Late Night Retro Television Review: Degrassi Junior High 3.9 “Food For Thought”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989!  The series can be streamed on YouTube!

This week, everyone’s thinking about food.

Episode 3.9 “Food For Thought”

(Dir by Eleanore Lindo and Kit Hood, originally aired on January 30th, 1989)

The science fair is coming up and the Farrell twins are doing their project on eating disorders.  One of them, I think it’s Heather, is convinced that everyone at Degrassi has an eating disorder.  She even speculates that Lucy has an eating disorder, even though Lucy explains that it’s a combination of exercise and her metabolism that allow her to remain thin.  “Some people are just thin,” the other twin says and that’s an important thing to remember.  Not every skinny girl has an eating disorder and assuming that they do can be very harmful to their self-image.

Alexa worries that she’s fat.  After she asks Simon if she’s fat, Simon stupidly says, “I don’t know.”  (Simon isn’t very smart.)  Alexa asks the Farrell twins if it’s possible to just be anorexic for a week.  To Alexa, that sounds like a much better way to lose weight than to exercise.

Meanwhile, the person who actually does have an eating disorder — Kathleen — is left to struggle alone.  Kathleen is the girl who always has to be the first to raise her hand with the answer in class.  She has to be the first to get involved with every school project  She always has to be the first to tell everyone else why they’re wrong.  Kathleen is a bossy perfectionist who insists that she doesn’t need anyone’s help.  As a result, Kathleen is not particularly popular.  Melanie is Kathleen’s only friend, largely because Melanie is one of the few people to understand that Kathleen’s home life sucks.  Her father is always working and her mother is an alcoholic.  Kathleen wants to win the science fair so her parents will be proud of her and maybe they’ll stop fighting for a few minutes.

Along with everything else, Kathleen is bulimic.  Despite already being thin, Kathleen is skipping meals and throwing up whatever she eats during the day.  She’s also taking laxatives.  (Ew!)  Melanie, sensing that something is wrong with Kathleen, takes a look at Kathleen’s diary while Kathleen is busy throwing up.  Melanie discovers that Kathleen is obsessed with losing ten pounds by the end of the week.

Needless to say, it all catches up with Kathleen.  After only receiving honorable mention in the science fair, Kathleen faints in the school hallway.  (It’s really not a show about an eating disorder until someone faints.)  What sets this episode apart from the typical episode about an eating disorder is that, even after she faints, Kathleen refuses to admit that she has a problem.  The episode ends with Kathleen refusing to listen as Melania tries to convince her that she needs to get help.  It’s a dark ending but it’s also a realistic one.  Problems are never as easily solved as television would have you believe.

This episode was an example of what Degrassi does so well.  Kathleen, a character who most shows would simply portray as being a one-dimensional bitch, is revealed to be suffering more than perhaps any of the other regular characters.  Instead of treating her like a joke or a stereotype, this episode invites us to consider why Kathleen acts the way that she does.  For all the well-intentioned students at Degrassi, the classmate who needs them the most is left to suffer in isolation.

Lisa Marie’s Week In Review: 9/16/24 — 9/22/24


Our annual October Horrorthon is just 8 days away!  I’ve been busy getting ready, as you can tell be looking at the films and the book listed below.

Earlier this week, Jeff and I drove to Fort Smith, Arkansas so I could visit the Book Barn and pick up a bunch of horror paperbacks.  I can’t wait to read and review all of them this October!  As well, when I returned home, I received a copy of Eric Roberts’s just-published autobiography!  This has been a good week to be a book lover!

This upcoming week, it’s back up to the lake for a few more days of writing and contemplation as I prepare from my favorite three months of the year!

Here’s what I watched, read, and listened to this week!

