Novel Review: 1988 by Richard D. Lamm and Arnold Grossman


From my aunt’s paperback collection, comes 1988!

1988 is a novel about the 1988 Presidential election. It was published in 1986 so, when it first came out, it was meant to be a look at a possible future. But read today, it’s more like a work of alternate history. What if, the book asks, the 1988 election had been disrupted by a third party candidate?

That candidate is Stephen Wendell, who is the governor of Texas. You can tell that this book was written a long time ago because Wendell is described as being a Democratic governor of Texas. There hasn’t been a Democrat elected statewide in Texas for a while and that’s probably not going to change anytime soon. (Sorry, Beto, but it’s true.) Wendell is also a conservative Democrat, which is yet another reminder that we’re dealing with an old book. With neither the Republican nor the Democratic candidate exciting the country, Wendell sees an opening for his populist, anti-immigration message.

Jerry Bloom is a former 60s radical who now works as a campaign consultant. At first, he resists Wendell’s attempts to hire him but Bloom finally gives in. Some of it is because Wendell seems to be more reasonable than Bloom originally assumed. A lot of it is because Bloom wants the challenge. As a result of Bloom’s hard-hitting and frequently viscous commercials, Wendell starts to rise up in the polls.

Bloom’s conscience is bothered, however. He used to believe in stuff but now he finds himself as just a political mercenary, turning the country against itself. Plus, Bloom comes across evidence that there’s a secret conspiracy behind Wendell’s campaign, one that could put the future of the Republic at stake!

1988 is an okay political thriller. The plot isn’t particularly surprising and you’ll figure out what’s going on long before Bloom does but, for the most part, it’s a well-written book and Jerry Bloom is an interesting character. I do think that the book overestimates that power of Bloom’s commercials. For the most part, they sound like the type of stuff that The Lincoln Project posted throughout 2020, commercials that would speak to the already converted while turning off the undecided voters. Bloom’s commercials sound like they would be popular with Wendell’s base but they don’t sound like the sort of thing that would make him a potential president.

The book also makes the mistake of including a character named Harrison Chase, who I guess is supposed to be some sort of Edward R. Murrow type. He gives commentaries on the evening news and 1988 devotes page after page to Harrison Chase bitching about the election. Most of the commentaries come across as being pompous and self-important, which might be the most realistic part of the book. But it still doesn’t make them particularly interesting to read. They slow down the action and they also contribute to the book ending on an annoying ambiguous note.

Political junkies will enjoy counting up all of the real-life politicians who are mentioned in the book. (Joe Biden gets a shout-out because he’s been around forever.) Some may also find it interesting that one of the book’s co-authors was governor of Colorado at the time that he wrote the book. One has to wonder how much of that experience contributed to the book’s portrait of the electorate as being easily led and intellectually vapid.

1988 is okay. It goes a little heavy on the “political consultants are bad” angle. It’s not a bad message but it’s hardly a revolutionary. Still, it’s always interesting to read older political books and see how much things have changed and also how much they’ve remained the same.

Music Video of the Day: Love Me by Yvonne Elliman (1976, dir by ????)


For the past few days, I have been driving everyone around the TSL Compound crazy by continually playing and re-playing the Saturday Night Fever soundtrack.  Though no one will admit it, I’m sure that they’ve all got the lyrics of I Can’t Have You memorized by now.  We could probably start a Bee Gees cover band if we wanted to.  And really, there’s no reason why we shouldn’t!  Leonard can play bass, I’ll sing, Jeff can drum, Erin can play the sitar, it’ll be great!

Well, today, I thought maybe that we would take a break with another Bee Gees song that was covered by Yvonne Elliman, Love Me.  While the Bee Gees version of the song didn’t get much attention, Yvonne Elliman’s cover was a huge hit and it probably played a role in the Bee Gees later writing How Deep Is Your Love for her.  Of course, the Bee Gees later ended up performing How Deep Is Your Love for Saturday Night Fever while Yvonne recorded If I Can’t Have You.  It can be difficult to keep track but the important thing is that everyone got recorded eventually.

