Horror Scenes That I Love: Dr. Loomis Gets A Ride in Halloween 4


Donald Pleasence was born in the UK on October 5th, 1919, the son of a railway station manager.  Pleasence briefly tried to follow in his father’s footsteps before, at the age of 20, realizing that he would much rather be a professional actor.  With his intense demeanor, Pleasence soon became an in-demand character actor and remained one for the rest of his life, only taking a break from acting when he served in World War II.  (A devout Methodist, Pleasence originally registered as a conscientious objector but changed his stance once the Blitz began.)   When he was taken prisoners by the Germans and sent to a POW camp, he organized plays among his fellow prisoners as a way to keep everyone’s spirits up as they waited for the war to end.

Pleasence’s experience as a POW led to him being cast in The Great Escape.  His ability to play villains led to him being cast as the original Blofeld in You Only Live Twice.  He appeared in classic horror films like Death Line and Wake In Fright.  In 1978, he was offered the role of Dr. Loomis in Halloween, after it had been turned down by both Christopher Lee and Peter Cushing.  Pleasence played Loomis with a righteous intensity that seemed to grow a bit more unhinged with each subsequent sequel.  Though he was, by his own admission, not a huge fan of the genre, Pleasence became a horror icon to a whole new generation of film goers.

1998’s Halloween 4 does not have a great reputation but it does have one of my favorite Loomis scenes.  In this scene, a hitchhiking Dr. Loomis is picked up by an old man (Carmen Filipi) who is on a mission of his own.  It’s hard not to regret that these two didn’t get their own spin-off.

Horror Scenes That I Love: Charlton Heston In The Omega Man


Today would have been the 102nd birthday of actor Charlton Heston.

This scene that I love comes from one of the few horror films in which Heston appeared.  An adaptation of Richard Matheson’s I Am Legend, 1971’s The Omega Man featured Charlton Heston as Robert Neville.  By night, Neville protects his house against the mutant horde.  By day, he tracks those sleeping mutants down and watches Woodstock over and over again.

“They don’t make them like that anymore.”

Horror Scenes That I Love: Neve Campbell in Scream


Today, the Shattered Lens wishes a happy birthday to actress Neve Campbell!

This horror scene that I love comes from 1996’s Scream.  In this scene, Sidney Prescott (Neve Campbell) explains to Ghostface why she doesn’t like horror movies.  Unfortunately, when you’re trapped in the middle of one, it really doesn’t matter whether you enjoy the genre or not.

Horror Scenes That I Love: Dr. Loomis Explains Michael Myers in the original Halloween


We’ve talked a bit about Donald Pleasence today.  Pleasence is one of my favorite actors, an intense performer with an eccentric screen presence who always gave it his all, even in films that didn’t always seem like they deserved the effort.  Pleasence was a character actor at heart and he appeared in a wide variety of films.  He’s absolutely heart-breaking in The Great Escape, for instance.  However, it seems that Pleasence is destined to be best-remembered for his horror roles.  For many, he will always be Dr. Sam Loomis, the oracle of doom from the original Halloween films.

In this scene from the original Halloween, Dr. Loomis (Donald Pleasence) attempts, as best he can, to explain the unexplainable.  I’ve always felt that Pleasence’s performance in the first film is extremely underrated.  People always tend to concentrate on the scenes where he gets angry and yells or the later films where an obviously fragile Pleasence was clearly doing the best he could with poorly written material.  But, to me, the heart of Pleasence’s performance (and the film itself) is to be found in this beautifully delivered and haunting monologue.

In this scene, we see that Dr. Loomis is himself a victim of Michael Myers.  Spending the last fifteen years with Michael has left Loomis shaken and obviously doubting everything that he once believed.  Whenever I watch both Halloween and its sequel, I always feel very bad for Dr. Loomis.  Not only did he have to spend 15 years with a soulless psychopath but, once Michael escapes, he has to deal with everyone blaming him for it.  Dr. Loomis was literally the only person who saw Michael for what he was.

