TV Review: The Dropout 1.6 “Iron Sisters” (dir by Francesca Gregorini)


This week’s episode of The Dropout opens with Elizabeth Holmes staring at a camera. 

She’s got the black turtleneck on.  She’s speaking in the voice.  She’s doing the un-blinking stare.  She’s a bit awkward whenever she has to talk to anyone but that awkwardness now feels much more calculated than it did when we first met her.  Offscreen, we hear the voice of famed documentarian Errol Morris telling her which camera to look at.  Elizabeth tells Morris that she’s a huge fan of his work.  Though we don’t see Morris’s reaction, he certainly sounds thrilled by the compliment.  Of course, those of us who have been watching The Dropout from the start and who have also watched Alex Gibney’s documentary about Holmes, can guess what it probably the truth.  In all probability, Elizabeth Holmes had never seen any of Errol Morris’s documentaries.  For the most part, Elizabeth Holmes doesn’t appear to have had many interests beyond maintaining her carefully constructed public persona.  When Errol Morris makes mention of friends, a look of confusion crosses Elizabeth’s face.  Friendship is something that can only be shared between real people and, at this point, there’s nothing real about Elizabeth Holmes.

Friendship is a recurring theme throughout the sixth episode of The Dropout.  In fact, the episode returns so frequently to the theme that, for all of the show’s strengths, it actually runs the risk of getting a bit heavy-handed.  George and Charlotte Schultz are busy preparing Elizabeth’s 30th birthday party and they ask Elizabeth who they should invite.  They ask her who her friends are.  Elizabeth laughs and replies that the Schultzes are her friends.  The Schultzes laugh it off but to Elizabeth, her relationship with the Schultzes and the other members of the Board are really the only thing that she has.  For her, friendship is all about the validation of being praised by older, powerful people and, as this episode shows, men like George Schultz had a need to feel as if they were supporting her “good” work and ensuring that their final legacy will be a positive one.  Mix that with the stubborn refusal to admit to one’s mistake when one is old, wealthy, and well-connected and the end result is the type of environment that’s perfect for someone like Elizabeth Holmes.  

Indeed, the only vaguely real relationship that Elizabeth has is with Sunny and that relationship is one that she insists on keeping a secret.  (Though Charlotte instinctively understands what’s going on with Elizabeth and Sunny, George is clueless and complains, to Elizabeth, that Sunny just doesn’t have enough class.  In this case, George is right.)  In this episode, we see a bit more of Elizabeth and Sunny’s life together.  Sunny is resentful and manipulative.  Elizabeth needs him because she needs someone to actually be the bad boss while she’s busy shooting commercials and hanging out with the board of directors.  They enable each other, with Elizabeth almost using Sunny’s amorality as a shield from having to deal with the consequences of her own behavior.  If Elizabeth seems to be in deep denial about the extent of her fraud, Sunny seems to be convinced that he will always be able to outsmart anyone who tries to uncover the truth.  (Of course, as the show has repeatedly demonstrated, Sunny isn’t really that smart.)

Meanwhile, over the course of the episode, a much more unlikely friendship develops between Richard Fuisz, Phyllis Gardner, and Rochelle Gibbons.  All three of them are linked by a common desire to see Elizabeth revealed as a fraud.  Richard feels that Elizabeth treated him disrespectfully, Phyllis is offended by Elizabeth’s faux feminism, and Rochelle saw first-hand how Elizabeth and Sunny drove her husband to suicide.  Throughout the episode, the three of them try to get a Wall Street Journal reporter interested in the story but they struggle to find concrete evidence of Elizabeth’s fraud.  William H. Macy, Kate Burton, and especially Laurie Metcalf brought some much-needed moral clarity to last night’s episode.  In the past, I’ve complained that, as played by William H. Macy, Richard was almost too cartoonish to be believed but, as of last night’s episode, I stand corrected.  Richard is just as socially clueless as Elizabeth but, unlike Elizabeth, he has no idea how to use that to his advantage.  Instead of being cartoonish, Macy’s performance is instead a perfect counterpoint to Amanda Seyfried’s more tightly controlled performance as Elizabeth.

And finally, the episode’s most important friendship was the friendship between two new Theranos employees, Tyler Schultz (Dylan Minette) and Erika Cheung (Camryn Mi-Young Kim).  Erika began the episode in awe of Elizabeth, just to discover that Theranos was faking results and that the Edison was just a repurposed Siemen machine. Tyler and Erika took on the role of whistleblowers, just to discover that no one — especially not Tyler’s grandfather, George — had any interest in listening.  In the end, they both ended up losing the jobs.  That’s not a big deal for Tyler, who is a scion of the establishment.  For Erika, an idealist who shared much in common with the pre-Theranos Elizabeth Holmes, it’s very much a big deal.  As this episode makes clear, people will look the other way if it means being able to pay the rent and put food on the table.  It takes true bravery to do the right thing when you actually need the job, as Erika does.  Erika does the right thing and asks the right question and ends up by escorting out of Theranos by security guards.

There was a lot going on in this week’s episode but, ultimately, what I’ll always remember was Elizabeth’s birthday party, which featured the elderly members of the American establishment all wearing expressionless Elizabeth Holmes masks.  It was a sight of almost Cronenbergian horror.  Things only got more awkward as Elizabeth and George demanded that Tyler sing a song that he had written in honor of her birthday.  Of course, by this point, Tyler knew that Elizabeth was a fraud and Elizabeth knew that Tyler knew.  It was truly a moment of supreme cringiness but also one that apparently actually happened.  

The episode ends as it began, with Elizabeth Holmes staring straight at a camera and announcing that Theranos is the future.  #IronSisters!

 

TV Review: The Walking Dead 11.13 “Warlords” (dir by Loren Yaconelli)


This week, The Walking Dead introduced yet another community and also show us the darker side of the way that the Commonwealth does things.

Aaron and, for some reason, Father Gabriel were recruited to accompany the Commonwealth’s Toby Carlson (played by Jason Butler Harner) to a community that was based in an old apartment complex.  Toby told Aaron and Gabriel that their mission was one of recruitment.  They wanted to check out the Apartment People, learn about their customs and way of doing things, and then bring them into the Commonwealth.  Of course, it actually turned out that Toby just wanted to kill everyone in the apartment building because Lance Hornsby believed that the Apartment People were responsible for attacking a Commonwealth caravan.

Normally, I would be opposed to such wanton death and destruction but, in all honesty, the Apartment People were really annoying.  They were so annoying that I’m not even bothering to refer to them by the name of their community.  Oceanside deserves a name.  Hilltop deserves a name.  Alexandria and the Commonwealth deserve a name.  There’s been a lot of different groups that have wandered through The Walking Dead and they all earned the right to be known by the name that they selected for their community.  But the Apartment People were just jerks and, as such, I don’t care what they call their big, ugly home.  To me, they’re just the Apartment People.  From the minute that Aaron and Carlson showed up, the Apartment People were acting like jerks.  Are there any communities in the world of The Walking Dead that aren’t run by some overly loquacious Negan wannabe?

In this case, the Apartment People were ruled by Ian, the Warlord.  The Warlord was played by Michael Biehn, so at least he had that going for him.  The Warlord had a nice, dark office and a cool display case of skulls.  He claimed that all of the skulls came from the enemies of the Apartment People.  I’m not sure if I believed him but I guess it’s always good to have a display of some sort.  A good leader always used their decorating skills to make their office their own.  (Seriously, that’s on page 19 of Somehow I Manage by Michael Scott.)

I appreciated the fact that The Warlord was immediately suspicious of Father Gabriel because I’ve never really felt that Gabriel adds much to the show.  Gabriel started out this season as a newly confirmed atheist but now, suddenly, he’s back to being a fire-and-brimstone holy warrior.  Pick a persona and stick with it, Gabriel!  And, seriously — if you survived the zombie apocalypse, would you really feel like spending all of your Sundays sitting in church?  The fact that Gabriel even has a congregation is just weird to me.

As for the Apartment People, it turned out that Negan is living with them!  That’s probably good news for the Apartment People because the Warlord was dead by the end of the episode and someone is going to have to step in and be the new guy who gives long monologues while standing in front of a display case of skulls.

