4 Shots From 4 Boris Karloff Films: The Black Cat, The Walking Dead, The Terror, The Sorcerers


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

For our final 4 Shots From 4 Films of this October season, we pay tribute to William Henry Pratt, the patron saint of horror cinema, with….

4 Shots From 4 Boris Karloff Films

The Black Cat (1934, dir by Edgar G. Ulmer)

The Walking Dead (1936, dir by Michael Curtiz)

The Terror (1963, dir by Roger Corman, et al)

The Sorcerers (1967, dir by Michael Reeves)

Horror Film Review: The Walking Dead (dir by Michael Curtiz)


In this 1936 film (which has absolutely no relation to the AMC zombie show), Boris Karloff plays John Ellman.  John Ellman is perhaps one of the unluckiest guys ever.  Seriously check this out:

John Ellman was once an acclaimed concert pianist.  However, he was wrongly convicted of killing his wife and spent ten years in prison.  Now that he’s finally been paroled, he can’t get anyone to hire him.  Meanwhile, the judge who originally sent him to prison is in the news for having defied the mob and sentenced a well-known gangster to prison.  The mob is out for revenge but, rather than take the fall themselves, they’d rather frame a patsy.  And who could be a better patsy than a man who everyone already knows has a grudge against the judge?

Nolan (Ricardo Cortez), a crooked lawyer, arranges for Ellman to be given a job.  Ellman is told that he simply has to spy on the judge for a few nights to determine whether the judge is having an extramarital affair.  Ellman agrees and soon finds himself being set up.  The gangsters kill the judge and plant the body in Ellman’s car.  Ellman is arrested and sentenced to die.  It doesn’t matter that there are witnesses who know that Ellman’s innocent.  No one is willing to cross the mafia.

Ellman is convicted and promptly executed but his story isn’t over.  A scientist named Dr. Beaumont (Edmund Gwenn, who later played the man who might be Santa Claus in Miracle on 34th Street) knows that Ellman is innocent.  He takes Ellman’s body and, through an artificial heart and a bunch of other science-y things, he manages to revive Ellman.  John Ellman lives again!  Of course, he’s a bit of a zombie now and he doesn’t have any memory of his former life.  And yet, he instinctively knows who set him up to be executed and he sets out for revenge.

What’s interesting is that Ellman doesn’t kill anyone.  Even after he’s revived and presumably has no concept of right and wrong, John Ellman remains a rather passive zombie.  For the most part, the racketeers die because of how they react to the sight of the previously dead Ellman coming towards them.  For that matter, Beaumont isn’t the typical mad scientist that you might expect to turn up in a film like this.  He’s a benevolent man who was simply doing what he thought was the right thing.  Though the film ends with a warning about playing God, one can’t hep but get the feeling that, unlike Frankenstein, the film is overall very supportive of the idea of reviving the dead.

Directed by Michael Curtiz (who also did Casablanca, Mildred Pierce, The Adventures of Robin Hood, and countless other classic films), The Walking Dead is a combination horror/gangster film.  The film’s plot is a bit too convoluted for its own good but, overall, The Walking Dead works because of Boris Karloff’s performance.  He’s poignantly pathetic as the living John Ellman and then rather chilling as the vengeance-driven, recently revived Ellman.  The film’s most effective scenes are the ones where he just stares at his enemies, fixing them with a gaze that takes no prisoners and offers no hope.  It’s a great performance that elevates an otherwise uneven film.

Hollywood History Lesson: Errol Flynn in SANTA FE TRAIL (Warner Brothers 1940)


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A movie lover could get pretty spoiled living on a steady diet of Errol Flynn/Warner Brothers epics from the 30’s and 40’s. You’ve got Flynn, the personification of the classic “movie star”, performing heroic feats and romancing his leading lady (usually Olivia de Havilland ). A historical setting   serving as the backdrop to move the story along, expertly directed by Michael Curtiz or Raoul Walsh, a cast full of Hollywood’s greatest character actors, a majestic music score (mainly Max Steiner , but there were others equally as talented), action, drama, humor, conflict… what more could a film fan ask for?

SANTA FE TRAIL has all this and more, an energetic pre-Civil War tale guaranteed to hold your interest for its 110 minutes no matter which side of the Mason-Dixon Line you live on. It’s characters are drawn from history, but historic accuracy be damned… these films were all about…

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Cleaning Out the DVR #20: ALL-STAR PRE-CODE LADIES EDITION!


