From 2001’s Mulholland Drive, here is a scene that literally made me jump the first time I saw it. Personally, I think this is the scariest moment that David Lynch ever directed.
From 2001’s Mulholland Drive, here is a scene that literally made me jump the first time I saw it. Personally, I think this is the scariest moment that David Lynch ever directed.
While it’s certainly not as good as the original, I still think 1998’s The Rage: Carrie 2 is underrated.
In this scene, a bunch of dumbass jocks discover that they’ve bullied the wrong girl. Because I occasionally wear glasses, this scene freaks me out.
This scene is from the 1994 Italian film, Dellamorte Dellamore. Gnaghi is upset that a girl upon whom he had a crush has been killed in a terrible bus accident. But then Gnaghi remembers that the dead come to life when they are buried in the town’s cemetery.
Admittedly, this scene from the 1990 version of It is a bit more goofy than scary but still, I love Tim Curry’s performance as Pennywise the Clown. When the first part of the latest version of It came out, it was kind of fashionable to dismiss the 1990 version. But then the second movie came out and everyone was like, “We waited a year for this!? Give us back our Tim Curry!”
Anyway, in this scene, Pennywise shows at the Derry Public Library and offers Richie (Harry Anderson) some balloons.
AGCK!
This is from the original 1987 Hellraiser. The Cenobites were probably never scarier than they were in their very first appearance. Perhaps the most interesting thing about them is that, rather than being stereotypically good or evil, they’re actually neutral. They’re doing their job and, if you don’t want to see them, don’t mess around with the puzzle box. Doug Bradley was brilliant in the role of the head Cenobite (who, of course, would later be known as Pinhead).
In this scene from 1986’s Demons 2, Sally’s birthday party goes terribly wrong after Sally gets transformed into one of the demons!
In this scene from 1982’s Poltergeist, JoBeth Williams not only falls in what was meant to be the family swimming pool but she also discovers that she’s not alone in that pool.
The skeletons were real. I would have screamed too.
I don’t care what Stephen King says. Stanley Kubrick’s adaptation of The Shining is great.
One of King’s big complaints about the film is that Jack is obviously unhinged from the start. King is right that Jack Nicholson plays Jack Torrance as being someone who has a few screws loose even before he starts to work as the caretaker. But it works for the film, as can be seen in this scene in which Stuart Ullman tells Jack about what happened to previous caretaker.
Incidentally, Barry Nelson’s performance as Ullman is seriously underrated. Ullman is a far more interesting character in the movie than he was in King’s book. For that matter, the same can be said of just about every character in the movie as opposed to the way King envisioned them in his novel. Maybe that’s the main reason King doesn’t like this movie. Kubrick understood King’s story better than King himself did.
In this scene from 1979’s Zombi 2, a group of humans try to destroy the zombies that are invading a small hospital on an isolated island. Director Lucio Fulci later pointed out, in many interviews, that he used the same clips of Al Cliver throwing a Molotov cocktail and firing a shotgun multiple times in the scene.
Two things to note about this scene:
First off, it captures what is truly scary about zombies. They are relentless. They do not stop coming. No matter how many you destroy, there’s always another one following behind it.
Secondly, Italian zombies actually looked like decaying walking corpses that are on the verge of falling apart. That was one huge difference between the Italian zombie films and many of the ones that were made in America.
The original Dawn of the Dead, which was released in 1978 and directed by George Romero, is not only one of the most influential horror films of all time. (Even more so than Night of the Living Dead, Dawn was responsible for inspiring the Italian zombie boom.) It’s also a rather dark satire of humanity and commercialism. With the world ending, both humans and zombies head to the mall. Briefly, the humans manage to form their own peaceful society but, inevitably, they end up screwing it all up. The Dead may be slow and not particularly intelligent but, as poor old Steve discovered in that elevator, they’re absolutely determined to get what they want.
Dawn of the Dead ends with an apocalytpic combination of bikers, zombies, and one helicopter that has next to no fuel. Our two remaining survivors head off in search of some place safe but we all know that helicopter isn’t going to stay in the sky for long. In its way, the ending of Dawn of the Dead is even more bleak than the end of Night of the Living Dead. The characters in Night of the Living Dead were dealing with a menace no one understood and their inability to work together was largely the result of shock and panic. In Dawn of the Dead, everyone knows that the Dead are returning to life and everyone knows how to stop them but people still cannot set aside their differences long enough to do so. Even with the world ending, Peter gets some joy out of shooting one of the (living) bikers. His smirk suggests that one doesn’t need to be a zombie in order to sacrifice their humanity.
With the end of this film, Romero’s message is clear. Society gets what it deserves.