Enjoy!

Love me; just a little bit longer
Love me

I remember times my love when we really had it all
You were always there to make me smile, help me when I fall
Ooh, I can’t believe you’re leaving me
When there’s so much more to say – I can’t let you go
Ooh, every time I look at you I still can feel the glow
Let it be, let it grow

Love me please, just a little bit longer
Together we can make it
Our love is much too young to break it
Love me please, just a little bit harder
Together we can make it
Our love is much too young to break it

Ooh, all I ever wanted was to have you to myself
Then I see you standing there in the arms of someone else
Ooh, you know a girl can stand so much
And it’s more then I can bear – I can’t let you go
Ooh, every time I look at you I still can feel the glow
Let it be, let it grow

Love me please, just a little bit longer
Together we can make it
Our love is much too young to break it
Love me please, just a little bit harder

Never even try to see things my way
It’s hard on a woman when love ain’t no love at all
And when you walk away – you probably will
You’re gonna be sorry, I’m begging you; please

Love me please, just a little bit longer
Together we can make it
Our love is much too young to break it
Love me please, just a little bit harder
Together we can make it
Our love is much too young to break it
Love me please, just a little bit longer
Together we can make it
Our love is much too young to break it

Book Review: Alright, Alright, Alright: The Oral History Of Richard Linklater’s Dazed and Confused by Melissa Maerz


There are a lot of different ways that I could praise this 2020 book about the 1993 high school film, Dazed and Confused.

I could point out that it is the definitive history about the making of one of my favorite films, told by the people who were there.

I could point out that it’s a book that captures a very important time in the development of modern independent film.

I could point out that anyone who is a fan of Richard Linklater should read this book to discover the struggles that Linklater went through while directing his second feature film.  Linklater learned a lot during the filming.  He’s also an endlessly fascinating interview subject, a filmmaker who has figured out how to balance the needs of art with the needs of commerce.

If you’re a Texan, you definitely have to read this book because Dazed and Confused is a part of our culture.

I would also point out that this book is about more than just went on while the movie was being shot.  It’s also about how the movie effected and continued to effect the lives of the people who were in it and who have seen it..  Some cast members, like Matthew McConaughey, Ben Affleck, Parker Posey, and Renee Zellweger (even though she’s only visible for a second and isn’t actually credited in the film), became big stars.  Others, like Anthony Rapp and Adam Goldberg and Nick Katt, have emerged as strong characer actors, the type of people who you love to see in any movie.  Others had a bit less success and most of them do not hold back on discussing why stardom did or did not come calling.

Featuring interviews with just about everyone who was involved in the film, Alright Alright Alright begins with Richard Linklater finding arthouse success with Slacker and then moving on to Dazed and Confused.  As many people in the book point out, Linklater’s first few films helped to define both Austin and the entire Texas film scene.  At a time when most Texas films were about cowboys and oilman, Linklater revealed that there was a lot more going on.  And yet, when Linklater went on to find his own quirky brand of mainstream success, many of his former colleagues in Austin felt left behind.  Linklater acknowledges their feelings while also making no apologies for not spending the rest of his life remaking Slacker.

The full production of Dazed and Confused, from casting to the film’s release, is covered.  We learn about some of the people who tried out for the film but, ultimately, weren’t cast.  (Linklater seems to feel almost guilty for not casting Vince Vaughn in a role.)  We learn how Matthew McConaughey almost randomly found his way into the cast and then subsequently transformed Wooderson from being a minor character into being the heart of the film.  We follow Wiley Wiggins as he comes of age on the film set.  Just about everyone is interviewed and no one holds back.  It was a frequently wild set, with a young cast who, to a certain extent, recreated high school while the film was being shot.  I was sad to learn that Michelle Burke did not get along with Parker Posey and Joey Lauren Adams.  I was happier to read that Jason London was apparently as cool off-camera as he was when he was playing Randall “Pink” Floyd.  And, considering the way that his character just vanished from the film, I have to say that I wasn’t surprised to discover that no one seemed to get along with Shawn Andrews.

