Halloween’s coming to an end. Actually, here in America, it’s come to an end everywhere except on the west coast. What better way to bring our annual Horrorthon to a close than spending a few minutes with Vincent Price and the Raven?
Unfortunately, I don’t know exactly when this was filmed. But no matter! It’s Vincent Price reading Edgar Allen Poe!
Today, I present to you one of the most important films in horror history. Though it wasn’t appreciated when it was first released back in 1964, The Last Man On Earth was not only the 1st Italian horror film but George Romero has also acknowledged it as an influence on his own Night of the Living Dead.
It’s easy to be a little bit dismissive of The Last Man On Earth. After all, the low-budget is obvious in every scene, the dubbing is off even by the standards of Italian horror, and just the name “Vincent Price” in the credits leads one to suspect that this will be another campy, B-movie. Perhaps that’s why I’m always surprised to rediscover that, taking all things into consideration, this is actually a pretty effective film. Price does have a few over-the-top moments but, for the most part, he gives one of his better performances here and the black-and-white images have an isolated, desolate starkness to them that go a long way towards making this film’s apocalypse a convincing one. The mass cremation scene always leaves me feeling rather uneasy.
The film is based on Richard Matheson’s I Am Legend and no, it’s nowhere as good as the book. However, it’s still a worthy adaptation and one that stays true to the tone of the text, including the fact that Price’s main tormenter was also once his neighbor and best friend. This is one of those films that just hits differently in the wake of 2020’s COVID hysteria.
And now, it’s time for The Last Man On The Earth….
I saw that today is the 100th birthday of one of the few men to have actually earned the right to be called the “King of Late Night,” Johnny Carson. In honor of the occasion and the month, here’s Johnny interviewing Vincent Price.
This clip is from the September 27th, 1973 episode of The Tonight Show. Vincent was on the show to promote his upcoming movie, Theatre of Blood. During the interview, he also discussed Boris Karloff and Peter Lorre. This clip features two class acts at their best.
One of the great things about the original, 1958 version of The Fly is that, even though it starred Vincent Price, Price didn’t play the Fly. Instead, for once, Price was allowed to be the voice of reason, the guy who said, “Maybe don’t mess around with the laws of time and space.”
Today’s scene that I love is from the ending of the original Fly. Supposedly, Price had a hard time filming this scene because whenever he heard the recording of David Hedison crying out, “Help me!,” he would start laughing. Still, if you know what spiders actually do to the flies that they capture, you can’t help but sympathize with our misdirected scientist in the web. Destroying him with a rock was probably the most merciful thing that anyone could do.
First released in 1959 and starring the great Vincent Price, the original House on Haunted Hill is a bit of a Halloween tradition here at the Shattered Lens.
The House on Haunted Hill features Price as a millionaire who invites five people to a party that he and his wife are throwing in a supposedly haunted house. Price explains that anyone who can actually make it through the entire night will receive $10,000. (That’s the equivalent of a $110,000 today.) Is the house truly haunted? The groundskeeper (Elisha Cook, Jr.) certainly seems to think so!
This is a classic haunted house movie, featuring Price at his best and a number of genuinely fun twists. Even if you’ve seen it a hundred times, you need to watch it again. Here is …. THE HOUSE ON HAUNTED HILL!
As my readers probably know, I’m one of actor Charles Bronson’s biggest fans, and I’m always on the lookout for venues showing his films on the big screen. In the summer of 2024, the Ron Robinson theatre in downtown Little Rock screened the 1953 Vincent Price classic, HOUSE OF WAX, which features Bronson in one of his earliest on-screen roles. It was so early, he was still being billed as Charles Buchinsky! Of course I wasn’t going to miss it!
