The AFI Announces Their Top Ten of 2023


Today, the American Film Institute announced their picks for the top ten American films of 2023!

As far as Oscar precursors are concerned, the AFI is one the stronger ones.  While it’s rare that the AFI list ever lines up 100% with the year’s Best Picture nominees, the majority of the AFI’s pick do tend to get nominated.  Usually, 7 or 8 of the Best Picture nominees also show up on the AFI list.  This year, I wouldn’t be surprised if 9 of the films on the AFI list were nominated.

(Actually, it could even be ten depending on whether the Academy is willing to nominate an animated film about a comic book character.  That said, it should also be noted that Anatomy of a Fall and The Zone of Interest, both being international productions, were not eligible to be included in the AFI’s Top 10.)

Here’s the AFI’s picks:

AFI Top 10 Films Of The Year
American Fiction (MGM)
Barbie (Warner Bros.)
The Holdovers (Focus Features)
Killers of the Flower Moon (Apple Original Films/Paramount Pictures)
Maestro (Netflix)
May December (Netflix)
Oppenheimer (Universal Pictures)
Past Lives (A24)
Poor Things (Searchlight Pictures)
Spider-Man: Across the Spider-Verse (Sony Pictures)

AFI Top 10 Television Programs Of The Year
Abbott Elementary (ABC)
The Bear (FX)
Beef (Netflix)
Jury Duty (Amazon Freevee)
The Last of Us (Max)
The Morning Show (Apple TV+)
Only Murders in the Building (Hulu)
Poker Face (Peacock)
Reservation Dogs (FX)
Succession (Max)

Lisa Marie’s Week In Television: 6/25/23 — 7/1/23


As a part of my effort to get caught up with all of the potential Emmy nominees, I watched a lot of television this week.  This was a week of binging!  Here’s a few thoughts on what I watched:

1923 (Paramount Plus)

A western set in the 1920s, starring Harrison Ford and Helen Mirren?  Seriously, what took so long?  Between watching Hot Fuzz last week and binging 1923 this week, I’ve also come to newly appreciate Timothy Dalton.

Are You Being Served? (Sunday Night, PBS)

The womenswear staff had to temporarily share space with the menswear staff!  No one got along but the audience loved it.  This show is single-handedly challenging all of my assumptions about the natural superiority of British humor.

The Bear (Hulu)

I was dreading watching The Bear because everything I read about it made it sound like the type of depressing show that I usually can’t stand but, having now binged the first season, I can now say that it was far better than I was expecting.  A lot of that was due to the steady and empathetic lead performance of Jeremy Allen White.  I’m looking forward to binging the second season.

Beavis and Butt-Head (Thursday, Paramount Plus)

Smart Beavis and Smart Butt-Head attempted to abduct Tom Anderson so that they could experiment on him.  Unfortunately, their anal prober broke down but luckily, Tom was able to repair it.  However, once he found out what it was for, he announced that he didn’t want to join the Elks that badly and he walked out of the flying saucer.  Meanwhile, teen Beavis and Butt-Head tried to convince Cody to let them play his video game.  Cody’s parents loved Beavis and Butt-Head.  Apparently, this week’s episode was the second season finale.  It was an okay wrap-up.  As always, I enjoyed the Tom Anderson stuff.  Cody and his parents were kind of boring but at least we got to watch Beavis and Butt-Head beat each other up while watching a relaxation video.

Dirty Pair Flash (YouTube)

On Friday night, I watched the fifth episode of Dirty Pair Flash.  Lilly and Yuri were supposed to go on a stakeout but Lilly had a date.  Yuri was not happy.  Personally, I was on Lilly’s side.  Just because you have a job, that doesn’t mean that you don’t get to have a life!

Fantasy Island (Tubi)

You can read my thoughts on Fantasy Island here!

Forgive or Forget (YouTube)

I watched an episode on Thursday.  Robin Givens was giving people paternity tests.  Robin yelled at all of her guests for being a bunch of cheaters.  I watched another episode on Friday, in which Robin was ordering even more cheating men to “get into the doghouse.”  Robin was very loud and very shrill and so was her audience.  Say what you will about Mother Love’s style of hosting, at least the sound of her voice didn’t induce migraines.

A Friend of the Family (Peacock)

I finally watched this miniseries about how Jan Broberg was abducted not once but twice by the same friend of the family and oh my God, was it ever creepy!  It’s easy to watch the Brobergs in this show and dismiss them as just being unbelievably naïve but, as the Jan mentioned in her introduction to the show, it was a different time.  This miniseries featured excellent performances from Jake Lacey, Colin Hanks, Anna Paquin, and McKenna Grace.

