Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!
This week, Ponch and Baker face their greatest enemy …. frat boys with a grudge!
Episode 2.8 “The Grudge”
(DIr by John Florea, originally aired on November 11th, 1978)
When Baker and Ponch attempt the warn the driver of an RV about the fact that his vehicle won’t be able fit through a tunnel, the driver reacts by trying to speed away. That’s because the driver is a frat boy and the RV is full of marijuana (or “Cannabis Rex!” as another frat boy puts it). This leads to the RV not only crashing in the tunnel but also Baker and Ponch busting all of the frat boys for possession.
A few months later, the frat boys are horrified when, despite only getting probation, they are still suspended from college and their fraternity is kicked off campus. The frat boys decide to get revenge on Baker and Ponch by playing a series of practical jokes. They send Baker and Ponch mysterious letters. They toss a bunch of fake money on the highway, causing a slow motion wreck. They try to disrupt the CHiPs open house, over which Baker and Ponch have been put in charge.
This was a bit of a silly episode. The frat boys somehow had the ability to always know exactly where Ponch and John were. For some reason, Ponch and John didn’t do the obvious and bust the frat boys for violating their probation. Sgt. Getraer, meanwhile, spends almost the entire episode being a jerk. He puts Ponch and Baker in charge of the open house and then gets mad at them for working on it while on the clock. Well, when are they supposed to work on it?
The episode did feature one good car crash. In fact, not only were multiple vehicles destroyed but it all happened in slow motion. That made up for a lot. Still, in the end, The Grudge was just a bit too silly to really work.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!
This week, Ponch attacks a reporter …. or does he?
Episode 2.4 “Disaster Squad”
(Dir by Gordon Hessler, originally aired on October 7th, 1978)
In a change-of-pace for this show, it’s Officer Jon Baker who gets a girlfriend in this week’s episode. Ellen Roberts (Liberty Godshall) is a recently divorced woman with an annoying 4 year-old named Chris (Christian Zika). Because Baker doesn’t want any kids around to ruin his action, he gets Ponch to hang out with Chris. Fortunately, it turns out that Chris loves motorcycle and even owns his own mini-bike.
Impressed by how well Chris can handle his bike, Ponch enters Chris in a children’s dirt bike race. When one of the other racers knocks Chris down in the middle of the race, an angry Chris says that he’s going to hit the other racer. Ponch tells Chris to never hit anyone and he says that he’s ashamed to hear Chris speak like that. Chris promises not to ever fight.
But then, the next morning, Chris turns on the TV and sees a report about Ponch punching out an obnoxious news reporter (Harvey Jason) who got in the way while Ponch and Jon were dealing with a suicidal motorist. The anchorman (played by Regis Philbin!) then comes on TV and basically says that Ponch is the epitome of everything bad about the police. Chris starts sobbing. Ponch lied about not fighting! Chris hops on his mini-bike and, still crying, drives away.
What Chris doesn’t know is that Ponch was set up. Lee and the members of “the Disaster Squad” have been following Ponch and Baker around, filming accidents, and getting in the way. (At one point, one of Lee’s men event tosses a road flair under a car that’s leaking oil, causing an explosion.) Lee doctored the tape of an earlier confrontation with Ponch to make it appear the Ponch threatened and hit him.
But that doesn’t matter to Chris. With tears flowing down his cheeks, he drives his little motorcycle into the Los Angeles river. Fortunately, Ponch and Baker find him in time to save his life and teach him an important lesson about fake news.
This episode …. where to begin? It opened with a good chase scene and it featured a truck flipping over so that was good. But then bratty little Chris showed up and the whole episode went downhill. The child playing Chris was, to be charitable, not exactly the world’s best actor and his over-the-top reaction to seeing Ponch hit someone was bit too silly to inspire anything other than a chuckle. “Ponch said never to hit anyone!” Chris wails. Well, kid, Ponch is a damn hypocrite. Sorry.
It was all pretty silly. Baker finally got to do something other than gaze at Ponch in amazement but, in the end, the story was still pretty much Ponch-centered. One thing I noticed about this episode is that Getraer had absolutely no sympathy for Ponch, even though he believed Ponch was being set up. Seriously, I get that Getraer has a lot to deal with but does he have to be a jerk all the time?
Next week …. Ponch and Baker continue to keep California safe!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!
This week, a Partridge leads a Brady into a life of crime!
Episode 2.3 “Family Crisis”
(Dir by Phil Bondelli, originally aired on September 30th, 1978)
Tired of being confined to a police car, Officer Sindy Cahill (Brianne Leary) cannot wait to graduate from motor school so that she can become the Highway Patrol’s first female bike cop. She’s so eager for the job that, when she’s off-duty, she rides around Los Angeles on a motor scooter and occasionally even makes an arrest. Most of the other motorcycle cops are skeptical about Sindy …. because she’s a woman. But Ponch is supportive of Sindy’s ambition …. because she’s a woman who he likes to look at. Ponch spends the majority of this episode standing behind Sindy and leering.