Shawn Andrews, of course, played Kevin Pickford.  Pickford was originally meant to be an almost shamanistic character, though the concept of the character started to change once filming actually started.  (“There’s a reason we called him Prickford,” Rory Cochrane says, at one point.)  Two chapters are devoted to everyone in the cast taking about how much they disliked working with Shawn Andrews.  No one really seems to hold back, which I have to admit almost made me feel sorry for the guy.  Like many young actors, he went a bit too far trying to be method.  Nick Katt compared him to Jared Leto at his worst.  The otherwise easy-going Jason London talks about nearly getting into a fistfight with him.  Linklater attempts to be diplomatic while discussing what happened but even he admits that Andrews didn’t gel with his vision for the film.  Pickford was originally meant to be a major character.  He was meant to be on the football field with Randall and Dawson.  He was also originally meant to be the one heading out to get Aerosmith tickets.  However, with more and more actors basically refusing to deal with the actor who was playing him, Pickford was replaced in scene after scene by Matthew McConaughey’s Wooderson.  (Andrews, apparently, felt that Pickford should die in a dramatic car accident towards the end of the film.)  Perhaps not surprisingly, Andrews was one of the few actors to decline to be interviewed for the book.

The final few chapters of the book are a bit sad, as some members of the cast discuss their careers after Dazed and Confused.  We read about a cast reunion that occurred in Austin that turned a bit awkward when the actors who had become big stars reunited with the actors who hadn’t.  Jason London, who dealt with a great personal tragedy shortly after the filming of Dazed and Confused, talks about the experience with a wistfulness sadness that is actually a bit heart-breaking.  One gets the feeling that London’s mixed feeling weren’t so much about not becoming a Matthew McConaughey or Ben Affleck-style star as much as they were an acknowledgement that the past is the past.  The unstated theme running through the book is that, as good a time as everyone had while making Dazed and Confused, everyone’s older now and that moment can never be recaptured.

(Kind of like high school!)

The book does end with some speculation about a Dazed and Confused sequel.  Linklater seems to have given it some thought, though he also says that it will never happen.  Personally, I think that’s the right decision.  Dazed and Confused is perfect as it is.  Alright, Alright, Alright is the book that helps us to understand why that is.

Music Video of the Day: Boogie Shoes by K.C. and the Sunshine Band (1978, dir by ????)


I’m sure you’ll remember this song from the soundtrack of any film that’s set during the 70s.  I’ll always associate with John C. Reilly showing Don Cheadle a card trick in Boogie Nights.  I guess that’s appropriate since it’s Boogie Shoes and Boogie Nights.  “Don’t you worry about the evil spirits?” Cheadle asks Reilly shortly before Reilly runs off to help Dirk Diggler launch his musical career.

Apparently, this band was started in a record store.  The man who would eventually be known as KC worked at the store and I guess the band was made up with either his customers or his co-workers.  Either way, they came together to form The Sunshine Band and they spread happiness and cheer all throughout the cocaine-heavy 70s.  They’re still doing it, playing the nostalgia circuit.  Good for them.  Disco is forever.

(That said, the best band to form in a record store remains the Empire Records band.  SUGAR HIGH!)

This is another one of those videos that was originally a performance for a television show.  In this case, the show was American Bandstand. 

Dance and enjoy!

Lisa Marie’s Week In Television 1/2/22 — 1/8/22


As the first week of 2022 comes to a close …. I have yet to watch the fourth season of Cobra Kai!  What’s up with that?  Oh well, I’ll watch it next week.  This week, I was busy.  Next week, I’ll ignore everything else I need to do and watch TV.  How is that not a good plan?