Jenny Jones (YouTube)

“Stop dissing my dreams!” children said to their parents, who refused to support their show business dreams.  A flustered Jenny Jones encouraged the parents to be more accepting of their kids.  The show that I watched on Thursday was over 20 years old and none of the kids became stars.  What a bunch of losers!  Shame on them for wasting everyone’s time.

King of the Hill (Weekday Afternoons, FXX)

I watched two episodes on Friday, both of which were personal favorites of mine.  First, Hank was happy that Bobby was getting into church until Hank discovered that Pastor K was a long-haired skater.  This episode featured the classic line, “Don’t you realize you’re not making Christianity better, you’re just making rock and roll worse!”  This was followed by the episode where Hank was excited that his new neighbor was a former Cowboy until he discovered that “Big Willy” Lane wasn’t the hero that he thought he was.  These were two excellent episodes, funny and heartfelt.

The Marvelous Mrs. Maisel (Prime)

The final season of The Marvelous Mrs. Maisel was brilliant, with the time jumps reminding us that the story isn’t ending even if the show is.  My main fear was that the show would do some sort of alternate history thing to save fan favorite Lenny Bruce but, though the temptation was undoubtedly there, the show didn’t.  If Midge watching Jeopardy with Susie in 2005 didn’t bring a tear to your eye, I don’t know what to tell you.

The Master (Tubi)

I wrote about The Master here!

Only Murders In The Building (Hulu)

I enjoyed the first season of Only Murders In The Building but, even during that season, I was aware that the show would probably end up becoming a bit too self-satisfied for its own good.  I could forsee a future of slumming stars stopping by to hang out with Steve Martin and Martin Short.

This week, I watched the second season with a bit of trepidation.  I did end up enjoying it, even if the second season didn’t quite have the thrill of discovery that made the first so likable and replacing Sting with Amy Schumer just confirmed my fear that the show is heading towards the trap of celebrity self-indulgence.  That said, Steven Martin, Martin Short, and Selena Gomez continue to be delightful and hopefully, the show will survive season 3’s addition of Meryl Streep to the cast.  (Like many talented people, Meryl is at her worse whenever she’s slumming.)

Paul T. Goldman (Peacock)

I watched this non-fiction miniseries on Monday night.  It basically featured an apparently mentally disturbed man explaining his paranoid theories about why his marriage failed.  To be honest, it all felt a bit mean-spirited.  Paul T. Goldman didn’t seem to be in on the joke and he made some pretty serious accusations against people who weren’t there to defend themselves.  The whole thing held my interest but still felt pretty icky.

Perry Mason (HBO)

It’s a shame that HBO has cancelled Perry Mason.  I watched the second season this week and I found myself very much enjoying its stylish portrayal of 1930s Los Angeles.  The story itself didn’t do much for me but the show was such a visual treat and Matthew Rhys was so well-cast as Mason that it was still compulsively watchable.

Shrinking (AppleTV+)

This week, I finally caught up with Shrinking, which is a dramatic sitcom about therapists and their patients.  I laughed more than I was expecting to at the show’s dark humor but, to be honest, the main appeal of this show is watching Harrison Ford prove that he’s still one of our best actors.  Between this and 1923, it’s hard not to regret that Harrison Ford waited so long to start doing television.

Ted Lasso (AppleTV+)

It’s finally over!  I was never as huge a fan of Ted Lasso as some people were and the third and perhaps final season didn’t really hold my interest when I watched it this week.  (Admittedly, some of that could be because I felt a bit rushed with the Emmys coming up.)  Jason Sudeikis is a likable actor and, even if the show wasn’t my favorite, the final episode did warm my heart a bit.  I will say this: if this show was your  favorite, I understand why and I don’t think any less of you.

Wednesday (Netflix)

I enjoyed Wednesday more than I expected I would.  Netflix has a pretty uneven history when it comes to horror adaptations (remember when Case and I used to suffer through their Sabrina show?) but Wednesday was enjoyable and, of course, Jenna Ortega was perfectly cast in the lead role.

Welcome Back Kotter (Tubi)

I wrote about Welcome Back, Kotter here!

Yellowstone (Paramount Network)

This is another show that I meant to watch earlier but I only got around to the latest season this week.  I loved the mix of political melodrama and gorgeous scenery.

Yes, Minister (Monday Morning, PBS)

Jim Hacker made the mistake of thinking for himself during a television interview and talking about the need to cut back on wasteful government expenditures.  Fortunately, Sir Humphrey was able to remind Hacker of his proper place.

Here Are The AFI’s Top Ten Films of 2022!


Earlier today. The American Film Institute announced their picks for the top ten films and television shows of 2022.  Over the past few years, the AFI has been one of the most reliable of the award precursors. 

