Here Are The 2025 Black Reel Award Nominations!


Here are the 2025 Black Reel Award nominations!  The winners will be announced on February 16th.

Outstanding Film (Award given to producers)
Hedda – Dede Gardner, Jeremy Kleiner, Gabrielle Nadig, Nia DaCosta, Tessa Thompson, producers
Highest 2 Lowest – Todd Black, Jason Michael Berman, producers
One of Them Days – Issa Rae, Deniese Davis, Sara Rastogi, James Lopez, Poppy Hank, producers
Sinners – Zinzi Coogler, Sev Ohanian, Ryan Coogler, producers
Wicked: For Good – Marc Platt, David Stone, producers

Outstanding Director
Ryan Coogler – Sinners
Nia DaCosta – Hedda
Spike Lee – Highest 2 Lowest
Rungano Nyoni – On Becoming a Guinea Fowl
R.T. Thorne – 40 Acres

Outstanding Lead Performance
Danielle Deadwyler – 40 Acres
Cynthia Erivo – Wicked: For Good
André Holland – Love, Brooklyn
Chase Infiniti – One Battle After Another
Dwayne Johnson – The Smashing Machine
Michael B. Jordan – Sinners
Jonathan Majors – Magazine Dreams
Keke Palmer – One of Them Days
Tessa Thompson – Hedda
Denzel Washington – Highest 2 Lowest

Outstanding Supporting Performance
Miles Caton – Sinners
Regina Hall – One Battle After Another
Damson Idris – F1
David Jonsson – The Long Walk
Delroy Lindo – Sinners
Wunmi Mosaku – Sinners
Da’Vine Joy Randolph – Eternity
A$AP Rocky – Highest 2 Lowest
Teyana Taylor – One Battle After Another
Jeffrey Wright – Highest 2 Lowest

Outstanding Screenplay
Ryan Coogler – Sinners
Nia DaCosta – Hedda
Rungano Nyoni – On Becoming a Guinea Fowl
Syreeta Singleton – One of Them Days
R.T. Thorne – 40 Acres

Outstanding Documentary (Award given to director)
Being Eddie – Angus Wall, director
In Whose Name? – Nico Ballesteros, director
Orwell: 2+2=5 – Raoul Peck, director
Songs From the Hole – Contessa Gayles, director
The Perfect Neighbor – Geeta Gandbhir, director

Outstanding Ensemble (Award given to casting director)
40 Acres – Stephanie Gorin, casting director
Highest 2 Lowest – Kim Coleman, casting director
On Becoming a Guinea Fowl – Isabella Odoffin, casting director
One of Them Days – Nicole Abellera, Jeanne McCarthy, casting directors
Sinners – Francine Maisler, casting director

Outstanding International Film (Award given to director)
My Father’s Shadow – United Kingdom
Night Call – Belgium
On Becoming a Guinea Fowl – Zambia, United Kingdom, Ireland
Souleymane’s Story – France
We Were Here: The Untold History of Black Africans in Renaissance Europe – Germany

Outstanding Voice Performance
Danielle Brooks – The Bad Guys 2
Quinta Brunson – Zootopia 2
Idris Elba – Zootopia 2
Anthony Ramos – The Bad Guys 2
Zoe Saldana – Avatar: Fire and Ash

Outstanding Score
Freaky Tales – Raphael Saadiq, composer
Hedda – Hildur Guðnadóttir, composer
Highest 2 Lowest – Howard Drossin, composer
Sinners – Ludwig Göransson, composer
The Eyes of Ghana – Kris Bowers, composer

Outstanding Original Song (Award given to performer and writer)
“Highest 2 Lowest” from Highest 2 Lowest – Aiyana-Lee Anderson, performer; Aiyana-Lee Anderson, Nicole Daciana Anderson, writers
“I Lied to You” from Sinners – Miles Caton, performer; Raphael Saadiq, Ludwig Göransson, writers
“Last Time (I Seen the Sun)” from Sinners – Miles Caton, Alice Smith, performers; Miles Caton, Alice Smith, Ludwig Göransson, writers
“Pale, Pale Moon” from Sinners – Brittany Howard, performer; Brittany Howard, Ludwig Göransson, writers
“Sinners” from Sinners – Rod Wave, performer; Darius Povillunas, Kyris D’Asia, Rod Wave, Tarkan Kozluklu, writers