Anyway, here’s what I watched this week:

Allo Allo (Sunday Night, PBS)

After being gone for a month due to pledge programming, Allo Allo returned to the PBS line-up on January 2nd.  Having escaped from the hospital, Rene returned to the café and dealt with Michelle’s latest scheme to get the airmen out of France.  It involved hiding them in a hollow bomb that would be dropped over England.  The only problem is the Resistance needed a place to hide the bombs.  Michelle, of course, volunteered Rene’s cafe.

While I continue to laugh at Crabtree’s mangled French, I also find myself looking forward to the every scene involving LeClerc and his attempts to disguise himself.  “It is I, LeClerc.”

The Amazing Race 33 (Wendsenday Night, CBS)

I wrote about the premiere of The Amazing Race here!

The Bachelor (Monday Night, ABC)

Big goofy Clayton is the new Bachelor.  Big goofy Jesse Palmer is the new host.  Honestly, we need more of a break between installments of this franchise.  Anyway, Monday’s episode featured Clayton meeting the girls and, of course, sending one of them home on the first night because she wasn’t there for the right reasons (plus, she was like sloppy drunk).  It was such an obvious set up.

Dexter: New Blood (Sunday Night, Showtime)

I reviewed the latest episode of Dexter: New Blood here!

Joe Millionaire (Thursday Night, Fox)

On this dating reality show, a group of women are competing to end up with one of two men.  One of the men is a millionaire.  The other isn’t!  The twist is that the women don’t know which is which.  Unfortunately, the viewers do know and that takes a lot of the fun out of the show.  It would be a lot more enjoyable if we were guessing along with the women.  Instead, we know that the farmer is actually very wealthy and the dude who looks like a European prince is actually a construction worker.

(To be honest, this show seems more like a parody of a reality show than an actual show.)

The first episode of this new edition of Joe Millionaire aired on Thursday.  One of the women was sent home because she followed one of the men on social media.  The show handled this development as if it was the most serious thing ever.  I guess sending one random person home on the first day is going to be a new dating show ritual.  Anyway, Joe Millionaire was pretty stupid.  The men were boring.  The women were boring.  The host is also the butler at the mansion where everyone is staying.  There was a lot of nonsense over whether or not everyone was there for the right reason.  (What is the right reason when it comes to stuff like this?)  Who cares?

I’ll probably watch it, though.  I just won’t talk about it on twitter.  It’ll be our little secret, my dear readers.  Sound good?

The Love Boat (Sunday Evening, MeTV)

The Love Boat and its enthusiastic crew completed their cruise to Alaska.  Everyone learned an important lesson about being too competitive and the importance of following one’s heart.  Yay!  Needless to say, it was a pretty silly show but sometimes, it’s good to watch something silly.

And Love …. won’t hurt anymore….

The Office (All The Time, Comedy Central)

I watched a few episodes from the fourth season on Thursday.  Michael hanging out in New York with Ryan was good.  The dinner party remains a classic.  I had to change the channel once we got to the one where Jim was playing golf with the client and, for some stupid reason, he brought along Kevin and Andy.  It never felt right whenever the show featured Jim actually working.

Open All Hours (Sunday Night, PBS)

After being off the air for the month of December due to pledge programming, Open All Hours has returned to the PBS lineup.  On Sunday’s episode, Arkwright longed for Nurse Gladys Emmanuel while Granville continued to stew in resentment.  I don’t blame Granville.  It couldn’t have been easy being a 40 year-old stockboy.  I always find myself wondering what Granville did to get sold into indentured servitude in the first place.

Shipping Wars (Tuesday Morning, A&E)

A&E is now showing the old, original episodes of Shipping Wars in the morning and new episodes at night.  I have yet to watch any of the new episodes, mostly because the old episodes got so annoying after Roy died that I can’t imagine that the new episodes could be any better.

Anyway, on Tuesday, I mostly had the show on for background noise.  I did notice that one episode featured a bunch of people pointing guns at Roy.  It was presented as being a very dramatic situation but if Roy was really going to be shot, I kind of doubt that Shipping Wars film crew would be allowed to just hang out while it was happening.  Eventually, it all turned out to be an elaborate prank.

