Monday Live Tweet Alert: Join Us for Tripwire!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1989’s Tripwire!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Tripwire on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

 

Scenes That I Love: Everything’s Alright from Norman Jewison’s Jesus Christ Superstar


In honor of the late Norman Jewison, today’s scene that I love comes from my favorite film to have been directed by him.

In this scene from 1973’s Jesus Christ Superstar, Mary Magdalene (Yvonne Elliman) attempts to comfort Jesus (Ted Neeley) while Judas (Carl Anderson) tries to pull Jesus away from her.  This scene showcases both Elliman’s angelic voice and Anderson’s ferocious intensity as Mary and Judas present two very different sides of a spiritual journey.

4 Shots From 4 Films: Special Norman Jewison Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today would have been Norman Jewison’s birthday.  It’s time for….

4 Shots From 4 Norman Jewison Films

In The Heat of the Night (1967, dir by Norman Jewison, DP: Haskell Wexler)

Fiddler on the Roof (1971, dir by Norman Jewison, DP: Oswald Morris)

Jesus Christ Superstar (1973, dir by Norman Jewison, DP; Douglas Slocombe)

The Hurricane (1999. dir by Norman Jewison, DP: Roger Deakins)

10 Movies For The Week (7/20/25)


Here Comes Shark Week

This upcoming week is Shark Week.  At the risk of making the most obvious recommendation ever, Jaws (1975) is currently on Netflix.  I doubt that I need to sell anyone on the film.  Jaws is one of those films that everyone accepts is a classic.  I’ll just say that every time that I watch Jaws, I’m surprised at how well it has held up over the years.  I watched it a few weeks ago while flying to Hawaii and, even when viewed in less than ideal conditions, it still held my attention and made me jump a little.  To be honest, I sometimes miss the Spielberg who directed Jaws.  It’s such a fun and scary movie, all the more so because it was made by a director who clearly lived for film.  Jaws is currently streaming on Netflix.

Jaws 2 (1978) does not get the same respect as the first Jaws, nor does it deserve it.  That said, I can’t help but kind of like Jaws 2.  If the first Jaws has a timeless quality to it, Jaws 2 is proudly a product of the 1970s.  Jaws 2 has some pacing issues but it also features Roy Scheider going totally crazy at the end of the film.  After giving a fairly subdued performance in the first Jaws, Scheider went all out for Jaws 2.  Just listen to him yell at that shark!  Jaws 2 is also on Netflix.

Jaws 3 (1983) is a bit of a guilty pleasure, largely because it was originally filmed in 3-D and the special effects are charmingly bad.  Roy Scheider does not return for this one but Dennis Quaid shows up as Chief Brody’s son.  This film was shot at SeaWorld Orlando but the main message seems to be, “Stay away from Seaworld!”  For the record, I relate to Lea Thompson’s character.  It can be viewed on Netflix!

The makers of Jaws: The Revenge (1987) decided to see what would happen if they made a Jaws film that centered on the least interesting character from the first film.  With Chief Brody having died of a heart attack and one of her sons having been eaten by a shark, Mrs. Brody heads down to the Caribbean and is apparently followed by a shark.  Its dumb but Michael Caine is charming and I’m a completist at heart.  If you’re going to watch one this week, you might as well watch all four!  Jaws: The Revenge is on Netflix.

Great White (1981) is an Italian film that was also released under the title The Last Shark.  Directed by Enzo G. Castelleri, Great White was so similar to Jaws that Universal actually sued the filmmakers in an attempt to keep the film from being released in the States.  To me, that’s always seemed like an overreaction.  There were hundreds of Jaws rip-offs released after 1975.  Great White is actually a pretty entertaining film.  James Franciscus and Vic Morrow team up to take on a giant shark.  The shark eats a helicopter.  This film can currently be viewed on YouTube.

In Praise of Joseph Sargent

Jaws: The Revenge was directed by Joseph Sargent.  Sargent would have been a hundred years old on July 22nd.  Sargent was a classic, no-nonsense director who could handle many different genres.  Here’s a few Sargent films that are not Jaws: The Revenge.

The Taking of Pelham One Two Three (1974) is probably Sargent’s best film.  Four criminals hijack a subway train.  The police spend their time negotiating, arguing, and searching.  It’s certainly my favorite example of the “New Yorkers Will be Rude To Anyone” genre.  Featuring great performances from Walter Matthau, Robert Shaw, Jerry Stiller, and Martin Balsam, this is one of the great New York heist films.  It can be viewed on Tubi.

Maybe I’ll Come Home In The Spring (1972) is a personal favorite of mine, a made-for-television film featuring a young Sally Field as a hippie who returns home and David Carradine as her controlling boyfriend.  This is a lowkey but effective look at life in the suburbs and it features an excellent performance from Sally Field.  It can be viewed on Tubi.

Tribes (1970) features Jan-Michael Vincent as a peace-loving hippie who is drafted and Darren McGavin as the drill sergeant who tries to turn him into a soldier.  Jan-Michael Vincent is absolutely gorgeous in this film.  It can be viewed on YouTube.