Usually, there’s just one or two films on the AFI list that doesn’t make it into the Best Picture lineup.  This year, I would expect Nope to be replaced by The Banshees of Inisherin.  (Banshees, being an Irish film, was not eligible for the AFI list but it did receive a special award.)  I’m also not totally sold on The Woman King as a best picture contender, though I’m a bit less sure about which film replace it.  Glass Onion, maybe?  Guillermo Del Toro’s Pinocchio?

Being included on the list is definitely good news for She Said, which was in danger of being forgotten after its disastrous box office performance.

Here are the lists:

AFI Movies of the Year
“Avatar: The Way of Water” (20th Century Studios)
“Elvis” (Warner Bros.)
“Everything Everywhere All at Once” (A24)
“The Fabelmans” (Universal Pictures)
“Nope” (Universal Pictures)
“She Said” (Universal Pictures)
“Tár” (Focus Features)
“Top Gun: Maverick” (Paramount Pictures)
“The Woman King” (Sony Pictures)
“Women Talking” (MGM/United Artists Releasing)

AFI Television Programs of the Year
“Abbott Elementary” (ABC)
“The Bear” (FX)
“Better Call Saul” (AMC)
“Hacks” (HBO Max)
“Mo” (Netflix)
“Pachinko” (Apple TV+)
“Reservation Dogs” (FX)
“Severance” (Apple TV+)
“Somebody Somewhere” (HBO)
“The White Lotus” (HBO)

AFI Special Award
“The Banshees of Inisherin” (Searchlight Pictures)

Here Are The 2022 Gotham Winners!


The Gotham Awards were handed out last night and Everything Everywhere All At Once took best picture.  Danielle Deadwyler may have been snubbed by the Spirit Awards but that didn’t prevent the Gothams from honoring her performance in Till.  While the Gothams may not be as strong an Oscar precursor as some of the other groups that will be handing out prizes over the next two months, every win helps.

Here are all the winners:

Breakthrough television under 40 minutes
“Abbott Elementary” (ABC)
“As We See It” (Amazon Prime Video)
“Mo” (Netflix)
“Rap Sh!t” (HBO Max)
“Somebody, Somewhere” (HBO)

Breakthrough television over 40 minutes
“Pachinko” (Apple+)
“Severance” (Apple+)
“Station Eleven” (HBO Max)
“This Is Going To Hurt” (AMC+)
“Yellowjackets” (Showtime)

Television performers:
Bilal Baig (“Sort Of”)
Ayo Edebiri (“The Bear”)
Janelle James (“Abbott Elementary”)
Matilda Lawler (“Station Eleven”)
Britt Lower (“Severance”)
Melanie Lynskey (“Yellowjackets”)
Sue Ann Pien (“As We See It”)
Minha Kim (“Pachinko”)
Zahn McClarnon (“Dark Winds”)
Ben Whishaw (“This Is Going To Hurt”)

Breakthrough nonfiction series
“The Andy Warhol Diaries”
“The Last Movie Stars”
“Mind Over Murder”
“The Rehearsal”
“We Need to Talk About Cosby”

Breakthrough director
Charlotte Wells (“Aftersun”)
Owen Kline (“Funny Pages”)
Elegance Bratton (“The Inspection”)
Antoneta Alamat Kusijanovic (“Murina”)
Beth De Araújo (“Soft & Quiet”)
Jane Schoenbrun (“We’re All Going to the World’s Fair”)

Best screenplay
Kogonada (“After Yang”)
James Gray (“Armageddon Time”)
Lena Dunham (“Catherine Called Birdy”)
Todd Field (“Tár”)
Sarah Polley (“Women Talking”)

Breakthrough performer
Frankie Corio (“Aftersun”)
Kali Reis (“Catch the Fair One”)
Gracija Flipovic (“Murina”)
Anna Diop (“Nanny”)
Anna Cobb (“We’re All Going to the World’s Fair”)

Outstanding supporting performance
Mark Rylance (“Bones and All”)
Brian Tyree Henry (“Causeway”)
Ke Huy Quan (“Everything Everywhere All at Once”)
Raúl Castillo (“The Inspection”)
Gabrielle Union (“The Inspection”)
Nina Hoss (“Tár”)
Noémie Merlant (“Tár”)
Hong Chau (“The Whale”)

Oustanding lead performance
Cate Blanchett (“Tár”)
Danielle Deadwyler (“Till”)
Dale Dickey (“A Love Song”)
Colin Farrell (“After Yang”)
Brendan Fraser (“The Whale”)
Paul Mescal (“Aftersun”)
Thandiwe Newton (“God’s Country”)
Aubrey Plaza “(Emily the Criminal)”
Taylor Russell (“Bones and All”)
Michelle Yeoh (“Everything Everywhere All At Once”)

Best international feature
“Athena”
“The Banshees of Inisherin”
“Corsage”
“Decision to Leave”
“Happening”
“Saint Omer”

Best documentary feature
“All That Breathes”
“All the Beauty and the Bloodshed”
“I Didn’t See You There”
“The Territory”
“What We Leave Behind”

Best feature
“Aftersun”
“The Cathedral”
“Dos Estaciones”
“Everything Everywhere All at Once”
“Tár”

Here Are The 2022 Gotham Nominations!