Another episode featured Jen basically destroying a butter sculpture that she had been hired to deliver.  Apparently, this was no prank.  On the original Shipping Wars, Jen ruined nearly every delivery she was supposed to make.  It’s kind of odd that people kept hiring her.

The Twilight Zone (Sunday, SyFy)

SyFy completed its Twilight Zone marathon on Sunday.  I caught two of the marathon’s final episodes, both of which were from the season when the show had an hour running time instead of 30-minute.  The hour-long Twilight Zones tend to be uneven.  The first episode I watched was about a ship that came across as possibly haunted submarine.  It would have been an enjoyably creepy 30-minute episode but, at an hour, there was just too much obvious padding.  The second episode featured a young Dennis Hopper as a Neo-Nazi loser who finds success after a mysterious benefactor takes him under his wing.  The identity of the benefactor was obvious from the start (it rhymed with Jitler) but Hopper’s odd and unhinged performance made this episode memorable.

U.S. Figure Skating Championships 2022 (Saturday afternoon, NBC)

USA!  USA!  USA!

Novel Review: The Prodigal Daughter by Jeffrey Archer


First published in 1982, Jeffrey Archer’s The Prodigal Daughter is one of the many paperback novels that I recently inherited from my aunt.  It’s 485 pages long but, as I discovered earlier this week, it’s a quick read.  I got through it in a day and a half.

It tells the story of Floratyna Rosnovski, the daughter of Abel Rosnovski, a Polish immigrant who worked his way up from poverty and now owns a chain of luxury hotels.  Abel is enemies with William Kane, a WASP banker from a wealthy family.  Why are Kane and Abel enemies?  Well, it probably has something to do with the fact that they have ironic names.  Obviously, if your name is Abel, you’re going to mistrust anyone named Kane.  Beyond that, The Prodigal Daughter is a sequel to an earlier Archer novel called Kane and Abel.  I assume that Kane and Abel goes into more detail about the rivalry between the two men but all that really needs to be known, as far as The Prodigal Daughter is concerned, is that they hate each other.

Unfortunately for Abel, Floratyna grows up to fall in love with Richard Kane, the son of William.  Rejected by her father, Floratyna marries Richard and together, they make their own fortune by opening up a chain of stores.  Along the way, Floratyna is approached by a childhood friend named Edward.  Edward, who is obviously in love with Floratyna, recruits her to run for the U.S. House of Representatives.  At first, Floratyna struggles in Washington but soon, she wins the respect of her colleauges and learns to stop being such a leftist.  Eventually, she becomes a Senator and starts to look towards the White House.  But will a personal tragedy keep Floratyna from becoming the first woman to serve as President?

Reading The Prodigal Daughter, I found myself thinking about how Floratyna Kane lived an almost ludicrously charmed life.  Yes, there were some conflicts.  When she was a child, a group of her classmates made fun of her for being Polish.  She dated one jerk before she ended up with Richard.  Her wealthy father hates her husband but he still secretly helps them set up their chain of stores.  She deals with one great tragedy but she recovers from it after seeing a group of homeless veterans and realizing that at least she has a place to live.  Floratyna is a frustratingly passive character.  Her friend Edward finds her a safe congressional district to run in and essentially guides her political career.  Her subsequent success as a politician is largely the result of luck and coincidence.  The book even ends on a note of deus ex machina.  The book’s seems to suggest that the best way for a woman to become president is to passively wait for it to happen.  That’s not particularly empowering.

The Prodigal Daughter was written by Jeffrey Archer, a best-selling British author who was also a member of Parliament and who has a reputation for being a bit of a shady and disreputable character.  Archer’s prose is simple and rarely sings but, at times, his straight-forward approach to storytelling does pay off.  It makes for a quick read.  If nothing else, the book would seem to indicate that, early in his writing career, Archer understood that people with money are more fun to read about than people without.

