The last Covids video that I shared was a popular one so here they are again!
This video was shot on location at Amsterdam’s Skatecafe.
Enjoy!
Tag Archives: review
Late Night Retro Television Review: CHiPs 2.13 “Down Time”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!
This week, Ponch loses his car and Baker loses his wallet.
Episode 2.13 “Down Time”
(Dir by John Florea, aired on December 16th, 1978)
While chasing two female car thieves, Ponch crashes his motorcycle and sprains his finger. Getraer is overjoyed because he can now require Ponch to take a few days off work. Ponch is happy because he’s just moved into a new apartment and he wants to get to know his neighbor, Kim Balford (Randi Oakes).
Kim says she’s an aspiring actress but actually she’s the head of a ring of car thieves. In fact, by an amazing coincidence, they’re the same car thieves that Ponch was chasing when he injured himself! Kim sees that Ponch has a new car, a brown Firebird. Ponch really loves that car. Well, too bad! Kim and her associates steal his car.
To Getraer’s disappointment, Ponch is soon spending his entire vacation at headquarters, pressuring people like Detective Bill Ross (Burr DeBenning) to find his car. Detective Ross informs Ponch that he’ll probably never see his car again but Ponch is determined to get it back.
Baker, meanwhile, just want to find his wallet. His misplaced it and he has no idea where it is. Ponch is upset that Baker is more upset over losing all of his money and his ID than over Ponch losing his car. Baker, realizing that this is CHiPs and Ponch therefore always comes first, apologizes to Ponch and agrees to set aside his own problems to help Ponch out.
Fortunately, Ponch and Baker do figure out that Kim is the one behind the car thefts. It all leads to a chase through the streets of Los Angeles. Kim and her two partners-in-crime are in one of those big trucks that are used to transports cars from one place to another. (I can’t imagine driving one of those things.) Since they’re off duty, Baker and Ponch have to make due with Baker’s pickup truck. (Fortunately, Grossman shows up on a motorcycle so this episode doesn’t turn out like that weird season one episode where Baker and Ponch spent the entire episode in a patrol car.) Kim is caught but, of course, Ponch’s beloved firebird is destroyed in the chase.
Good news, though! Baker finds his wallet in his jacket. Yay! YOU GO, BAKER!
This episode was actually a lot of fun. Watching it, you could just hear people in 1978 saying, “They steal cars? …. But, they’re women!” Randi Oakes, who would later be a regular on the show as a member of the Highway Patrol, gives a wonderfully over-the-top performance as Kim. As well, anyone watching should be able to relate to Getraer’s annoyance as he discovers that there’s no way get Ponch to stay home. Best of all, with so much of the action taking place in Ponch’s swinging bachelor pad, this episode was pretty much a museum-quality exhibit of the late 70s. Watching this episode was like stepping into a time machine.
It was fun!
Retro Television Review: Miami Vice 2.23 “Sons and Lovers”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!
This week, the second season comes to a close with …. TRAGEDY!
Episode 2.23 “Sons and Lovers”
(Dir by John Nicolella, originally aired on May 9th, 1986)
The final episode of the second season Miami Vice opens with Crockett and Tubbs getting their cover blown for what seems like the 100th time. Seriously, has there every been an episode featuring these two going undercover in which their cover has not been blown? This time, they’re nearly executed by the drug dealers they were trying to arrest but, at the last minute, a sniper with a laser-guided sight shoots one of the dealers. In the confusion, Sonny and Tubbs are able to subdue most of the other dealers and disarm a booby trap that would have blown up Switek and Zito.
When Crockett mentions that they would have been dead if not for the sniper with the laser pointer, Switek says, “None of our guys have a laser.”
(Why not, Switek!? Are you guys trying to win the War on Drugs or not!?)
It turns out that the sniper worked for Angelina Medera (Phanie Napoli), the daughter of Calderone, the Colombian drug lord whose murder of Tubb’s brother led to Tubbs coming to Miami in the first place. Though she is still bitter over Crockett killing her father, Angelina has come to Miami to introduce Tubbs to his son, infant Ricardo, and to warn Tubbs that her half-brother, Orlando (John Leguizamo, in his first screen role), has put a contact out on his life.
