The Films of 2025: Magazine Dreams (dir by Elijah Bynum)


Remember Magazine Dreams?

Though Magazine Dreams did not get a brief theatrical release until 2025, the film first made an impression two years earlier.  At the 2023 Sundance Film Festival, Magazine Dreams was one of the most buzzed about entries.  A film about a mentally unbalanced body-building fanatic, the film starred Jonathan Majors.  Majors was on top of the world at that time.  Not only was he being groomed to be the new center of the Marvel Cinematic Universe but he was also just a few months away from playing the antagonist in the highly anticipated Creed III.  The U.S. Army was using Majors in recruitment commercials.  Both Magazine Dreams and Majors’s performance were lauded at Sundance.  Some critics started to say that Majors had, at the very least, an Oscar nomination in his future.

Then, on March 25th, 2023, Jonathan Majors was arrested and charged with assaulting his ex-girlfriend.  Several other women came forward and said that they had also been abused physically and emotionally by Majors.  The Army stopped airing his commercials.  Marvel announced that Majors would no longer be appearing in their films and that the storyline around his character would simply be abandoned.  (Indeed, the fallout over Majors’s arrest was so much a problem for Marvel that they eventually resorted to bringing back Robert Downey, Jr. to try to staunch the bleeding.)  Creed III took on a whole new meaning as the relatively likable Michael B. Jordan beat the hell out of Jonathan Majors’s snarling ex-con.

As for Magazine Dreams, it fell into limbo.  Fox Searchlight had acquired the film at Sundance and had given it an Oscar-friendly December release date.  After Majors’s arrest, Searchlight removed the film from its schedule and, eventually, the rights were sold back to the film’s producers.  Eventually, Briarcliff Entertainment released the film on March 21st, 2025.  The film made barely a million at the box office.

With all of the behind the scenes drama, it’s tempting to overlook the most important question.  Was the film itself any good?

It’s …. okay.  Jonathan Majors plays Killian Maddox, a grocery store worker who, as a child, was traumatized by the murder-suicide of his mother and father.  Maddox is obsessed with body building.  He studies body building magazines the way that some people study ancient texts.  One gets the impression that Maddox feels that having the perfect body will make up for all of the imperfections in his life.  He shoots steroids.  He uploads painfully earnest videos to YouTube.  He doesn’t know how to express his emotions, allowing his anger to come out at inappropriate times.  He wants to connect with someone but he doesn’t know how to do it.

To the film’s credit, it understands just how intimidating Killian Maddox can be.  A scene in which Maddox confronts the nephew of his boss initially seems as if it’s going to be about Maddox standing up for himself but instead becomes increasingly disturbing as Maddox upsets the man’s family.  Martin Scorsese’s Taxi Driver was obviously an influence on the film but Magazine Dreams doesn’t have that film’s wit or its subversive edge.  There are scenes that work.  The scene where a bloody Killian Maddox tries to compete despite being seriously injured is effective, even if it does owe a debt to Whiplash.  Another scene, in which Killian reads the trolling comments that have been left on one of his YouTube videos, actually does make you feel a bit of sympathy for him.  Ultimately, though, the film is so downbeat and unpleasant that you start to wonder why it was made in the first place.  Was Killian Maddox really so interesting a character that the audience needed to spend two hours with him?  Is there really anything to be learned from Killian Maddox and his experiences?

As for Jonathan Majors, he gives a believable performance.  He was a good actor, even if he couldn’t quite make Killian Maddox into a truly compelling character.

Here Are The 2025 Black Reel Award Nominations!


Here are the 2025 Black Reel Award nominations!  The winners will be announced on February 16th.

Outstanding Film (Award given to producers)
Hedda – Dede Gardner, Jeremy Kleiner, Gabrielle Nadig, Nia DaCosta, Tessa Thompson, producers
Highest 2 Lowest – Todd Black, Jason Michael Berman, producers
One of Them Days – Issa Rae, Deniese Davis, Sara Rastogi, James Lopez, Poppy Hank, producers
Sinners – Zinzi Coogler, Sev Ohanian, Ryan Coogler, producers
Wicked: For Good – Marc Platt, David Stone, producers

Outstanding Director
Ryan Coogler – Sinners
Nia DaCosta – Hedda
Spike Lee – Highest 2 Lowest
Rungano Nyoni – On Becoming a Guinea Fowl
R.T. Thorne – 40 Acres