Blast From The Past: The Outsider (dir by Arthur Wolf)


The year was 1951 and Susie Jane was struggling to fit in at school.  While everyone else was planning dances and hanging out at the malt shop, Susie was standing off to the side, quietly.  Why was Susie Jane such an outsider?  Was it the fault of her peers or was it her fault for being such a nonconformist?

This educational short, from Young American Films, puts most of the blame on Susie.  Yes, the film suggests, her classmates could have made more of an effort to include her.  But Susie also should have made more of an effort to fit in and she shouldn’t have been so quick to assume that everyone was against her.  Susie might think that Marcy is only calling the house to taunt her but Marcy is actually calling because she feels guilty and obligated.  

The short film may feel like one of the films that Herk Harvey made before directing Carnival of Souls but this film was actually directed by Arthur Wolf.  The narrator, I have to say, is a bit of a jerk and spends the entire film talking down to Susie.  Susie’s having a hard enough time without having to put up with all of that!  That said, the film also takes a very 1950s approach to the issue of fitting in.  Susie’s an outside because she’s shy.  No consider is paid to the idea that maybe Susie just isn’t interested in doing the same thins as everyone else.

From 1951, here is The Outsider.

Music Video of the Day: A Fifth of Beethoven by Walter Murphy (1976, dir by ????)


Based on Beethoven’s Fifth Symphony, Walter Murphy’s A Fifth of Beethoven …. oh, wait a minute.  I just got that.  Fifth Symphony …. A Fifth of Beethoven.  That’s clever.  How would Beethoven have felt about a disco version of his symphony?  I imagine Beethoven would probably sue for royalties.  The music business is cutthroat.

Anyway, this song is best known for appearing on the Saturday Night Fever soundtrack.  When Tony Manero and his friends step into the club, this is the song that’s playing in the background and it fits in perfectly with Tony’s view of himself as being a God among men.

The song was composed by Walter Murphy, who had previously been a jazz musician.  He played all of the instruments himself on the original recording but the song was still credited to Walter Murphy and The Big Apple Band because it was apparently felt that it was better to be known as a member of a band than a solo artist.

This video is from 1976.  Is that the Big Apple Band that Murphy’s performing with?  I don’t know.  It’s a good song, though.  For the longest time, I thought it was also the theme music for Judge Judy but then I did some research at the University of Google and I discovered that Judge Judy’s theme song was actually the Fifth Symphony.  I also discovered that Judge Judy was still alive so it was a productive session.

Enjoy!

Book Review: The War For Late Night by Bill Carter


Remember when Conan O’Brien was the host of The Tonight Show?

It occurred back in 2009, back when the Shattered Lens was just starting out.  After hosting the show for 17 years, Jay Leno stepped down as host of The Tonight Show.  Though he was never popular with critics and I don’t think I’ve ever met anyone who actually made it a point to watch him, The Tonight Show with Jay Leno was the number one in the late night ratings.  David Letterman may have had more cultural cachet but Jay Leno was the host that most late night viewers were watching.  Other comedians may have mocked Leno for his safe and non-controversial hosting but, obviously, it worked.

When Leno first left The Tonight Show, no one was surprised by Leno’s retirement because he had announced it five years earlier.  In 2004, NBC renewed Leno’s contract as host with the condition that Leno would step down in 2009 and that Conan O’Brien would become the new host of the Tonight Show.  The fear was that, otherwise, Conan would switch to another network and compete directly against Leno.  At the time, Leno privately complained that he felt he was being fired but, publicly, he announced that he was happy to hand the show over to Conan in 2009.  In words that would come back to haunt him, Leno announced, “It’s yours, buddy!”