Tubbs is a father! Tubbs is in love! Well, as Crockett could warn him, there’s nothing worse than being happy when you’re a member of the Vice Squad because it’s guaranteed that your happiness will be ripped away from you in the most violent way possible. Orlando comes to Miami and kidnaps Angelina and little Ricardo. With the help of a corrupt DEA agent named Harrison (J.C. Quinn), Orlando tries to set Tubbs up. Drawing Tubbs out to a pier where Angelina is bound in a car, Orlando plans to blow up his rival. Tubbs, being the star of the show, does manage to survive being near the car when it explodes. Angelina is not so lucky. Tragically, Tubbs believes that his son was in the car as well. (Actually, Orlando set little Ricardo back to Colombia.) At Angelina’s funeral, Tubbs receives a letter from Orlando. “I’ll be back!” it reads.
And so, season 2 ends!
The finale was a bit of a let down, largely because a good deal of the running time was devoted to flashbacks to remind us just who the Calerdones were in the first place. As well, John Leguizamo is not exactly the most intimidating of actors and his performance as Orlando was a bit stiff and awkward. (It makes sense when you consider that he was only 19 years old and making his debut on a hit television show. Anyone would be nervous.) Much like the Frank Zappa episode, it’s obvious that this episode was meant to launch a storyline that would be revisited in the future. While Leguizamo would return, it would appear that this episode is the only one to feature Tubbs’s son. So, I guess Tubbs will have to live the rest of his life thinking his childhood was blown up by a Colombian drug lord.
That’s dark!
That’s Miami Vice dark!
Despite the weak finale, I thought the second season of Miami Vice was a good one. There were a few weak episodes but, for the most part, it was a strong and stylish season and one that continued to explore just why exactly the War on Drugs proved to be unwinnable. Episodes like Out Where The Buses Don’t Run, Bushido, One Way Ticket, Little Miss Dangerous, and Trust Fund Pirates were all examples of Miami Vice at its cynical and surreal best.
Next week, we begin season 3 with a guest appearance by Liam Neeson!
Music Video of the Day: Madame by Lancelot (2024, dir by Morgan Autexier)
Lancelot was later stepped on. But, before that happened, he did make this video.
Enjoy!
Late Night Retro Television Review: Degrassi Junior High 3.9 “Food For Thought”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989! The series can be streamed on YouTube!
This week, everyone’s thinking about food.
Episode 3.9 “Food For Thought”
(Dir by Eleanore Lindo and Kit Hood, originally aired on January 30th, 1989)
The science fair is coming up and the Farrell twins are doing their project on eating disorders. One of them, I think it’s Heather, is convinced that everyone at Degrassi has an eating disorder. She even speculates that Lucy has an eating disorder, even though Lucy explains that it’s a combination of exercise and her metabolism that allow her to remain thin. “Some people are just thin,” the other twin says and that’s an important thing to remember. Not every skinny girl has an eating disorder and assuming that they do can be very harmful to their self-image.
Alexa worries that she’s fat. After she asks Simon if she’s fat, Simon stupidly says, “I don’t know.” (Simon isn’t very smart.) Alexa asks the Farrell twins if it’s possible to just be anorexic for a week. To Alexa, that sounds like a much better way to lose weight than to exercise.
Meanwhile, the person who actually does have an eating disorder — Kathleen — is left to struggle alone. Kathleen is the girl who always has to be the first to raise her hand with the answer in class. She has to be the first to get involved with every school project She always has to be the first to tell everyone else why they’re wrong. Kathleen is a bossy perfectionist who insists that she doesn’t need anyone’s help. As a result, Kathleen is not particularly popular. Melanie is Kathleen’s only friend, largely because Melanie is one of the few people to understand that Kathleen’s home life sucks. Her father is always working and her mother is an alcoholic. Kathleen wants to win the science fair so her parents will be proud of her and maybe they’ll stop fighting for a few minutes.
Along with everything else, Kathleen is bulimic. Despite already being thin, Kathleen is skipping meals and throwing up whatever she eats during the day. She’s also taking laxatives. (Ew!) Melanie, sensing that something is wrong with Kathleen, takes a look at Kathleen’s diary while Kathleen is busy throwing up. Melanie discovers that Kathleen is obsessed with losing ten pounds by the end of the week.