Outstanding Lead Performance
Danielle Deadwyler – 40 Acres
Cynthia Erivo – Wicked: For Good
André Holland – Love, Brooklyn
Chase Infiniti – One Battle After Another
Dwayne Johnson – The Smashing Machine
Michael B. Jordan – Sinners
Jonathan Majors – Magazine Dreams
Keke Palmer – One of Them Days
Tessa Thompson – Hedda
Denzel Washington – Highest 2 Lowest

Outstanding Supporting Performance
Miles Caton – Sinners
Regina Hall – One Battle After Another
Damson Idris – F1
David Jonsson – The Long Walk
Delroy Lindo – Sinners
Wunmi Mosaku – Sinners
Da’Vine Joy Randolph – Eternity
A$AP Rocky – Highest 2 Lowest
Teyana Taylor – One Battle After Another
Jeffrey Wright – Highest 2 Lowest

Outstanding Screenplay
Ryan Coogler – Sinners
Nia DaCosta – Hedda
Rungano Nyoni – On Becoming a Guinea Fowl
Syreeta Singleton – One of Them Days
R.T. Thorne – 40 Acres

Outstanding Documentary (Award given to director)
Being Eddie – Angus Wall, director
In Whose Name? – Nico Ballesteros, director
Orwell: 2+2=5 – Raoul Peck, director
Songs From the Hole – Contessa Gayles, director
The Perfect Neighbor – Geeta Gandbhir, director

Outstanding Ensemble (Award given to casting director)
40 Acres – Stephanie Gorin, casting director
Highest 2 Lowest – Kim Coleman, casting director
On Becoming a Guinea Fowl – Isabella Odoffin, casting director
One of Them Days – Nicole Abellera, Jeanne McCarthy, casting directors
Sinners – Francine Maisler, casting director

Outstanding International Film (Award given to director)
My Father’s Shadow – United Kingdom
Night Call – Belgium
On Becoming a Guinea Fowl – Zambia, United Kingdom, Ireland
Souleymane’s Story – France
We Were Here: The Untold History of Black Africans in Renaissance Europe – Germany

Outstanding Voice Performance
Danielle Brooks – The Bad Guys 2
Quinta Brunson – Zootopia 2
Idris Elba – Zootopia 2
Anthony Ramos – The Bad Guys 2
Zoe Saldana – Avatar: Fire and Ash

Outstanding Score
Freaky Tales – Raphael Saadiq, composer
Hedda – Hildur Guðnadóttir, composer
Highest 2 Lowest – Howard Drossin, composer
Sinners – Ludwig Göransson, composer
The Eyes of Ghana – Kris Bowers, composer

Outstanding Original Song (Award given to performer and writer)
“Highest 2 Lowest” from Highest 2 Lowest – Aiyana-Lee Anderson, performer; Aiyana-Lee Anderson, Nicole Daciana Anderson, writers
“I Lied to You” from Sinners – Miles Caton, performer; Raphael Saadiq, Ludwig Göransson, writers
“Last Time (I Seen the Sun)” from Sinners – Miles Caton, Alice Smith, performers; Miles Caton, Alice Smith, Ludwig Göransson, writers
“Pale, Pale Moon” from Sinners – Brittany Howard, performer; Brittany Howard, Ludwig Göransson, writers
“Sinners” from Sinners – Rod Wave, performer; Darius Povillunas, Kyris D’Asia, Rod Wave, Tarkan Kozluklu, writers

Outstanding Soundtrack
Freaky Tales
Highest 2 Lowest
One of Them Days
Sinners
Wicked: For Good

Outstanding Independent Film (Award given to director)
40 Acres – R.T. Thorne, director
Love, Brooklyn – Rachael Holder, director
Magazine Dreams – Elijah Bynum, director
My Father’s Shadow – Akinola Davies Jr., director
On Becoming a Guinea Fowl – Rungano Nyoni, director

Outstanding Independent Documentary (Award given to director)
BLKNWS: Terms & Conditions – Kahlil Joseph, director
The Eyes of Ghana – Ben Proudfoot, director
Fatherless No More – Kayla Johnson, director
Seeds – Brittany Shyne, director
We Were Here: The Untold History of Black Africans in Renaissance Europe – Fred Kudjo Kuwornu, director

Outstanding Short Film (Award given to director)
The Devil Is Busy – Geeta Gandbhir, Christalyn Hampton, directors
JULES – Tiffany Abney, director
Walk in the Light – Princella Smith, director

