Horror On TV: Kolchak: The Night Stalker 1.9 “The Spanish Moss Murders” (dir by Gordon Hessler)


Tonight, on Kolchak….

People are turning up dead.  Well, what else is new?  That’s pretty much been the plot of every Kolchak episode so far.  However, this time, they’re turning up dead while covered with Spanish moss!

Oh my God, could it be the Cajuns?

Well, as a matter of fact, it is.  As Kolchak discovers when he investigates, all of the dead people were somehow connected to a comatose Cajun….

Richard Kiel, who played the monster in the previous episode of Kolchak, returns here to play yet another monster.

The episode originally aired on December 6th, 1974!

http://www.youtube.com/watch?v=WcvJMqWRsVs

Horror on TV: Kolchak: The Night Stalker 1.8 “Bad Medicine” (dir by Alexander Grasshoff)


On tonight’s episode of Kolchak: The Night Stalker, wealthy women are dying in Chicago and Carl Kolchak is on the case!  It turns out that it’s all connected to priceless jewels and a legendary monster known as the Diabelro, a creature has been cursed to roam the Earth and search for gems.

The Diabelro is played by Richard Kiel, who might be best known for playing Jaws in The Spy Who Loved Me and Moonraker.

This episode originally aired on November 29th, 1974.

Enjoy!

http://www.youtube.com/watch?v=97o7cuBNTAs

Horror on TV: Kolchak: The Night Stalker 1.7 “The Devil’s Platform” (dir by Alan Baron)


Tonight’s episode of Kolchak: The Night Stalker is a fun one!

In this episode, Kolchak investigates a series of mysterious deaths that seem to involve one very ambitious politician (played by Tom Skerritt).  Kolchak’s investigation leads him to believe that not only has the politician made a deal with the devil but that the politician also has the ability to transform himself into a killer dog!

Agck!

That’s Chicago-style politics for you,  I guess.

This episode originally aired on November 15th, 1974.

Enjoy!

http://www.youtube.com/watch?v=YC394BrBmGw

Horror On TV: Kolchak: The Night Stalker 1.5 “The Werewolf” (dir by Alan Baron)


What a day!

Hi, everyone.  If today’s horrorthon seemed to be missing some of the usual contributions, that’s because today has been a crazy day.  It’s been raining in Dallas since last Friday and it’s supposed to continue to do so for the next week.  This morning, the storms brought lightning and that lighting struck a building and set it on fire.  The building’s roof proceeded to collapse.  That building belonged to AT&T and it’s destruction let to what those of us in Dallas have christened the Great ATT Outage of 2018.

Basically, for the past 11 hours, the Texas Bureau of the Shattered Lens has had no internet access!  So, I’m sorry to say that I was not able to write and post all of the reviews that I wanted to post today.  I’ll have to play catch up later this week.  I do want to say thank you to Gary, Jeff, and Case for their contributions today!  It’s nice to know that you can depend on your partners in crime!

Fortunately, things are back up and running once again.  And just in time for me to share the fifth episode of Kolchak: The Night Stalker.  In this one, our favorite nervous reporter deals with a — you guessed it! — a werewolf!  This episode originally aired on November 1st, 1974.

Enjoy!

http://www.youtube.com/watch?v=dzJnB5mTZuY

Horror on TV: Kolchak: The Night Stalker 1.1 “The Ripper” (dir by Alan Baron)


For tonight’s excursion into the horrific side of television, we have the very first episode of Kolchak: The Night Stalker!

The Kolchak of the title was a reporter named Carl Kolchak (played by Darren McGavin).  Kolchak was kind of a nervous fellow because every story that he reported on seemed to involve some sort of terrible supernatural creature!  Seriously, that would make anyone anxious.

In his first episode, Kolchak investigates a series of murders and comes to suspect that Jack the Ripper might be haunting the streets of 1970s Chicago.

This episode originally aired on September 13th, 1974.

Enjoy!