In 2009, Conan took over last night while Jay Leno got his own primetime talk show, which aired every weeknight.  It was an odd arrangement, one that was undertaken to keep Leno from going to another network.  (NBC was apparently very paranoid about its talent hopping to to other networks.)  Not only did NBC have to rearrange its schedule to make room for 5 days of Leno but many observers suspected that the whole thing was essentially some Machiavellian network scheme to eventually once again make Leno host of The Tonight Show while destroying Conan’s viability as a potential competitor.  Regardless of why NBC did what they did, it didn’t work out.  Leno’s primetime ratings quickly tanked.  So did that ratings for The Tonight Show with Conan O’Brien.  O’Brien’s supporters said that Conan’s bad ratings were due to Jay being a bad lead-in.  Jay’s supporters said that Conan just wasn’t ready for the 11:30 slot and that Conan’s ratings had been going down for a while.  And while most television critics sided with Conan, NBC obviously sided with Jay, who had always been viewed as being a good and loyal company man.

NBC’s solution to the problem made about as much sense as any of their other actions.  It was announced that Jay would have a new late night show, a thirty-minute variety show that would air before The Tonight Show.  The Tonight Show would be bumped back by half-an-hour.  O’Brien objected to getting stuck with a later start time but it turned out that his contract gave NBC the right to move the show back by 30 minutes.  O’Brien resigned, writing an open letter to “the people of Earth,” in which he said that he would not take part in the “destruction” of The Tonight Show.  Depending on which side you were on, Conan was either being heroic or overdramatic.

How big was this story?  It was so big that even I knew about it, despite the fact that I didn’t watch any of the late night shows.  It was one of the first big cultural conflicts that I can remember blowing up on Twitter.  Twitter was almost 100% pro-Conan.  Meanwhile, Leno’s supporters tended to be older, they tended to not have much use for social media, and they tended to be a bit more pragmatic.  Jerry Seinfeld sided with Jay, saying that the only problem was that Conan wasn’t getting the ratings.  Jimmy Kimmel very publicly sided with Conan.  David Letterman let everyone know that they were now seeing the Jay Leno that he had always known.

It was a mess and no one came out of it untouched.  Leno returned to hosting The Tonight Show but his reputation with now irreversibly tarnished.  Conan moved to TBS and, while the critics respected him and his fans continued to love him, he never quite regained the cultural prominence that he had before The Tonight Show debacle.  Most of all, NBC came out of it looking worse than ever.  The entire reason for Jay’s early retirement announcement was to avoid conflict and controversy.  Needless to say, that didn’t work out.

Looking over it all, one can’t help but wonder how a group of industry professionals, people with television experience who were paid to know what they were doing, could have so dramatically screwed everything up.

Bill Carter’s The War For Late Night is probably the best place to look for the answer.  Published in 2010, mere months after Leno replaced Conan as the host of The Tonight Show, The War For Late Night provides an insider’s look at what went down in the corporate offices of NBC as well as what was happening in both the O’Brien and the Leno camps.  Carter also examines what was going on with the other late night hosts while O’Brien and Leno was battling for the future of Late Night.  The book deals with the unsuccessful attempt to blackmail Letterman (remember that?) and also provides an interesting reminder of how likable Jimmy Kimmel was before he got all self-important.

Though Carter appears to be Team Coco, the book itself is relatively even-handed.  Leno is not portrayed a monster and Conan is not transformed into a saint.  (Indeed, the books makes clear that the real villains were the NBC executives, who first screwed Leno by forcing him out when he was at the top of the ratings and then screwed Conan by refusing to give his version of The Tonight Show time to grow.)  Instead, the book suggests that the main reason for the conflict between the two hosts was that Leno and Conan had two very differing ways of looking at their job as host of The Tonight Show.  Jay viewed it as a job.  Conan viewed it as almost a holy calling.  In the end, Jay was incapable of understanding why Conan was so upset about what was happening while Conan couldn’t understand how anyone couldn’t be upset.  After reading Carter’s book, it seems like a foregone conclusion that NBC would side with Jay.  Management always prefers an employee who doesn’t make waves compared to one who does.

Towards the end of the book, when David Letterman tries to arrange for Conan to appear in a Super Bowl commercial with him and Jay, Conan snaps that Letterman doesn’t understand how upset Conan still is over what happened.  Conan says that he will never be ready to laugh about it and, having read The War For Late Night, you don’t doubt it.  The book succeeds at both explaining what happened and also revealing the human beings behind the conflict.  In the end, even if you understand Jay’s position, your heart breaks for Conan.

