Book and Film Review: Get Shorty (by Elmore Leonard and dir by Barry Sonnenfeld)


In 1995’s Get Shorty, John Travolta stars as Chili Palmer.

Chili is a loan shark for the mob, an effortlessly cool guy who lives in Miami and who loves to watch old movies.  Chili may work for the Mafia and he may make his living by intimidating people but he doesn’t seem like such a bad guy, especially when compared to someone like Ray “Bones” Barboni (Dennis Farina).  Bones is an uncouth and rather stupid gangster who steals Chili’s leather jacket from a restaurant.  Chili reacts by breaking Bones’s nose with just one punch.  Bones reacts by trying to shoot Chili but instead, he gets shot by Chili himself.  (The bullet only grazes his forehead.)  Chili can do all this because he’s protected by Momo (Ron Karasbatsos) but, after Momo drops dead after having to walk up several flights of stairs just to then be given a surprise birthday party, Chili suddenly finds himself working for Bones.  (This all happens in the first few minutes of this perfectly paced film.)

Bones, eager to humiliate Chili, sends him to Vegas to collect on a debt owed by a dry cleaner named Leo (David Paymer).  Leo is thought to be dead but Bones wants to collect the money from Leo’s widow.  It’s not the sort of thing that Chili likes to do so instead, he ends up going to Hollywood to collect a debt from B-movie director Harry Zimm (Gene Hackman).  Chili  happens to like Harry’s movies.  He also likes Harry’s current girlfriend and frequent co-star, actress Karen Flores (Rene Russo).

Chili ends up in Hollywood, a town where everyone has some sort of hustle going.  Chili finds himself dealing with drug dealers (Delroy Lindo), egocentric film stars (Danny DeVito), stuntmen-turned-criminals (James Gandolfini), and the widow (Bette Midler) of a screenwriter.  Chili also finds himself looking to escape from the debt collection business by becoming a film producer.  Harry has a script that he wants to make.  Chili proposes a film based on the story of Leo the dry cleaner.  Danny DeVito’s Martin Weir wants to be a “shylock” in a movie just so he can show off his intimidating stare.  (“Is this where I do the look?” he asks while listening to the pitch.)  Get Shorty is a whip-smart satire of Hollywood, one in which the gangsters want to be film people and all of the film people want to be gangsters.  It features wonderful performances from the entire cast, with Travolta epitomizing cool confidence as Chili Palmer.  Hackman, Russo, DeVito, Gandolfini, and Lindo are all excellent in their supporting roles but I have to admit my favorite performance in the film is probably given by Dennis Farina, who turns Bones Barnobi into a very believable (and a believably dangerous) buffoon.

Get Shorty is based on a book by Elmore Leonard.  First published in 1990, the book is a quick and entertaining read, one that reminds us that Leonard was one of the best “genre” writers of his time.  When I read that book, I was surprised to see how closely the movie stuck to the book’s plot.  Much of the film’s dialogue is right there in the book.  It’s a book that practically shouts, “Turn me into a movie!” and fortunately, director Barry Sonnenfeld did just that.

The Best Of Times (1986, directed by Roger Spottiswoode)


For years, banker Jack Dundee (Robin Williams) had been haunted by a pass that he dropped in high school.  The pass was perfectly thrown by quarterback Reno Hightower (Kurt Russell) but Jack couldn’t bring it in and, as a result, Taft High lost to its rival, Bakersfield.  Adding to Jack’s humiliation is that he now works for The Colonel (Donald Moffat), a confirmed Bakersfield fan who also happens to be Jack’s father-in-law.  When Jack visits a “massage therapist” (Margaret Whitton) and tells her about his problems, she suggests that he needs to replay the game.  Getting everyone interested in replaying the game is not easy.  No one wants to be humiliated a second time and Reno, who now fixes vans for a living, fears the he’s lost his edge.  Jack dresses up in the Bakersfield mascot’s uniform and vandalizes the town.  Finally, everyone is ready for the game.  Now, it’s a matter of town pride.

The Best of Times is a likable comedy about getting older and wishing you could have just one more chance to be young again and to have your entire future ahead of you.  Jack is haunted by that one dropped pass, feeling that it has cast a cloud over his entire life.  Reno is still a town hero but he’s struggling financially and in debt to Jack’s bank.  Replaying the game isn’t going to fix their lives but it is going to give them one last chance to relive their former glory and maybe an opportunity to learn that, even if they are getting older, they’re still living in the best of times.  The world that these two men live in is skillfully drawn and believable, with character actors like Moffat, M. Emmet Walsh, R.G. Armstrong, and Dub Taylor adding to the local color.  Jack and Reno’s wives are played by Holly Palance and Pamela Reed and they are also strong and well-developed characters.  Finally, Robin Williams and Kurt Russell are a strong comedic team.  Russell is perfectly cast as the aging jock and Williams gives one of his more restrained performances as Jack, allowing us to see the sadness behind Jack’s smile.

The stakes aren’t particularly high in The Best Of Times.  It’s just a football game between some middle-aged men looking to regain their youth.  But the story sticks with you.