Horror on TV: Suspense 1.2 “Suspicion” (dir by Robert Stephens)


For tonight’s excursion into televised horror, we present to you an episode of Suspense!

What was Suspense?  It was an anthology show that ran from 1949 to 1954.  Each episode dealt with ordinary people who found themselves in not-so ordinary situations.  As well, each episode was broadcast live and the entire show was sponsored by the Autolite Corporation.  They make spark plugs.

Out of the over 250 episodes of Suspense, only 90 still survive.  Suspicion, the second episode of the first season, originally aired on March 15th, 1949.  It details what happens when a doting husband comes to suspect that his housekeeper may be a notorious arsenic poisoner!

And yes, it does start with a commercial for spark plugs.

Enjoy!

Lisa Cleans Out Her DVR: Change of Habit (dir by William A. Graham)


(Lisa is currently in the process of cleaning out her DVR!  How long is it going to take?  Some would say forever but, here at the Shattered Lens, we’re hoping that she might have it all done by August.  Anyway, she recorded the 1969 film Change of Habit off of Starz on March 20th!)

It’s Elvis vs. God for the heart of Mary Tyler Moore!

(Okay, so that may be a little bit glib on my part but, seriously, that pretty much sums up Change of Habit.)

Change of Habit opens with three nuns walking through New York City.  There’s the forgettable nun, Sister Barbara (Jane Elliott).  There’s the black, streetwise nun, Sister Irene (Barbara McNair).  And then there’s the idealistic and wholesome nun, Sister Michelle (Mary Tyler Moore).  Because they’re nuns, even notoriously rude New Yorkers are nice to them.  They walk across a busy intersection and all of the cars stop for them.  A cop sees them jaywalking and just smiles and nods at them.  In case you were ever wondering why someone would become a nun, it’s because nuns always have the right-of-way and they don’t have to obey arbitrary laws.  It’s a good life.

The sisters are shopping and, as the opening credits roll, the three of them duck into a dressing room and change into contemporary civilian clothing.  Obsessively, the camera keeps zooming in on everyone’s bare legs.  You can literally hear the film’s producers telling all the boys in the audience, “This may be a G-rated Elvis film but that’s not going to stop us from implying nun nudity!”

It’s Sister Michelle’s idea that the nuns should wear contemporary clothing, the better to relate to the Godless youth of the 1960s.  Unfortunately, now that they’re dressed like everyone else, they have to actually obey traffic laws.  When they attempt to cross the street for a second time, cars honk at them and the cop yells at them for jaywalking.

Michelle, Irene, and Barbara get jobs working at a free clinic.  The clinic is run by John Carpenter (Elvis Presley).  Carpenter is looking for aspiring actresses to appear in a movie about a babysitter being stalked by a masked murderer on Halloween and … oh sorry.  Wrong John Carpenter.  This John Carpenter is a no-nonsense doctor who will stop at nothing to bring peace and good health to the most poverty-stricken neighborhoods in New York!

That’s right.  It’s an Elvis film with a social conscience!

And that probably sounds like a joke but Change of Habit‘s heart is in the right place.  It’s intentions are good.  At least a few of the people involved in the film were probably trying to make the world a better place.  There’s a subplot involving an autistic child that, when you consider this film was made in 1969, is handled with unusual sensitivity.  Of course, that doesn’t mean that the rest of Change of Habit doesn’t feel totally and completely out-of-touch.  The entire film feels so dated that I imagine it probably even felt dated when it was initially released.  This is one of those films where the local black militants give Sister Irene a hard time about being a sell-out, just to eventually admit, during a block party, that maybe white folks aren’t so bad after all.  By the end of the movie, they’re even joking with the cops.  All that was needed was for Elvis to sing a song or two.  To be honest, there are times when Change of Habit feels like the 1969 version of Kendall Jenner’s Pepsi commercial.

