After his flight attendant daughter is taken hostage by a group of German terrorists, basketball coach Paul Hobart (Brian Dennehy) grows frustrated with government red tape and heads to Germany to track her down and save her himself. Realizing that he doesn’t have the experience necessary to do it all on his own, Paul hires Vickers (Anthony Valentine), a shady and ruthless former SAS man who will do whatever is necessary to get the job done. Joanna Cassidy plays Paul’s wife. Ron Silver plays the journalist who sees the opportunity to break a great story as Paul searches for his daughter.
AFather’sRevenge is a slow-moving thriller. I was surprised to discover that it was actually given a theatrical release because everything about it feels like a made-for-television movie. It’s a predictable movie. At first, Paul is reluctant to embrace Vickers’s more extreme methods but then he sees that those methods are the only ones that work when dealing with terrorists. As usual, Dennehy is ideally cast as a beer-drinking, blue collar American and the underused Joanna Cassidy has a few good emotional scenes as his wife. The movie is stolen by Anthony Valentine, who brings a note of ambiguity to Vickers’s motivations. The main problem with the movie is that it spends too much time on scenes of people debating what they should do and not enough time showing them actually doing it. The finale is exciting but it takes too long to get there.
SILENT RAGE is one of those movies that I watched quite a bit as a kid, and I thought it was pretty scary. Fox-16 out of Little Rock played it quite often. We didn’t have cable in Toad Suck so I’d watch whatever movies that were playing, especially if they had action. I’d say my initial interest and appreciation for Chuck Norris began with this film, and I still watch Chuck quite a bit to this day. With that said, I’m not sure I’ve watched SILENT RAGE again since I was a teenager. If I’m going to watch Chuck, I’ll generally watch CODE OF SILENCE, LONE WOLF MCQUADE, MISSING IN ACTION, INVASION USA, THE DELTA FORCE, or even FIREWALKER or HERO AND THE TERROR. But this week, I was browsing through Tubi and saw my childhood friend SILENT RAGE and decided to give it another spin.
SILENT RAGE opens in a wild household. John Kirby (Brian Libby) is awakened from his sleep by a kid wearing a Stormtrooper mask and shooting him with a laser gun. The kid tells Kirby he’s got a phone call. Kirby is clearly not doing well. He’s making strange sounds and his body movements are as funky as hell. Add to this situation, wild kids running around the house and a woman, who I’m guessing is their mom, screaming at them. To say this woman’s voice is annoying as she screams at the kids would possibly be my understatement of 2024. When Kirby answers the phone he tells the unseen doctor on the other end of the line, “I’m losin’ it, Doc! I’m not gonna make it” and he hangs up. I have to admit I’m understanding of Kirby at this point. I’ve only witnessed the activities of that house for a couple of minutes and I’m losin’ it! So in what seems like a reasonable move at the time, Kirby goes outside to the woodpile, grabs an axe, and then walks back into the house and confronts the loud lady. She immediately begins screaming in fear and runs upstairs and locks herself into the bedroom. Her fear scream is probably twice as annoying as her “screaming at kids” voice. Prior to Kirby chopping down the door with his axe, she’s able to scream out the window to a passing mailman for help. Soon after this message to the mailman, Kirby puts the lady, and the audience, out of our collective misery.
In what is possibly the fastest response time in law enforcement history, a blazer immediately pulls up front and sheriff Dan Stevens (Chuck Norris) emerges from the passenger side. From this point forward, I will disregard his character name and refer to him as Chuck Norris. Every other person will be referred to as their characters’ names. I thought Norris was cool in SILENT RAGE when I was a kid, and I must admit I still think he’s pretty awesome as he calmly walks into the house where John Kirby has just committed multiple murders. After a few minutes, Kirby attacks Norris. The two men scuffle, but Kirby is able to break free and jump out the upstairs window onto the ground and run into the woods. Norris follows and is immediately almost shot by his deputy, Charlie (Stephen Furst). Quick tangent – it may seem strange at first to think of Stephen Furst (Kent Dorfman from ANIMAL HOUSE) as Norris’ deputy, and after watching the film again, I’ll go ahead and agree that it is a strange choice. He basically plays a goofy guy who has no business in law enforcement and that is made abundantly clear throughout the film. Back to the woods we go where Norris, after barely escaping being shot in the head by Charlie, engages in an additional fight with Kirby. He’s able to subdue the murderer and handcuff him. Now in the back of the cop car, Kirby breaks out of his handcuffs, kicks open the door and begins attacking various men with guns. It’s at this point that he’s shot about 14 times. He should be dead at this point, but I do understand for the sake of running time, that there will be additional plot developments.