Outstanding Soundtrack
Freaky Tales
Highest 2 Lowest
One of Them Days
Sinners
Wicked: For Good

Outstanding Independent Film (Award given to director)
40 Acres – R.T. Thorne, director
Love, Brooklyn – Rachael Holder, director
Magazine Dreams – Elijah Bynum, director
My Father’s Shadow – Akinola Davies Jr., director
On Becoming a Guinea Fowl – Rungano Nyoni, director

Outstanding Independent Documentary (Award given to director)
BLKNWS: Terms & Conditions – Kahlil Joseph, director
The Eyes of Ghana – Ben Proudfoot, director
Fatherless No More – Kayla Johnson, director
Seeds – Brittany Shyne, director
We Were Here: The Untold History of Black Africans in Renaissance Europe – Fred Kudjo Kuwornu, director

Outstanding Short Film (Award given to director)
The Devil Is Busy – Geeta Gandbhir, Christalyn Hampton, directors
JULES – Tiffany Abney, director
Walk in the Light – Princella Smith, director

Outstanding Emerging Director
Akinola Davies Jr. – My Father’s Shadow
Rachael Holder – Love, Brooklyn
Kahlil Joseph – BLKNWS: Terms & Conditions
Rungano Nyoni – On Becoming a Guinea Fowl
R.T. Thorne – 40 Acres

Outstanding Breakthrough Performance
Miles Caton – Sinners
Susan Chardy – On Becoming a Guinea Fowl
Naya Desir-Johnson – Sarah’s Oil
Damson Idris – F1
Chase Infiniti – One Battle After Another
Jayme Lawson – Sinners
A$AP Rocky – Highest 2 Lowest
Abou Sangaré – Souleymane’s Story
SZA – One of Them Days
Tyriq Withers – HIM

Outstanding First Screenplay
Nnamdi Asmougha – The Knife
Akinola Davies Jr., Wale Davies – My Father’s Shadow
Rungano Nyoni – On Becoming a Guinea Fowl
Syreeta Singleton – One of Them Days
R.T. Thorne – 40 Acres

Outstanding Cinematography
Autumn Durald Arkapaw – Sinners
Jermaine Canute, Bradley Edwards – My Father’s Shadow
Kira Kelly – HIM
Malik Hassan Sayeed – After the Hunt
Brittany Shyne – Seeds

Outstanding Costume Design
Charlene Akuamoah – 40 Acres
Estelle Don Banda – On Becoming a Guinea Fowl
Ruth E. Carter – Sinners
Francine Jamison-Tanchuck – Highest 2 Lowest
Paul Tazewell – Wicked: For Good

Outstanding Editing
Ronald Bronstein, Benny Safdie – The Smashing Machine
Kahlil Joseph, Luke Lynch, Paul Rogers – BLKNWS: Terms & Conditions
Taylor Joy Mason – HIM
Michael P. Shawver – Sinners
Malika Zouhali-Worrall – Seeds

Outstanding Hair & Makeup
Amber Aprin, Mele Egbe – My Dead Friend Zoe
Ken Diaz, Mike Fontaine, Sian Richards, Shunika Terry – Sinners
Antonio Hines, Chancelle Mulela – 40 Acres
Kazu Hiro, Felix Fox, Mia Neal – The Smashing Machine
Vonda K. Morris, Nikki Wright – One of Them Days

Outstanding Production Design (Award given to production designer and set decorator)
Ramsey Avery, Rosemary Brandenburg – Captain America: Brave New World
Hannah Beachler, Monique Champagne – Sinners
Cara Brower, Stella Fox – Hedda
James Chinlund, Marcia Calosio, Mike Keel, Frank Okay – The Smashing Machine
Nathan Crowley, Lee Sanders – Wicked: For Good

Here Are The Shortlists For The 98th Academy Awards


The Academy released their shortlists earlier today.  A lot of people online are saying that the presence of Wicked: For Good on the lists means that its Best Picture hopes are still alive.  It could just as likely be that the Academy likes honoring big productions with technical nominations.

