6 Shots From 6 Films is just what it says it is, 6 shots from 6 of our favorite films. As opposed to the reviews and recaps that we usually post, 6 Shots From 6 Films lets the visuals do the talking!
Today, we take a look at a classic cinematic year. It’s time for….
6 Shots From 6 1996 Films
Breaking the Waves (1996, dir by Lars Von Trier, DP: Robby Muller)
The Stendhal Syndrome (1996, dir by Dario Argento, DP: Giuseppe Rotunno)
Fargo (1996, dir by the Coen Brothers, DP: Roger Deakins)
Trainspotting (1996, dir by Danny Boyle, DP: Brian Tufano)
Basquiat (1996, dir by Julian Schnabel, DP: Ron Fortunato)
Normal Life (1996, dir by John McNaughton, DP: Jean de Segonzac)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
Today is the birthday of director John McNaughton! It’s time for….
4 Shots From 4 John McNaughton Films
Henry: Portrait of a Serial Killer (1986, dir by John McNaughton, DP: Charles Lieberman)
The Borrower (1991, dir by John McNaughton, DP: Julio Mucat and Robert C. New)
Normal Life (1996, dir by John McNaughton, DP: Jean de Segonzac)
Wild Things (1998, dir by John McNaughton, DP: Jeffrey L. Kimball)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
Today is the birthday of director John McNaughton! It’s time for….
4 Shots From 4 John McNaughton Films
Henry: Portrait of a Serial Killer (1986, dir by John McNaughton, DP: Charles Lieberman)
The Borrower (1991, dir by John McNaughton, DP: Julio Mucat and Robert C. New)
Normal Life (1996, dir by John McNaughton, DP: Jean de Segonzac)
Wild Things (1998, dir by John McNaughton, DP: Jeffrey L. Kimball)
Continuing our look at good films that were not nominated for best picture, here are 6 films from the 1990s.
Dazed and Confused (1993, dir by Richard Linklater)
An ensemble cast that was full of future stars, including future Oscar winners Matthew McConaughey and Ben Affleck. A killer soundtrack. A script full of quotable lines. Dazed and Confused seemed like it had everything necessary to score a Best Picture nomination and perhaps it would have if the film had been set in Los Angeles instead of the suburbs of Atlanta. Unfortunately, Richard Linklater’s classic was overlooked.
Casino (1995, dir by Martin Scorsese)
Martin Scorsese’s epic gangster film had all the glitz of Vegas and Joe Pesci to boot! Despite being one Scorsese’s best, the Academy largely overlooked it, giving a nomination to Sharon Stone and otherwise ignoring the film.
Normal Life (1996, dir by John McNaughton)
Life, love, crime, and death in the suburbs! John McNaughton’s sadly overlooked film featured award-worthy performances from both Ashley Judd and Luke Perry and it definitely deserves to be better-known. Unfortunately, the Academy overlooked this poignant true crime masterpiece.
Boogie Nights (1997, dir by Paul Thomas Anderson)
Paul Thomas Anderson first made a splash with this look at the porn industry in the 70s and 80s. Along the way, he made Mark Wahlberg a star and briefly rejuvenated the career of Burt Reynolds. Though both Reynolds and Julianne Moore received nominations, the film itself went unnominated. Oh well. At least Dirk Diggler got to keep his award for best newcomer.
Rushmore (1998, dir by Wes Anderson)
Though the film was nominated for its screenplay, the Wes Anderson classic missed out on best picture Even more surprisingly, Bill Murray was not nominated for his funny yet sad performance. Murray would have to wait until 2003’s Lost In Translation to receive his first nomination. Meanwhile, a Wes Anderson film would not be nominated for best picture until Grand Budapest Hotel achieved the honor in 2015. (That same year, Boyhood became the first Richard Linklater film to be nominated.)
10 Things I Hate About You (1999, dir by Gil Junger)
This wonderful take on Shakespeare not only introduced the world to Heath Ledger but it also proved that a teen comedy need not be stupid or misogynistic. Because it was viewed as being a genre film (and a comedy to boot!), it didn’t get any love from the Academy but it continues to be loved by film watchers like me!
Out of all the sin-in-the-suburbs films that I’ve watched recently, 1996’s Normal Life is one of the best. Judging from the lack of reviews of this film online, it also appears to be one of the least known. So, allow me to rectify that by telling you a little about Normal Life.
In Normal Life, Luke Perry plays Chris Anderson, a seemingly naive police officer. From the minute that we first see Chris, it’s obvious that he’s a cop. With his thinning hair, his anonymous mustache, and his deliberately calm and controlled manner, there’s no way that Chris could be anything else.
One night, Chris goes out to a bar and sees Pam (Ashley Judd) getting into a fight with her date and cutting her hand. Chris, playing the hero, bandages it and then asks her for a dance. For him, it’s love at first sight. Soon, Chris is taking Pam on dates to the shooting range and, before you know it, they’re married. Pam, it soon becomes obvious, is emotionally unstable. She deals with disagreements by threatening to kill herself and trashing the apartment that she shares with Chris. She makes little secret of how little respect she has for Chris’s family and she often goes out of her way to embarrass him. However, Chris will never leave her because he’s in love with the idea of being the only one who can save her. And, even though Pam may not admit it, she wants to be saved. Chris gives her stability while Pam gives Chris a taste of excitement that his life would otherwise lack.
Unfortunately, even after Chris loses his job, Pam continues to spend money extravagantly. Soon, in order to support his wife, Chris starts to utilize his law enforcement experience by robbing banks. Now that they finally have money, they are able to move to a perfect house in the suburbs and Chris is able to pursue his lifelong dream of opening and running a small used bookstore.
However, Pam eventually discovers that Chris is a bank robber and soon decides that she wants to rob a bank with him. Chris knows that it’s a mistake to involve the unpredictable Pam but, as the film makes clear, he will always chose her happiness over everything else…
Normal Life was directed by John McNaughton, who also directed the seminal serial killer film Henry: Portrait of a Serial Killer.And while Normal Life is a far less disturbing film than Henry, it does utilize a similar technique of emphasizing just how banal Chris’s suburban lifestyle really is. When Chris isn’t robbing banks or dealing with his suicidal wife, he’s essentially a rather boring guy who is perfectly happy to spend his days running his little bookstore. The best scenes in the film are the ones where Chris simply walks to the doorway of his house, the placid calmness of the suburbs providing a strong contrast to what we know is going on inside that house and inside Chris’s head.
Of the two lead performers, Ashley Judd has the showier role and she does give a fantastically brave performance, providing an honest and sympathetic portrayal as a character who is not always pleasant to watch. Luke Perry, however, is even better. Whereas Judd is playing a character who is literally incapable of hiding her emotions, Perry has to play a character who keeps all of his emotions hidden. Judd’s performance is almost totally external while Perry’s performance is largely internal and, when those two techniques come together, it tells us all we need to know about why Chris and Pam are fated to be together.
Normal Life is a film that you need to see. And you can watch it below!