but this was better than Fixing Pete.

Insomnia File No. 5: Black Ice (dir by Neill Fearnley)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!

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If you were having trouble getting to sleep last night at 2 a.m., you could have turned over to Indieplex and watched Black Ice, a Canadian thriller from 1992.

Why is the film called Black Ice?  Well, that’s a good question.  There’s a lot of snow and ice to be seen in the film but absolutely none of it is black.  According to the imdb, this film was also released under the title A Passion for Murder.  I have to admit that I kind of like A Passion For Murder as a title, simply because it’s so generic and empty that it becomes oddly brilliant.  If you were making a parody of the type of movies that Netflix usually lists in the “steamy thriller” category,  A Passion For Murder is probably the title that you would come up with.

But, as for this film, it opens as all thrillers from the early 90s must, with a man in a suit meeting his clad-in-black-lingerie mistress in a hotel room.  The man in the suit is an up-and-coming senator.  His mistress is the mysterious Vanessa (Joanna Pacula).  When Vanessa pressures him to leave his wife, the senator gets mad and leaves.  Vanessa goes back to her apartment, where she is soon visited by the senator.  She and the senator get into a fight.  She shoves the senator into a window, which shatters and promptly kills the senator.

Meanwhile, Ben Shorr (Michael Nouri) is barely making a living as a taxi driver.  He’s an aspiring writer and, just in case we had any doubts about his intellectual bona fides, he has a pony tail and talks almost nonstop.  (Ben also owns a goldfish that he’s named Travis, as in Taxi Driver‘s Travis Bickle.)  Ben is pretty annoying and when he picks up Vanessa, you’re kind of hoping that she’ll end up killing him like she killed the senator.

But no, it turns out that Ben is supposed to be our hero.  Vanessa asks Ben to drive her from Detroit to Seattle.  And, of course, Ben agrees because … well, there wouldn’t be a movie otherwise.

It turns out that Vanessa is actually a secret agent.  She was supposed to seduce and eventually marry the senator.  Now that she’s accidentally killed him, her supervisor, Quinn, is determined to kill her.  Because this movie was made in Canada, the villainous Quinn is played by Michael Ironside.

The rest of the film is basically Quinn chasing Ben and Vanessa across the northwest.  Along the way, Vanessa and Ben fall in love.  One huge problem with Black Ice is that the audience knows everything about Vanessa before Ben does.  There are a lot of scenes of Ben trying to figure out why Quinn is pursuing Vanessa but, since we already know why, those scenes mostly feel like filler.  If  Vanessa had been as much of a mystery to the audience as she was to Ben for most of the film’s running time, Black Ice probably would have been a bit more intriguing.

As it is, Black Ice is pretty much a standard, low-budget chase film.  Michael Nouri is pretty annoying but Joanna Pacula and Michael Ironside both give good performances.  It snows throughout the entire film and there’s a few genuinely impressive shots of the three main characters running across the icy landscape.  Otherwise, Black Ice is pretty forgettable but it also doesn’t require much thought, which might make it an appropriate film to watch if you’ve got insomnia.

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Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover

Spooky Screwballs: THE INVISIBLE WOMAN (Universal, 1940)


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THE INVISIBLE WOMAN usually gets lumped in with Universal Picture’s monster movies, but has more in common with BRINGING UP BABY or MY MAN GODFREY. In fact, it’s one of my favorite screwball comedies. There are no scares in THE INVISIBLE WOMAN, but there sure are a lot of laughs!

When rich playboy Dick Russell (John Howard) discovers his wild lifestyle has left him flat broke, he has to quit funding eccentric Professor Gibbs (John Barrymore).  The crackpot inventor takes an ad in the paper looking for a “human being willing to become invisible…no remuneration”. His ad is answered by Kitty Carroll (Bruce), a model always at odds with cruel boss Growley (perennial sourpuss Charles Lane). Kitty answers the “call to adventure”, and is given an injection, then placed in the professor’s invisibility machine (“It tickles!”)

