Scenes That I Love: Rick Dalton Sets Susan Atkins On Fire In Once Upon A Time In Hollywood


With today being Quentin Tarantino’s birthday, I almost feel like I have no choice but to pick this scene from the explosive finale of Once Upon A Time In Hollywood as my scene that I love for the day.

When this film, there was a lot of controversy by Rick Dalton (Leonardo DiCaprio) using a flame thrower to set a hippie on fire in his swimming pool.  Never mind that the hippie in question (played by future Oscar-winner Mikey Madison) was specifically in Rick’s bungalow to try to kill him.  On twitter, there were cries about how this scene proved that Tarantino misogynist.  On TV Tropes, someone actually wrote, “You have to feel a little sorry for the hippie at the end….”

No, actually, you don’t have to feel sorry for her in the least.  In this scene, Madison is playing Susan Atkins, a.k.a. Sadie Mae Glutz.  In real life, Susan Atkins was the most enthusiastic of Charles Manson’s band of hippie killers.  She was the one who personally stabbed Sharon Tate to death while Sharon, 8 and a half months pregnant at the time, begged for the life of her baby.  I won’t quote what Atkins said to Sharon while killing her but you can find it in any of the books written about the case.  How do we know what Atkins said?  Because she bragged about it in prison.  She didn’t show a shred of remorse until after she realized she was going to spend the rest of her life in prison, which is when she suddenly decided she was born again and started claiming she was brainwashed.  In real life, Sharon Tate, only 26 years old, died in 1969.  Susan Atkins lived to be 61, saved just because the Supreme Court temporarily suspended the death penalty in the 70s.

So, as far as I’m concerned, turn those flames up, Rick.  In Tarantino’s world, Sharon lived and had her baby.  If the choice is between Tarantino’s alternate reality or the world in which Atkins spent 40 years having her food and housing paid for by the same California taxpayers that she wanted to kill, I know which one I’m going with.

4 Shots From 4 Films: Special Quentin Tarantino Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 62nd birthday to director/screenwriter/cultural institution, Quentin Tarantino!

Here are….

4 Shots From 4 Quentin Tarantino Films

Reservoir Dogs (1992, dir by Quentin Tarantino, DP: Andrzej Sekuła)

Pulp Fiction (1994, dir by Quentin Tarantino, DP: Andrzej Sekuła)

Inglourious Basterds (2009, dir by Quentin Tarantino, DP: Robert Richardson)

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino, DP: Robert Richardson)

Strother Martin – One of the great character actors of all time! 


The unique character actor, Strother Martin, is established as one of the most quoted people to ever grace the silver screen. His line from COOL HAND LUKE (1967), “What we’ve got here is… failure to communicate” ranks as number 11 on the American Film Institute’s list of the 100 greatest movie quotes of all time! He’s an incredibly talented man, and every time I see him pop up on an old TV show or movie, I smile. 

My personal favorite film of all time is HARD TIMES (1975) starring Charles Bronson, James Coburn, Jill Ireland, and yes, Strother Martin. He is so good as Poe, Charles Bronson’s cut man, who also happens to be a recovering drug addict. HARD TIMES is Walter Hill’s debut film, and Hill couldn’t have picked a better cast to introduce himself to the world. It’s my opinion that Martin’s unique talents are a perfect compliment to Bronson’s strong, silent persona, and James Coburn’s motormouth, business man. I think it’s one of his best performances. 

My favorite scene with Bronson and Strother Martin in HARD TIMES is the scene where they first meet. Unfortunately, I couldn’t find it on YouTube so I’m sharing this scene where Bronson collects their earnings from a guy who cheated them earlier in the day. Martin’s character isn’t featured in this scene, but he’s always right there with Bronson as a loyal friend. On what would have been Martin’s 106th birthday, I just wanted to take a moment to remember and appreciate him for his great work.

Scenes That I Love: James Caan In The Godfather


Today would have been James Caan’s 85 birthday so today’s scene that I love comes from one of Caan’s best-known films, The Godfather.

This scene features Caan’s Sonny Corleone in all of his glory, congratulating Michael on his broken jaw and getting on Tom Hagen’s nerves.  Robert Duvall and James Caan were close friends in real life and that friendship definitely comes through in their performances as Tom and Sonny.

 

4 Shots From 4 Films: Special Tennessee Williams Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been Tennessee Williams’s 114th birthday!  It’s time for….

4 Shots From 4 Tennessee Williams Films

A Streetcar Named Desire (1951, dir by Elia Kazan, DP: Harry Stradling)

Cat On A Hot Tin Roof (1958, dir by Richard Brooks, DP: William Daniels)

Suddenly, Last Summer (1959, dir by Joseph L. Mankiewicz, DP: Jack Hildyard)

Boom! (dir by Joseph Losey, DP: Douglas Slocombe)

Film Review: The Black-Eyed Children (dir by Jozsef Gallai)


I’ve never been much for camping.