The episode ended with Maggie and her crew showing up, set to do battle with the Commonwealth.  I guess this is how the war gets started, over a shabby apartment complex that’s populated by some of the most unlikable people to ever appear on the show.  If Negan does’t want to take the Warlord’s place, I guess Maggie can take over the Apartment People and make them as miserable as she’s made everyone at Hilltop.

Anyway, this episode probably would have had more impact if we didn’t already know about the darkness at the heart of the Commonwealth.  Still, Michael Biehn was an effective Warlord and Jason Butler Harner was effectively fanatical as Toby Carlson.  At least now, we know just why exactly Hilltop and the Commonwealth are going to go to war.

Next week is the mid-season finale!

Lisa Marie’s Week In Television: 3/13/22 — 3/19/22


I probably watched too much television this week.  It happens.  But, on the plus side, I finally finished the first season of Baywatch Hawaii and I’m making progress on Silk Stalkings.  Plus, The Bachelor is over and I’m finally going to get a break from that franchise.  It’s always good to find the positive in things.

Here are some thoughts on what I watched this week:

American Idol (Sunday Night, ABC)

Despite having announced last week that they had found the next great superstar in that girl who played the piano, the American Idol judges were back for more auditions this week.  As I’ve been saying ever since this season began, American Idol could use a little more negativity.  I know that we’re all supposed to be super supportive nowadays but these shows are more fun when some obnoxious dude who can’t carry a tune gets his dreams shattered by a snarky Brit.  Maybe Katy should bring Orlando with her to the next set of auditions.  He seems like he could handle the role.

That said, I did like the gospel singer because he seemed to be a genuinely nice person and I just hope the show doesn’t ruin him.  If he says he wants to sing gospel, let him sing gospel and let America decide whether or not to keep him around.  Personally, I’m not a huge gospel music fan but whatever.  It obviously meant a lot to him.

The Bachelor (Monday and Tuesday Night, ABC)

Mostly because I found Clayton to be rather dull (hence, why I called him the Claytonbot), I didn’t watch much of the latest season of The Bachelor.  (It didn’t help, of course, that the Bachelor was scheduled opposite both Celebrity Big Brother and the Olympics.)  However, I did join my BFF Evelyn to watch the two-part finale on Monday and Tuesday nights.

Wow, what a mess.  The Claytonbot finally learned what love is and then promptly told three separate women that he was in love with them.  He then slept with two of them, which led the third one — Susie — to leave the show.  Then, at the Rose Ceremony, Claytonbot informed Gabby and Rachel that 1) he loved both of them and 2) that he had slept with both of them.  This caused Gabby to walk off the show.  Claytonbot, however, convinced Gabby to come back and accept the rose.  The next day, Gabby and Rachel both had a nice meeting with the Claytonbot’s human family.  After Gabby and Rachel left, Claytonbot informed everyone but the two women that he had decided that actually was in love with Susie and that he wanted a chance to try to convince her to return to the show. It didn’t seem to occur to the Claytonbot that Gabby and Rachel might not be happy with the idea of going through all of this emotional turmoil just so he could then track down the woman who had previously dumped him.  The Claytonbot’s human family looked deeply disappointed in him and somewhat embarrassed to be associated with him on national television.   That was all on Monday’s episode.

Tuesday’s episode was even messier as the Claytonbot dumped both Gabby and Rachel because he had decided that he was “most in love” with Susie.  Gabby yelled, Rachel cried, and they both ended up leaving.  Claytonbot proposed to Susie and Susie …. turned him down.  Bachelor Nation rejoiced!  But then host Jesse Palmer revealed that, after filming wrapped up, Susie slid into the Claytonbot’s DMs and now the two of them are dating.  The live studio audience was not happy, especially when Claytonbot said that all of the emotional turmoil was worth it to end up with Susie.  Try telling that to Gabby and Rachel, you dumbfug!  (I gave up cursing for Lent.)

Anyway, this season of the Bachelor ended not with an engagement but instead a lot of pain and hostility.  At least Gabby and Rachel will be the next bachelorettes.

Bar Rescue (Sunday and weekday mornings, Paramount)

I watched one episode on Sunday morning.  The owner of an Irish pub was drinking too much so Jon Taffer called him a jerk in front of all of his friends.  That probably helped with the alcoholism.

On Monday, I watched another episode.  In this one, Taffer and the crew revealed that the bar was selling cheap beer at premium prices.  This, of course, led to a Roadhouse-style bar brawl.  If only Dalton had been there to break it up.  Oh well!

On Tuesday, I again watched one episode.  Why was I watching so much Bar Rescue?  It’s kind of a fun show.  Jon Taffer is amusing and the show itself has a sense of humor about itself.  Anyway, Tuesday’s episode was about yet another bar owner who had a drinking problem.  Why do so many drunks end up owning bars?  I would never want to mix my hobbies with my day job.  Taffer yelled at her to get sober and, by the end of the episode, the alcoholism had been vanquished and the bar was making a lot of money.  Yay!

Baywatch Hawaii (Prime and Hulu)

On Tuesday night, I watched two episodes from the first season of Baywatch Hawaii.  The first episode featured Jessie training for a triathlon and then abandoning the race as soon as she realized that the team needed her to help out with a rescue.  Jessie put aside her personal goals for the good of the team.  If I was in a similar situation, I cannot say that I would have done the same.  This second episode that I watched featured Sean, Jenna, and the team heading to the Big Island for a conference on drowning.  With Jenna’s help Sean came to terms with the drowning death of his son.  Both episodes felt like they had been assembled from scenes that had been cut from previous episodes.  There was an odd subplot during the first episode in which Jason was haunted by an apparently malicious water demon.  That whole storyline got abandoned after 20 minutes and was never mentioned again.  It was odd.  Like, seriously, how do you just forget about a water demon?

On Wednesday afternoon, I finally finished up season 1 with the final two episodes of the season.  Top-billed David Hasselhoff, who was absent for most of the season, finally returned as Mitch Buchanon.  In the first episode I watched, he helped Jessie’s grandfather deal with the guilt that he felt over surviving the attack on Pearl Harbor.  Awwww!  Make fun of the Hoff all you want but sentimental stuff like this is what he’s good at and it was actually a pretty effective episode (by Baywatch Hawaii standards, of course).  The 2nd episode and the season finale featured Mitch …. GETTING BLOWN UP BY ECO-TERRORISTS!  Well, I guess that’s one way to get out of the show.  (Reportedly, the Hoff felt that he had been typecast as a result of his work on Baywatch.  Well, when you do a show for ten years, that will happen, I suppose.)   From what I understand, though, there was later a Baywatch reunion movie that established that Mitch actually survived the explosion, though with a case of amnesia.  That’s good because Mitch deserved better.  Other than Mitch getting blown up, the most interesting thing about this episode was that it revealed that both he and Sean were apparently part-time CIA agents, along with being lifeguards.  Good for them!  It’s always interesting to me how many part-time CIA agents there are on shows like this.

On Friday afternoon, I watched the first episode of the second season of Baywatch Hawaii.  There was no mention of Mitch or his sacrifice.  No one even seemed to be in mourning.  Instead, the episode introduced the viewers to a few new trainee lifeguards and also one new senior lifeguard, played by Brande Roderick.  Quite a few members of the first season cast were gone without explanation.  Jason Momoa was still there, however.  He looked kind of embarrassed.  As for the episode itself, it dealt with Sean and a former friend of his, an arrogant jet skier who didn’t care about stuff like teamwork.  *GASP!*

Beyond the Edge (Wednesday Night, CBS)

In this new reality show, 9 celebrities spend two weeks in the jungle and compete to raise money for charity.  Who will stay the entire two weeks!?  I watched the first episode and I don’t really care.  The celebs don’t really have any sort of personal stake in all of this so the competition aspect of it all is pretty dull.  I’m just glad that they’ve never done a celebrity edition of Survivor.  You know it’s going to happen someday, though.