Incidentally, Donald Pleasence nearly turned down the role of Sam Loomis.  He didn’t think there was much to the character.  (The role had already been offered to Christopher Lee and Peter Cushing, neither of whom were interested.)  It was his daughter, Angela Pleasence, who persuaded Donald to take the role.  At that year’s Cannes Film Festival, Angela saw John Carpenter’s Assault on Precinct 13 and she assured her father that Carpenter was a talented filmmaker.  Taking his daughter’s advice, Donald Pleasence accepted the role and, by all accounts, was a complete gentleman and a professional on set.  After making horror history as Dr. Sam Loomis, Pleasence would go on to appear in two more Carpenter films, Escape from New York and Prince of Darkness.

Horror Scenes That I Love: John Houseman in The Fog


“Enough time for one more story…..”

Hi, everyone!  Well, as you can tell by looking around the site today, it’s October and it’s also the start of our annual Horrorthon here at the Shattered Lens!  This is my favorite time of year and one of the things that truly makes it special is that it provides me with an excuse to write about some of my favorite horror films.  When it comes to Horrorthon, there’s always time for one more story.

Today’s Horror Scene of the Day is the opening of John Carpenter’s 1980 classic, The Fog.  When John Houseman says that there’s time for one more ghost story, you know you better listen.

Scenes That I Love: Tony Soprano Dreams Of A House In The Sopranos


With our annual Horrorthon starting tomorrow, I thought that this would be an appropriate time to share a creepy scene that I love from The Sopranos.

The Sopranos was well-known for its dream sequences. For me, this dream from the season 4’s Calling All Cars is one of the best and scariest of the series. It’s full of menace and ominous atmosphere, from the minute we see Tony being led to the house by the deceased Ralphie. And then, when that mysterious shadow appears on the staircase — AGCK!

Scenes That I Love: The Conclusion of The Passenger


Today’s scene that I love comes from 1975’s The Passenger, a film directed by Michelangelo Antonioni.  Antonioni was born 113 years ago today, in what was then the “Kingdom of Italy.”

In The Passenger, Jack Nicholson plays a journalist who, because he’s bored with his life, impulsively assumes the identity of a deceased American businessman.  What he discovers is that the businessman was an arms dealer and that the people that the arms dealer were doing business with still expect to get their weapons.  Despite the fact that he knows that it might cost him his life, Nicholson is still drawn to see just how far he can take his new existence.

The film’s enigmatic final scene, in which Nicholson goes to a hotel to wait as both the people who double-crossed and his wife search for him, is Antonioni at his best.

Scenes That I Love: Naomi Watts in Twin Peaks: The Return


Today, the Shattered Lens wishes a happy birthday to Naomi Watts.

In this scene from 2017’s Twin Peaks: The Return, Watts tells off to low-level hoodlums who have been demanding money from her husband.

Scene That I Love: The Story of Bonnie and Clyde


In this scene, from Arthur Penn’s 1967 film Bonnie and Clyde, Bonnie Parker (played by Faye Dunaway) writes a poem and tries to craft the future image of Bonnie and Clyde.  Though it has none of the violence that made Bonnie and Clyde such a controversial film in 1967, this is still an important scene.  (Actually, it’s more than one scene.)  Indeed, this scene is a turning point for the entire film, the moment that Bonnie and Clyde goes from being an occasionally comedic attack on the establishment to a fatalistic crime noir.  This is where Bonnie shows that, unlike Clyde, she knows that death is inescapable but she also knows that she and Clyde are destined to be legends.

(Of course, Dunaway and Warren Beatty — two performers who once epitomized an era but who are only seen occasionally nowadays — are already legends.)

Scenes That I Love: Linda Hamilton in The Terminator


Today, the Shattered Lens wishes a happy birthday to actress Linda Hamilton.

This scene that I love is the haunting conclusion of the original Terminator.  Even with the Terminator (momentarily) vanquished, there’s still a storm coming.