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I know all of you, like me, will be watching tonight’s 89th annual Major League Baseball All-Star G
ame, and… wait, what’s that? You say you WON’T be watching the All-Star Game? You have no interest in baseball? Heretics!! But I understand, I really do, and for you non-baseball enthusiasts I’ve assembled a quartet of Pre-Code films to view as an alternative, starring some of the era’s most fabulous females. While I watch the game, you can hunt down and enjoy the following four films celebrating the ladies of Pre-Code:

DAUGHTER OF THE DRAGON (Paramount 1931; D: Lloyd Corrigan) – Exotic Anna May Wong stars as Princess Ling Moy, an “Oriental dancer” and daughter of the infamous Dr. Fu Manchu (Warner Oland)! When Fu dies, Ling Moy takes up the mantle of vengeance against the Petrie family, tasked with killing surviving son Ronald. Sessue Hayakawa (BRIDGE ON THE RIVER KWAI)…

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On Her Majesty’s Secret Service: Errol Flynn in THE SEA HAWK (Warner Brothers 1940)


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Warner Brothers pulled out all the stops for their 1940 epic THE SEA HAWK. There’s dashing Errol Flynn swashbuckling his way across the Silver Screen once again, the proverbial cast of thousands, high seas action, romance, political intrigue, superb special effects, and a spirited score by Erich Wolfgang Korngold. The only thing missing that could’ve possibly made this movie better is Technicolor, but since Jack and his bros had already spent $1.7 million (equivalent to almost thirty million today) to produce it, why quibble?

Flynn is in fine form as privateer Geoffrey Thorpe, captain of the pirate ship Albatross, in service to Her Majesty Queen Elizabeth I. When they attack and plunder a Spanish ship carrying Ambassador Don Alvarez de Cordoba and his beautiful niece Maria, Captain Thorpe is reprimanded and told to lay off the Spanish. Spain, however, is building up their Armada with world conquest in mind, and…

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Dear Old Alma Mater: John Wayne in TROUBLE ALONG THE WAY (Warner Brothers 1953)


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Tomorrow’s the big night, as my New England Patriots go up against the tough defense of the Philadelphia Eagles in Super Bowl LII. Tom Brady and company will be going for Ring #6, and everyone here in Southern New England is super excited, looking forward to another victory celebration! I’ll be attending a huge party with plenty of food, big screen TV’s, raffles, squares, and like-minded fans, but before the festivities begin, let’s take a look at TROUBLE ALONG THE WAY, a football-themed film starring none other than Big John Wayne !

St. Anthony’s College is a struggling Catholic university run by sweet old Father Burke, who’s getting to be as decrepit as the school itself. The powers-that-be want to close his beloved St. Anthony’s, seeing how the school’s $170,000 in debt, but old Father Burke comes up with an idea. Citing Deuteronomy 32:15 (“The beloved grew fat and kicked”)…

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Lisa Cleans Out Her DVR: 20,000 Years in Sing Sing (dir by Michael Curtiz)


(I am currently in the process of cleaning out my DVR.  I recorded the 1932 film, 20,000 Years In Sing Sing, off of TCM on January 31st.)

I was somewhat surprised to discover that I had this 1930s prison film on my DVR.  I’m not sure what led to me deciding to record it though, if I had to guess, I’d say that it was probably the title.  I probably assumed it was about a prisoner who served a 20,000 year sentence.  I mean, that sounds interesting, right?

It turns out I was wrong though.  The film starts with a shot of a line of prisoners walking into a prison, with their sentence superimposed over their heads.  One guy is in for 7 years.  Someone else has a 50 year sentence.  Another person has a 33 year sentence.  I’m guessing that if you added all of the sentence up, you would end up with 20,000 years.

That’s a lot of angry men, all trapped in one location.  Fortunately, Sing Sing Prison has a compassionate warden.  Paul Long (Arthur Byron) is a good man, a criminal justice reformer who believe that prison should be about more than punishment.  He is tough but fair and he runs his prison on the honor system.  Break the rules and you’ll be tossed into solitary.  Respect the rules and the Warden might even let you leave the prison for a day or two.  The press and the bureaucrats may think that Warden Long is naive but prison guards love him.  “We’re behind you,” the head guard says when it appears that Long might be about to lose his job.  And the prisoners respect him, even if few of them are willing to admit it.