The Bold and the Beautiful (Weekday Afternoon, CBS)

I watched an episode of the world’s greatest daytime drama on Tuesday afternoon.  Not much happened in the episode but the clothes were to die for and everyone owned a really nice house.  That’s the important thing.  It’s still hard for me to accept anyone other than Ronn Moss as Ridge.  Yes, I know it’s been ten years since Moss left the role but you have to understand that I don’t watch this show that often so, in my mind, it should still be exactly the same way that it was in 2009.

The Brady Bunch (Sunday Afternoon, MeTV)

MeTV showed four driving-related episodes of The Brady Bunch on Sunday.  Greg bought a car, without talking to his father about it first.  Carol had an accident and was sued by the other driver, who was faking his injuries.  Greg was told that he would not be allowed to drive his car for a week after nearly having an accident and then outsmarted his father by driving someone else’s car.  Marcia tried to get her license and this, of course, led to her and Greg getting into a fight over whether men were naturally better drivers than women.

I’m a bit disappointed that MeTV did not show the controversial episode were Mr. Brady ran over the homeless guy and then forced Alice to take the blame.  (Fortunately, Alice got out of prison just in time to appear on The Brady Bunch Variety Hour.)

Children’s Hospital (Hulu)

Yay!  My favorite medical show is on Hulu!  I rewatched season one on Sunday night.  Fortunately, since there were only five 11-minute episodes in that season, it only took me an hour.  But what an hour!  How great it was to see the early days of Children’s Hospital, when Dr. Cat Black was narrating her thoughts and Dr. Lola Spratt was pretending to have a brain tumor so she could break up with Owen.  And let’s not forget Dr. Blake Downs, curing people with the power of laughter!

Court Cam (Wednesday, A&E)

I only watched one episode on Wednesday evening.  This episode featured too much true crime footage for me.  I prefer when the episode focuses on lawyers acting strangely and judges speaking sarcastically.  Watching the actual crimes that led to people ending up in court in the first place just isn’t as much fun.

The Dropout (Hulu)

I reviewed the latest episode of The Dropout here!

Full House (Sunday Afternoon, MeTV)

Things continued to get heated at the Tanner household.  First, Joey and Jesse had to write a jingle together.  Then, the Beach Boys mysteriously showed up.  This was followed by Joey trying to be an authority figure as opposed to just a second-rate comic with an angry ex-girlfriend.  Finally, Danny was frustrated to discover that there apparently wasn’t a single woman in San Francisco who hadn’t already dated Jesse.  Poor DJ and Stephanie, it had to be traumatic growing up in that household!  That said, everything always worked out in the end.  The sentimental music would play.  Danny would say something wise.  The audience would respond with, “Awwwwwww!”

Happy Days (Weekday Evenings, MeTV)

I’m never quite understood the popularity of this old show but I did watch one episode on Tuesday evening.  The Fonz had to convince his cousin, Spike, not to be a delinquent.  Ron Howard only appeared for a few minutes at the start of the episode.  I guess it was largely filmed during his week off.

Inventing Anna (Netflix)

On Friday, I finally decided to return to watching Inventing Anna.  It’s not so much that Inventing Anna is any good (it’s not) as much as it’s just a case of me not wanting to leave anything unfinished.  I started watching this show and dammit, I’m going to finish it!  Even if it takes me until 2024.

Anyway, I finally watched the 6th episode, which was all about Anna and her friends traveling to Morocco and Anna apparently committing credit card fraud in order to pay for the whole vacation.  To be honest, though, the episode was really about the character of Vivian Kent bulging her eyes and going overboard with the facial expressions while listening to everyone’s story.  After spending an hour presenting Anna as being a terrible and manipulative friend, the episode suddenly shifted gears and had people talking about how, “I felt so sorry for Anna, in Morocco all alone.”  It was kind of annoying and didn’t make much sense.  Nothing about the way Anna has been portrayed on this show makes it believable that she would inspire that type of loyalty.  Maybe I’ll finish this show next year.

King of the Hill (Hulu and weekday afternoons on FXX)

I watched one random episode on Hulu on Monday evening.  Kahn mortgaged his house to be buy Scrubby’s Car Wash, which was apparently an Arlen institution despite having never been mentioned on the show before this episode.  Needless to say, Kahn’s abrasive management style was not a hit with the redneck customers and eventually, Mr. Strickland had to step in.  It was an okay episode, if not one of the show’s best.  The highlight of the episode was the introduction of infomercial huckster Dr. Money.  Dr. Money promised to make his customer so rich that they would have “champagne for breakfast and caviar for your cat!”

On Tuesday, I watched four episodes on FXX.  I watched as Peggy attempted to run a used bookstore and end up instead running a gun shop.  I watched the classic Halloween episode where Louanne ended up a prisoner of insane pork product industrialist Trip Larsen.  This was followed by the episode in which Dale was hired to kill the rats at the Mega-Lo Mart and instead discovered that jazz trumpeter Chuck Mangione was secretly living in the store.  Finally, I watched an episode in which Louanne became a boxer and ended up fighting George Foreman’s daughter.  Hank nearly got into a fight with Foreman himself over whether or not the Foremen Grill was a novelty product or not.  Luckily, George’s son broke up the fight.  “No, Daddy!  He ain’t worth it!” still makes me laugh every time that I hear it.

Law & Order (Thursday Night, NBC)

On this week’s “ripped from the headlines” Law & Order, a tennis player who was definitely not meant to be one of the Williams sisters stood accused of murdering a family court judge.  The tennis player went with an insanity defense, claiming that she was suffering from a manic episode at the time of the murder and that only her father’s conservatorship could keep her from losing control.  So, just like that, the episode went from being about the Williams sisters to being about Britney Spears.  In short, this episode was so ripped from the headlines that it was actually kind of dumb.

The Love Boat (Sunday Afternoon, MeTV)

On this week’s cruise: Sharon Gabet, Laurence Lau, Denise Miller, Taylor Miller, Robert Pine, Janine Turner, and Ruth Warrick.  Admittedly, that’s not exactly the most memorable list of passengers and it was a bit of a silly episode.  Somehow, Gopher got trapped in a suit of armor while a preacher was romantically pursued by two of his followers.  And then, out of nowhere, there was this huge dramatic storyline, in which Warrick tried to forgive the son of the man who killed her husband in a drunk driving accident.  It was an odd cruise but the scenery was nice.

M*A*S*H (Hulu and Weekday Evenings, MeTV)

Like Happy Days, this is another old show that I usually don’t really care for but I did watch two episodes on Tuesday.  Both of them featured Alan Alda talking about how much he hates the war and basically getting in everyone else’s way.  Like, seriously, Hawkeye — EVERYONE HATES WAR!  It’s not all about you.

On Friday, I discovered that M*A*S*H is on Hulu and I decided to give the show another shot, mostly because people really do tend to rave about it.  Jeff suggested that I check out a later episode called “Dreams” and oh my God, was it effective!  While dealing with a seemingly never-ending amount of wounded soldiers, each of the main characters tried to get an hour or two of sleep and everyone ended up having a dream about what the war was doing to them, mentally.  It was a bit heavy-handed but it was undeniably effective.  Who knows?  I may have to give this show another shot next week.

Saved By The Bell (Saturday, E!)

E! did a Saved By The Bell marathon on Saturday.  I watched as Kelly broke up with Zack, Zack solved the mystery weekend, and Johnny Dakota tried to get all the students at Bayside hooked on the weed with roots in Heck.  Bad Johnny Dakota!

(Yes, I said “roots in Heck.”  I gave up cursing for Lent.  I realize that I probably could have gotten away with not using Heck because it’s a name of place, as opposed to an actual exclamation.  But I decided that it’s best not to get cutesy with Lent.)

Savoring Our Faith (Sunday Afternoon, EWTN)

Fr. Leon Patalinghug talked about St. Patrick and why we celebrate St. Patrick’s Day while preparing a meal.  I watched this with Erin on Sunday and, somewhat unexpectedly, I enjoyed it.  It’s an Irish Catholic thing.