Films I Watched:

  1. Cape Fear (1962)
  2. Chapter 27 (2007)
  3. Death Rink (2019)
  4. Do Not Disturb (2010)
  5. Go, Johnny, Go! (1959)
  6. Godzilla Raids Again (1955)
  7. Hitchhike (1974)
  8. It Conquered The World (1956)
  9. Labyrinth (1986)
  10. Let It Be (1970)
  11. Money Plane (2020)
  12. The Only Way Out (1993)
  13. Phantom Fun-World (2023)
  14. Saved By The Belding (2010)
  15. The Survivor (1981)
  16. The Wager (2007)
  17. Without Warning (1980)
  18. The Wolfman (2010)
  19. Wolves of Wall Street (2002)

Television Shows I Watched:

  1. American Sports Story: Aaron Hernandez
  2. Fantasy Island
  3. Get Judged by Byron Browne
  4. The Jerry Springer Show
  5. The Love Boat
  6. Miami Vice
  7. Monsters
  8. Monsters: The Lyle and Erik Menendez Story
  9. Night Flight
  10. One Step Beyond

Books I Read:

  1. Gila! (1981) by Les Simons

Music To Which I Listened:

  1. Britney Spears
  2. The Beatles
  3. Blondie
  4. The Chemical Brothers
  5. Christina Aguilera
  6. Chromatics
  7. The Courettes
  8. The Covids
  9. David Guetta
  10. Dillon Francis
  11. Fiona Apple
  12. Haim
  13. The Human League
  14. K
  15. The Orb
  16. Patti Smith
  17. Saint Motel
  18. Silversun Pickups
  19. Steve Aoki
  20. Tate McRae
  21. X

Live Tweets:

  1. Money Plane
  2. Cape Fear
  3. Labyrinth
  4. The Wolfman

News From Last Week:

  1. Actress Kathryn Crosby Dies At 90
  2. Sean “Diddy” Combs is on suicide watch after sex trafficking arrest, sources say

Links From Last Week:

  1. A Friend In Need: Why Matthew Perry Couldn’t Make It
  2. Merry Mabon
  3. Have You Seen China’s Incredible “Lost” Kowloon Walled City? Here’s A True-Life Crime Oasis!
  4. Tater’s Week in Review 9/20/24

Links From The Site:

  1. Erin shared One Kind of Woman, Justice, Guilty, Frenchie, New Detective, All-Story Love, and Mexico After Dark!
  2. I shared music videos from The Courettes, Tate McRae, Silversun Pickups, Haim, The Covids, Killer Kin, and Lilac!
  3. I reviewed Degrassi Junior High, Miami Vice, CHiPs, Fantasy Island, Baywatch Nights, The Love Boat, Monsters, Malibu CA, Highway to Heaven, T and T, Friday the 13th, Welcome Back Kotter, Check It Out, and The Only Way Out!
  4. I shared my week in television!

More From Us:

  1. At her photography site, Erin shared Green, Who Lives In There?, Chubby, Chubby 2, Panther, Panther 2, and Left Over From The Storm 2!
  2. At my music site, I shared songs from Steve Aoki, The Orb, Chromatics, Fiona Apple, The Human League, The COVIDS, and David Guetta!

Click here for last week!

Retro Television Review: The Only Way Out (dir by Rod Hardy)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1993’s The Only Way Out!  It  can be viewed on YouTube.

“I’ll kill you before I let you go,” Tony (Henry Winkler) says to his terrified girlfriend, Lynn (Stephanie Faracy).

Agck!  Those are frightening words and they are certainly not something that you would expect to hear from a character played by notorious Hollywood nice guy Henry Winkler.  And, indeed, it would probably shock most of the characters in the film if they knew how Tony talked to Lynn.  Tony is a grad student who has worked at any number of jobs.  While some people might say all of those jobs prove that Tony has a hard time sticking to anything, Tony has obviously learned how to convince people that he’s actually a just a determined man working his way through grad school and taking whatever job will help to pay the bills.  Tony is friendly and romantic and given to grand gestures.  He’s the type who shows up unexpectedly at Lynn’s place of employment with flowers.  He’s the type of guy that strangers applaud while those close to him look for any way to escape.

Lynn knows all about the other side of Tony.  Tony is controlling, obsessive, and abusive.  He hits her.  He barks orders at her kids.  When she tells him that she wants him out of her life, he refuses to go and blames her for all of their problems.  He’s someone who can quickly go from being everyone’s friend to being a monster.  He preys on insecurity and, whenever anyone stands up  to him, he plays the victim.  Tony is a classic abuser and the fact that he’s played by the likable Henry Winkler makes him all the more disturbing.  Like most abusers, Tony knows how to turn on the charm.  He knows the power of a smile and a few complimentary words.