Cleaning Out The DVR: An American Dream (dir by Robert Gist)


Loosely based on a novel by Norman Mailer, the 1966 film, An American Dream, tells the story of Stephen Rojack (Stuart Whitman).  Rojack’s a war hero, a man who has several medals of valor to his credit.  He’s married to Deborah (Eleanor Parker), the daughter of one of the richest men in the country.  He’s an acclaimed writer.  He’s got his own television talk show in New York.  He’s been crusading against not only the Mafia but also against corruption in the police department.  He has powerful friends and powerful enemies.  You get the idea.

He’s also got a marriage that’s on the verge of collapse.  Deborah calls Rojack’s show and taunts him while he’s on the air.  When Rojack goes to her apartment to demand a divorce, the two of them get into an argument.  Deborah tells him that he’s not a hero.  She says he only married her for the money and that she only married him for the prestige.  She tells him that he’s a lousy lover.  Being a character in an adaptation of a Norman Mailer novel, the “lousy lay” crack causes Rojack to snap.  He attacks Deborah.  The two of them fight.  Deborah stumbles out to the balcony of her apartment and it appears that she’s on the verge of jumping.  Rojack follows her.  At first, he tries to save her but then he lets her fall.  She crashes down to the street, where she’s promptly run over by several cars.  The cars then all run into each other while Rojack stands on the balcony and wails.  There’s nothing subtle about the first 15 minutes of An American Dream.

Actually, there’s nothing subtle about any minute of An American Dream.  It’s a film where everything, from the acting to the melodrama, is so over-the-top and portentous that it actually gets a bit boring.  There’s no relief from the screeching and the inauthentic hard-boiled dialogue.  When a crazed Rojack starts to laugh uncontrollably, he doesn’t just laugh.  Instead, he laughs and laughs and laughs and laughs and laughs and …. well, let’s just say it goes on for a bit.  It’s like a 60s version of one of those terrible Family Guy jokes.

Anyway, the police don’t believe that Deborah committed suicide but they also can’t prove that Rojack killed her.  Meanwhile, within hours of his wife’s death, Rojack meets his ex-girlfriend, a singer named Cherry (Janet Leigh).  Rojack is still in love with Cherry but Cherry is also connected to the same mobsters who want to kill Rojack.  Meanwhile, Deborah’s superrich father (Lloyd Nolan) is also on his way to New York City, looking for answer of his own.

An American Dream is a very familiar type of mid-60s film.  It’s a trashy story and it’s obvious that the director was trying to be as risqué as the competition in Europe while also trying to not offend mainstream American audiences.  As such, the film has hints of nudity but not too much nudity.  There’s some profanity but not too much profanity.  Rojack, Deborah, and Cherry may curse more than Mary Poppins but they’re rank amateurs compared to the cast of Who’s Afraid of Virginia Woolf?  It’s an unabashedly melodramatic film but it doesn’t seem to be sure just how far it can go in embracing the melodrama with alienating its target audience so, as a result, the entire film feels somewhat off.  Some scenes go on forever.  Some scenes feel too short.  The whole thing has the washed-out look of an old cop show.

All of that perhaps wouldn’t matter if Stephen Rojack was a compelling character.  In theory, Rojack should have been compelling but, because he’s played by the reliably boring Stuart Whitman, Rojack instead just comes across as being a bit of a dullard.  He’s supposed to be a charismatic, two-fisted Norman Mailer-type but instead, as played by Whitman, Rojack comes across like an accountant who is looking forward to retirement but only if he can balance the books one last time.  There’s no spark of madness or imagination to be found in Whitman’s performance and, as a result, the viewer never really cares about Rojack or his problems.

Noman Mailer reportedly never saw An American Dream, saying that it would be too painful to a bad version of his favorite novel.  In this case, Mailer made the right decision.