Needless to say, it all catches up with Kathleen. After only receiving honorable mention in the science fair, Kathleen faints in the school hallway. (It’s really not a show about an eating disorder until someone faints.) What sets this episode apart from the typical episode about an eating disorder is that, even after she faints, Kathleen refuses to admit that she has a problem. The episode ends with Kathleen refusing to listen as Melania tries to convince her that she needs to get help. It’s a dark ending but it’s also a realistic one. Problems are never as easily solved as television would have you believe.
This episode was an example of what Degrassi does so well. Kathleen, a character who most shows would simply portray as being a one-dimensional bitch, is revealed to be suffering more than perhaps any of the other regular characters. Instead of treating her like a joke or a stereotype, this episode invites us to consider why Kathleen acts the way that she does. For all the well-intentioned students at Degrassi, the classmate who needs them the most is left to suffer in isolation.
Retro Television Review: The Only Way Out (dir by Rod Hardy)
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1993’s The Only Way Out! It can be viewed on YouTube.
“I’ll kill you before I let you go,” Tony (Henry Winkler) says to his terrified girlfriend, Lynn (Stephanie Faracy).
Agck! Those are frightening words and they are certainly not something that you would expect to hear from a character played by notorious Hollywood nice guy Henry Winkler. And, indeed, it would probably shock most of the characters in the film if they knew how Tony talked to Lynn. Tony is a grad student who has worked at any number of jobs. While some people might say all of those jobs prove that Tony has a hard time sticking to anything, Tony has obviously learned how to convince people that he’s actually a just a determined man working his way through grad school and taking whatever job will help to pay the bills. Tony is friendly and romantic and given to grand gestures. He’s the type who shows up unexpectedly at Lynn’s place of employment with flowers. He’s the type of guy that strangers applaud while those close to him look for any way to escape.
Lynn knows all about the other side of Tony. Tony is controlling, obsessive, and abusive. He hits her. He barks orders at her kids. When she tells him that she wants him out of her life, he refuses to go and blames her for all of their problems. He’s someone who can quickly go from being everyone’s friend to being a monster. He preys on insecurity and, whenever anyone stands up to him, he plays the victim. Tony is a classic abuser and the fact that he’s played by the likable Henry Winkler makes him all the more disturbing. Like most abusers, Tony knows how to turn on the charm. He knows the power of a smile and a few complimentary words.
Lynn is in the process of getting divorced from an architect named Jeremy (John Ritter). It’s been a remarkably amicable divorce, with Jeremy and Lynn agreeing on joint custody and apparently not bearing any ill feelings towards one another. The only problem is that Lynn cannot bring herself to actually sign the divorce papers. Jeremy wants to marry Susannah (Julianne Phillips) and Susannah is not happy about the long wait. She’s even less happy when Jeremy takes it upon himself to try to protect Lynn from Tony. Soon, Tony is stalking Jeremy and Jeremy finds himself considering a particularly extreme solution to his problem.
It’s John Ritter vs Henry Winkler and the casting of two of Hollywood’s best-known nice guys as violent rivals works surprisingly well. Winkler is memorably unhinged while Ritter plays a guy who is struggling to hold onto a life that, until Tony shows up, seemed to be perfect. In the end, it’s not just Tony who catches us by surprise by just how far he’s willing to take things. The film’s ending took me by genuine surprise. Featuring excellent dramatic turns from two actors best known for their comedic skills, The Only Way Out is a superior melodrama.
Music Video of the Day: Keep Dancing by The Courettes (2024, dir by Morten Madsen)
Today’s music video of the day offers up some good advice for us all.
Enjoy!
Late Night Retro Television Review: Check It Out! 2.12 “High Tech”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi!
This week, Howard once again ruins Edna’s life.
Episode 2.12 “High Tech”
(Dir by Alan Erlich, originally aired on January 11th, 1987)
Howard has a gambling problem!
Wait a minute …. I thought that was the plot of last week’s episode.
