Song of the Day: Theme From The Godfather by Nino Rota


Today, the Shattered Lens observes the birthdays of two great actors, Robert Duvall and the much-missed Diane Keaton.

Along with being two of America’s best actors, Duvall and Keaton also co-starred in the first two Godfather films.  They didn’t share many scenes in the second film (though there was at least one Duvall/Keaton scene that was filmed but not included in the final film) but, in the first film, they have a memorable moment in which Keaton (as Kay) visits the Corleone compound while the Corleones are in the middle of a gang war, and asks Duvall’s Tom Hagen to send a letter to Michael in Sicily.  Hagen explains that he can’t do that because that would serve as evidence that he knew where Michael was.  When Kay notices a car that has obviously been bombed, Tom blandly replies, “Oh, that was an accident.  Luckily, no one was hurt!”

In honor of these two amazing performers and my favorite movie of all time, today’s song of the day is Nino Rota’s theme from The Godfather.

Scenes That I Love: Diane Keaton and Al Pacino in The Godfather


Today would have been Diane Keaton’s 80th birthday.

In today’s scene that I love, from 1972’s The Godfather, Keaton plays Kay Adams Corleone, the wife of Michael (Al Pacino).  In this scene, Michael has “allowed” Kay to ask him about the family business.  She asks him if he had his brother-in-law, Carlo, killed.  Michael says, “No.”  Kay is relieved …. until she steps out into the hallway and realizes, as the door is shut in her face, that her husband just lied to her.

This is a beautifully acted scene and one of the most powerful endings in film history.

4 Shots From 4 Christmas Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Happy holidays!

Let’s get December started with….

4 Shots From 4 Christmas Films

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

Lethal Weapon (1987, dir by Richard Donner, DP: Stephen Goldblatt)

Die Hard (1988, dir by John McTiernan, DP: Jan de Bont)

Die Hard 2 (1990, dir by Renny Harlin, DP: Oliver Wood)

Scenes I Love: Al Pacino and Diane Keaton in The Godfather


Today’s scene that I love comes from my favorite film of all time, 1972’s The Godfather

In this scene, Kay Adams (Diane Keaton) has moved on and is working as a teacher.  Suddenly, Michael Corleone (Al Pacino) shows up.  He’s been back from Sicily for a year and he’s working with his father.  Michael promises her that the Corleone family is getting out of the rackets.  We, of course, know that is never going to happen.

4 Shots From 4 Films: My Favorite Movies Edition


It’s my birthday so today, here are four shots from my four favorite films!

4 Shots From My 4 Favorite Films

It Happened One Night (1934, dir by Frank Capra, DP: Joseph Walker)

It’s A Wonderful Life (1946, dir by Frank Capra, DP: Joseph Walker and Joseph Biroc)

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

Suspiria (1977, dir by Dario Argento, DP: Luciano Tovoli)

Video Game Missions I Love: “Fireworks” From The Godfather


I wish I had a 4th of July movie to review today but I don’t.  Instead, I’ll just share my favorite “mission” from the much maligned 2006 Godfather video game.

In this mission, Aldo (who is controlled by the player) takes care of a corrupt cop on the 4th of July.  The Godfather game is hardly perfect but I have always loved that cut-scene of the fireworks going off while Aldo and Rosa look down at the alley.

Happy 4th of July, everyone!

8 Shots From 8 Films: Special Robert Evans Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

95 years ago today, Robert Evans was born in New York City.  He started out working in his brother’s clothing business but a chance meeting with actress Norma Shearer led to him becoming an actor.  And while Evans, by his own account, was not a particularly good actor, he did prove himself to be very skilled at playing the games of Hollywood.  Evans eventually moved from acting to production, first as an executive at Paramount and then as an independent producer.

He lived a life as glamorous and tumultuous as the stars of his pictures and his memoir, The Kid Stays In The Picture, is considered to be one of the classic show biz autobiographies.  He hung out with cinematic rebels like Jack Nicholson and Robert Towne and counted Secretary of State Henry Kissinger as a friend.  He suggested that Francis Ford Coppola should direct The Godfather and, when Paramount put pressure on Coppola to cut the film down to two hours, it was Evans who famously announced that a two-hour Godfather was nothing more than a trailer.  He lost Ali MacGraw to Steve McQueen and, again by own account, he lost a lot of potentially productive years to cocaine.  (The Cotton Club scandal is one of the wildest in the history of Hollywood, though it should be noted that Evans himself was never charged with any wrongdoing.)  But, for all that he lost, Evans continues to gain admirers as being the epitome of the producer who was willing to take chances.  For all of his flamboyance, Evans had an eye for good material and the willingness to protect his directors.  In many ways, he was as important to the cinematic revolution of the 70s as the directors that he hired.  When Evans passed away in 2019, it was truly the end of an era.