Lynn is in the process of getting divorced from an architect named Jeremy (John Ritter).  It’s been a remarkably amicable divorce, with Jeremy and Lynn agreeing on joint custody and apparently not bearing any ill feelings towards one another.  The only problem is that Lynn cannot bring herself to actually sign the divorce papers.  Jeremy wants to marry Susannah (Julianne Phillips) and Susannah is not happy about the long wait.  She’s even less happy when Jeremy takes it upon himself to try to protect Lynn from Tony.  Soon, Tony is stalking Jeremy and Jeremy finds himself considering a particularly extreme solution to his problem.

It’s John Ritter vs Henry Winkler and the casting of two of Hollywood’s best-known nice guys as violent rivals works surprisingly well.  Winkler is memorably unhinged while Ritter plays a guy who is struggling to hold onto a life that, until Tony shows up, seemed to be perfect.  In the end, it’s not just Tony who catches us by surprise by just how far he’s willing to take things.  The film’s ending took me by genuine surprise.  Featuring excellent dramatic turns from two actors best known for their comedic skills, The Only Way Out is a superior melodrama.

 

 

Late Night Retro Television Review: Check It Out! 2.12 “High Tech”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, Howard once again ruins Edna’s life.

Episode 2.12 “High Tech”

(Dir by Alan Erlich, originally aired on January 11th, 1987)

Howard has a gambling problem!

Wait a minute ….  I thought that was the plot of last week’s episode.

Well, it’s the plot of this week’s episode as well.  After Howard invests Edna’s life savings ($10,000, though it should be remembered that this is Canadian money) in a Venezuelan gold mine, Edna can only watch in horror as an earthquake rips through Venezuela and wipes out the gold mine.  (She should just be happy that she invested before Chavez and Maduro came to power.)  Howard, however, is sure that he can win her money back because he has a tip about a sure thing in an up-coming boxing match….

That’s it!  Edna demands that Howard go to therapy.

Which Howard does.  Dr. Cravitz (John Stocker) seems to be a little crazy himself, especially when people accidentally call him “Clavitz.”  The doctor does help Howard to realize that he has a gambling problem.  His mother used to take him to bingo halls while his father spent all of his time playing poker.  Howard is a bad gambler because he’s trying to both win his parent’s love and get back at them for neglecting him while he was growing up.  Damn, that’s depressing.

Howard returns to the store, diagnosed but hardly cured.  Fortunately, he gets a call from his stockbroker, telling him that the gold mine is now worth $10,000 because there’s oil underneath the gold.  Edna gets her money back, minus the money that Howard lost on the boxer.

This episode is another one where Howard is a complete and total buffoon.  I prefer the episodes where Howard is an idiot to the ones where he’s actually competent.  A competent manager is not a funny manager but a buffoonish boss who makes life difficult for the people working under him …. hey, who can’t relate to that?  That’s why The Office was better when Michael was boss than when Andy took over.  No one watches a show like this to root for management.

This episode had some funny moments.  There was an entertaining B-plot about Christian installing a new computerized checking system and accidentally ordering three-years worth of potatoes at one time.  (I had to smile when a jump cut revealed that every display in the store was now potato-related.)  Even better, Gordon Clapp finally returns as the dim-witted handyman, Viker.  Clapp’s ultra sincere line delivery made Viker into a hilarious character and the scenes where Viker gets on Howard’s nerves are always entertaining.  When we first see Viker, he’s upgrading his lunchbox.  Later, he tells Howard that “an important person called with an important message, that’s all I remember.”  This show works best when it embraces absurdity and Viker is so wonderfully absurd that you can’t help but love the character.

Lisa Marie’s Week In Television: 9/15/24 — 9/21/24


I have spent most of this week getting ready for the annual October Horrorthon, which means that I’ve been watching a lot of horror movies and not a lot of television.  As a matter of fact, I haven’t watched one episode of Big Brother this year and I didn’t even realize that Survivor started last week.

(Most years, I blog about Big Brother for another site but, due to my father’s passing, I took a leave of absence of this year.  I may, however, write about Survivor because it’s only a once-a-week show as opposed to a 7-day a week gig.)

Here’s a few thoughts on what I did watch this week:

American Sports Story: Aaron Hernandez (FX)

I watched the first two episodes of the latest Ryan Murphy-produced true crime miniseries on Saturday.  This show deals with the life and crimes of Aaron Hernandez, a pro football player who ended up going to prison for murder and who is suspected of carrying out a lot more murders over the course of his short life.  The first two episodes followed Aaron in high school and college, struggling to live up to his father’s ambitions and also with his own sexuality.  The episodes were well-directed but I have to admit that the culture of sports remains extremely odd to me.  So far, the defining image of the series is a bunch of naked football players hugging on each other while loudly talking about how much they hated anything that they considered to be gay.