Here are the shortlists.  Consult them before making any bets.

ANIMATED SHORT FILM 

“Autokar”
“Butterfly”
“Cardboard”
“Éiru”
“Forevergreen”
“The Girl Who Cried Pearls”
“Hurikán”
“I Died in Irpin”
“The Night Boots”
“Playing God”
“The Quinta’s Ghost”
“Retirement Plan”
“The Shyness of Trees”
“Snow Bear”
“The Three Sisters”

CASTING 

“Frankenstein”
“Hamnet”
“Marty Supreme”
“One Battle after Another”
“The Secret Agent”
“Sentimental Value”
“Sinners”
“Sirât”
“Weapons”
“Wicked: For Good”

CINEMATOGRAPHY 

“Ballad of a Small Player”
“Bugonia”
“Die My Love”
“F1”
“Frankenstein”
“Hamnet”
“Marty Supreme”
“Nouvelle Vague”
“One Battle after Another”
“Sentimental Value”
“Sinners”
“Sirât”
“Song Sung Blue”
“Sound of Falling”
“Train Dreams”
“Wicked: For Good”

DOCUMENTARY FEATURE FILM 

“The Alabama Solution”
“Apocalypse in the Tropics”
“Coexistence, My Ass!”
“Come See Me in the Good Light”
“Cover-Up”
“Cutting through Rocks”
“Folktales”
“Holding Liat”
“Mr. Nobody against Putin”
“Mistress Dispeller”
“My Undesirable Friends: Part 1 – Last Air in Moscow”
“The Perfect Neighbor”
“Seeds”
“2000 Meters to Andriivka”
“Yanuni”

DOCUMENTARY SHORT FILM 

“All the Empty Rooms”
“All the Walls Came Down”
“Armed Only with a Camera: The Life and Death of Brent Renaud”
“Bad Hostage”
“Cashing Out”
“Chasing Time”
“Children No More: ‘Were and Are Gone’”
“Classroom 4”
“The Devil Is Busy”
“Heartbeat”
“Last Days on Lake Trinity”
“On Healing Land, Birds Perch”
“Perfectly a Strangeness”
“Rovina’s Choice”
“We Were the Scenery”

INTERNATIONAL FEATURE FILM 

Argentina, “Belén”
Brazil, “The Secret Agent”
France, “It Was Just an Accident”
Germany, “Sound of Falling”
India, “Homebound”
Iraq, “The President’s Cake”
Japan, “Kokuho”
Jordan, “All That’s Left of You”
Norway, “Sentimental Value”
Palestine, “Palestine 36”
South Korea, “No Other Choice”
Spain, “Sirât”
Switzerland, “Late Shift”
Taiwan, “Left-Handed Girl”
Tunisia, “The Voice of Hind Rajab”

LIVE ACTION SHORT FILM 

“Ado”
“Amarela”
“Beyond Silence”
“The Boy with White Skin”
“Butcher’s Stain”
“Butterfly on a Wheel”
“Dad’s Not Home”
“Extremist”
“A Friend of Dorothy”
“Jane Austen’s Period Drama”
“Pantyhose”
“The Pearl Comb”
“Rock, Paper, Scissors”
“The Singers”
“Two People Exchanging Saliva”

MAKEUP AND HAIRSTYLING 

“The Alto Knights”
“Frankenstein”
“Kokuho”
“Marty Supreme”
“Nuremberg”
“One Battle after Another”
“Sinners”
“The Smashing Machine”
“The Ugly Stepsister”
“Wicked: For Good”

MUSIC (ORIGINAL SCORE)

