Late Night Retro Television Review: Pacific Blue 2.4 “Bangers”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Victor gets a plot.

Episode 2.4 “Bangers”

(Dir by Charles Siebert, originally aired on September 14th, 1996)

Victor del Toro, who often doesn’t get to do much on this show, finally gets a storyline of his very own.  Unfortunately, it involves trying to keep a young man for his old neighborhood from joining a gang.  One thing that you can always count on whenever you watch any sort of cop show from the 90s, if there’s a Latino cop in the cast, he’s going to have to keep someone from joining a gang.  It was one of the biggest cliches on the 90s.

And don’t get me wrong.  Gangs are a reality in America and they are a problem.  At the same time, though, is there a reason why every time a Latino appeared on a show like this, they always seemed to either be in a gang or on the verge of joining a gang?  Not every Latino family is poor, not every young Latino male is struggling with the pressure to join a gang, and for that matter, not every Latino with a tattoo is a member of a street gang.

While Victor dealt with the gangs moving into the neighborhood, Chris and Corey decided to rent an apartment together.  Needless to say, things didn’t go well.  Corey reveals that she is hyperorganized and likes to keep every surface in the apartment clean and spotless.  (I don’t really see what that’s a problem.)  Chris is revealed to be a slob who hangs her clothes around the kitchen and who pours a box of cereal out on the floor because she’s tired of Corey always cleaning.  Isn’t Chris supposed to be a hotshot fighter pilot?  I mean, up until this episode, there was absolutely nothing about her character that would suggest that she was incapable of picking up her clothes.  I would think that, being a member of the Air Force, she would actually have had some sort of discipline drilled into her.  It’s kind of like how soldiers still tend to stand at attention even while visiting their families.  Anyway, this storyline ends with Chris throwing food around the apartment and Corey grabbing a pair of scissors and attacking Chris’s laundry …. wait, what?  I’m sorry, this is psychotic behavior.

Don’t worry, though.  Chris and Corey share a laugh about it and agree to remain friends but not roommates.  Uhm, Chris …. Corey took a pair of scissors to your clothes.  I mean, I don’t like sloppy people either but I generally don’t try to destroy their possessions.

Of course, the main problem with this episode is the same problem that all of the episodes have had.  They’re cops on bikes!  They wear shorts and polo shirts and they spend all of their  time insisting that they’re real cops even though it’s obvious that they aren’t.  Real cops don’t ride bicycles with baskets on the back.

This episode did not leave me with much confidence in California law enforcement.

I Watched Major League: Back To The Minors (1998, Dir. by John Warren)


Roger Dorn (Corbin Bernsen), the former third baseman for the Cleveland Indians, is the new owner of the Minnesota Twins.  There’s a hotshot hitter playing for the Buzz, the Twins’s Minor League affiliate.  Downtown Anderson (Walton Goggin) can hit the ball over the fences but he still needs to learn about teamwork before he’ll be ready to move up to the majors.  Roger recruits an old friend, an aging pitcher named Gus Cantrell (Scott Bakula), to manage the Buzz and mentor Downtown.  Under Gus’s leadership, the Buzz starts winning games.  Even some former Indians, like Pedro Cerrano (Dennis Haysbert) and Taka Tanaka (Takaaki Ishibashi), are recruited to play for the Buzz.  When the manager of the Twins, Leonard Huff (Ted McGinley), insults Gus and the Buzz over dinner, Gus challenges the Twins to an exhibition game, the minors against the majors.  Huff accepts the challenge.

I had always heard that Major League: Back To The Minors was the worst of three Major League films but I liked it.  It wasn’t as good as the first one but it wasn’t as boring as the second one.  A lot of it has to do with the cast, who give it their all.  Walton Goggins is great as the cocky Downtown Anderson but really, all of the actors playing entire team did a good job.  They’re all misfits, of course.  I especially liked Doc (Peter Mackenzie), a medical student-turned-pitcher who has the slowest fastball in the game.  This movie had a little of the warmth and insider humor that made the first Major League film so special.  It’s an underdog story, with the minor league players proving that they’re just as good as the spoiled players in the big leagues.

I didn’t find the idea of an exhibition game between the Twins and the Buzz to be believable.  In the movie, they actually play two games against each other and they both take place during the regular season.  When did they find the time to play each other?  I guess they gave up one of their travel days but it still doesn’t seem like something that would happen.

I enjoyed this movie more than I thought I would.  It helped that I love baseball.  And I love the minor leagues, even if they don’t get the same respect as the majors.  Some of the best baseball I’ve ever seen has been in minor league games.  They may not have the huge contracts but they’ve got the talent, they’ve got something to prove, and they’ve got the love of the game.

Back to School #51: Trojan War (dir by George Huang)


TrojanWar

The 1997 film Trojan War may be a bit obscure (and, in fact, I had never heard of it until I came across it On Demand two weeks ago) but it has earned a place in the Hollywood record books as one of the biggest box office bombs of all time.  Made on a $15,000,000 budget, Trojan War was released into one theater, played for one week, and made a total of $309.

But, as far as simple-minded teen sex comedies, are concerned, it’s not that bad.

Brad Kimble (Will Friedle) is a nice but dorky high school student who, for years, has had a crush on an unattainable cheerleader, Brooke (Marley Shelton).  When Brad is invited over to Brooke’s house to tutor her in biology, he arrives just after Brooke has had a fight with her jock boyfriend, Kyle (Eric Balfour sans facial hair).  Soon, Brooke and Brad are making out.  Brooke asks Brad if he has a condom.  Of course, if Brad did have a condom, there wouldn’t be a movie.  The rest of the movie deals with Brad’s attempt to not only find a condom in California and but to also get back to Brooke.

(Apparently, in the 1990s, there was some sort of sudden condom shortage in California.  That’s all that I can guess after having seen Trojan War.)

Of course, that’s not as easy as it sounds.  Brad’s car (actually, it’s his dad’s car) gets stolen.  Brad ends up having a run in with a crazy homeless man (David Patrick Kelly) who — in a rather obvious shout out to Better Off Dead — wants two dollars. Brad gets chased by a crazy dog.  Brad has to deal with a cameo appearance by a crazy Kathy Griffin.  Brad runs into a crazy bus driver (played by Anthony Michael Hall).  Brad ends up being pursued by a crazy police officer (Lee Majors).  And since the film itself is a bit of an unacknowledged remake of Some Kind of Wonderful, Brad is also pursued by his not crazy best friend, Leah (Jennifer Love Hewitt, who I’ve always liked because we’re both Texas girls and I share her struggle).  Leah is in love with Brad and Brad is in love with Leah.  He’s just not smart enough to realize it.

And indeed, that’s the key to understanding the plot of Trojan War.  Brad is just not that smart.  This is one of those films where the great majority of Brad’s problems could have been avoided if Brad just wasn’t a moron.  Fortunately, Brad is played by Will Friedle who was always the best part of Boy Meets World and who displays the unique ability to make stupidity cute.  Friedle is so likable as Brad that you’re willing to forgive the film for a lot.

That doesn’t mean that Trojan War is necessarily a good movie.  It’s likable but it’s never really good.  For every joke that works, there’s one that doesn’t.  I could have really done without the extended sequence where Brad gets lost over on the bad side of town and the movie suddenly trots out every negative Latino stereotype imaginable.  But, when the movie just concentrates on Will Friedle and Jennifer Love Hewitt, it’s likable enough to waste 90 minutes on.

If nothing else, it’s certainly more entertaining than most movies that made less than 400 dollars at the box office.

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