Scenes That I Love: “Now is the winter of our discontent” from Laurence Olivier’s Richard III


115 years ago today, Laurence Olivier was born in Surrey.  The son of a clergyman, Olivier would go on to become one of the greatest stage actors of the 20th Century.  He would also have a distinguished film career, one that led to him frequently being described as being the world’s greatest living actor.

He is perhaps best-known for his Shakespearean performances.  He won multiple Oscars for directing and starring in 1948’s Hamlet.  Before his turn in Hamlet, he was similarly nominated for his film version of Henry V.  That said, for me, his best cinematic Shakespearean performance was as Richard III in the 1953 film of the same title.

Though acclaimed, Richard III was not quite the Oscar favorite that Olivier’s previous two adaptations of Shakespeare had been.  Henry V was released at a time when its portrayal of a determined British ruler could be viewed as a metaphor for the UK’s role in the second world war.  Hamlet was released at a time when the world was still rebuilding and trying to adjust to the new atomic age and its dark, noirish style captured those anxieties.  Richard III was released in the 50s, at a time when Americans perhaps weren’t as receptive to films that suggested that leaders should not be trusted.  As a result, Richard III received only one nomination, for Olivier’s performance in the title role.

Today, in honor of his birthday, here is a scene that I love from 1953’s Richard III:

Scene That I Love: The Run From It’s A Wonderful Life (In Memory of James Stewart)


114 years ago today, James Stewart was born in Indiana, Pennsylvania.  In honor of the birth of one of my favorite actors, here is a scene that I love.

From It’s A Wonderful Life:

Scenes I Love: Berkman Goes Boom from Barry


Today’s scene that I love is a fairly recent one.  

On Sunday’s episode of HBO’s Barry, hitman-turned-actor Barry Berkman (played by Bill Hader) accepted a contract to blow up a house and the Bolivian gangsters within.  He was given a bomb which had been purchased on the Dark Web and which, unfortunately, had been programmed to continually repeat a phrase in Japanese.  He was also given the Detonator App (developed by KABOOM), which would allow him to remotely detonate the bomb.

The only problem is that the app didn’t seem to be working and as Barry tried to figure out why, some of the gangsters heard the bomb “speaking” underneath the house.  Meanwhile, Fernando — who was not supposed to be in the house when the bomb went off — showed up to talk to his father-in-law.  While Fernando discovered that his own secrets were no longer secret, Barry wondered if he would even be able to get the bomb to go off.

Customer service to the rescue!

As I said, I saw this scene on Sunday and, as Monday comes to a close, I’m still laughing about it.  It almost makes me want to get a job at Kaboom.  This is a wonderfully executed and detailed scene and one of the best that I’ve seen so far this year.

“Alright, sounds like we were successful….”

 

Scenes That I Love: “Halt The Flow of Time” from Starcrash


Today is apparently Star Wars Day! 

(May 4th …. may the 4th …. okay, I get it.)

So, it seems appropriate to share a scene that I love from my favorite Star Wars film, Starcrash!

Okay, technically, Starcrash is not part of the Star Wars franchise.  This 1978, Luigi Cozzi-directed film is usually considered to be one of the more blatant rip-offs of Star Wars.  But you know what?  I love Starcrash.  I’ve seen Star Wars and I’ve seen Starcrash and Starcrash is a lot more fun.  Not only does Starcrash feature Marjoe Gortner, David Hasselhoff, Joe Spinell, and Caroline Munro but it also features the one and only Christopher Plummer as the emperor of the universe.

In the scene, Hasselhoff and Munro inform Plummer that they only 45 seconds before a planet explodes.  Plummer, however, has the perfect solution and his delivery of the line “HALT …. the flow of time!” is one of the many things that makes Starcrash one of the greatest films ever made.

