Retro Television Review: St. Elsewhere 3.2 “Playing God: Part Two”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, the hospital is a depressing place.

Episode 3.2 “Playing God: Part Two”

(Dir by Bruce Paltrow, originally aired on September 26th, 1984)

There was a lot going on in this episode.

Sister Domenica demanded that Sister Theresa be taken off of life support and she threatened to sue the hospital if it didn’t happen.  This led to Dr. Westphall telling another long and depressing story about his dead wife.  I don’t mean to be flippant about anyone’s tragedies but it’s hard not to notice that almost everything seems to lead to Westphall telling a depressing story.  Westphall is one of the most saddest television characters that I’ve ever come across.

The nurses are closer to striking.  A labor negotiator named Richard Clarendon (Herb Edelman) is brought in by the nurses and it’s hard not to notice that he looks a lot like Helen Rosenthal’s ex-husband.  I think I can already guess where this is heading.

A sick child was brought in by a woman (Tammy Grimes) who claimed to be his fairy godmother.  This gave Fiscus an excuse to get a consultation from Kathy Martin, who has abandoned the morgue for psychiatry and who is no longer dressing exclusively in black.

At home, Dr. Craig struggled with impotence.  At the hospital, Dr. Ehrlich gave an awkward lecture about whether or not one can have sex after heart surgery.

The firefighters are still recovering from their burns.

Clancy got an abortion, despite Morrison’s objections.

And yet, all that drama was overshadowed by the fact that the Dr. Peter White — the drug-addicted rapist who nearly killed more than a few patients due to his own incompetence — is once again walking the halls of St. Eligius.  White won his lawsuit.  I’m not really sure that I understand what the basis of his lawsuit was.  St. Eligius could only ask a select number of residents to return and, even if you overlook the fact that White was accused of rape, it’s not as if Dr. White was ever an especially competent doctor.  It would seem that just his struggle with drug addiction would be enough to justify not asking him to return.  And yet, somehow, Dr. Peter White is once again a resident at St. Eligius.  (The ruling was probably handed down by a Carter judge.)

“You just can’t admit that you were wrong about me!” White snaps at Westphall.

Westphall replies that White is a terrible human being and not worthy of being a doctor and that he will not be allowed to work with any patients at the hospital.  And, for once, I wanted to cheer Dr. Westphall.  He may be depressing but he understands exactly who and what Peter White is.

Whatever the future may hold for the hospital, I have a feeling that it’s not going to be happy.  Two episodes in and the third season has already settled into a pit of melancholy.  That said, melancholy is perhaps the right mood for a medical show.  When it comes to hospitals, there aren’t many happy endings.

Film Review: Transformers: The Movie (dir. by Nelson Shin)


1986 was such a fantastic year.

With movies like Top Gun, Labyrinth and Ferris Bueller’s Day Off already out, the summer would give us Big Trouble in Little China, Aliens, & The Fly (Which at one point you could catch as a double feature with Aliens). The two best announcements at home were that a new baby was on the way and Transformers: The Movie was coming out. By August, we knew the baby would be a boy and a name was already set aside for him. We were naming him after a fallen Officer who was a friend of my father’s on the Force.

Impending older brotherhood was nice, but for 11 year old me, it all took a backseat to the Death of Optimus Prime. Up until then, the most shocking fictional event we had in school was either Return of the Jedi closing the book on Star Wars some years prior, K.I.T.T. getting destroyed (and rebuilt with Super Turbo Boost) in Knight Rider, or Rico losing Angelina in a car bomb during the Season Finale of Miami Vice just a few months back.

I didn’t get a chance to see Transformers: The Movie during the film’s initial run, simply because there wasn’t anyone at home who wanted to sit through it with me. My older brother, through other means, managed to score a VHS copy of the film within the first week or so of its theatrical release. I watched and re-watched that video so many times, and would even pause it to try to draw some of the characters. Eventually, I was able to catch a re-release for the film’s 30th Anniversary.

After two full seasons of the show, Transformers: The Movie was basically Hasbro’s way of cleaning house from the 1984 Generation 1 toy line to introduce a new set. The show sold figures, and the hopes were that the film would do the same. Granted, there were already a large number of Transformers to work with by the time the movie came out. With nearly 50 Autobots and about 35 Decepticons to choose from, the film focused on a few, such as the Insecticons, Dinobots and some of the G1 favorites like Soundwave, Starscream, Jazz & Bumblebee. The Constructicons (and Devestator)were the only group set to be featured in the movie. The Stunticons & Aerialbots would sit this one out. Hasbro really didn’t care too much about the impact of any of these changes on the movie’s plot. While most of the trailers asked “Does Optimus Die?”, their toy commercial line already introduced Rodimus Prime.

Produced by De Laurentiis Entertainment Group (Near Dark, Blue Velvet), Transformers: The Movie takes us to the future of 2005. The Autobots and Decepticons are still fighting it out, with a few changes in the war. The Decepticons own the Transformers home planet of Cybertron, but the Autobots have control of two of Cybertron’s Moons and a city on Earth. Lead by Optimus Prime (Peter Cullen, Eeyore on The Adventures of Winnie the Pooh), the plan is get back to Earth and then handle the Decepticons from there. Of course, the Decepticons and their leader, Megatron (Frank Welker, The Golden Child) find out about this and intercept an Autobot shuttle, outright killing classic show staples Prowl, Brawn, Rachet and Ironhide. I can’t imagine what it was like to be a kid, bring your favorite toy to the movies, only to see the character it’s based on killed on screen. To make things worse, a planet eating transformer named Unicron threatens both parties, including Cybertron. Can Unicron be stopped?


It wasn’t a total loss. We were introduced to new Autobots in the rookie Hot Rod (Judd Nelson, The Breakfast Club), the war hero Kup (Lionel Stander, TV’s Hart to Hart), the fast talking Blurr (John Moschitta, Jr., Dick Tracy), would be leader Ultra Magnus (Robert Stack, Airplane), an Autobot First Lady in Arcee (Susan Blu), and Triple Changer Springer (Neil Ross). The two most famous vocal additions were Leonard Nimoy (Invasion of the Body Snatchers) the new Deception leader Galvatron and Orson Welles (The Third Man) as Unicron. As a kid, it was pretty awesome to know that both Spock and the “No Wine Before It’s Time” guy were joining in all of this. It made Transformers seem a bit larger. My parents would point out that Orson Welles was “the” Orson Welles, but as Citizen Kane wasn’t on my radar (despite my Dad owning and watching it), I associated him with Wine commercials. To both their credit, Nimoy and Welles did just fine with their vocal talents.

While the animation for Transformers was never fantastic, the movie was a bit of an improvement. It never quite reached the levels of anime films like Fist of the North Star & Golgo 13: The Professional. The Soundtrack was ultimately where the film shined, with a mix of rock music from bands like Lion and Stan Bush and a score by Vince DiCola. Coming off of Staying Alive and Rocky IV, DiCola’s work on Transformers: The Movie was great, and remains a go to album for me when music is needed for a situation.

The Death of Optimus Prime was a bit of a shock to the audiences that saw (and cared about) it. Hasbro would eventually bring Prime back temporarily as a Zombie in an episode of the show’s 3rd Season, and then again to lead in the season’s 2 part finale, “The Return of Optimus Prime”.

After seeing the film, I asked me parents for some of the movie based Transformers. Christmas was put on hold by my Mom as she went into labor around Christmas Eve. I was able to open just one gift before Christmas. This happened to be a Hot Rod figure that I found in a toy store back in November, which was quickly snatched and wrapped for the Christmas Pile before I could get to open it. She had my little brother on Christmas Morning, and we eventually celebrated the holiday half a week later. Bless her heart, she gave me almost the entire Movie line – Galvatron, Rodimus Prime, Springer, Cyclonus, and the Predacons (who weren’t in the movie). Playing with them took a backseat to diaper detail, but hey, that Christmas was one of the best.

Overall, Transformers: The Movie is one of those films I happily return to from time to time. It’s not incredible in any major way, but it takes me back to one element of a magical year.