“Avatar: Fire and Ash”
“Bugonia”
“Captain America: Brave New World”
“Diane Warren: Relentless”
“F1”
“Frankenstein”
“Hamnet”
“Hedda”
“A House of Dynamite”
“Jay Kelly”
“Marty Supreme”
“Nuremberg”
“One Battle after Another”
“Sinners”
“Sirât”
“Train Dreams”
“Tron: Ares”
“Truth and Treason”
“Wake Up Dead Man: A Knives Out Mystery”
“Wicked: For Good”

MUSIC (ORIGINAL SONG) :

“As Alive As You Need Me To Be” from “Tron: Ares”
“Dear Me” from “Diane Warren: Relentless”
“Dream As One” from “Avatar: Fire and Ash”
“Drive” from “F1”
“Dying To Live” from “Billy Idol Should Be Dead”
“The Girl In The Bubble” from “Wicked: For Good”
“Golden” from “KPop Demon Hunters”
“Highest 2 Lowest” from “Highest 2 Lowest”
“I Lied To You” from “Sinners”
“Last Time (I Seen The Sun)” from “Sinners”
“No Place Like Home” from “Wicked: For Good”
“Our Love” from “The Ballad of Wallis Island”
“Salt Then Sour Then Sweet” from “Come See Me in the Good Light”
“Sweet Dreams Of Joy” from “Viva Verdi!”
“Train Dreams” from “Train Dreams”

SOUND 

“Avatar: Fire and Ash”
“F1”
“Frankenstein”
“Mission: Impossible – The Final Reckoning”
“One Battle after Another”
“Sinners”
“Sirât”
“Springsteen: Deliver Me from Nowhere”
“Superman”
“Wicked: For Good”

VISUAL EFFECTS 

“Avatar: Fire and Ash”
“The Electric State”
“F1”
“Frankenstein”
“Jurassic World Rebirth”
“The Lost Bus”
“Sinners”
“Superman”
“Tron: Ares”
“Wicked: For Good”

TV Recap: Marvel’s Agents of S.H.I.E.L.D., Episode #12: “Seeds”


AgentsofSHIELD Sometimes it seems that all hope is lost. That a show with recognizable potential has past the point of redemption. That it’s game over. But that time is not this week! No! For indeed, peeking between the clouds of wooden acting and stilted dialogue, comes a new episode of Marvel’s Agents of S.H.I.E.L.D…. and spoiler alert, people of Earth… it’s a pretty good one.

You heard me.

Now Apparently A Permanent Fixture Previously On: As random plots get tied together from earlier in the season, we always need these recaps, I guess. Basically, this time, we need to remember that Skye is looking for her parents.

Cold Open: S.H.I.E.L.D. Academy! Do they have a Sorting Hat at future Hogwarts? Oops, no time to worry. The students are at the pool, only, it’s uh… freezing. For no apparent reason. One student is nearly trapped in the ice when it rapidly freezes over his leg, but another busts the ice open with the hilt of a pool skimmer. Yikes!

Act I: After the briefest of cold opens, Fitz-Simmons are talking about how they designed a device that can freeze pools! Well, it wasn’t designed to be used in that way, but someone has apparently weaponized it. For that reason, Fitz-Simmons have been recalled to the Academy. Well, the SciTech Academy. Apparently there are three … Communications, Operations, and SciTech. I think that answers my incredibly important question about how they’re sorted into Houses. I guess you just apply for the division you’re suited for! There’s a rivalry between Sciences and Operations. Skye makes a funny about this to a passing Agent May, who confesses that Ward, Skye, and Fitz-Simmons are going to the Academy… she and Coulson are bound elsewhere. Skye is a little worried about Coulson, actually. Remember, how he had it kind of crappy last week? Ward re-assures her. There’s something about Ward this week that seems less wooden. Maybe I’m imagining things. I hope not though.