Outstanding Emerging Director
Akinola Davies Jr. – My Father’s Shadow
Rachael Holder – Love, Brooklyn
Kahlil Joseph – BLKNWS: Terms & Conditions
Rungano Nyoni – On Becoming a Guinea Fowl
R.T. Thorne – 40 Acres

Outstanding Breakthrough Performance
Miles Caton – Sinners
Susan Chardy – On Becoming a Guinea Fowl
Naya Desir-Johnson – Sarah’s Oil
Damson Idris – F1
Chase Infiniti – One Battle After Another
Jayme Lawson – Sinners
A$AP Rocky – Highest 2 Lowest
Abou Sangaré – Souleymane’s Story
SZA – One of Them Days
Tyriq Withers – HIM

Outstanding First Screenplay
Nnamdi Asmougha – The Knife
Akinola Davies Jr., Wale Davies – My Father’s Shadow
Rungano Nyoni – On Becoming a Guinea Fowl
Syreeta Singleton – One of Them Days
R.T. Thorne – 40 Acres

Outstanding Cinematography
Autumn Durald Arkapaw – Sinners
Jermaine Canute, Bradley Edwards – My Father’s Shadow
Kira Kelly – HIM
Malik Hassan Sayeed – After the Hunt
Brittany Shyne – Seeds

Outstanding Costume Design
Charlene Akuamoah – 40 Acres
Estelle Don Banda – On Becoming a Guinea Fowl
Ruth E. Carter – Sinners
Francine Jamison-Tanchuck – Highest 2 Lowest
Paul Tazewell – Wicked: For Good

Outstanding Editing
Ronald Bronstein, Benny Safdie – The Smashing Machine
Kahlil Joseph, Luke Lynch, Paul Rogers – BLKNWS: Terms & Conditions
Taylor Joy Mason – HIM
Michael P. Shawver – Sinners
Malika Zouhali-Worrall – Seeds

Outstanding Hair & Makeup
Amber Aprin, Mele Egbe – My Dead Friend Zoe
Ken Diaz, Mike Fontaine, Sian Richards, Shunika Terry – Sinners
Antonio Hines, Chancelle Mulela – 40 Acres
Kazu Hiro, Felix Fox, Mia Neal – The Smashing Machine
Vonda K. Morris, Nikki Wright – One of Them Days

Outstanding Production Design (Award given to production designer and set decorator)
Ramsey Avery, Rosemary Brandenburg – Captain America: Brave New World
Hannah Beachler, Monique Champagne – Sinners
Cara Brower, Stella Fox – Hedda
James Chinlund, Marcia Calosio, Mike Keel, Frank Okay – The Smashing Machine
Nathan Crowley, Lee Sanders – Wicked: For Good

Lisa Marie’s Way Too Early Oscar Predictions For March


Now that the 2022 Oscars are over with, it’s time to move on to the 2023 Oscars!

Needless to say, there’s probably nothing more pointless than trying to guess which films are going to be nominated a year from now.  I can’t even guarantee that all of the films listed below are even going to be released this year.  And, even if they are released this year, I can’t guarantee that they’ll actually be any good or that the Academy will show any interest in them.  I mean, Martin Scorsese always seems like a safe bet but we all remember what happened with Silence.  For months, everyone said Silence would be the Oscar front runner.  Then it was released to respectful but not ecstatic reviews.  Audiences stayed away.  The film ended up with one technical nomination.

My point is that no one knows anything.  As much as I hate quoting William Goldman (because, seriously, quoting Goldman on a film site is such a cliché at this point), Goldman was right.

So, you may be asking, how did I come up with the nominees below?  For the most part, I guessed.  A few of them I went with because of the people who made the film.  Though shooting has wrapped, Ferrari might not even be released this year but it’s a Michael Mann film that stars Adam Driver so, for now, I have to include it.  Of course, I had to include Scorsese and Killers of the Flower Moon.  Asteroid City is there because the Academy embraced Wes Anderson once and it could always happen again.  Fair Play and Magazine Dreams‘s Jonathan Majors are listed because the Sundance Film Festival is still a recent memory.  Maestro is there because the Academy seems like to Bradley Cooper.  Dune Part Two and Oppenheimer are there because Film Twitter is convinced that they will be.

In other words, there’s no real science to these predictions.  It’s too early in the year to do anything but guess.  And for now, these are my guesses.  A year from now, they’ll be good for either bragging rights or a laugh.  Hopefully, they’ll be good for both.