Scenes That I Love: The Epic Shootout and Chase Scene From Hard Target (Happy Birthday, John Woo)


Today, the Shattered Lens wishes a happy 76th birthday to the one and only John Woo!  And what better way to celebrate than with a scene that we love?  1993’s Hard Target was not only John Woo’s first American film but it’s also one of the few films to make perfect use of Jean-Claude Van Damme (not to mention Wilford Brimley and Lance Henriksen)!

Today’s scene is hard Target’s epic shootout and chase scene.  Nearly 30 years later, it’s still exciting to watch.

Scenes That I Love: “I Love The Smell of Napalm in the Morning” from Apocalypse Now (Happy birthday, John Milius!)


Today, the Shattered Lens celebrates the 78th birthday of the iconic screenwriter and director, John Milius!

While director Francis Ford Coppola definitely put his own stamp on 1979’s Apocalypse Now, the film started life as a script written by John Milius and the film itself is full of dialogue that could only have been written by Milius.  The most famous example is Robert Duvall’s monologue about the smell of napalm in the morning.  Actually, the entire helicopter attack feels like pure Milius.  Reportedly, Duvall’s character was originally named Colonel Kharnage but, by the time the movie was made, his name had become Kilgore.  It’s still not exactly a subtle name but it’s not quite as obvious as Kharnage.

(When James Caan read the script, he loved the role so much that he was offended to not be offered it and, as a result, he turned down offers to play not only Willard but also Kurtz.)

Happy birthday, John Milius!

Scenes That I Love: The Opening of Reservoir Dogs


In honor of Quentin Tarantino’s birthday, today’s scene of the day is the opening coffeeshop scene from Tarnatino’s directorial debut, 1992’s Reservoir Dogs. 

While Tarantino will always be better appreciated as a director than an actor, it does seem somewhat appropriate that the very first lines in the very first Tarantino film are spoken by Tarantino himself.  There’s also something undeniably likable about Tarantino laughing at the sound of his own dialogue.

From Reservoir Dogs:

Scene I Love: Klaus Kinski in David Lean’s Doctor Zhivago


The 1965 film, Doctor Zhivago, is not only notable as one of the many David Lean-directed films to be nominated for Best Picture. It’s also remembered as being one of two Best Picture nominees to feature, albeit in a small role, the madman of European cinema, Klaus Kinski.

In this scene, set in the aftermath of Russia’s communist revolution, Kinski explains why he, despite being a prisoner, is the only free man on the train. Due to his German accent, Kinski was dubbed by actor Robert Rietty and he doesn’t have much screen time but he still manages to steal the movie.

Scene That I Love: The Opening of Mulholland Drive (Happy Birthday, Angelo Badalamenti)


Happy birthday, Angelo Badalamenti!

This great composer is probably best known for his dream-like and haunting work for the films of David Lynch.  Among the many songs and musical pieces that he’s done for Lynch, he composed the jitterbug music that opened David Lynch’s 2001 film, Mulholland Drive.  The scene below features the perfect mix of Lynch’s visual vision and Badalamenti’s musical ear.  What I especially like about this scene is that the music starts out as a very cheerful and vaguely generic but then it grows steadily more ominous as the scene plays out.

Here it is.  The haunting opening of one of the best films of the current century:

Scenes that I Love: Marlon Brando as Mark Antony in Julius Caesar


Beware the Ides of March!

The scene below is from the 1953 film, Julius Caesar.  This Oscar-nominated Shakespearean adaptation had a cast that was full of distinguished actors.  James Mason played Brutus.  The great John Gielgud played Cassius.  Louis Calhern was Caesar while other roles were filled by Deborah Kerr, Greer Garson, Edmond O’Brien, George Macready, John Hoyt, Edmund Purdom. and a host of other distinguished thespians.  And yet, the best performance in the film came from an actor who, at the time, no one considered to be a Shakespearean.  Marlon Brando brought his method intensity to the role of Mark Antony and the result was a performance that is still electrifying today.

On YouTube, someone referred to this as being “the world’s greatest speech delivered by the world’s greatest actor.”  Sounds good to me!

Here is Marlon Brando in Julius Caesar: