Review: The Walking Dead S5E15 “Try”


TheWalkingDeadS5E15

“It’s their world, we’re just living in it.” — Enid

[spoilers within]

Tonight’s episode of The Walking Dead marks the penultimate one for the show’s fifth season. It has been a season that’s seen the series remain on a consistent high. It still had some episodes which fell a bit flat, but overall season 5 has been the show’s best and delivered on showrunner Scott M. Gimple’s promise to keep the story moving forward.

The episode begins with a cold opening that shows the aftermath of the deadly supply run to the solar factory warehouse in the previous episode. We have to stories being told. There’s Glenn still haunted by having to witness Noah’s death by zombies very up close and personal. We see him tell Rick about how he and the others made a mistake and how it led to the deaths of Aidan and Noah. He feels responsible and hopes that it doesn’t ruin their chance in making the Alexandria experiment work. He still believes in the concept that is the ASZ (Alexandria Safe-Zone) and even Noah’s death doesn’t budge him from that belief. Rick, on the other hand, only sees danger and trouble when it comes to the ineptitude of the Alexandrians. His fears and doubts about whether the Alexandrians can pull their weight when it comes to keeping everyone safe has been confirmed.

Deanna, on the other hand, hears a different tale from Nicholas. It’s a tale of how it was he who tried to save Aidan and not leave him behind. It was Glenn who distracted and caused the death of Aidan and whose bloodthirsty attitude got Noah killed. Nicholas spoke about how he would never leave Aidan, his friend, behind and even included newcomer Tara as someone he tried to save. There’s some hints that Deanna has a sense that Nicholas wasn’t telling her the truth of what happened, but we don’t get to hear her voice out these doubts.

“Try” is a very appropriate title for tonight’s episode. We see several characters attempt to try and find a way to make the combination of Rick’s people and the Alexandrians co-exists together peacefully. Glenn, despite what some of these Alexandrians have done, still believes that they need to make Alexandria work. It’s their last chance to go beyond just existing and surviving but actually living life. He’s become the show’s moral compass (hopefully not a death sentence) now that Hershel and Tyreese are gone. Yet, unlike the previous moral compasses in the show, Glenn does understand that sometimes pragmatism must rule the day above all else. He just believes that Alexandria needs a chance to survive the growing pains of their group’s arrival.

Another of Rick’s people trying to make it work is Michonne. She’s had her time in exile in the wilds of this new and dangerous world. Her survival to this point has been in part due to those solitary months on her own with only herself to keep safe. Yet, she has also found out that being alone was a detriment to her psyche’s well-being and finding Rick and his people was what ultimately saved her not just from the zombies but from her own self-destructive ways.

She sees what’s happening with Sasha. A friend and fellow survivor deep in the midst of PTSD who has lost so much in such a short period of time that she hasn’t had the chance to take in and accept those losses let alone mourn them. Michonne understands what Sasha is going through but also realizes that they need her for what’s to come. Michonne wants to make Alexandria work and instability brought on by Sasha’s death wish and Rick’s inability to trust the Alexandrians will only make that prospect harder to achieve.

It is no surprise that the episode ends with Michonne taking control of a situation brought on by Rick’s blunt force behavior in trying to convince the Alexandrians that the way they were doing things were not going to work going forward. Michonne’s belief in the Alexandrians’ survival skills might mirror Rick’s own thoughts on the matter, but where Rick wants a confrontation to be the catalyst of change she seems more than willing to lead by example.

On the other side of things are Rick and Deanna looking to be at loggerheads about what’s truly best of Alexandria. It’s easy to take Rick’s side that the way Deanna and the rest of the Alexandrians have been doing things were just not going to cut it in this new world. It’s a world that Rick and his people have experienced first-hand and lost people along the way, but in the end have survived all it has thrown at them. Deanna, on the other hand, still believes in the rule of law and order, civilization over anarchy. She doesn’t believe in killing those who could be a danger to the ASZ (like Peter who also happens to be the lone physician and surgeon), but instead would rather exile them out into the wilds.