And just like that, the 2022 Awards Season began.

The 2022 Gotham Nominations were announced earlier today.  While the Gothams have recently started to get some attention as an Oscar precursor, it is important to remember that the Gothams are specifically designed to honor low-budget, independent films.  There’s some very strict rules about which films are eligible and which are not.  So, don’t be shocked at the lack of nominations for something like The Fabelmans.  Spielberg has never been eligible for a Gotham.

If any one film is really going to benefit from these nominations, it’s probably Everything Everywhere All At Once.  Seeing as how it’s been a while since Everything Everywhere came out, the Gotham nominations may (or may not) serve to remind the members of the Academy of the excitement that was generated by the film earlier in the year.

Here are the Gotham nominations for 2022.  The winners will be announced on November 28th.

Breakthrough television under 40 minutes
“Abbott Elementary” (ABC)
“As We See It” (Amazon Prime Video)
“Mo” (Netflix)
“Rap Sh!t” (HBO Max)
“Somebody, Somewhere” (HBO)

Breakthrough television over 40 minutes
“Pachinko” (Apple+)
“Severance” (Apple+)
“Station Eleven” (HBO Max)
“This Is Going To Hurt” (AMC+)
“Yellowjackets” (Showtime)

Television performers:
Bilal Baig (“Sort Of”)
Ayo Edebiri (“The Bear”)
Janelle James (“Abbott Elementary”)
Matilda Lawler (“Station Eleven”)
Britt Lower (“Severance”)
Melanie Lynskey (“Yellowjackets”)
Sue Ann Pien (“As We See It”)
Minha Kim (“Pachinko”)
Zahn McClarnon (“Dark Winds”)
Ben Whishaw (“This Is Going To Hurt”)

Breakthrough nonfiction series
“The Andy Warhol Diaries”
“The Last Movie Stars”
“Mind Over Murder”
“The Rehearsal”
“We Need to Talk About Cosby”

Breakthrough director
Charlotte Wells (“Aftersun”)
Owen Kline (“Funny Pages”)
Elegance Bratton (“The Inspection”)
Antoneta Alamat Kusijanovic (“Murina”)
Beth De Araújo (“Soft & Quiet”)
Jane Schoenbrun (“We’re All Going to the World’s Fair”)

Best screenplay
Kogonada (“After Yang”)
James Gray (“Armageddon Time”)
Lena Dunham (“Catherine Called Birdy”)
Todd Field (“Tár”)
Sarah Polley (“Women Talking”)

Breakthrough performer
Frankie Corio (“Aftersun”)
Kali Reis (“Catch the Fair One”)
Gracija Flipovic (“Murina”)
Anna Diop (“Nanny”)
Anna Cobb (“We’re All Going to the World’s Fair”)

Outstanding supporting performance
Mark Rylance (“Bones and All”)
Brian Tyree Henry (“Causeway”)
Ke Huy Quan (“Everything Everywhere All at Once”)
Raúl Castillo (“The Inspection”)
Gabrielle Union (“The Inspection”)
Nina Hoss (“Tár”)
Noémie Merlant (“Tár”)
Hong Chau (“The Whale”)

Oustanding lead performance
Cate Blanchett (“Tár”)
Danielle Deadwyler (“Till”)
Dale Dickey (“A Love Song”)
Colin Farrell (“After Yang”)
Brendan Fraser (“The Whale”)
Paul Mescal (“Aftersun”)
Thandiwe Newton (“God’s Country”)
Aubrey Plaza “(Emily the Criminal)”
Taylor Russell (“Bones and All”)
Michelle Yeoh (“Everything Everywhere All At Once”)

Best international feature
“Athena”
“The Banshees of Inisherin”
“Corsage”
“Decision to Leave”
“Happening”
“Saint Omer”

Best documentary feature
“All That Breathes”
“All the Beauty and the Bloodshed”
“I Didn’t See You There”
“The Territory”
“What We Leave Behind”

Best feature
“Aftersun”
“The Cathedral”
“Dos Estaciones”
“Everything Everywhere All at Once”
“Tár”