So far, Josh Andres Rivera is believable as Aaron, even if he doesn’t exactly have the most exciting screen presence.  Then again, Aaron Hernandez appears to have been kind of an idiot so maybe it makes sense that he would be kind of a blah person.  The best performance so far has come from Tony Yazbeck as Aaron’s college coach.

The Emmy Awards (ABC)

Jeff and I watched the ceremony on Sunday but we muted it fairly early on.  From what I saw, it was a pretty boring ceremony, up until Hacks beat The Bear for Best Comedy.  I’m not really a huge fan of Hacks but it’s definitely more of a comedy than The Bear.  That said, and this may be my film snobbery coming through, The Emmys have always felt a bit pointless when compared to the Oscars.  Maybe that’s the Oscars have different nominees every year whereas the Emmys will nominate Only Murders In The Building until it finally ends its run.

Get Judged By Byron Browne (Nosey)

I watched an episode on Friday, in between horror movies.  A guy called in, upset because his father sold his childhood home.  (The guy had been led to believe, by his grandmother, that the house belonged to him.)  Byron basically told the guy that promises from grandma have no legal standing.  Poor guy.  I felt bad for him.  GIVE THE MAN HIS HOUSE!

The Jerry Springer Show (Nosey)

The episode I watched on Monday featured Jerry interviewing the Ku Klux Klan and the Black Hebrew Israelites (which, despite the name, is a Black supremacist group) at the same time.  Needless to say, none of them were happy about being on stage together and the whole thing devolved into a bunch of shouting.  One white woman in the audience shouted that black men received the right to vote before white women.  A black woman then said that the Bible says that women are not supposed to vote because men were created first.  It was a strange episode.

The Love Boat (Paramount Plus)

Read this week’s review here!

Miami Vice (Prime)

Read this week’s review here!

Monsters (YouTube)

I binged and wrote reviews of several episodes of MonstersRead this week’s review here!

Night Flight (Night Flight Plus)

This Friday, I watched an old episode of this 90s music show.  It was all about guitar rock and it was pretty cool.  Of course, the whole thing was pretty much just videos of Eric Clapton, Stevie Ray Vaughn, and Jeff Beck but they all sounded good.  This EDM girl enjoyed listening to them.

One Step Beyond (YouTube)

I watched a few episodes of this paranormal anthology show on Thursday as I prepared for this year’s Horrorthon.

Retro Television Review: Welcome Back, Kotter 3.27 “Class Encounters of the Carvelli Kind”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, the third season comes to an end.

Episode 3.27 “Class Encounters of the Carvelli Kind”

(Dir by Robert Hegyes, originally aired on May 18th, 1978)

At the Kotter apartment, Gabe tells Julie a joke about his Uncle Bruce, the dressmaker.  Julie responds by slamming the bedroom door in his face.  Poor Gabe!  Julie, if you hate his jokes that much, just get a divorce!

The next morning, Gabe steps into his classroom and finds Mr. Woodman sitting at the window and watching the rain falling outside.  “Being alive is overrated,” Woodman says.  “Try telling that to a dead person,” Gabe replies.  Woodman reveals that, when he was young, he dreamed of being a podiatrist.  “I love feet but I hate socks …. Sock stood between me and happiness!”

Woodman has every reason to be depressed.  There’s some sort of weird student exchange program going on.  Epstein is spending the week at another high school.  (In real life, Robert Hegyes was not available to play Epstein because he was busy directing this episode.)  Meanwhile, Carvelli (Charles Fleischer) and his buddy Murray (Bob Harcum) are going to Buchanan.

When Carvelli and Murray tell a story about being abducted by aliens and taken to the planet Yorksl, Gabe takes them to the vice principal’s office so Woodman can straighten them out.  To Gabe’s surprise, Woodman not only believe Carvelli’s story but he decides that he wants to go live on another planet.  He gives Carvelli permission to invite the aliens to land in the school’s courtyard.  Gabe is even more shocked with the alien does show up and it turns out to be Julie!  Julie explains that she’s a Yorsklite and then she agrees to Woodman away with her.  “You look like a nice little fella….”