At the Academy, the Shield ActionTeam is met by the lovely Agent Weaver (Christine Adams), apparently some kind of administrator. Weird that they don’t make that clear. It also seems like Agent Ward outranks her. I wish I knew a little more about how S.H.I.E.L.D. is organized (and by a little more, I mean a LITTLE, not a lot. Please no one inundate me). Does being Level 7 give Ward clout automatically, as well as determine his secrecy rating? Is Level 7 a rank? Has this already been explained and I just blacked out? Anyway, Agent Weaver is worried they might have a bad seed at the academy. Ward tries to explain the meaning of this term to Skye who helpfully informs him that it is also a phrase that normal people know of! It was a very Joss Whedon moment. I assume that Jed must have had some hand in this scene. It’s fun to try and guess.

While Fitz-Simmons prepare for their lecture on how you should be careful of the potential of dorm room science projects to be weaponized into something dreadful… Ward and Skye visit the Wall of Valor, a memorial to S.H.I.E.L.D. agents who have fallen in the line of duty. Skye wishes that she’d come up through S.H.I.E.L.D. the right way, but Ward talks her down. It’s a stunningly human moment from Ward. Did I drink a lot before this episode? I’d like to believe that, instead, Ward is finally a character instead of a caricature.

On the ActionPlane, Coulson and May rehash the whole ‘Coulson was dead and got brought back by mad science’ thing. More importantly, May has a line on one Richard Lumley (Boyd Kistner), former Agent, who vanished 23 years before. I have deep suspicions that he’s connected to Skye’s mysterious past! Sounds like fun.

At the Academy, Fitz-Simmons begin their lecture. Apparently they’re held in some reverence at the Academy. Meanwhile, Ward is interrogating the near-victim of the pool freeze, a young man named Seth (David Zovatto), one of the top students at SciTech. Seth admits that the academy is competitive, but that they don’t typically attempt to kill one another to gain pole position. He also claims not to know a student named Donnie Gill (Dylan Minnette)…

…Who at the same time is freezing over solid during Fitz-Simmons’ lecture! Fortunately, Fitz-Simmons are seasoned field operatives, and Skye and Ward arrive just in time to identify the freeze device responsible and smash it. Their combined efforts save young Donnie before he suffers much in the way of undue effects.

Oops, there’s the scene changes I’ve been missing. In a tinted limo, we’re re-united with hilariously evil CEO Ian Quinn (David Conrad) who you might remember from the Gravitonium debacle. He’s just here to tell us he’s involved in this somehow, before we’re back to the Academy.

Eh, it’s just some filler dialogue. Donnie has a 190 IQ, no friends, no enemies, has trouble relating, blah blah blah. The faculty is worried about him. Wards wants Fitz-Simmons to take the group to the students’ refuge, The Boiler Room. There’s another scene change in here, but I don’t even want to talk about it. I spent more words explaining that than the time we spent scene-changed. Ugh. Anyway, Ward ACTUALLY wants Fitz to go make friends with Donnie Gill. Simmons and Skye make fun of him, because he’s abruptly acting like a human being, and this is new for all of us. Humour helps break the tension. The rest of them will check out the Boiler Room. I capitalize it, because apparently the SciTech students turned the literal boiler room of the campus into a nightclub. No, I am not kidding. There appears to be no cover, and while Ward is twice the age of any student on campus, apparently real S.H.I.E.L.D. agents drop by from time to time.

Over at Donnie’s place, Fitz and he compare notes on being the biggest nerd on campus. Fitz is impressed by the cool gadgets that Donnie’s been working on. In his own time, he also invented weird things. You know, like technology that could be weaponized into a FREEEEEEZE gun.

In Mexico City, May and Coulson being unobtrusive in their bright red ActionCorvette. They are talking about Skye. Actually, May is doing almost all of the talking. This is a day for breakthroughs for everyone! Skye has finally completely won May over, we discover. This is actually nice to hear. I was tired of May being unbearably frigid toward poor Skye. Or maybe I was just bored after we had to deal with it from Ward as well? Hmm. Coulson’s got concerns about the whole ‘re-worked his brain and implanted false memories’ thing. May does not. I like that Coulson is dealing with some stuff to make him more interesting. He’s not so smarmy here, and he doesn’t feel like he knows everything anymore. He even says he’s ‘tired of secrets’. We all know that’s not true, right? He’s a man of secrets. Fortunately, about this time, they spot Lumley and go into pursuit mode.