It’s a way of doing things that Rick sees as another way of putting the ASZ in danger. Deanna doesn’t think so and this clashing of philosophies on how things should be done looks to be one that’s heading into a confrontation that puts everyone in danger. Neither side seem willing to try and compromise and find a way to make the two groups con-exist. No attempt to allow the Alexandrians to learn from what Rick and his people could teach them to be better survivors. No attempt from Rick and those who believe him to adjust to this new life. A life that they see as a danger in itself. They see Alexandria’s walls as something that could make them soft and distract them from surviving.

So, we have the extended season finale next week and the question of whether Rick is too far gone to stay in Alexandria will be one of the questions that need answering. Will the group have to suffer through another loss of one of their own for the Alexandrians to finally realize that their survival before Rick and his people arrived have been through blind luck not through the civilizing rule of Deanna? Will Rick and the others just leave Alexandria or will the group finally splinter-off from those wanting to try and make it work and those unable to?

Then there are those zombies with the “W” cut into their foreheads looking to crash the party.

Notes

  • Tonight’s episode of The Walking Dead, “Try”, was directed by Michael E. Satrazemis and written by series veteran Angela Kang.
  • “Keep walking” has become Rick’s version of Carol’s “look at the flowers”. Pete should’ve been sprinting away the moment Rick uttered those wordsa at him with those Rick dead-eyes.
  • Nine Inch Nails’ “Somewhat Damaged” plays during the episodes cold opening and was a nice reminder that both groupsm Rick’s and the Alexandrians, have been damaged in some fashion since the start of the zombie apocalypse.
  • Still wondering how Nicholas knew about the Glock Rick hid in the blender out in the woods (Nicholas was in the ASZ when Rick and the group arrived). Is there someone outside the walls that told Nicholas of the hidden pistol?
  • Talking Dead guests tonight are Yvette Nicole Brown (Community), series executive producer Gale Anne Hurd and Chandler Riggs (Carl Grimes of The Walking Dead)

Season 5

 

What Lisa Watched Last Night #118: Stalked By My Neighbor (dir by Doug Campbell)


Last night, I watched the latest Lifetime original movie, Stalked By My Neighbor.

stalked-by-my-neighbor-katrina-norman

Why Was I Watching It?

Well, of course, the obvious reason was because it was on Lifetime and I love Lifetime movies.  But, even if I wasn’t a Lifetime movie addict, I probably would have watched Stalked By My Neighbor.  Stalked By My Neighbor is a great title.  Whenever you see a Lifetime movie with the word “Stalk” in the title, you know that it’s going to be a good one.

What Was It About?

It’s a Lifetime homage to Rear Window!  Jodi (Kelcie Stranahan) and her mother (Amy Pietz) move to the suburbs.  A talented photographer, Jodi is still struggling to deal with the after-effects of a horrifying home invasion.  Hiding out in her bedroom, Jodi watches her new neighborhood through the lens of her camera and eventually comes to believe that she may have witnessed the murder of a neighbor (Kelly Packard).  While the police suspect that the murderer was the cute boy who lives next door (Grant Harvey), Jodi suspects that it may have actually been the dead woman’s niece (Katrina Norman).  Soon, Jodi, camera in hand, is stalking her neighbors and trying to solve the mystery.

What Worked?

Stalked By My Neighbor was directed by Doug Campbell, who earlier this year gave us Sugar Daddies.  As I previously stated in my review of Sugar Daddies, Campbell is one of the better filmmakers to regularly make films for Lifetime.  (He also directed several of my favorite ….At 17 movies.)  Much as he did with Sugar Daddies, Campbell strikes just the right balance between melodrama and realism.  As both director and screenwriter, he pushes the story as far as it can go without allowing things to go overboard.  The end result is a very entertaining film that is the epitome of why people like me love Lifetime movies.

Kelcie Stranahan was well-cast as Jodi and she had a lot of chemistry with Grant Harvey.  As well, she and Amy Pietz were totally believable as mother-and-daughter.  Wisely, while the film had a lot of fun with the more melodramatic elements of the mystery plot, Jodi’s PTSD was played totally straight and Stranahan did a great job of capturing Jodi’s fragile mental state.  By the end of the film, Jodi is a role model for survivors everywhere.

What Did Not Work?

It all worked.  This was Lifetime moviemaking at its best!

