The History of the World, Part I (1981, directed by Mel Brooks)


Overlong, wildly uneven, gimmicky too a fault, and often laugh out loud funny with a mix of jokes that range from the crude to the sublimely clever to the surprisingly sentimental, The History of the World, Part I is the ultimate Mel Brooks films.

Narrated by Orson Welles and featuring five historical stories and a collection of coming attractions, The History of the World Part I follows man from his caveman origins to the French Revolution and the thread that ties it all together is that humanity always screws up but still finds a way to survive.  Moses (Mel Brooks) might drop and break one of the three tablets listing the 15 Commandments but he’s still able to present the other ten.  Stand-up philosopher Comicus (Mel Brooks) might make the mistake of poking fun at the weight of Emperor Nero (Dom DeLuise) but he still makes his escape with Josephus (Gregory Hines), Swiftus (Ron Carey), and Miriam the Vestal Virgin (Mary-Margaret Humes) and ends up serving as the waiter at the Last Supper.  (“Jesus!”)  The Spanish Inquisition may have been a catastrophe but it also gave Torquemada (Mel Brooks) a chance to show off his performance skills.  The French Revolution may have been a bloodbath but the future still held promise.  Ask for a miracle and he’ll show up as a white horse named Miracle, no matter what era of history you’re living in.

The humor is very Mel Brooks.  During the Roman Empire sequence, Madeline Kahn plays Empress Nympho.  Jackie Mason, Harvey Korman, Cloris Leachman, Spike Milligan, Jan Murray, Sammy Shores, Shecky Greene, Sid Caesar, Henny Youngman, and Hugh Hefner all make cameo appearances.  Carl Reiner is the voice of God.  John Hurt plays Jesus.  The film ends with the promise of a sequel that will feature “Jews in Space.”  Not every joke lands.  The entire caveman sequence feels forced.  But when the film works — like during The Inquisition production number — it’s hard not get caught up in its anything-goes style.  The entire Roman Empire sequence is probably more historically accurate than the typical Hollywood Roman epic.  That’s especially true of Dom DeLuise’s naughty performance as Emperor Nero.

Mel Brooks is 99 years old today and he says that he has at least one more film to give us, a sequel to Spaceballs.  I’m looking forward to it!  I’m also looking forward to rewatching and enjoying all of the films that he’s already given us.  The History of the World, Part I may not have initially enjoyed the critical acclaim of his earlier films but, in all of its anarchistic glory, it’s still pure Mel Brooks.

Life Stinks (1991, directed by Mel Brooks)


Goddard Bolt (Mel Brooks), the massively wealthy CEO of Bolt Enterprises, wants to buy up a huge area of Los Angeles’s slums and tear them down, transforming the area into a chic neighborhood and moving all of the poor residents and street people out.  Rival businessman Vaughn Craswell (Jeffrey Tambor), who grew up in the slum and dreams of destroying it himself, has the same plan.  He and Bolt make a bet.  If Bolt can survive for 30 days on the streets, Craswell will allow Bolt to have the property.  Bolt agrees and soon, he is penniless and sleeping in alleys.  While Bolt befriends Sailor (Howard Morris) and Fumes (Theodore Wilson) and falls in love with a former dancer named Molly (Lesley Ann Warren), Craswell schemes to take over Bolt’s company and keep Bolt on the streets permanently.

Life Stinks was one of Mel Brooks’s attempts to make a straight comedy that wasn’t a parody and which had a serious message underneath the laughs.  The mix of comedy and drama doesn’t really gel,  because the drama is too dark and the comedy is too cartoonish.  Life Stinks is often guilty of romanticizing living on the streets.  With the exception of two muggers, everyone whom Bolt meets is a saint.  It is still interesting to see Brooks creatively at his most heartfelt and humanistic.

Life Stinks does feature some of Mel Brooks’s best work as an actor and it’s also features an excellent turn from Lesley Anne Warren.  At first, I thought Warren would be miscast as a woman who spent her days in a soup kitchen and her nights sleeping in an alley.  But she actually gives a very sweet and believable performance.

No matter what else, Mel Brooks is a true mensch.