Odds and Ends

Paul Verhoeven celebrated a birthday a few days ago.  The original (and still the best) Robocop (1987) is available on Tubi.  Much like Jaws, it’s a film that has stood the test of time and survived countless imitations.

Finally, with the sequel due to be released on the 25th, this week is a great time to amuse yourself with the original Happy Gilmore (1996)!  I love this film and I make no apologies for it.  Bob Barker beating up Adam Sandler?  Seriously, how can you not love this film? Personally, I’ve always felt bad for Shooter McGavin.  Making him hit that ball off of Richard Kiel’s foot?  Totally unfair!  Happy Gilmore is streaming on Netflix.

Click here for last week’s movies!

 

Scenes That I Love: James Lovell Dreams Of The Moon In Apollo 13


Apollo 13 (1995, dir by Ron Howard, DP: Dean Cundey)

Today we have an absolutely beautiful scene from 1995’s Apollo 13.  In this scene, astronaut Jim Lovell (Tom Hanks) takes a look at the moon and, for a minute, thinks about what could have been, if only a malfunction hadn’t scuttled Apollo 13’s moon landing and left Lovell and his two crewmates apparently stranded in space.  Though Lovell may dream of walking on the moon, he knows it won’t happen and that his only concern now is getting both himself and his crew back home.

Some critics have a tendency to dismiss Ron Howard as just being a director who makes middlebrow films but this scene shows him to be a director who instinctively understands not only what it’s like to dream but also what it’s like when reality intrudes on those dreams.  This scene features both Howard and Tom Hanks at their best.

Retro Television Review: The American Short Story Episode 7: The Displaced Person


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, we have an adaptation of Flannery O’Connor’s longest short story.

Episode #7: “The Displaced Person”

(Dir by Glenn Jordan, originally aired in 1977)

Life at a Georgia farm is thrown into turmoil when the farm’s owner, widow Mrs. McIntyre (Irene Worth), agrees to give a job to a Polish refugee named Mr. Guizac (Noam Yerushalmi).  As World War II has just ended and Father Flynn (John Houseman) has assured Mrs. McIntyre that Guizac can drive a tractor, Mrs. McIntyre is happy to give Guizac a home in America.  Less happy are the people who already work at the farm, most of whom see the hard-working Guizac as being a threat.  Mrs. Shortley (Shirley Stoler) worries that her husband (Lane Smith) is going to lose his job to Guizac.  Meanwhile, a young farmhand named Sulk (Samuel L. Jackson) enters into a business arrangement with Guizac, one that causes Mrs. McIntyre to change her opinion of Guizac.  Needless to say, it all ends in tragedy.

This adaptation is based on a short story that Flannery O’Connor wrote after her own mother hired a family of Polish refugees to work at their family farm, Andalusia.  This adaptation was actually filmed at Andalusia, only a few months after Flannery O’Connor’s death.  The furniture seen in the house was O’Connor’s own furniture.  The peacocks the drive Mrs. McIntyre crazy and which cause Father Flynn to have a religious epiphany are the same peacocks that roamed the farm when Flanney O’Connor lived there.  The cemetery that Mrs. McIntyre visits is the O’Connor family cemetery.  It brings a sense of authenticity to the film, one that is often missing from films made about the South.

The adaptation moves at a deliberate pace but it’s well-acted and it stays true to O’Connor’s aesthetic.  Those who might complain that there are only two likable characters in the film — Mr. Guizac and Father Flynn — are missing the point of O’Connor’s story.  Even Mrs. McIntyre, who initially seems to be trying to do the right thing, is blinded by the prejudices of race and class.  Father Flynn never gives up on trying to redeem both Mrs. McIntyre and the rest of the world but one gets the feeling that he might be too late.

The cast is what truly makes this adaptation stand-out.  Irene Worth, John Houseman, Lane Smith, Robert Earl Jones, they all give excellent performances.  Samuel L. Jackson was very young when he appeared in The Displaced Person but he already had the screen presence that has since made him famous.  The best performance comes from Shirley Stoler, who plays Mrs. Shortley as being a master manipulator who, unfortunately, happens to be married to a worthless man.  Mrs. Shortley does what she does to protect her husband.  Mr. Shortley does what he does because he’s a loud mouth bigot.  Everyone has their own reasons, to paraphrase Jean Renoir’s The Rules of the Game.  In this story, those reasons lead to tragedy.

Live Tweet Alert: Watch The Funhouse With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1981’s The Funhouse!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Scene That I Love: Christopher Walken in King of New York


Today’s scene is from Abel Ferrara’s 1990 gangster epic, King of New York.  Featuring Christopher Walken and a host of familiar faces, it’s one of those scenes that simply just has to be seen.

4 Shots From 4 Films: Special Abel Ferrara Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is the birthday of Abel Ferrara.  It’s time for….

4 Shots From 4 Films: Special Abel Ferrara Edition

Ms. 45 (1981, dir by Abel Ferrara)

Fear City (1984, dir by Abel Ferrara)

King of New York (1990, dir by Abel Ferrara)

Bad Lieutenant (1992, dir by Abel Ferrara)