Silk Stalkings (Tubi)

On Monday, I returned to Silk Stalkings.  I watched the show’s 41st episode, in which Chris got shot at after witnessing yet another fight between a man, his mistress, and his wife. Chris literally couldn’t leave his apartment without witnessing a fight. Once again, the no-funsters at the police department were trying to get Chris in trouble but luckily, Rita was there to solve the crime.  To be honest, it was kind of a confusing episode but, as I’ve said before, this isn’t show that you watch for the plots.  You watch it for the frequently unclothed people committing crimes and having melodramatic conversations.  It’s a lot of fun.

On Tuesday, I watched episode #42.  A serial killer was stalking women who had sought the advice of a fake astrologer.  Chris not only flirted with every woman he met (even if he happened to meet them at a crime scene) but he also tossed the killer into the ocean.  Way to go, Chris!

On Friday morning, I watched episode #43, in which Chris and Rita investigated a murder connected to phone sex and prostitution.  Can you guess what happened next?  If you guessed, “Chris goes undercover as a client and Rita goes undercover as a phone sex operator,” you are correct!  This was a supremely silly episode, largely because there was only one suspect so it was pretty easy to guess who was going to end up getting shot at the end of it all.  Still, Chris and Rita!  How can you not love them?

I followed this with Episode #44 (entitled “Crime of Love”), which was also the first episode of the show’s third season!  Rita suspected that an author that she had previously arrested was responsible for murdering the wife of his publisher.  She was certain that there was no way that he could have reformed but it turned out that he wasn’t the murderer.  Sometimes you have to give people a second chance, Rita!

Since I was on a bit of a Chris & Rita roll, I decided to to watch two more episodes.  The first was Episode #45 (entitled “Team Spirit”), in which Chris and Rita investigated a serial killer who was targeting wealthy men.  However, the most interesting thing about the episode was the B-plot, in which Chris was audited by the IRS after he attempted to write off his wardrobe as a business expense! Even while being audited, Chris couldn’t help but flirt with the IRS agent.  Oh, Chris!

Episode #46 (“The Perfect Alibi”) found Chris and Rita investigating a hot tub murder that was linked to a gang of video tape bootleggers.  It was all very 90s but the main bad guy was named Sorkin so that was kind of amusing.  As usual, every suspect that Chris visited was just getting out of shower when Chris arrived at the apartment.  This happened every single episode but anyone who has watched the show knows that it didn’t matter how many half-naked people tried to come between them, Chris and Rita were always meant to be together.

Survivor (Wednesday Night, CBS)

I wrote about this week’s episode at Reality TV Chat Blog!

Talking Dead (Sunday Night, AMC)

Yay!  For the second week in a row, Talking Dead was broadcast from the studio as opposed to Chris Hardwicke’s living room.  Nature is healing.

Vaticano (Sunday Afteroon, EWTN)

It’s news for Catholics!  It’s also Lent so I watched this with Erin on Sunday afternoon.  I couldn’t help but remember the time that we visited Italy and took a tour of the Vatican.  It was, needless to say, beyond amazing.

The Walking Dead (Sunday Night, AMC)

I reviewed this week’s episode here!

TV Review: The Dropout 1.5 “Flower of Life” (dir by Francesca Gregorini)


Who was Elizabeth Holmes?

Was she an idealist who got in over her head and ended up cutting corners with the best of intentions?

Was she a con artist who simply lied for the money?

Was she the abused and manipulated partner in a crime that masterminded by Sunny Balwani?

Or was she a sociopath who was simply incapable of feeling any empathy for the people that she manipulated and, in some cases, destroyed?

That’s the question that’s been at the heart of the first five episodes of The Dropout.  It’s also a question that the show’s version of Elizabeth Holmes (played, brilliantly, by Amanda Seyfried) is struggling with.  One gets the feeling that she herself doesn’t full understand what’s going on inside of her head.  For the first half of the episode 5, Holmes is an almost sympathetic character.  Still desperate for Sunny’s approval and seemingly convinced that Theranos can come up with some magic spell that will actually make the Edison work, Elizabeth comes across as being more self-delusional than malicious.  For the first half of the episode, it’s like we’re watching the socially awkward but earnest Elizabeth who we first met at the beginning of the series.  At her uncle’s funeral, she asks her mother if she ever had any hobbies when she was younger and her mom can only list several competitive activities that Elizabeth took part in.  But, as becomes clear, Elizabeth never did anything just for fun or just for enjoyment.  Instead, everything the she’s always done has been a part of an obsessive need to not only prove her own abilities but to also prove that she’s superior to other people.

Perhaps this strange mix of a grandiose self-image and gnawing insecurity is why she simply cannot bring herself to settle the lawsuit that’s been brought against her by Richard Fuisz (William H. Macy).  Instead, with the help of her newest mentor, George Shultz (Sam Waterston), Elizabeth brings in David Boies (Kurtwood Smith).  Boies is one of the leading lawyers in the United States.  Before getting involved with Theranos, Boies tried to put Al Gore in the White House.  After his involvement with Theranos, Boies tried to keep Harvey Weinstein out of jail.  Boies failed on both accounts but he was far more successful when it came to battling Fuisz’s lawsuit.  One of the key scenes in the episode comes when Schultz mentions that he and Boies are on different sides politically but that they’re willing to come together to protect Theranos.  It doesn’t matter that Schultz is a Republican and Boies is a Democrat.  What matters is that they’re both a member of the elite and Theranos, with its prestigious board of directors, is now a part of the elite as well.  Richard Fuisz, with his terrible haircut and his excitable manner, is far too gauche to be allowed to defeat Theranos.

Indeed, Elizabeth spends most of this episode worrying about the lawsuit and also what might happen if Ian Gibbons (Stephen Fry) is called to testify.  Gibbons’s name is on all of Theranos’s patents, along with Elizabeth’s.  Gibbons is perhaps the one person who can testify that Elizabeth had nothing to do with designing any of Theranos’s equipment.  When we first see Theranos’s legal team pressuring Ian to sign a statement saying that, as an alcoholic, he can’t testify, we’re left to wonder whether the team is working at the direction of Sunny, Boies, or Elizabeth.  When Ian points out that signing such a statement will end his career, no one seems to care.  Ian Gibbons goes home, plays with his dogs, listens to his favorite opera, says goodnight to his wife, and then kills himself.

Elizabeth’s reaction to Ian’s death tells us all we need to know about her and it pretty much erases whatever sympathy we may have had for her.  She’s a bit like a robot, trying to generate the “right” emotions but not quite sure the proper way to do it.  When told that Ian is dead and that the lawsuit is apparently dead as well, Elizabeth focuses on the finger puppets that she wants to stock in the Theranos Wellness Centers.  The puppets are for children to wear after getting their finger pricked but they’re also a part of Elizabeth’s fantasy world, a world where Theranos will be fine and she’ll be as famous and beloved as Steve Jobs.  And if that means that the Edison had to be built with technology with Sunny stole from another company, so be it.

The episode ends with Brendan (Bashir Salahuddin) quitting the company and George Schultz’s nephew, Tyler (Dylan Minnette), starting his first day.  Using her fake voice, Elizabeth gives a speech to her cult-like employees.  She talks about her uncle’s death and how it effected her and we know that it’s all a lie but Elizabeth sells it.  The only disconcerting note comes from Sunny, who can’t stop himself from casually threatening to fire anyone who doesn’t share Elizabeth’s version.  They’re a team.  Elizabeth knows how to sell Theranos.  Sunny knows how to terrify anyone who asks too many questions.

This was the first episode of the series to not be directed by Michael Showalter.  Instead, it was directed by Francesca Gregorini and there are a few scenes where you really do miss Showalter’s ability to balance the absurd with the dramatic.  That said, this episode worked due to the performances of not only Seyfriend and Naveen Andrews but also William H. Macy, Kurtwood Smith, and especially Stephen Fry.  Fry especially broke my heart, even though I knew enough about the real story of Theranos that I already knew that Gibbons was going to take his own life.  Still, Fry plays the role with such a wounded dignity that you are left with no doubt that Gibbons was the last of the true believers.  He gave his life for Theranos and, in the end, Theranos gave him nothing in return.