Well, it’s the plot of this week’s episode as well. After Howard invests Edna’s life savings ($10,000, though it should be remembered that this is Canadian money) in a Venezuelan gold mine, Edna can only watch in horror as an earthquake rips through Venezuela and wipes out the gold mine. (She should just be happy that she invested before Chavez and Maduro came to power.) Howard, however, is sure that he can win her money back because he has a tip about a sure thing in an up-coming boxing match….
That’s it! Edna demands that Howard go to therapy.
Which Howard does. Dr. Cravitz (John Stocker) seems to be a little crazy himself, especially when people accidentally call him “Clavitz.” The doctor does help Howard to realize that he has a gambling problem. His mother used to take him to bingo halls while his father spent all of his time playing poker. Howard is a bad gambler because he’s trying to both win his parent’s love and get back at them for neglecting him while he was growing up. Damn, that’s depressing.
Howard returns to the store, diagnosed but hardly cured. Fortunately, he gets a call from his stockbroker, telling him that the gold mine is now worth $10,000 because there’s oil underneath the gold. Edna gets her money back, minus the money that Howard lost on the boxer.
This episode is another one where Howard is a complete and total buffoon. I prefer the episodes where Howard is an idiot to the ones where he’s actually competent. A competent manager is not a funny manager but a buffoonish boss who makes life difficult for the people working under him …. hey, who can’t relate to that? That’s why The Office was better when Michael was boss than when Andy took over. No one watches a show like this to root for management.
This episode had some funny moments. There was an entertaining B-plot about Christian installing a new computerized checking system and accidentally ordering three-years worth of potatoes at one time. (I had to smile when a jump cut revealed that every display in the store was now potato-related.) Even better, Gordon Clapp finally returns as the dim-witted handyman, Viker. Clapp’s ultra sincere line delivery made Viker into a hilarious character and the scenes where Viker gets on Howard’s nerves are always entertaining. When we first see Viker, he’s upgrading his lunchbox. Later, he tells Howard that “an important person called with an important message, that’s all I remember.” This show works best when it embraces absurdity and Viker is so wonderfully absurd that you can’t help but love the character.
Lisa Marie’s Week In Television: 9/15/24 — 9/21/24
I have spent most of this week getting ready for the annual October Horrorthon, which means that I’ve been watching a lot of horror movies and not a lot of television. As a matter of fact, I haven’t watched one episode of Big Brother this year and I didn’t even realize that Survivor started last week.
(Most years, I blog about Big Brother for another site but, due to my father’s passing, I took a leave of absence of this year. I may, however, write about Survivor because it’s only a once-a-week show as opposed to a 7-day a week gig.)
Here’s a few thoughts on what I did watch this week:
American Sports Story: Aaron Hernandez (FX)
I watched the first two episodes of the latest Ryan Murphy-produced true crime miniseries on Saturday. This show deals with the life and crimes of Aaron Hernandez, a pro football player who ended up going to prison for murder and who is suspected of carrying out a lot more murders over the course of his short life. The first two episodes followed Aaron in high school and college, struggling to live up to his father’s ambitions and also with his own sexuality. The episodes were well-directed but I have to admit that the culture of sports remains extremely odd to me. So far, the defining image of the series is a bunch of naked football players hugging on each other while loudly talking about how much they hated anything that they considered to be gay.
So far, Josh Andres Rivera is believable as Aaron, even if he doesn’t exactly have the most exciting screen presence. Then again, Aaron Hernandez appears to have been kind of an idiot so maybe it makes sense that he would be kind of a blah person. The best performance so far has come from Tony Yazbeck as Aaron’s college coach.
The Emmy Awards (ABC)
Jeff and I watched the ceremony on Sunday but we muted it fairly early on. From what I saw, it was a pretty boring ceremony, up until Hacks beat The Bear for Best Comedy. I’m not really a huge fan of Hacks but it’s definitely more of a comedy than The Bear. That said, and this may be my film snobbery coming through, The Emmys have always felt a bit pointless when compared to the Oscars. Maybe that’s the Oscars have different nominees every year whereas the Emmys will nominate Only Murders In The Building until it finally ends its run.
Get Judged By Byron Browne (Nosey)
I watched an episode on Friday, in between horror movies. A guy called in, upset because his father sold his childhood home. (The guy had been led to believe, by his grandmother, that the house belonged to him.) Byron basically told the guy that promises from grandma have no legal standing. Poor guy. I felt bad for him. GIVE THE MAN HIS HOUSE!