HOUSE OF WAX stars Vincent Price as Professor Henry Jarrod, a talented wax sculptor in early 20th-century New York City. Jarrod’s museum, which features historical figures that look amazingly lifelike, is his pride and joy. However, his business partner, Matthew Burke (Roy Roberts), has grown impatient with his investment and decides he wants to burn down the wax museum for the insurance money. When Jarrod refuses to take part in the fraudulent scheme, Burke sets the museum on fire, leaving Jarrod presumed dead in the process. But Jarrod survives, and with the help of his mute henchman Igor (Charles Bronson), returns to open a new wax museum with a dark and dangerous twist… his exhibits are eerily lifelike because they are real bodies coated in wax. As his former friend Sue Allen (Phyllis Kirk) and her boyfriend Scott Andrews (Paul Picerni) snoop around the house of wax, they begin to suspect that Jarrod has lost his mind and has descended into the mad depths of murder. Will they be able to expose Jarrod’s gruesome secret, or will they become his next exhibit?!!
Directed by André de Toth, HOUSE OF WAX is a landmark horror film, notable for its early use of 3D and Vincent Price’s excellent performance. The film’s strength lies in its undeniably creepy premise, that of turning human beings into wax sculptures, as well as Price’s ability to blend sophistication with menace. Jarrod is quite the sympathetic character at first, but he’s gradually revealed to be certifiably insane as a result of his near-death experience, and that transformation is quite scary. Young Charles Bronson’s portrayal of Igor is also quite freaky. His cold, blank, murderous stare says, “I’ll kill you and not even think twice about it.” His stalking of the heroine, played by Phyllis Kirk, in the dark, spooky house of wax near the end, is one of the true highlights of the movie. It’s also fun seeing Carolyn Jones (AKA Morticia Addams) show up as a spirited victim of the madman! Of course, you can’t help but notice the moments set up for the 3D effects, which come off as quite gimmicky at this point. I specifically took note of the movie’s use of paddleballs and leg kicks! I must admit, however, that these dated elements add to the overall charm of HOUSE OF WAX as a reminder of the olden days of 50’s Hollywood!
Overall, in my humble opinion, HOUSE OF WAX is a classic scary movie. It’s a perfect treat for fans of vintage horror as well as a testament to the magnetic screen presence of Vincent Price!
One of the great things about the original, 1958 version of The Fly is that, even though it starred Vincent Price, Price didn’t play the Fly. Instead, for once, Price was allowed to be the voice of reason, the guy who said, “Maybe don’t mess around with the laws of time and space.”
Today’s scene that I love is from the ending of the original Fly. Supposedly, Price had a hard time filming this scene because whenever he heard the recording of David Hedison crying out, “Help me!,” he would start laughing. Still, if you know what spiders actually do to the flies that they capture, you can’t help but sympathize with our misdirected scientist in the web. Destroying him with a rock was probably the most merciful thing that anyone could do.
In honor of Vincent Price, on what would have been his birthday, here is a scene that I love.
As today is the anniversary of the birth of Edgar Allan Poe, today’s scene that I love features Poe’s most famous interpreter, Vincent Price, reciting and performing The Raven. This scene comes from a 1985 television special that was called The Teller and the Tale.
Vincent Price was born, at the start of the 20th Century, in St. Louis, Missouri. When he first began his film career in the 1930s, he was promoted as a leading man and he was even tested for the role of Ashley Wilkes in Gone With TheWind. (Imagine that!) However, Price would find his greatest fame as a horror icon.
Among the fans of Price’s horror films was a young animator named Tim Burton. In 1982, Price and Burton would work together for the first time, with Price providing the narration for a short, stop motion film that Burton had written and directed. Called Vincent, the film was about a seven year-old boy named Vincent who wanted to be — can you guess? — Vincent Price! The six-minute film follows Vincent as he gets involved in all sorts of macabre activities. Of course, as Vincent’s mom points out, Vincent isn’t actually a monster or mad scientist. He’s just a creative child with an overactive imagination. (To say the short feels autobiographical on Burton’s part would be an understatement.) The animation is outstanding and full of wit but it really is Vincent Price’s wonderful narration that makes this short film a classic.
Both Price and Burton would later call making this film one of the most creatively rewarding collaborations of their respective careers.