The episode ends with Richard calling Phyllis Gardner (Laurie Metcalf), who was last seen telling a very young Elizabeth that there was no way to make the idea behind Theranos a reality.  Phyllis tells Richard that Elizabeth is a fraud.  And I have to admit that, as a viewer who had just spent 50 minutes with Elizabeth Holes and Sunny Balwani and David Boies, it was nice to hear someone come straight out and say it.

Next week, Tyler Schultz starts working at Theranos and he discovers that everything is not as it seems!  It’s the beginning of the end for Theranos and I’m looking forward to watching it all come down.

TV Review: The Walking Dead 11.12 “The Lucky Ones” (dir by Tawnia McKiernan)


It’s confession time!

As I’ve mentioned in the past, I was never a regular Walking Dead viewer in the past.  And, after Carl Grimes died, I actually stopped watching the show all together.  It was not until this current season started that I once started to regularly watch The Walking Dead.  So, I have to admit that I had actually forgotten that Hillside and Alexandria were separate locations, with separate leaders and separate governing philosophies.  I guess I just assumed that Hillside was a particularly trashy party of Alexandria.  But, no …. I was wrong!  It turns out that Alexandria, Hillside, and Oceanside are three separate communities.

Go ahead.  Take a moment to laugh at me and then we’ll move on.

Done?

Well, we’re moving on anyways!

This week’s episode found Governor Milton and Lance Hornsby visiting each of the three communities and trying to bring them into the Commonwealth.  Milton offered security and access to better goods.  Alexandria saw that this was a good idea and signed up.  Oceanside, on the other hand, said, “We’ll do whatever Hillside does.”  Well, why don’t you just become a part of Hillside then!?

Not surprisingly, Maggie didn’t want to join up with the Commonwealth.  Maggie was indeed tempted but, when she saw the difference between how the leaders of the Commonwealth lived as opposed to how the community’s workers and soldiers lived, Maggie said no deal.  Or, at least, that’s what Maggie claims happened.  Personally, I think it has more to do with Maggie not wanting to surrender any of her power.  For all of her concerns about the way the Commonwealth treats its citizens, it’s not exactly as if Maggie is running a democracy herself.  After Maggie refused to enter into an alliance with the Commonwealth, a few members of Hillside left the community and, quite frankly, I don’t blame them.  Hillside’s a dump!  Not even Negan is willing to live there.

Anyway, at the end of the episode, we learned that Gov. Milton isn’t as bad as everyone tends to assume.  She was okay with not being able to bring Hillside and Oceanside into the Commonwealth, even saying that she expected that Maggie would ultimately refuse.  Not okay with Maggie’s decision was Lance Hornsby, who not only takes a disturbingly sadistic glee in shooting walkers but who also is apparently obsessed with controlling everyone.  Honestly, I don’t think anyone was really shocked to discover that Lance was not to be trusted. Josh Hamilton hasn’t exactly been giving a subtle performance in the role.  Actually, just the fact that Lance was being played by Josh Hamilton should have been our first clue about not trusting him.

Meanwhile, Ezekiel was operated on and Eugene and Max got to know each other.  Needless to say, Eugene was not happy to discover that Stephanie didn’t actually exist and he was also a bit freaked out to to discover that Max is Mercer’s sister.  By the end of the episode, though, Eugene and Max seemed to be growing close.  Max offered Eugene some advice on his novel.  Eugene admitted that he had destroyed his only copy.  WHY DID YOU DO THAT, EUGENE!?  Eugene is never going to succeed as an author with that attitude.

This episode felt like the calm before the storm.  While I don’t know if we needed to spend as much time on Gov. Milton’s travel as we did, at least the show managed to get to all three communities in one episode as opposed to stretching it out over six episodes, like they used to do back in the Rick Grimes era.  It seems obvious that there’s an invasion coming, it’s just a question of who is going to strike the first blow.

Lisa Marie’s Week In Television — 3/6/22 — 3/12/22


Here’s a few thoughts on what I watched this week!

Allo Allo (Sunday Night, PBS)

The Resistance was finally able to smuggle the Enigma machine out of Rene’s Cafe.  The effort, of course, led to lot of costume changes and many scenes of Rene rolling his eyes in exasperation.  But the important thing is that the plan worked and Michelle had to “say this only once.”

American Idol (Sunday Night, ABC)

The judges were in Nashville and almost everyone who auditioned wanted to be country music star.  It got kind of boring.  A former Miss America auditioned and Katy tried to steal her crown.  That was pretty cool.  I relate to Katy Perry far more than I relate to Taylor Swift.  Eventually, one girl sang while playing the piano and was declared to be the industry’s next big superstar so I guess the show’s over now.  Oh well.

Baywatch Hawaii (Prime)

I finally decided to return to my Baywatch Hawaii binge after taking about two months off.  To be honest, the only reason why I returned is because I’m a completist and it’s hard for me to abandon anything.  It’s certainly not because this show is particularly good or anything like that.  There’s a reason why, after months of watching, I’m still struggling to finish up the first season.

Sunday morning, I got things started with an episode in which Jason was sent to the Big Island of Hawaii, where he got in touch with his native heritage by making his own canoe.  A grumpy old man assisted him.  Seriously, that was the entire episode.  This was followed by an episode in which Sean and Jenna teamed up to rescue a few people and to argue about whether or not it was even necessary for the Baywatch Hawaii training facility to even exist.  Sean thought it was necessary, which makes sense when you consider that he would be out of a job otherwise.  Jenna felt it was a waste of money.  Despite being attracted to each other, Sean and Jenna fought and fought.  Despite being first-billed in the credits, David Hasselhoff was nowhere to be seen in either of these episodes.

Later that evening, I watched the next episode, which didn’t really have a plot beyond Kekoa and Dawn having a crush on Sean and Jason and JD trying to hit on every woman they saw.  This episode basically felt like it had been put together out of scenes that had been edited out of previous episodes.  Perhaps it was.  Again …. no Hasselhoff!

And, for the rest of the week, I kind of forgot about the show.  So, I guess I’ll get back to binging it tomorrow.

The Brady Bunch (Sunday Morning, MeTV)

On Sunday, I was too congested to change the channel so I lay on the couch and I was tortured by the Bradys.  The Brady kid fought over a clubhouse.  The Brady Kids fought over trading stamps.  The Brady Kids fought over a lost wallet.  The Brady Kids fought over feminism.  The Brady Kids spent a lot of time fighting.  I blame the parents.

Court Cam (Wednesday, A&E)

Court Cam has finally produced some new episodes and, as a result, I was shocked to actually see some new footage on Wednesday.  For instance, I saw the Naked Cowboy getting detained in Daytona.  Court Cam remains an odd show to me, largely because of how worshipful it is of the legal system.  The judges are portrayed as being modern day super heroes, quick to exercise their power to find anyone in contempt.  The unquestioning embrace of the court system is, overall, probably not a good thing but that’s the way of the world nowadays.  My inner libertarian will always have a hard time accepting it, though.

The Dropout (Hulu)

I wrote about the latest episode of The Dropout here!

Full House (Sunday Afternoon, MeTV)

MeTV is currently showing episodes from the first season of Full House.  I watched four on Sunday.  Every episode has a sort of bizarre train wreck appeal to it, never more so than when Uncle Jesse gets as serious storyline.  First, Stephanie cut Jesse’s hair while Jesse was sleeping so Jesse had to go get a real haircut and this led to him crashing his motorcycle and breaking both his arms.  Then, Jesse decided that he would rather pursue music with his dorky band than work in the family garage.  Jesse’s father was not happy about this but Uncle Jesse was like 40 years old so who cares?

Meanwhile, on another episode, Danny was hired to co-anchor a talk show with Becky (Lori Loughlin).  I believe this was Loughlin’s first appearance on the show but she didn’t share any scenes with Jesse.  In fact, it almost seemed as if the show was trying to set her up as a future girlfriend for Danny.  While this was going on, DJ threw a party and had to kick out several of her guests when they started drinking beer.  Fortunately, in the next episode, she got a horse to make up for losing all of her friends.