It’s a hilarious kung-fu mismatch between Agent May and Lumley. He literally hits her with a pallett, which slows her down for a second, while Lumley attempts to flee. But then we discover that the unobtrusive and very stealthy bright red Corvette can fly. Well, then! Coulson identifies himself, and Lumley sags in relief. Or despair. Or something. “Oh good. This is about the baby girl, isn’t it?” Time to learn cool things!

Lumley tried to take a cyanide capsule. Coulson is horrified. What did he think they were going to do with him? Well, there’s a story! 24 years ago (this is the number associated with Skye’s infancy, in case you forgot) Agents Lumley and Avery were in China. A whole S.H.I.E.L.D. team had apparently been wiped out trying to recover an 0-8-4 (this is the code given to an object of unknown origin. Previous examples include the Peruvian artifact we saw earlier this season, or perhaps even the Tesseract itself (this is the dumb, generic name given to the Cosmic Cube in films such as ‘The Avengers’). It turns out that the 0-8-4 these agents were retrieving was a baby girl, who exhibited no special powers that they ever observed. One by one, everyone who knew about the kid was hunted down and destroyed, including Agent Avery. Lumley is the only other survivor. Before her death, Agent Avery faked a Level 8 (!! who the eff is level 8 if Phil Coulson is only level 7? Just Nick Fury? It all seems kind of arbitrary though, let’s not think too hard) clearance. Avery assigned the S.H.I.E.L.D. foster system to move Skye around every few months not because she wasn’t wanted… but to keep her safe. Wow. Let’s take a breather after that.

Back at the Academy, Skye has blended in. Because she’s very smooth, as we’ve seen, she apparently flirted with the bartender and convinced him that she’s a Level 7 operative at the Sandbox (a S.H.I.E.L.D. pure research facility). After she expressed curiousity over top candidates who might be interested in assignment there, she was pointed toward one of the lovely young ladies from the cold open. Ward decides to check it out. Meanwhile, up in Donnie’s dorm, Fitz tries to befriend the troubled young man. He also helps him solve a problem with power generation for some dorm room science project Donnie’s been working on. I’m sure that was a good idea.

Ward is not good at flirting with young S.H.I.E.L.D. cadets. The dialogue here isn’t that good, and neither is he. It’s kind of a bummer. He’s made great strides during this episode, but right here, I either want to punch him in the face, or do the Picard-style facepalm til the scene is over. Right up until young miss… whatever… drops a bombshell. Donnie and Seth are friends. They’ve been bantering for weeks about how they would get to meet the great Agent Fitz. Ward immediately spots the problem. They just now arrived… and didn’t know they were coming… and oh. Right.

Fitz decides to play hero after he realizes that he’s been had, and that helping Donnie with his science project probably actually means that he just taught Donnie how to power a full scale version of the FREEEEEEEEEEEEZE machine. Unluckily for Fitz, Seth is also present, and shoots him in the head. Probably non-lethally. But still. It all comes together now; Seth and Donnie have been in touch with comically evil CEO Ian Quinn (But he really just loves free enterprise, guys! Emphasis on the comically evil.), who seems to do nothing in life except fly around in his private jet and facilitate supervillains and weapons of mass destruction (though, to be fair, he may just not have had time to rebuild his magnificently appointed villa since we last saw him). Skye even confirms with Coulson that this is Quinn’s modus operandi.

Oh, right, we’re back on the ActionPlane now. Coulson is acting kind of weird toward Skye. I WONDER WHY. Fitz thinks that Donnie is still not a bad guy. Also, he abruptly realizes that the device he saw used exotic and rare materials that could never be obtained on the open market by cadets. They’ve got a financial backer.

In a parking lot somewhere, Seth is on the phone with amusingly sinister CEO Ian Quinn.