Here, in honor of the birth and legacy of Robert Evans, are 8 Shots from 8 Films that Evans produced, either as studio chief at Paramount or as an independent producer.

8 Shots From 8 Robert Evans Films

Rosemary’s Baby (1968, dir by Romnn Polanski, DP: William A. Fraker)

Love Story (1970, dir by Arthur Hiller, DP: Richard Kratina)

The Godfather (1972, dir by Francis Ford Coppola, Cinematography by Gordon Willis)

Chinatown (1974, dir by Roman Polanski, DP: John A. Alonzo)

Marathon Man (1976, dir by John Schlesinger, DP: Conrad Hall)

The Cotton Club (1984, dir by Francis Ford Coppola, DP: Stephen Goldblatt)

The Two Jakes (1990, dir by Jack Nicholson, DP: Vilmos Zsigmond)

Sliver (1993, dir by Phillip Noyce, DP: Vilmos Zsigmond)

6 Shots From 6 Films: Special Gordon Willis Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today the Shattered Lens celebrates what would have been the 94th birthday of the great cinematographer, Gordon Willis.  Willis was the master of using shadow and underexposed film to create some of the most haunting movie images of the 70s and 80s.  He was also one of the first cinematographers to take advantage of the so-called “magic hour,” that moment when the sun is setting and everything is bathed in a golden glow.  Today, everyone does that but Willis was the first.

Willis has often been cited as one of the most influential cinematographers of all time but, amazingly, Willis would receive only two Academy Award nominations (for Zelig and The Godfather Part III) and he would never win a competitive Oscar.

In memory of Gordon Willis, here are….

6 Shots From 6 Gordon Willis Films

End of the Road (1970, dir by Aram Avakian, Cinematography by Gordon Willis)

The Godfather (1972, dir by Francis Ford Coppola, Cinematography by Gordon Willis)

The Parallax View (1974, dir by Alan J. Pakula, Cinematography by Gordon Willis)

The Godfather Part II (dir by Francis Ford Coppola, Cinematography by Gordon Willis)

All The President’s Men (1976, dir by Alan J. Pakula, Cinematography by Gordon Willis)

Manhattan (1979, dir by Woody Allen, Cinematography by Gordon Willis)

4 Shots From 4 Films: Special Al Pacino Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Al Pacino!  It’s time for….

4 Shots From 4 Al Pacino Films

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

The Godfather Part II (1974, dir by Francis Ford Coppola, DP: Gordon Willis)

The Irishman (2019, dir by Martin Scorsese, DP: Rodrigo Prieto)

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino, DP: Robert Richardson)

4 Shots From 4 Films: Special Francis Ford Coppola Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today is Francis Ford Coppola’s birthday! Coppola is a bit of a controversial figure among some film scholars. While everyone agrees that, with the first two Godfathers, he directed two of the greatest films of all time (and some people would include Apocalypse Now on that list as well) and that he was one of the most important directors of the 70s, his post-Apocalypse Now career is often held up as a cautionary tale. Some say that Coppola’s career suffered because of his own excessive behavior and spending. Others argue that he was treated unfairly by a film industry that resented his refusal to compromise his vision and ambitions. Personally, my natural instinct is to always side with the artist over the executives and that’s certainly the case with Coppola. Coppola has only completed five films since the start of this current century and three of them were not widely released. Say what you will about the films themselves, that still doesn’t seem right. For the record, I like Megalopolis.

Regardless of how one views his latter career, Coppola is responsible for some of the best and most important films ever made. And today, on his birthday, it’s time for….

4 Shots From 4 Francis Ford Coppola Films

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)
The Conversation (1974, dir by Francis Ford Coppola, DP: Bill Butler)
The Godfather Part II (dir by Francis Ford Coppola, DP: Gordon Willis)
Apocalypse Now (1979, dir by Francis Ford Coppola, DP: Vittorio Storaro)