Law & Order (Thursday Night, NBC)

Ripped from the headlines!  This week’s Law & Order was based on the Gabby Petito case and took a look at the difficulty of solving crimes and getting convictions in the social media era.  It wasn’t a bad episode but I still don’t know how I felt about it or this revival overall.  The episode was so obviously based on the Petito case that it actually felt a bit exploitive.  I mean, I doubt Gabby’s parents took much comfort from the fact that their daughter’s death inspired a TV show.

The Love Boat (Sunday Afternoon, MeTV)

On today’s cruise: Willie Aames, Morey Amsterdam, Richard Deacon, Elaine Joyce, Susan Lucci, Rose Marie, Michelle Phillips, Tristan Rogers, and Jerry Van Dyke!  That’s quite a lineup!  Willie Aames thought he could steal Dr. Bricker’s girlfriend!  A psychiatrist tried to take a vacation from his therapy group but the group decided to tag along!  And, best of all, Susan Lucci played a soap opera writer who fell for Tristan Rogers.  This was a cruise to remember!

The Office (Sunday Afternoon, Comedy Central)

I watched the two-part season three finale on Sunday.  Jim, Karen, and Michael all went up to New York to interview for a corporate position.  Michael withdrew when he realized that Jan was going to get fired.  Karen showed zero sympathy for Jan so Jim apparently abandoned her in New York and drove back to Scranton so he could ask Pam out on a date.  And, of course, Ryan got the job.

Open All Hours (Sunday Night, PBS)

Arkwright and Granville pursued a mouse that had invaded the store.  Arkwright continued to obsess on Nurse Gladys Emmanuel.  It’s odd that this show apparently ran for 10 years, despite producing only 20 or so episodes.

Pam & Tommy (Hulu)

I reviewed the finale of Pam & Tommy here!

Survivor (Wednesday Night, CBS)

I reviewed the season premiere of Survivor here!

Talking Dead (Sunday Night, AMC)

Yay!  Talking Dead has returned to the studio.  This week’s episode was pretty good, as any episode featuring Chris interviewing Josh McDermitt tends to be.  It was also nice to see the return of Michael Cudlitz to the interview couch.

The Walking Dead (Sunday Night, AMC)

I reviewed the latest episode of The Walking Dead here!

TV Review: The Walking Dead 11.11 “Rogue Element” (dir by Michael Cudlitz)


Whatever else you may or may want to say about The Walking Dead, you’ve got to love Josh McDermitt and his performance as Eugene Porter.

Eugene has consistently been one of the most interesting characters on this show.  He’s gone from being an untrustworthy coward to being one of the strongest people on the show.  He’s also gone from being the weirdo who made your skin crawl to being the weirdo who you secretly hope will find everything that he’s looking for.  The fact of the matter is that, if there was an actual zombie apocalypse, the majority of the survivors wouldn’t be Darryl or Morgan or Carol or Michonne.  The majority would be people like Eugene, people who survive through luck and who still hope to find some sort of normalcy.  There’s something very touching about the fact that, even in the middle of a zombie apocalypse, Eugene is writing a science fiction novel.

There were a few plotlines playing out in this week’s episode of The Walking Dead.  The two reporters tried to investigate what led to Tyler snapping at the Masquerade Ball.  Mercer walked around and glowered in his threatening way.  Lance took Carol out to the opium camp and made an effort to win her loyalty for the Commonwealth.  (At some point, people will learn to stop trying to recruit Carol to their pet causes.)  But the episode’s heart was with Eugene and his attempts to discover what had happened to Stephanie.  And that’s really were it should have been.  Against all odds, Eugene has emerged as the show’s symbol for every person who is trying to survive the zombie apocalypse without surrendering their emotions and their humanity.  Back when Eugene first appeared on the show and was lying about being a scientist, who could have guessed that he would still be around?  Who would have guessed that he would have outlasted not only Rick but also Carl?  Eugene survives.

This episode was directed by Michael Cudlitz, who previously played Abraham on the show.  (You may remember that Abraham was murdered by Negan.  It was kind of unfair, I thought, that Abraham was sacrificed in order to make it even more shocking when Negan then killed Glenn but that’s The Walking Dead for you.  It’s cold world.)  Cudlitz brought a lot of noir style to this episode.  I especially liked the scene at the end, with Eugene huddled in that dark alley, burning his dreams, while Max emerged from the shadows and introduced herself as being the real Stephanie.  If nothing else, this scene showed that The Walking Dead can create an haunting atmosphere, even without using walkers and blood.

The episode was, of course, dominated by Josh McDermitt’s poignant performance as Eugene but I also liked Paola Lazaro’s work as Princess.  She and McDermitt make a good team, as do Eugene and Princess.  Josh Hamilton continues to do great work as Lance Hornsby.  His rather casual dismissal of Eugene’s outrage was one of the episode’s highlights and it brought up an interesting point.  Everyone knows the Commonwealth is corrupt but everyone also knows that they’re safer in the Commonwealth than outside of it.  People will accept a lot when it comes to staying safe.

Though it took me a few days to find the time to watch it, this was a good episode.  I look forward to seeing what happens next!

TV Review: The Dropout 1.4 “Old White Men” (dir by Michael Showalter)


If the first three episodes of Hulu’s The Dropout occasionally seemed as if they might be a bit too sympathetic to Elizabeth Holmes (played, brilliantly so far, by Amanda Seyfried), the fourth episode presented us with Elizabeth in full supervillian mode.

Gone was the socially awkward but well-meaning Elizabeth.  Now speaking with her trademark deep voice, wearing her black turtlenecks, and possessing the wide-eyed stare of someone who rarely blinks, Elizabeth spent the fourth episode conning Walgreens into investing in her worthless blood testing machine.  When she wasn’t manipulating the Walgreens execs, she was coldly firing poor Ian Gibbons (Stephen Fry) and only bringing him back after the rest of the lab team threatened to quit in protest.  Of course, it wasn’t Elizabeth who placed the call to Ian and asked him to return.  It was Sunny (Naveen Andrews) and, when Ian returned, he was taken out of the lab and given a desk job.

Yes, it quickly became obvious that Theranos had changed a lot since the previous episode.  Security was everywhere, befitting a company that claimed to have come up with revolutionary technology.  People in different departments were not allowed to talk to each other.  The earnest and free-wheeling atmosphere had been replaced by a slick but curiously impersonal office.  Even the quote from Yoda now felt out of place.  Yoda would have been fired for asking too many questions.

Of course, the majority of the episode dealt with Elizabeth and Sunny’s attempts to sell their “wellness center” concept to Walgreens.  It was an obvious con but the Walgreens execs eventually fell for it.  One of them, Jay Rosen (Alan Ruck), fell victim to Elizabeth’s flattery and a belief that Elizabeth represented the future.  (In a rather endearing scene, Jay compared Elizabeth to a Katy Perry song.)  Another exec, Wade Miquelon (Josh Pais), initially understood that Theranos’s claims were too good to be true but, ultimately, he set aside his concerns when it appeared that Theranos might make a profitable deal with CVS instead.  Only Kevin Hunter (Rich Sommer) was able to see through Theranos and, ultimately, his concerns were ignored.  Ruck, Pais, and Sommer were all wonderfully cast and they all did a good job of showing how Elizabeth, Sunny, and Theranos were able to con so many people who should have known better.  By the end of the episode, Elizabeth has tricked former Secretary of State George Shultz (Sam Waterston, radiating gravitas as only he can) into joining the Board of Directors.  While the Walgreens corporate leaders performed an endearingly dorky version of What I Like About You, Kevin Hunter curiously looked at the Edison blood testing machine and Elizabeth coldly looked at him.