Wow, I guess the show’s over.  I mean, Woodman is gone.  Julie’s an alien.  How do you do another episode about homework after that….

Oh wait, it was all a daydream.

Okay, never mind!

Usually, I hate it when a show does the whole “It was all a dream” thing but I actually enjoyed this episode because it gave John Sylvester White a chance to be totally unhinged as Woodman.  White’s performance as Woodman has been one of the few things to remain consistently strong through the first three seasons of Welcome Back, Kotter.  Watching him lose his mind, piece-by-piece, has truly been entertaining.

The episode and the third season ends with Washington tells Mr. Kott-air a joke about how ugly his aunt is.  Gabe is impressed enough to write the joke down on a notepad.

And that’s it for Season 3!  This was definitely an uneven season, with the humor ultimately getting a bit too broad for its own good.  The Sweathogs themselves are all obviously adults now.  This was something that Gabe Kaplan himself noticed.  He reportedly suggested setting the next season at a community college and having Gabe get a job as a professor.  (His students would, of course, be the graduated Sweathogs.)  ABC disagreed, which resulted in Gabe not appearing in several season 4 episodes.  Meanwhile, John Travolta also only appeared in a handful of episodes as he was now busy being a movie star.

What would all that mean for Season 4?

We’ll start finding out next week!

Live Tweet Alert: Join #ScarySocial for The Wolfman!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Tim Buntley will be hosting #ScarySocial!  The movie?  2010’s The Wolfman!

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

The Wolfman is available on Prime!

See you there!

Late Night Retro Television Review: Friday the 13th: The Series 2.10 “Night Hunger”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, we’ve got the saddest episode of Friday the 13th yet!

Episode 2.10 “Night Hunger”

(Dir by Martin Lavut, originally aired on January 9th, 1989)

As a young boy, Michael Firono was constantly told by his father, Dominic (Nick Nichols), that he should always play to win and that, if he lost, it was because he was a wimp.  Needless to say, once Mike became a teenager, he did not have a great relationship with his father.  Seeking an escape from his abusive household, Mike spend all of his time at the local antique store where, on his 16th birthday, the store’s owner, Lewis Vendredi (R.G. Armstrong), gave him a special silver chain.

Mike (played by Richard Panebianco) has grown up to be an angry young man.  He always wears the chain around his neck.  Hanging on the chain is the key to his car.  Mike loves to race his car and, far from being the loser that his father claimed he would grow up to be, Mike cannot be beat.  His car is amazingly fast and Mike is incredibly (one might even say supernaturally) skilled behind the wheel.  His main goal is to defeat his childhood rival, Deacon (Real Andrews), who is now a street racer himself.  Deacon is hesitant to race Mike, precisely because Mike seems to be so driven to win that racing with him can be even more dangerous than usual.  To Deacon, street racing is fun.  For Mike, it’s an obsession.

Of course, Mike has a secret.  As long as he’s wearing the silver chain, he can’t be defeated.  But he has to kill people and dip the key in their blood for the chain to work.  Jack, Micki, and Ryan set out to reclaim the silver chain but an accident results in both the chain and the key being absorbed into Mike’s body.  With the chain and the key now sitting next to Mike’s heart, Mike’s eyes not only glow red but his car seems to have a mind of its own….

This is another one of those episodes of Friday the 13th where the villain is himself a victim.  Even before he met Lewis and received the silver chain, Mike was doomed.  His abusive father left Mike feeling so insecure and so obsessed with winning that there was really no way Mike wasn’t going to end up snapping eventually.  In the present day, Dominic finally understands how much he hurt Mike and he feels guilty about it but it’s too late to undo the damage that’s been done.  Like a pusher befriending people most likely to get addicted to his product, Uncle Lewis saw Mike as someone who would easily succumb to a cursed antique.  Mike becomes addicted to using the key and that leads to him doing a lot of bad things.  But the real curse here is not the silver chain but instead Mike’s abusive childhood.  Mike never had a chance.

This is a genuinely sad and well-acted episode, with Mike’s obsession eventually destroying him.  As happen so often with this show, Ryan and Micki are left with the knowledge that, while they can reclaim the cursed objects, they can never repair the damage that they’ve done.