Tommy Connors (Spencer Tracy) is the newest prisoner.  He’s been sentenced to 5 to 30 years for robbery and assault with a deadly weapon.  Tommy’s a tough guy, the type who speaks in the rat-a-tat manner that will be familiar to anyone who has ever watched a 30s gangster film.  He’s a tough guy so he ends every sentence with “see?,” as in, “No prison is going to break me, see?” Tommy’s the type of guy who brags that, even if they send him to solitary, he can do his time standing on his head.  When he gets called into the Warden’s office, he tosses a lit cigarette on the floor.  Can the Warden reform even as rough a customer as Tommy Connors!?

It doesn’t help, of course, that Tommy has a friend named Joe Finn (Louis Calhern) and, even though Joe is on the outside, he’s constantly encouraging Tommy to break the rules.  Joe has an ulterior motive for wanting to keep Tommy in prison for as long as possible.  That motive is his desire for Fay (Bette Davis), Tommy’s loyal girlfriend.  When Fay is injured in an accident, the Warden agrees to let Tommy visit her on the condition that Tommy return in 24 hours.  However, when Tommy’s visit leads to murder, the Warden is blamed.  It gets even worse when the Warden announces that he is sure that, despite the charges against him, Tommy will honor his word and return to the prison.

Will Tommy do the right thing?  Or will he flee and destroy the Warden’s career?

20,000 Years in Sing Sing was produced by Warner Bros and it features the studio’s typical pre-code combination of a B-movie action and progressive politics.  Seen today, it’s a watchable but minor film, one that often seems dated in its view of criminal behavior.  (Even I, a huge believer in the need for criminal justice reform, thought the warden was being incredibly naive when he put the convicts on the honor system.)  That said, it’s always interesting to see Bette Davis in the days before she became the Bette Davis and was just another ingenue trying to make an impression while surviving the studio system.  As well, since Spencer Tracy eventually became best known for portraying wise, plainspoken men, it’s interesting to see him playing the cocky and disrespectful Tommy.

Still, I think there is a place for a movie about someone spending 20,000 Years in Sing Sing.

(I imagine that, after the first 10,000 years, it gets easier.)

 

Rally ‘Round The Flag: Errol Flynn in VIRGINIA CITY (Warner Brothers 1940)


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VIRGINIA CITY is a big, sprawling Western, filled with action, humor, and star quality. It’s the kind of movie they used to show around these parts every afternoon at 4 O’clock on DIALING FOR DOLLARS (George Allen was the local host), helping to spark my interest in classic films past, a flame which still burns bright today, two hours of pure entertainment, with square-jawed Errol Flynn going against square-jawed Randolph Scott backed by a Civil War setting and yet another sweepingly epic Max Steiner score.

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We’re told “only the characters are fictional… The story is true” as we watch Union Captain Kerry Bradford (Flynn) and his two buddies Moose and Marblehead (Errol’s frequent co-stars/offscreen drinking compadres Alan Hale Sr and Guinn ‘Big Boy’ Williams) attempt to tunnel their way out of Libby Prison, aka ‘The Devil’s Warehouse’, when they’re caught by commanding Captain Vance Irby (Scott). He tells them Confederate troops…

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4 Shots From 4 Holiday Films: Holiday Inn, It’s A Wonderful Life, Miracle on 34th Street, White Christmas


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

4 Shots From 4 Holiday Films

Holiday Inn (1942, dir by Mark Sandrich)

Holiday Inn (1942, dir by Mark Sandrich)

It's A Wonderful Life (1946, dir by Frank Capra)

It’s A Wonderful Life (1946, dir by Frank Capra)

Miracle on 34th Street (1947, dir by George Seaton)

Miracle on 34th Street (1947, dir by George Seaton)

White Christmas (1954, dir by Michael Curtiz)

White Christmas (1954, dir by Michael Curtiz)

Halloween Havoc!: Boris Karloff in THE WALKING DEAD (Warner Brothers 1936)


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1936’s THE WALKING DEAD has absolutely nothing to do with the wildly popular AMC TV series. This WALKING DEAD stars Boris Karloff , making the first of a five-picture deal he signed with Warners, an interesting hybrid of the gangster and horror genres about an unjustly executed man who’s revived by science exacting vengeance on those who set him up. The result was a fast paced (clocked at 66 minutes) entry in the first horror cycle, and one of the last horror films made until their 1939 revival (more about that later).

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Boris stars as John Ellman, newly released from a stretch in prison. A gangland cartel, looking to get rid of a law-and-order judge, set Ellman up as a patsy, hiring him to stake out the judge’s home, murdering the guy, and dumping the body in Ellman’s car. He goes on trial, defended by crooked lawyer Nolan, and sentenced to death…

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