I’ve probably mentioned this before.  I’ve certainly reviewed enough films about deadly campgrounds and fatal walks through the woods that there’s no way that I haven’t talk about camping in the past.  It’s just not for me.  Even though I grew up largely in the country and I tend to think of myself today as being a country girl in the city, I have to admit that staying out in the wilderness has never appealed to me.  I don’t like bugs.  I don’t like the threat of wild animals suddenly appearing out of nowhere.  I’ve seen enough horror movies to know that I should run if I ever see a guy walking through the woods while wearing a hockey mask.  (Not that it would do any good, of course.  I’m such a klutz that there’s no way I wouldn’t trip over a stick or something.)  The fact of the matter is that I find the wilderness to be very creepy.  The dark shadows, the feeling of being surrounded by trees that tower of above me, the isolation of it all …. nope, not for me!

The Black-Eyed Children, an upcoming horror from from director Jozsef Gallai, does a very good job of capturing just how creepy being alone in the wilderness can be.  Kata Kuna stars as Claire, a young psychology major who is totally excited to have gotten a job as a counselor at St. Beatrice, a camp for children with special needs.  Claire wants to make the world a better place and this seems like a wonderful opportunity to do so.  (Honestly, I hate camping but if you told me that doing so would make life better for a child who hasn’t been given much in the world, I would be the first to head down to the sporting goods store and buy a tent.)  However, when Claire enters the woods and finds herself at St. Beatrice, it’s not at all what she was expecting to find.

The camp appears to be totally deserted.  The children who were supposed to be there are gone.  The other counselors who were presumably employed there have disappeared.  Claire walks through the camp, checking cabins and searching for an explanation.  Finding the files on the kids who were supposed to be at camp, Claire starts dialing phone numbers and what she discovers shocks her.  And no, I’m not going to tell you what she discovers.  The Black-Eyed Children is scheduled for a late 2025 release so you can watch it then and find out the secret of St. Beatrice.

The Black-Eyed Children is a found footage film.  Luckily, Jozsef Gallai is one of the best when it comes to working with the found footage genre and the film is full of creepy and atmospheric imagery.  St. Beatrice and the woods surrounding it all give off a vibe of steady menace, leaving the viewer frightened about what might jump out of the shadows.  Kata Kuna does a great job as Claire and what she discovers at St. Beatrice will leave you feeling uneasy, especially if you know about the urban legend that gives this film its name.  Clocking in at 70 minutes, The Black-Eyed Children is an effective and creepy horror film.  It’ll definitely keep you out of the woods.

A Blast From The Past: Rock: It’s Your Decision (dir by John Taylor)


Pacific Blue will not be reviewed this week so that we might bring you this special broadcast of 1982’s Rock It’s Your Decision!

Jeff (Ty Taylor) has been challenged to think about the music he listens to and to only listen to Christian music for a few weeks.  Jeff takes the challenge and, in the film’s climatic speech, he reveals that even Barry Manilow is a servant of the Devil.  This film is dated, incredibly silly, and oddly watchable.  It might have had more impact if the lead character wasn’t so dorky.  “I love a get down beat!”  I love the way his voice cracks when he shouts, “Do you think I’m sexy?”

Pacific Blue will return next week.  For now, check out Rock It’s Your Decision!

Song of the Day: Overture (Lawrence of Arabia) by Maurice Jarre


Lawrence of Arabia (dir. by David Lean)

Since today is David Lean’s birthday, it only seems appropriate that today’s song of the day should come from the film that is regularly acknowledged as being Lean’s masterpiece, 1962’s Lawrence of Arabia.  Composed by Maurice Jarre, here is one of the greatest film scores of all times.

Scenes That I Love: David Lean’s Lawrence of Arabia


The great British director David Lean was born 117 years ago today.

In honor of his films and his legacy, here is a scene that I love from Lawrence of Arabia.  In this scene, Peter O’Toole blowing out a flame transports us straight to a sunrise in the desert.  Though Lean started out his career directing small-scale but emotionally rich films like Brief Encounter and Great Expectations, he ultimately became best-known for directing historical epics and cinematic spectacles.  This scene shows us why.  Even to this day, it seems as if any epic film is destined to be compared to the work of David Lean.

4 Shots From 4 Films: Special John Stockwell Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to actor/director John Stockwell!  Though the critics might not always realize it, Galveston-born John Stockwell is responsible for some of the best beach movies of the 21st Century.  No one can make the beach and the ocean look as inviting (or as dangerous) as John Stockwell.

It’s time for….

4 Shots From 4 John Stockwell Films

Blue Crush (2002, dir by John Stockwell, DP: David Hennings)

Into the Blue (2005, dir by John Stockwell, DP: Shane Hurlbut and Pete Zuccarini)

Turistas (2006, dir by John Stockwell, DP: Enrique Chediak and Peter Zuccarini)

In the Blood (2014, dir by John Stockwell, DP: P.J. Lopez)