On the ActionPlane, we now learn that Seth’s father works for Quinn WorldWide. Remember how, to the rest of the world, Quinn isn’t full of cackleworthy menace? Hmm. Even Seth and Donnie probably don’t know that he’s hysterically foul. Quinn tells Seth he wants a full-scale demonstration to prove that the device is worth his time now that the ActionTeam is on the case. Then he hangs up the phone and immediately orders his pilot to turn around. Remember what I keep saying about him? It’s ha-ha funny! It’s heinous!

Donnie is having second thoughts about just randomly firing up their untested ice machine at full scale. Seth convinces him otherwise, and they push the big red button. Only, instead of doing whatever idiotic thing they thought they would do… well, even Donnie doesn’t know what dumb thing they just did.

On the ActionPlane, Coulson squares with Skye. He tells her the whole truth. The music rises as he does so. The music tells us how we should feel about each of these scenes! I’m still in shock over the fact that Coulson decided to square with Skye. Is this show getting like… a lot better? Please, dear reader, you tell me. Skye says that the truth about her past cannot be worse than what she imagined. Coulson assures her: “It is.” Rise, emotions! Obey that musical cue! The music is so ascendant, it can carry us through to other scenes…!

Agents Ward and Weaver witness the instanteous formation of a huge, dangerous storm system.

Skye is in tears.

Donnie and Seth are at the eye of the same storm. Seth is triumphant; Donnie is deeply concerned. While the device worked… they could be in terrible danger.

After the break… Donnie is yet more concerned. They seeded the clouds, only they did a REALLY good job. Ice is coming. Like, a capriciously lethal amount. He begs for Seth’s help to try and reverse the process. Coulson orders Ward to see if he can extract Donnie and Seth, but Ward takes one look outside and says: “Not so much”. The only remaining recourse is to land the ActionPlane in the eye of the storm and get the two young men out manually. Luckily, Agent May is a good pilot and stuff. I’m sure they’ll make it. Uhh… not before Seth is hit by a bolt of lightning though. An unfortunate consequence of holding on tight to a metal object that rises up above its surroundings. Donnie is knocked back as well, and the machine is totally fried. The ActionPlane descends, the ActionTeam is here to save the day… but Seth is already too far gone, despite Fitz-Simmons’ best efforts. Donnie is devastated.

In the aftermath, Donnie is being shipped out to the Sandbox, where S.H.I.E.L.D. can keep an eye on him. May wants to revisit the whole ‘she and Ward are making love with machine-like precision and wooden facial expressions’ thing but Coulson’s not concerned. She also seems genuinely upset, like a real human being, at how badly it must have hurt Skye that Coulson told her the truth. Coulson, though, is positively glowing, as he talks about Skye’s reaction… guys, it turns out that Skye is a hero, she’s an ‘up’ person, and she gives her all for the team. Now, I don’t want to put too fine a point on this, BUT ALL THE VIEWERS KNEW THAT ALREADY COULSON, GOOD GRIEF. We got over ‘conflicted allegiances Skye’ like ten episodes ago. As part of the exeunt, we see Donnie making ice with his finger. Hey, it’s the influence of farcically vicious CEO Ian Quinn! Makin’ dem Supervillains!

In a final segment, Coulson calls amusingly malicious CEO Ian Quinn to threaten to blow him out of the sky if he ever comes near a S.H.I.E.L.D. aligned nation again. Quinn’s unruffled, and tells Coulson that … ‘The Clairvoyant told me to say “Hello”‘. Because we can’t have two groups of bad guys. God forbid. They’re all one group of interconnected evildoers, responsible for all of the evil! The musical cue tells me dread, but I felt ‘yawn’. Tsk tsk. The music wasn’t powerful enough.

Guys, this episode was great! The best one so far, by a clear margin! I know that people have already fled this show, and believe me, I get it. No one watches it more times than I do, despite the pain and suffering it causes. But if every week was like this one, we’d have an above-average TV show. Isn’t that all we can ask for from the broadcast networks anymore? Anyway, I’ll join you all again next week, for another journey into the unknown. Meanwhile, I’m going to see how a guy gets entrance into the S.H.I.E.L.D. academy… seemed like a pretty happening place.