Suzanne Kent | Through the Shattered Lens

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week …. it’s one of the best episodes of The Love Boat ever!

Episode 4.18 “Aquaphobiac/Humpty Dumpty/The Starmaker”

(Dir by Roger Duchowny, originally aired on February 7th, 1981)

David Hasselhoff boards The Love Boat, for the second time!

This time around, the Hoff is playing Brian Kiley. Brian and Julie went to college together. Brian was the star quarterback and, as he explains it, he and Julie were a pretty serious couple at the time. But, in the end, Brian ended up marrying Julie’s roommate and his own playing days came to a premature end when he broke his arm. Now, he’s on the Love Boat and he wants to not only get back together with Julie but he also wants to make a comeback in the NFL!

Julie is tempted. How couldn’t she be tempted by the Hoff? But watching Brian talk about his glory days on the football field, she realizes that he’s living in the past and, to an extent, so is she. Brian is, at first, upset by Julie’s feelings but then he realizes that she’s right. He makes peace with his years as a famous quarterback and he leaves the boat not as Julie’s lover but as her good friend….

MY GOD, JULIE — IT’S THE HOFF IN HIS GLORY DAYS! WHO CARES IF HE TALKS ABOUT FOOTBALL!? CHASE AFTER HIM!

The Pointer Sisters also board the ship, this time as employees of the cruise. Isaac want to impress a talent agent (Jeff Cooper) so he recruits the sisters to serve as his backing vocalists. After seeing them perform, the talent agent is impressed but only by the sisters. They get a recording contract while Isaac …. well, Isaac goes back to pouring drinks. POOR ISAAC! But give credit to Ted Lange, who brought a lot of sincere feeling to what could have been a throwaway storyline.

Finally, Glenn Dobson (Louis Nye) and his fiancée, Vanessa (Audra Lindley), board the boat so that they can get to know each other before the wedding. Glenn has severe aquaphobia and cannot bring himself to take off his inflatable life jacket. Vanessa tries to help him conquer his fear but nothing helps. Glenn fears all the other passengers are laughing at him. So, the crew and the passengers all put on their own life jackets to show Glenn that he has nothing to be ashamed of.

“Tonight,” Stubing announces, “we are truly a boat of love.”

Awwwwww! Seriously, who would have guessed that The Love Boat would make me cry? This was such a sweet story and both Louis Nye and Audra Lindley really seemed to be invested in their characters. When Glenn finally removed his life vest and took a few stumbling steps into the pool, I wanted to cheer.

What a great cruise this turned out to be!

Originally from a small town in Iowa, Frank Macklin (Robert Hays) is a hotshot young executive with The Ellison Group. When Frank is assigned to manage and revitalize a failing brewery in his hometown, it is a chance for Frank to rediscover his roots. His childhood friends (played by actors like David Keith, Tim Thomerson, and Art Carney) may no longer trust him now that Frank wears a tie but it only takes a few monster truck rallies and a football game in a bar for Frank to show that he is still one of them. However, Frank discovers that the only reason that he was sent to make the brewery profitable was so that his bosses could sell it to a buffoonish millionaire who doesn’t know the first thing about how to run a business. Will Frank stand by while his bosses screw over the hardworking men and women of the heartland? Or will he say, “You can take this job and shove it?”

Named after a country music song and taking place almost entirely in places stocked with beer, Take This Job And Shove It is a celebration of all things redneck. This movie is so redneck in nature that a major subplot involves monster trucks. Bigfoot, one of the first monster trucks, gets plenty of screen time and, in some advertisements, was given higher billing than Art Carney.

A mix of low comedy and sentimental drama, Take This Job And Shove It is better than it sounds. In some ways, it is a prescient movie: the working class frustrations and the anger at being forgotten in a “booming economy” is the same anger that, 35 years later, would be on display during the election of 2016. Take This Job And Shove It also has an interesting and talented cast, most of whom rise above the thinly written dialogue. Along with Hays, Keith, Thomerson, Bigfoot, and Carney, keep an eye out for: Eddie Albert, Royal Dano, James Karen, Penelope Milford, Virgil Frye, George “Goober” Lindsey, and Barbara Hershey (who, as usual, is a hundred times better than the material she has to work with).

One final note: Martin Mull plays Hays’s corporate rival. His character is named Dick Ebersol. Was that meant to be an inside joke at the expense of the real Dick Ebersol, who has the executive producer of Saturday Night Live when Take This Job and Shove It was filmed and who later became the president of NBC Sports?