The Jerry Springer Show (Nosey)
The episode I watched on Monday featured Jerry interviewing the Ku Klux Klan and the Black Hebrew Israelites (which, despite the name, is a Black supremacist group) at the same time. Needless to say, none of them were happy about being on stage together and the whole thing devolved into a bunch of shouting. One white woman in the audience shouted that black men received the right to vote before white women. A black woman then said that the Bible says that women are not supposed to vote because men were created first. It was a strange episode.
The Love Boat (Paramount Plus)
Miami Vice (Prime)
Monsters (YouTube)
I binged and wrote reviews of several episodes of Monsters. Read this week’s review here!
Night Flight (Night Flight Plus)
This Friday, I watched an old episode of this 90s music show. It was all about guitar rock and it was pretty cool. Of course, the whole thing was pretty much just videos of Eric Clapton, Stevie Ray Vaughn, and Jeff Beck but they all sounded good. This EDM girl enjoyed listening to them.
One Step Beyond (YouTube)
I watched a few episodes of this paranormal anthology show on Thursday as I prepared for this year’s Horrorthon.
Retro Television Review: Welcome Back, Kotter 3.27 “Class Encounters of the Carvelli Kind”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show is currently streaming on Tubi!
This week, the third season comes to an end.
Episode 3.27 “Class Encounters of the Carvelli Kind”
(Dir by Robert Hegyes, originally aired on May 18th, 1978)
At the Kotter apartment, Gabe tells Julie a joke about his Uncle Bruce, the dressmaker. Julie responds by slamming the bedroom door in his face. Poor Gabe! Julie, if you hate his jokes that much, just get a divorce!
The next morning, Gabe steps into his classroom and finds Mr. Woodman sitting at the window and watching the rain falling outside. “Being alive is overrated,” Woodman says. “Try telling that to a dead person,” Gabe replies. Woodman reveals that, when he was young, he dreamed of being a podiatrist. “I love feet but I hate socks …. Sock stood between me and happiness!”
Woodman has every reason to be depressed. There’s some sort of weird student exchange program going on. Epstein is spending the week at another high school. (In real life, Robert Hegyes was not available to play Epstein because he was busy directing this episode.) Meanwhile, Carvelli (Charles Fleischer) and his buddy Murray (Bob Harcum) are going to Buchanan.
When Carvelli and Murray tell a story about being abducted by aliens and taken to the planet Yorksl, Gabe takes them to the vice principal’s office so Woodman can straighten them out. To Gabe’s surprise, Woodman not only believe Carvelli’s story but he decides that he wants to go live on another planet. He gives Carvelli permission to invite the aliens to land in the school’s courtyard. Gabe is even more shocked with the alien does show up and it turns out to be Julie! Julie explains that she’s a Yorsklite and then she agrees to Woodman away with her. “You look like a nice little fella….”
Wow, I guess the show’s over. I mean, Woodman is gone. Julie’s an alien. How do you do another episode about homework after that….
Oh wait, it was all a daydream.
Okay, never mind!
Usually, I hate it when a show does the whole “It was all a dream” thing but I actually enjoyed this episode because it gave John Sylvester White a chance to be totally unhinged as Woodman. White’s performance as Woodman has been one of the few things to remain consistently strong through the first three seasons of Welcome Back, Kotter. Watching him lose his mind, piece-by-piece, has truly been entertaining.
The episode and the third season ends with Washington tells Mr. Kott-air a joke about how ugly his aunt is. Gabe is impressed enough to write the joke down on a notepad.
And that’s it for Season 3! This was definitely an uneven season, with the humor ultimately getting a bit too broad for its own good. The Sweathogs themselves are all obviously adults now. This was something that Gabe Kaplan himself noticed. He reportedly suggested setting the next season at a community college and having Gabe get a job as a professor. (His students would, of course, be the graduated Sweathogs.) ABC disagreed, which resulted in Gabe not appearing in several season 4 episodes. Meanwhile, John Travolta also only appeared in a handful of episodes as he was now busy being a movie star.
What would all that mean for Season 4?
We’ll start finding out next week!
Through the Shattered Lens