Best Picture

Asteroid City

The Color Purple

Dune Part Two

Fair Play

Ferrari

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Rustin

Best Director

Chloe Domont for Fair Play

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Denis Villeneuve for Dune Part Two

Best Actor

Bradley Cooper in Maestro

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Jonathan Majors in Magazine Dreams

Cillian Murphy in Oppenheimer

Best Actress

Emily Blunt in Pain Hustlers

Carey Mulligan in Maestro

Da’Vine Joy Randolph in The Holdovers

Julia Roberts in Leave the World Behind

Teyana Taylor in A Thousand and One

Best Supporting Actor

Mahershala Ali in Leave The World Behind

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Ethan Hawke in Strange Way Of Life

Jesse Plemons in Killers of the Flower Moon

Best Supporting Actress

Emily Blunt in Oppenheimer

Tantoo Cardinal in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Florence Pugh in Oppenheimer

Tilda Swinton in Asteroid City

Here’s What Won At Sundance


To be absolutely honest, I didn’t really pay much attention to the Sundance Film Festival this year.  I may or may not regret that come next December.  Traditionally, it seems that at least a few Oscar contenders begin their journey at Sundance but there’s always a chance that the big Sundance success story could turn out to be something like Zolaa film that gets a lot of festival hype but doesn’t really stick around in anyone’s mind afterwards.

Today, the 2023 Sundance Film Festival’s awards winners were announced.  Time will tell whether or not the films listed below will have much of a life outside of Sundance.  Out of the films honored, Magazine Dreams sounds like the one most likely to break out.

U.S. DRAMATIC COMPETITION
Grand Jury Prize: A.V. Rockwell for “A Thousand and One”
Audience Award: “The Persian Version,” directed by Maryam Keshavarz
Directing: Sing J. Lee for “The Accidental Getaway Driver”
Waldo Salt Screenwriting Award: Maryam Keshavarz for “The Persian Version”
Special Jury Award: Acting: Lio Mehiel for “Mutt”
Special Jury Award: Ensemble: The cast of “Theater Camp,” directed by Molly Gordon and Nick Lieberman.
Special Jury Award: Creative Vision: The creative team of “Magazine Dreams,” directed by Elijah Bynum
Festival Favorite Award: “Radical,” directed by Christopher Zalla

U.S. DOCUMENTARY COMPETITION
Grand Jury Prize: “Going to Mars: The Nikki Giovanni Project,” directed by Joe Brewster and Michèle Stephenson
Audience Award: “Beyond Utopia”
Directing: Luke Lorentzen for “A Still Small Voice”
Jonathan Oppenheim Editing Award: Daniela I. Quiroz for “Going Varsity in Mariachi”
Special Jury Award – Clarity of Vision: “The Stroll,” directed by Kristen Lovell & Zackary Drucke
Special Jury Award – Freedom of Expression: “Bad Press

WORLD CINEMA DRAMATIC COMPETITION
Grand Jury Prize: “Scrapper”
Audience Award: “Shayda,” directed by Noora Niasari
Directing Award: Marija Kavtaradze “Slow”
Special Jury Award – Cinematography: Lílis Soares for “Mami Wata”
Special Jury Award – Best Performance: Rosa Marchant, “When It Melts”
Special Jury Award – Creative Vision: Sofia Alaoui for “Animalia”

WORLD CINEMA DOCUMENTARY COMPETITION
Grand Jury Prize: “The Eternal Memory”
Audience Award: “20 Days in Mariupol,” directed and produced by Mstyslav Chernov

Special Jury Prize – Directing: “Smoke, Sauna Sisterhood,” Anna Hints
Special Jury Award – Creative Vision: “Fantastic Machine”
Special Jury Award – Verité: “Against the Tide”

OTHER AWARDS
NEXT Audience Award: “Kokomo City”
NEXT Innovator Award: “Kokomo City”
Alfred P. Sloan Feature Film Prize: “The Pod Generation”

SHORTS
Short Film Grand Jury Prize: “When You Left Me on That Boulevard,” directed by Kayla Abuda Galang
Short Film Jury Award – U.S. Fiction: “Rest Stop,” directed by Crystal Kayiza
Short Film Jury Award – International Fiction: “The Kidnapping of the Bride,” Sophia Mocorrea
Short Film Jury Award – Non-Fiction: “Will You Look at Me,” directed by Shuli Huang.
Short Film Special Jury Award – International Directing: “AliEN0089,” directed by Valeria Hofmann.
Short Film Special Jury Award – U.S Directing: “The Vacation,” directed by Jarreau Carrillo