These additional plot developments arrive in the form of doctors operating on John Kirby to try to save his life. Fortunately, nature takes its course and Kirby dies, or so we think. It seems that Dr. Phillip Spires (Steven Keats) has a god complex and administers an experimental serum that brings Kirby back to life. Not only that, at the dosage he’s being given, it turns him into an indestructible killing machine. Dr. Tom Halman (Ron Silver) is the voice of reason who tries to convince Dr. Spires to let him die, but to no avail. Dr. Spires is doing this for science and mankind and secretly keeps Kirby alive with Doctor Paul Vaughn (William Finley). The two men think they can control him, but of course they’re wrong. Alive, and now superhuman, Kirby escapes to wreak havoc. And only one man can stop the indestructible, superhuman killing machine, and that man’s name is Chuck Norris.
Just a few additional thoughts before I close. First, Toni Kalem plays Chuck’s love interest, Alison, in the film. His relationship with her does slightly take away from his cool factor as they make love at one point to the cheesiest, corniest 80’s song called “A Time for Love.” She also has an extremely annoying scream voice herself when Kirby comes after her at the end. Second, the cool factor is almost completely restored when Chuck takes on a bar full of drunken, violent bikers and single-handedly destroys them. I think it’s nice of the 22 bikers to come at Chuck one at a time. It would have been a lot harder for him to take on 22 people diving on him at the same time. Third, I stated earlier that the power-crazed Dr. Phillip Spires was played by actor Steven Keats. For those who follow the film career of Charles Bronson like I do, you will immediately recognize Keats as the same actor who played Paul Kersey’s son-in-law in DEATH WISH. In SILENT RAGE he’s a narcissistic jerk, in DEATH WISH he’s a whiny wuss. That’s a solid 1-2 fist-punch of un-likability, Steven!!
I did enjoy the nostalgia factor of re-watching SILENT RAGE after many years. And Chuck Norris getting out of that blazer to go after John Kirby at the beginning of the film was still cool. There were a few things already mentioned above that bothered me more now than they did when I was a kid, but at the end of the day, Chuck Norris is still Chuck Norris. And I will always enjoy Chuck Norris!
Framed on charges of dumping toxic waste, Morgan (Billy Zane) accepts a CIA mission to travel to the fictional African country of Zambeze and to track down his former friend, Jim Scott (Robert Downey, Jr.). Scott is an ex-CIA agent who faked his own death and who is now leading a revolution against the oppressive government of Zambeze. Scott knows the location of several barrels of uranium. Also searching for the uranium is the ruthless Mr. Chang (Cary-Hiroyuki Tagawa). Morgan teams up with Dr. Kim Woods (Lisa Collins) but soon discovers that he has to be careful of who to trust.
There is a surprisingly lot of talent in the cast of this film. Along with Zane, Downey, Collins, and Tagawa, Ron Silver appears as the shady political operative who joins Morgan in Zambeze. The cast may be good but it doesn’t take long to see that everyone in this film was there mostly for the money. No one brings their A-game to Danger Zone and both Downey and Silver often look like they’re struggling to deliver their lines with a straight face. Downey, especially, gives a self-amused performance, delivering his lines in a thick and indecipherable Southern accent.
(It is easy to forget that there was a time when Robert Downey, Jr’s career was regularly cited as being the ultimate Hollywood cautionary tale. Everyone knew he was talented but, in the 90s, his well-publicized struggle with drug addiction and the time that he spent in jail made him practically uninsurable and unhirable. He ended up appearing in a lot of films like this one before he eventually got clean and reinvented himself as the face of the MCU. In the 90s, most people would probably have been shocked to hear that Downey would eventually win an Oscar and receive a standing ovation as he accepted it.)