After being so disappointed with both Inventing Anna and Pam & Tommy, I resolved to be a little bit more cautious when it comes to overpraising the early episodes of The Dropout.  And I do think you could probably make the argument that devoting an entire episode to Walgreens is an example of how a miniseries will occasionally drag a story out and will devote an entire episode to something that could have been handled with just one five-to-ten minute scene.  But, when you’ve got a cast this good and writing this sharp, it almost doesn’t matter.  Director Michael Showalter did a wonderful job of balancing the cringey humor of the Walgreens plotline with the more emotional moments in which Ian Gibbons dealt with his frustrations over the direction in which Sunny and Elizabeth took Theranos.  Even if you don’t already know the details about what ultimately happened to Ian Gibbons, Stephen Fry’s performance will still break you heart.  Fry plays Gibbons as a man who, despite advancing age and poor health, refuses to surrender his idealism.  That makes him a good scientist but also the perfect victim for Elizabeth and Sunny’s syle of manipulation.

Old White Men was a well-done episode, perhaps one of the best that I’ve seen so far this year.  I look forward to seeing where the show takes us next week.

TV Review 1.8 Pam & Tommy “Seattle” (dir by Gwyneth Horder-Payton)


Pam & Tommy comes to an end, not with a hard bang but instead with a flaccid whimper.

The final episode of Pam & Tommy opened with Seth Rogen’s Rand Gauthier wandering around with a pained expression on his face.  Apparently, this was the one thing that Rand was good at.  Rand has been beating up people who owe Butchie money but it’s starting to trouble him.  Rand believes in karma and thinks that being a glorified mob enforcer will turn karma against him.  Or maybe being a glorified mob enforcer is karma’s way of punishing Rand for stealing a sex tape and trying to sell it online in the first place.  It’s hard to say.  All I know is that there was way too much Rand and way too much karma talk for me.  The show may be based on what Rand claims actually happened to him but the idea of Rand, with his mom jeans and his mullet, becoming a feared debt collector is simply a bit too much.  Perhaps because he was just as sick of listening to Rand whine as the rest of us, Butchie offered to let Rand off the hook if Rand would simply pay him $10,000.  Rand, of course, doesn’t have $10,000, despite being responsible for coming up with the most profitable and lucrative use of the internet ever.  Loser!

Meanwhile, Tommy attempts to make a musical comeback by imitating the 90s Seattle sound while an actual resident of Seattle, Seth Warshovsky (Fred Hechinger), offers to buy the rights to Pam and Tommy’s sex tape.  On the one hand, selling the rights to Warshovsky will allow Warshovsky to sue anyone who is distributing and making money off of bootlegged copies.  On the other hand, it will also lead people to assume that Pam and Tommy were behind the video’s initial release.  Pam wants to do it.  Tommy refuses.  Their marriage starts to crumble.  The episode insinuates that the tape caused Pam to miss out on opportunities to appear in both L.A. Confidential and Austin Powers which …. yeah.  I’m honestly going to say that, as far as Pam not becoming a movie star and losing roles to Kim Basinger and Elizabeth Hurley, there may have been factors in play other than the sex tape and hypocritical American puritanism.  One can sympathize with what Pam went through while also still being honest about the fact that she was never a particularly good actress.  If anything, her talent and persona were perfect for television.

After 8 hours, the finale of Pam & Tommy didn’t add up too much.  We start to see that Pam is getting sick of Tommy’s immaturity and that Tommy can’t control his temper, even around Pam.  But it’s not until the end title cards that we’re informed that Pam and Tommy divorced after Tommy was arrested and did jail time for spousal abuse.  (We’re also told that both Pam and Tommy consider each other but the love of their lives, which is kind of a bold statement to make when neither Pam nor Tommy had anything to do with the production of Pam & Tommy.)  Seth Warshovsky pays Rand a total of $10,000 for the original copy of the sex tape and then goes on to make several million dollars off of it.  Rand considers using the money to settle his debt with Butchie but instead he gives the money to his ex-wife because that’s what karma would want him to do.  (One has to wonder if anyone involved with Pam & Tommy ever watched a little show called My Name Is Earl.)  Those helpful title cards inform us that Rand moved to North California and now works as a marijuana grower and that he still struggles to get people to believe that he’s the man who actually stole the tape.  It doesn’t mention whether he did anything about his hair.

The main problem with Pam & Tommy is that the story itself just wasn’t interesting enough to demand 8 hours of screen time.  The second biggest problem, and this is a problem with a lot of streaming miniseries, is that the show itself never really settled on a consistent tone.  Was it a drama or was it a live action cartoon?  The show couldn’t seem to make up its mind.  Themes were raised and then abandoned, as if the show itself was desperately trying to justify its existence.  Lily James gave a good performance as Pam.  Sebastin Stan has a few good moments as Tommy Lee.  Seth Rogen, Taylor Schilling, Andrew “Dice” Clay, and Nick Offerman all gave their characters one-note interpretations that didn’t add up too much.  Considering the talent involved, it’s all a bit of a shame.

Oh well.  It’s over now.

Lisa Marie’s Week In Television: 2/27/22 — 3/5/22


Yes, I watched a lot this week.  Here’s some thoughts:

Allo Allo (Monday Morning, PBS)

Rene attempted to abandon his wife and his café so that he could elope with Yvette but Michelle had one “last” mission for him.  It involved smuggling the Enigma machine to the British via the sewer system and, needless to say, it involved a lot of digging.  It made me laugh, that’s what is important.

The Amazing Race (Wednesday Night, CBS)

You can read my thoughts on the finale here!  I wasn’t particularly happy about who won but that’s the way it goes sometimes.

American Idol (Sunday Night, ABC)

I am as stunned as anyone by the fact that American Idol still exists.  I stopped caring about the show a lifetime ago but I still watched the premiere of the latest season on Sunday because I was cleaning around the house and I thought it would make for acceptable background nose.  I love Katy Perry but the rest of the judges are pretty dull.  No one’s willing to be as mean as Simon Cowell was back in the day.  The whole thing is just too damn positive.

The Bachelor (Monday Night, ABC)

I haven’t really been keeping up with this season but I did watch Monday’s episode, just to see if the Claytonbot had developed any sort of individual personality over the past few weeks.  He has not but apparently, everyone can still see themselves falling in love with him and spending the rest of their life with him.

Bar Rescue (Friday Morning, Paramount)

It had been a while since I watched Bar Rescue so I watched the Friday morning bloc of reruns.  I guess, due to the fact that I don’t drink, I always find it amusing how worked up everyone on the show gets over the mismanaged bars.  Whenever Taffer starts to yell about a bartender not knowing how to make a certain cocktail, I’m always like, “Well, can’t you just order something else?”

Couples Court With The Cutlers (Sunday Afternoon, OWN TV)

I had forgotten this show existed but when I stumbled across it on Sunday, I have to admit that I immediately got sucked into the case of Bacon vs. Bacon and the question of whether or not Mrs. Bacon was cheating on Mr. Bacon.  They even brought in a cybersecurity expert to go through Mrs. Bacon’s phone and it was discovered that she was using an app to send out secret text messages!  Mrs. Bacon claimed she was talking to other men but not actually cheating with them.  However, “licensed polygraph examiner Kendall Shull,” (as he’s called in every single episode) determined that she was cheating.  Mr. Bacon walked out on her husband while the audience gasped.  Poor Mr. Bacon!  I later looked this episode up on the imdb and I discovered that it was 5 years old so I can only imagine how the Bacons feel whenever they come across it playing on TV.

Court Cam (Wednesday, A&E)

To be honest, I thought this show had been canceled but, on Wednesday, I discovered that it still exists and it’s going strong.  Featuring actual court footage and breathlessly narrated by Dan Abrams, Court Cam is the equivalent of true crime junk food.  I watched about four episodes.  Judges yelled.  Defendants yelled.  The bailiffs were ready to spring into action.  The lawyers were usually smart enough to stay out of the way.

The Dropout (Hulu)

I wrote about the latest Hulu miniseries here!

Full House (Sunday Afternoon, MeTV)

Uncle Jesse was upset that he wasn’t getting to spend as much time with his cool friends as he wanted to because he was always spending all of his time taking care of Danny’s children.  So, Jesse went skiing with his old friends but they all turned out to be just as dorky as Joey and Danny so I kind of think Jesse was fooling himself as far as the old gang was concerned.  Jesse’s life didn’t get any better in the episode that followed, as he was forced to take a job as an Elvis impersonator to pay the bills.  Poor Jesse!  At least he had adequate hair.