Of course, the majority of the film deals with Elvis falling in love with Mary Tyler Moore.  He doesn’t know that she’s a nun and, as she falls in love with him, she’s forced to make a difficult choice.  Does she follow God or does she follow Elvis?  Actually, the film ends before she officially makes that choice but there’s little doubt as to what she’s going to eventually do.  In his final non-concert film appearance, Elvis is totally miscast as a serious-minded doctor and, it must be said, he looked miserable throughout the entire film.  You get the feeling he’d rather be doing anything than starring in Change of Habit.  (Maybe he was already thinking about how much he wanted a special FBI badge.)  Mary Tyler Moore is a bit more believable as a nun.  Fortunately, both Moore and Elvis were likable performers and their likability makes Change of Habit, as ludicrous as it often is, far more watchable than it has any right to be.

In the end, Elvis may not have saved society but he did get to sing a gospel song or two.

The Daily Grindhouse: Homebodies (dir by Larry Yust)


Can we just be honest about something?

Most of us are a little bit scared of the elderly.

Oh, we try to deny it.  We talk about how they’re “real characters” or we attempts to convince ourselves that their eccentricities are actually signs of an incurable zest of life.  We tell ourselves that old people remind us of the value of carpe diem but, ultimately, they creep most of us out because, when we look at them, we see our own future.  Regardless of what we do today or tomorrow, we’re all going to eventually become old.  Perhaps that’s why there’s a whole industry devoted to keeping old people out of sight and out of mind.

Today’s entry in the Daily Grindhouse, the obscure 1974 film Homebodies, is effective precisely because it understands that unpleasant truth.

Directed by Larry Yust, Homebodies tells the story of Mattie (Paula Trueman).  Mattie is one of seven elderly retirees who are the sole residents of a condemned apartment building.  All around them, buildings are being torn down and replaced with new apartments.  When an uncaring social worker (Linda Marsh) shows up and informs them that they’re going to be forcefully relocated to an assisted living facility, Mattie take matters into her own hands.  She realizes that every time there’s an accident on a construction site, work stops for a few days.  Hence, if there are enough accidents, work will be stopped indefinitely.  Mattie and her fellow residents (some reluctantly and some not) are soon murdering anyone they view as a threat.  While this is effective initially, things get complicated once Mattie starts to view some of her fellow residents with the same contempt that she previously reserved for construction workers.

Homebodies is one of those odd and dark films that could have only been made in the 70s.  When the film begins, one would be excused for expecting to see a heart-warming comedy about a bunch of plucky seniors outsmarting the forces of progress and real estate.  After all, the elderly residents of the condemned building are all appropriately quirky and, as played by Paula Trueman, Mattie doesn’t seem like she’d be out-of-place as one of the prankers on Betty White’s Off Their Rockers.  Linda Marsh’s social worker and Kenneth Tobey’s construction foreman both seem like the type of authority figures who one would expect to see humiliated in a mawkish 1970s comedy film.

Instead, Homebodies turns out to be an effectively creepy and dark little film.  When the elderly residents of the apartment building fight back, they do so with a surprising brutality that’s all the more effective because of the harmless exteriors of Mattie and her fellow residents.  Paula Trueman makes Mattie into a truly fascinating and frightening monster.  When a few of her fellow residents start to question Mattie’s methods, you truly do fear for them because Mattie has truly proven herself to be capable of just about anything.  While Trueman dominates the film, the entire cast is excellent.  As a classic film lover, I was happy to see that one of the residents was played by Ian Wolfe, a character actor who will be recognizable to anyone who has ever watched TCM.

(Remember the old man who gave the lecture at the observatory in Rebel Without A Cause?  Him.)

I first saw Homebodies on YouTube and I was going to share it below but, apparently, the video has been pulled from the site.  That’s a shame because it’s a film that definitely deserves to be seen, if for no other reason than to appreciate the performances from a cast of underrated character actors who, sadly, are no longer with us.   Unfortunately, the best I can offer is this Spanish-language trailer for the film.