Danger Zone does have some good action scenes. The movie ends with an attack on a train that is actually pretty exciting. Unfortunately, the rest of the film suffers from bad acting and an incoherent plot that makes Danger Zone almost impossible to follow. You can fly into the Danger Zone but you won’t want to stay.
The 1982 film, Silent Rage, takes place in a small town in Texas.
John Kirby (Brian Libby) is the town troublemaker, an obviously mentally disturbed man with a violent and unpredictable temper. As the film starts, Kirby is murdering the members of the latest family to offer him a home. John is strong, fierce, and determined to create chaos. However, he’s about to face someone who is just as strong and determined. Sheriff Dan Stevens is a tough, tight-lipped western lawman who happens to be an expert in kung fu. Dan is such a badass that he’s played by Chuck Norris!
Dan is able to eventually slap the cuffs on Kirby but Kirby is so strong that he manages to break free from them and grab a shotgun. The other policemen are forced to gun him down. Barely clinging to life, Kirby is rushed to a secret institute where three scientists — Tom Halman (Ron Silver), Philip Spires (Steven Keats), and Paul Vaughn (William Finley) — are working on a process that they think will help cells to repair themselves. Philip and Paul think that Kirby will be the perfect test subject. Tom, whose sister (Toni Kalem) is dating Dan — mentions that it might not be a good idea because Kirby was a psychotic murderer and stuff. Philip decides to experiment on Kirby, regardless.
While the scientists are breaking the laws of God, Dan and his comic relief deputy (played, in a charming performance, by Stephen Furst) are dealing with local problems, like the bikers who hang out at a nearby roadhouse. (Apparently, it’s not a Chuck Norris film without a fight in a roadhouse.) However, Dan soon has more than just bikers to deal with. The experiments have succeeded. John Kirby has come back to life. He can’t speak and it’s debatable whether he even knows who he is. But he is now virtually immortal and super-strong and soon, he’s killing scientists and going on a rural rampage. Can even Chuck Norris stop him!?
That question is not just hyperbole. One reason why Silent Rage works as well as it does is because Chuck Norris has been established as America’s premiere fighting badass. There is an entire internet culture that has been built around the idea of Chuck Norris being the man who cannot be defeated. The world, we’re told, lives in fear and awe of a Chuck Norris roundhouse kick. And yet, when Sheriff Dan faces the resurrected Kirby, he finds himself fighting an opponent who is not intimidated or easily knocked down. The film establishes early on that Kirby will kill anyone, even the most likable characters in the film. Watching Dan fight Kirby, the stakes feel real and you don’t know who is going to win. Both Chuck Norris and Brian Libby deserve a lot of credit for their fight scene at the end of the movie.
Silent Rage is often described as being a slasher film because Brian does spend a lot of time stalking people and killing them in different ways. Personally, I would not call it a slasher film. Because it hinged on scientists who overlooked the obvious dangers to achieve their goals, I would refer to this as being a sci-fi horror film, with John Kirby becoming the human equivalent of the Xenomorph from Alien. There’s nothing scarier than a monster who can challenge Chuck Norris.
On her first night on the job, rookie cop Megan Turner (Jamie Lee Curtis) blows away a robber (Tom Sizemore) who was holding up a convenience store. The robber was holding a gun when he was shot but, right after his body hits the ground, the gun is stolen by a stockbroker named Eugene Hunt (Ron Silver). Somehow, no one notices Eugene grabbing the gun from the floor and he improbably gets away from the crime scene without any of the investigating officers noticing that he’s concealing a gun in his suit.
Because Eugene stole the gun, Megan is accused of shooting an unarmed man and she is suspended from the force. Meanwhile, Eugene becomes obsessed with the gun, hears voices, and starts to shoot random people. He even carves Megan’s name on one of the bullets. When the bullet is found in the body of one of Eugene’s targets, Megan becomes the number one suspect even though it wouldn’t make any sense for a murderer to carve their name on the evidence. This isn’t The Wire. None of the dead are going to be found with a note in their hand that says, “Tater Killed Me.” It should be obvious to everyone that Megan is being set up but instead, everyone just assumes Megan is a stupid murderer who doesn’t know how to cover her tracks. Eugene also starts to date Megan but when Megan rejects him after he confesses to being the murderer, Eugene starts to stalk her and her friends. Not even Megan’s new boyfriend (Clancy Brown) can keep her safe from a stockbroker with a grudge.