Inventing Anna (Netflix)

I watched episodes 3, 4, and 5 of Inventing Anna early Monday morning.  They didn’t do too much for me, largely because Vivian isn’t a very interesting character and every minute that we have to spend listening to her whine about her career is a minute that we’d rather be spending with Anna and her wealthy friends.  This show makes a lot more sense once you know that the journalist upon whom Vivian Kent is based is also one of the producers.  She made the mistake of thinking she was the star of the story.

King of the Hill (Hulu and FXX)

On Sunday morning, I watched three episodes of King of the Hill on Hulu.  The first featured the possibility of Bobby being a reincarnated holy man.  The second found Peggy getting involved with a pyramid scheme.  (“No, it’s a triangle.”)  And the third featured Hank getting a haircut from Bill and then demanding that the Army charge him for it.  It turns out that it costs $900 for the army to give a man a haircut.

I watched two episodes of FXX on Wednesday.  One episode featured Hank becoming the substitute shop teacher and teaching the kids how to fix things.  Unfortunately, he had the kids bring tools from home and that got him fired.  I love this episode, largely because of the wonderful voice over work of the late Dennis Burkley, who played Principal Moss.  This was followed by Aisle 8A, in which Connie spent a memorable few days with the Hills and Hank had to find the courage to take a trip down Aisle 8A.

Law & Order (Thursday Night, NBC)

I watched the latest episode of Law & Order to see if McCoy had gotten around to firing his ludicrously idealistic Executive D.A. yet.  He had not.

This week’s episode was based on the relationship of Elizabeth Holmes and Sunny Balwani so it was interesting to watch it after having binged the first three episodes of The Dropout.  It was an okay episode, even if it still sometimes seemed to be trying a bit too hard.  The Law & Order revival needs to calm down a little and give the new characters (and the actors playing them) a chance to define who they are.

I kept hoping the ghost of Adam Schiff would materialize and rasp, “Take the deal….”

Law & Order: SVU (Thursday Night, NBC)

What if Joe Rogan confessed to a decades-old murder!?  Well, I guess you’d have to send someone in undercover to catch him.  This was not one of SVU‘s better episodes.

The Love Boat (Sunday Evening, MeTV)

On Sunday’s cruise, Kim Richards played a 13 year-old who, after putting on a good deal of makeup and taking off her glasses, could pass for a 22 year-old.  Fortunately, Gopher found out the truth about her age before committing a crime.  Meanwhile, Eve Plumb learned to forgive the man who she thought was her father for walking out on the family 20 years earlier.  Yay!  Quite a cruise.

Open All Hours (Monday Morning, PBS)

A woman wished Granville a happy birthday so Arkwright pushed Granville off of a step ladder.  This is something that appeared to happen fairly frequently with Granville.  He was always getting shoved off something.  Poor guy.

Pam and Tommy (Hulu)

I reviewed the latest episode of Pam & Tommy here.  Unfortunately, the character of Rand Gauthier has returned.  I’m glad this show is almost over.

The SAG Awards (Sunday Night, TNT)

I caught the second airing of the awards.  It was nice to see CODA win the award for Best Ensemble.  I loved Marlee Matlin’s speech.

Secrets of Playboy (Monday Night, A&E)

This A&E docuseries is all about exposing Hugh Hefner as being kind of a creep.  The episodes that I saw on Monday certainly accomplished that goal.  It’s kind of amazing that, for years, Hefner was able to get away with presenting himself as being some sort of benevolent father figure when basically, he was just a jerk with a mansion and smoking jacket.

Silk Stalkings (IMDB TV)

On Wednesday, I returned to binging Silk Stalkings.  I started with the 35th episode of the series, which was called Dead Weight and featured Chris and Rita investigating the murder of a businessman who was played by John O’Hurley.  I was pretty sure that I had seen this episode before but no matter.  It was fun and trashy and O’Hurley played his brief role like a soap opera villain come to life.  The 36th episode was called Kid Stuff and it told the story of a 17 year-old prostitute who shot her older lover’s wife.  The older man was a doctor who was played by the great Andrew Stevens.  Even by the standards of Silk Stalkings, this was a sordid episode but that’s one of the fun things about Silk Stalkings.  It may have been shameless but it also clearly wasn’t meant to be taken seriously.  Later, that night, I watched the 37th episode, in which Chris and Rita investigated a shooting that was connected to a couple’s kinky sex game.  That said, Chris was more concerned that Rita might accept a job offer and move to San Diego.  Awwwww!  No need to worry, Chris!  Rita would never leave you!

Thursday, I watched Episode #38.  After a murder turned out to be connected to a shady modeling company (which was actually a front for a trafficking scheme), Chris and Rita went undercover!  Chris pretended to be a mobster!  Rita pretended to be a model!  Any episode in which Chris and Rita go undercover is guaranteed to be a gem, especially if it requires Chris to wear a red suit and talk tough.  This was followed by an episode in which Chris and Rita investigated a death at a birthday party and Rita dealt with some issues from her traumatic childhood.  It was actually a pretty effective episode.  As silly as the mysteries on the show were, both Mitzi Kapture and Rob Estes were good actors who managed to find a sort of emotional reality amongst all the neon and lingerie.

Finally, on Friday, I watched Episode #40, “Soul Kiss.”  Chris and Rita investigated what appeared to be a suicide but what was actually a murder that was connected to a tantric sex seminar.  Rita was intrigued but Chris thought it was silly to suggest that he needed a seminar to learn anything new.  Rob Estes and Mitzi Kapture both kind of laughed their way through this episode.

Snowpiercer (Sunday Night, TNT)

I watched Snowpiercer while waiting for the second showing of the SAG Awards to begin.  Visually, it’s an impressive show and there’s a lot of actors in the cast who I like.  And I also liked the movie upon which the show is based.  That said, I don’t have the slightest idea what was going on in the majority of the episode.

South Park (Wednesday Night, Comedy Central)

This week, South Park not only took on Russian aggression but it also took a look at the way adults specialize in scaring and emotionally traumatizing children “for their own good.”  As usually happens in a time of crisis, South Park was the only show to come across as being the least bit sensible.  The new episode was followed by the “Zipline” episode from 2012.  That episode was only ten years old but seemed to come from a totally different universe.

The State of the Union (Hulu)

I skipped the State of the Union address on Tuesday and I wasn’t planning on watching it at all but then I heard from several people about how weird it was so I decided to give it a watch.  And yes, it was very, very weird.  All of our leaders are very, very weird and there’s no point in pretending otherwise.  What’s the deal with Biden’s creepy whispering thing?  Can no one tell him not to do that?  For that matter, most of the members of Congress appear to be deeply weird as well.  As much as we Americans love watching British and Canadian lawmakers heckle their prime ministers, we’re still not used to the idea of people in Congress doing it to the president.  At times, I felt like I was watching a sci-fi film in which society had moved underground.

My main impression is that this country is led by a group of very old people.  Maybe we should try electing some younger people the next time we have the opportunity.  Just a thought.

Talking Dead (Sunday Night, AMC)

Just like last week, Talking Dead did not feature a studio audience and, as a result, it fell somewhat flat.

The Walking Dead (Sunday Night, AMC)

I like the Commonwealth.  Their Halloween looked fun and I don’t really care about the income inequality.  The world’s ending.  Let people enjoy themselves, Carol.  I reviewed the latest episode of The Walking Dead here.

Worst Roommate Ever (Netflix)

Netflx’s latest true crime series tells the story of four terrible roommates.  Three of them turned out to be murderers.  The other one attempted to kill two people that we know about and the fact that both of them survived is something of a miracle.  I binged this frequently fascinating but often disturbing series on Tuesday morning, before Erin and I left to the vote in the Texas primaries.  The fact that this series is only five episodes long and doesn’t resort to dragging out any of the stories that it tells should really serve as a lesson for some other showrunners out there.  That said, I also have to say that the final two episodes, which dealt with the nightmarish crimes of Jamison Branch, left me feeling deeply unsettled and there’s a part of me that wishes that I hadn’t watched them.