“Oh my God!  Just like me!” Moments

I totally related to the character of Jodi, which is a huge reason why I enjoyed the movie.  Towards the end of the film, Jodi had a fight with her mom and ended up getting grounded.  Afterward, Jodi made it a point to elaborately apologize and then, as soon as her mom left the room, Jodi was sneaking out the bedroom window.  That one scene pretty much epitomized my senior year of high school.

And really, the relationship between Jodi and her mom was the main reason why I loved Stalked By Neighbor.  Don’t get me wrong.  The mystery was fun.  Grant Harvey was cute and the scene where he dances with Jodi was really well done.  But ultimately, the film worked for me because I related so much to Jodi and I saw so much of my mom in her mom.

Lessons Learned

If you think you’re neighbor might be a murderer, always make sure you have an extra memory card for your camera.  (Seriously, watch the movie.  It’ll make sense.)

The Daily Grindhouse: Cruel Jaws (dir by Bruno Mattei)


"Whattya say we go hunt some freaking sharks?"

“Whattya say we go hunt some freaking sharks?” (picture credit: Mondo Exploito)

Believe it or not, Samson vs. The Vampire Women was not the only bad film that I watched with the Late Night Movie Gang on Saturday night.  We also watched a movie from 1995 that was called Cruel Jaws.  You might be able to guess from the title that the film is a rip-off of Jaws but this is no ordinary rip-off!  This is literally the worst shark movie that I’ve ever seen.

And yet, it was so bad that it was also oddly fascinating.  Listen, any director can rip-off Jaws.  It happens all the time and, for the most part, the majority of Jaws rip-offs are forgettable.  It takes true talent to make something like Cruel Jaws, a film that is so terrible that it cannot be forgotten!

After watching Cruel Jaws, I was inspired to look it up on the imdb and I was not particularly shocked to discover that it was directed by the infamous Italian filmmaker Bruno Mattei.  Given that Mattei was notorious for reusing footage from previous films, I figured that I would reuse a paragraph that I originally wrote for a review of his 1984 film, Rats: Night of Terror:

“While it’s generally agreed that Mattei was responsible for making some of the worst films in history, I’ve always had a sneaky admiration for him.  It’s hard not to love someone who defies the odds while pursuing his dream.  Mattei’s dream was to make movies and he never allowed a thing like budget or talent to stand in his way.  While Mattei is best known for taking over the direction of Zombi 3 after Lucio Fulci walked off the set, he was a prolific director who dabbled in every genre.”

If nothing else, Cruel Jaws was definitely a case of Mattei defying the odds.  Critics might point out that the film is basically a scene-for-scene remake of Jaws that even features some of the exact same dialogue.  Mattei says, “So?  I’ll call the movie Cruel Jaws and we’ll pretend it’s a sequel.”  Critics might say that no one in the film can act.  Mattei says, “So?  I’ll just make my hero a guy with platinum blonde hair and a Fu Manchu mustache and you’ll be so busy staring at him, you won’t even notice that he can’t act!”  Critics might point out that Mattei made a film about a killer shark without actually investing in a shark.  Mattei says, “So?  I’ll just use stock footage and lift a lot of scenes from other shark movies!”  Critics might complain that all of the stock footage and lifted scenes are edited together in such a haphazard way that the film is next to impossible to follow.  Mattei says, “Shut up and listen to the score, which I literally lifted from Star Wars and Indiana Jones.”  Critics might suggest that all of this involves some sort of copyright violation.  Mattei says — well, by this point, Bruno would probably have left the building to count his money and have a good laugh.

"Check out that shark stock footage!"

“Check out that shark stock footage!” (picture credit: Mondo Exploito)

What really makes Cruel Jaws interesting is that, while 90% of the film is lifted from other films, the 10% that isn’t is truly weird.  For instance, the film’s hero is named Dag Snerson and he owns a water park that is apparently made up of exactly two dolphins and a sea lion.  His daughter is probably the most cheerful wheelchair-bound child ever.  There’s a subplot involving the mafia.  Two girls start yelling “Dickbrain” at two boys that they like.

It’s all pretty bad and pretty weird but it’s pure Bruno Mattei and therefore, it’s all oddly forgivable.

And guess what?

You can watch Cruel Jaws below!

http://www.youtube.com/watch?v=_eg6y0iO8WA