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The experiment’s a success, and invisible Kitty seeks revenge on Growley for herself and all working girls in a hilarious scene. Meanwhile…

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4 Shots From 4 Films: From Russia With Love, Zardoz, Highlander, First Knight


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films.  As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This edition of 4 Shots From 4 Films is dedicated to Sean Connery, on the occasion of his 85th birthday!

4 Shots From 4 Films

From Russia With Love (1963, directed by Terrence Young)

From Russia With Love (1963, directed by Terrence Young)

Zardoz (1974, directed by John Boorman)

Zardoz (1974, directed by John Boorman)

Highlander (1986, directed by Russell Mulcahy)

Highlander (1986, directed by Russell Mulcahy)

 First Knight (1995, directed by Jerry Zucker)

First Knight (1995, directed by Jerry Zucker)

The Sixth Annual Academy Awards: 1919


At the 1919 Academy Awards, Evelyn Preer makes history, Harry Houdini is rewarded for playing himself, and Bolshevism goes on trial!

Jedadiah Leland's avatarThrough the Shattered Lens Presents The Oscars

Attorney General A. Mitchell Palmer Attorney General A. Mitchell Palmer

In 1919, as the Spanish Flu continued to infect and kill millions, the world tried to recover from World War I.  After spending six months at the Paris Peace Conference, President Woodrow Wilson returned to the U.S. and launched an ultimately unsuccessful campaign to bring the United States into the newly formed League of Nations.  On September 25th, while barnstorming across the nation in support of the League, a physically exhausted Wilson collapsed and never truly recovered.  On October 2nd, a stroke left him partially paralyzed and blind in one eye.

Even before Wilson’s physical collapse, the U.S. population had reason to feel uncertain about the future.  On January 6th, the wildly popular Theodore Roosevelt died in his sleep.  Before his death, Roosevelt had been widely expected to run for President in 1920 and hopefully return the U.S. to the peace and prosperity…

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Film Review: The Thief Who Came To Dinner (1973, directed by Bud Yorkin)


0033bee5_mediumIn The Thief Who Came To Dinner, Ryan O’Neal plays Webster McGee, a Houston-based computer programmer.  After deciding that living in a capitalist society means that everyone steals from everyone else, Webster quits his boring job and decides to become a real thief.  Figuring that they can afford to lose a little wealth, Webster only targets the rich and powerful.  After he steals some incriminating documents from a crooked businessman (Charles Cioffi), Webster uses those documents to blackmail his way into high society.  Soon, Webster owns a mansion of his own and is living with a gorgeous heiress (Jacqueline Bisset, who played a lot of gorgeous heiresses back in the day).  Webster also has an insurance investigator after him.  Dave Reilly (Warren Oates) knows that Webster is a thief but he also can not prove it.  As Dave obsessively stalks him, Webster plots one final heist.

Until I saw it on TCM on Monday, I had never heard of The Thief Who Came To Dinner.  Directed in a breezy style by Bud Yorkin, The Thief Who Came To Dinner was an early script from Walter Hill.  Though the film is much more comedic than his best known work, it’s still easily recognizable as coming from Hill’s imagination.  The obsessive Dave and the coolly professional Webster are both prototypical Hill characters and their adversarial yet friendly rivalry would be duplicated in several subsequent Hill films.

The Thief Who Came To Dinner is an engaging movie that doesn’t add up to much.  The normally stiff Ryan O’Neal gives one of his better performances, though he struggles to hold his own whenever he has to act opposite the far more energetic Warren Oates.  Ned Beatty, Gregory Sierra, John Hillerman, Michael Murphy, and Austin Pendleton all appear in minor roles, making the film’s cast a veritable who’s who of 70s character actors.  And, of course, the film features Jacqueline Bisset at her loveliest.

The Thief Who Came To Dinner may not be well-known but it is an enjoyable and satisfying piece of 70s entertainment.