Blue Steel benefits from Kathryn Bigelow’s stylish direction and Jamie Lee Curtis’s dedicated performance but it suffers because Eugene is so obviously crazy from the get go that it never makes sense that he would be able to get away with his crimes for as long as he does. Even after Megan realizes that Eugene is crazy, she can’t get anyone to believe her even though everything about Eugene suggests that he’s the murderer. Not even confessing to the crime is enough to keep Eugene in prison. Somehow, Eugene is able to commit multiple murders and attempted murders right in front of Megan and then escape before Megan or anyone else can even react. Megan’s been trained at the Police Academy while Eugene has no criminal training whatsoever but he’s still always able to outthink and outrun her. It makes it seem as if Megan just isn’t a very good cop. Luckily, Bigelow, Curtis, Silver, and Clancy Brown would all be involved with better movies in the future.
I recorded The Arrival off of Cinemax on March 3rd. Having just watched it, I am 95% sure that it is not the same movie as the Arrivalthat I saw in theaters last fall.
It’s true that both films deal with the arrival of aliens and feature scenes that take place in space ships. And it’s also true that both films involve scientists trying to figure out what the aliens want. However, The Arrival that I recorded featured far more of Charlie Sheen than I remembered being in the Arrival that I saw in theaters. Amy Adams and Jeremy Renner were nowhere to be seen but Charlie Sheen was all over the freaking place.
And I mean all of Charlie Sheen. The Arrival was made back in 1996 and I guess that Charlie Sheen was still working out back then because, seriously, he is either naked or, at the very least, shirtless for the majority of the movie. What’s funny is that, with a few minor exceptions, there’s rarely a reason for him to be naked. I guess someone just said, “We might as well record Charlie Sheen looking fit and healthy while we still can…”
The Arrival is a relatively serious movie. Oh, it has moments of humor but it’s all Hollywood blockbuster humor. It’s not a comedy by any means. It’s always strange seeing Charlie Sheen in a serious role because … well, he’s Charlie Sheen. Plus, he was never a particularly good dramatic actor. He walks through The Arrival with this grim look frozen on his face and that, combined with his muscular chest, makes him look like a killer robot from the future. You keep waiting for Charlie to say, “I’ll be back.”
Of course, Charlie Sheen isn’t playing a killer robot. He’s playing Zane Zaminsky, an astronomer who works for the government. Or, at least, he did work for the government until he detected an alien signal coming from a nearby star. He’s fired and blackballed by his boss, Phil (Ron Silver). Unable to get work, Zane does what anyone would do. He and Kiki (Tony T. Johnson), the streetwise neighbor kid, set up a DIY astronomy lab in his basement.
At least, that’s what I think he did. I kind of had a hard time following The Arrival‘s plot. It all seemed a little bit overcomplicated, especially when savvy viewers will have already guessed that 1) the aliens are real, 2) Phil is an alien, 3) there’s a big government conspiracy involved, 4) and Zane has stumbled across it.
What are the aliens doing on the planet? To figure that out, Zane’s going to have to go to Mexico and meet with climatologist Illana Green (Lindsay Crouse). However, we already know what the aliens are doing. They’re attempting to destroy the environment so that they can wipe out humanity. We know this because that’s what aliens are always trying to do! They’re always either trying to save the environment or destroy it. My personal theory is that Bill Nye, The Science Guy is actually an alien. It explains a lot.
Anyway, it may sound like I’m criticizing The Arrival but it was actually kind of a fun movie in its dumb way. It’s a serious movie but it’s also kind of a silly movie. Any film that features Charlie Sheen as anyone other than Charlie Sheen is going to be watchable just on a WTF sort of level. Beyond that, Ron Silver makes for a rather convincing alien and director David Twohy keeps the action moving quickly. Several of Twohy’s shots are memorably atmospheric, even if they often do feature a bearded and naked Charlie Sheen.
Is The Arrival as good as Arrival? HELL NO! Arrival is one of the greatest science fiction films ever made. The Arrival is a rather minor sci-fi melodrama but it’s fun nonetheless. Just don’t expect it to make any sense. To quote the bard, John Lennon, “Turn off your mind, relax, and float downstream.”