A fancy black Trans Am has been stolen from a movie set and it is being used in a series of robberies. The thieves have made no effort to disguise the car. They didn’t even bother to paint over the very noticeable green racing stripe that, in theory, would make impossible for them to drive around without being spotted. However, it doesn’t matter because the car is so fast and it can do so many fun movie tricks (like covering the street in smoke and oil) that no one can stop it. Sindy has come up with a plan to catch the thieves but Getraer doesn’t want to hear it and we all know why. In fact, when Sindy crashes her car while chasing the thieves, Getraer tells her that she needs to get checked out by the doctors before she goes back on duty. “If I was a man, you’d let me right back out on the street!” Sindy snaps. Sindy knows that Getraer is treating her differently …. because she’s a woman!
Fortunately, Getraer’s boss somehow finds a copy of Sindy’s plan and he decides that it’s brilliant. With both the LAPD and the Highway Patrol working together, they manage to ambush and corner the Trans Am on the Los Angeles docks. The two thieves push the wrong button in the car and they end up getting ejected from their seats and landing in the ocean. Baker and Ponch share a laugh while the two men probably drown.
The two nameless thieves are not the only ones stealing cars. Fred (Danny Bonaduce), a high school senior, is also stealing cars and — oh no! — he’s convinced his friend Wes (Christopher Knight) to go joyriding with him. What Fred didn’t count on was Wes being the nephew of Officer Jon Baker. Baker isn’t going to let anyone corrupt his nephew. When Ponch and Baker eventually catch Fred and Wes and their girlfriends in a stolen car, they put the handcuffs on everyone, even though only Fred is going to be charged with a felony. Baker tells Wes that he put the handcuffs on him to show him where his life is heading. Wes thanks his Uncle Jon and hopefully, he’s learned an important lesson about why the Bradys didn’t hang out with the Partridges.
Finally, Ponch has finally moved out of his RV and into a swinging new apartment! He’s got a view of the pool, so he’s happy. Good for him.
This episode …. actually, this episode wasn’t that bad. I liked Sindy because, if i was waiting to find out if I was going to be a motorcycle cop, I would probably ride around on a motor scooter too. And having Danny Bonaduce leading Christopher Knight astray appealed to me as a student of pop culture. There were some nice chase scenes. The Trans Am was cool. The California scenery was lovely. It was a fun episode.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!
This week, the second season begins.
Episode 2.1 “Peaks and Valleys”
(Dir by Phil Bondelli, originally aired on Sept. 16th, 1977)
The second season premiere of CHiPs brings some changes.
Most noticeably, the theme song has been redone and now, instead of being driven by the horn section, it now features a bass-driven disco beat. From the minute the new version of theme song begin, you know that you’re watching a show that was filmed in the heart of the 70s.
Secondly, the second season premiere is considerably less gritty than any of the episodes that aired during the first season. If the first season concerned itself with showing the day-to-day duties of the members of the California Highway Patrol, from the mundane to the occasionally exciting, the second season announces from the start that it’s about fast cars, fast motorcycles, and slow motion crash footage.
Ponch is considerably more competent in this episode than he ever was during the first season. For his part, Getraer no longer seems to dislike Ponch as much as he did just a few months ago. No mention is made of Ponch being on any sort of departmental probation. Now, Ponch is as professional and competent as Jon Baker.
Finally, the California High Patrol now has a new chief mechanic. Harlan Arliss (played by Lou Wagner) is short, sarcastic, and wears a tie along with his white mechanic coat. Arliss is not impressed with the way Baker and Ponch treat their motorcycles, though he seems to reserve most of his ire for Baker. (“Your tire pressure is low!”) Arliss may seem like he is overly critical but he also keeps a really cute dog at the garage.
That said, some things remain the same. As always, Baker finds himself feeling unappreciated. The episode opens with a camper the crashes in slow motion. The driver, Bob Niles (a bearded Troy Donahue), suffers a spinal injury as the result of someone moving him after the accident. Niles can’t remember exactly who moved him and it appears that Baker, Ponch, and the Highway Patrol might get sued.
Then Baker burns his hand saving a man from a burning vehicle. And a little child shoots a toy gun at Baker. And then two rednecks call in a fake emergency so that they can shoot up a police car. Is it any surprise that both Baker and Ponch are tempted to quit the force and take a job selling used cars for Baker’s high school friend, Stan Bosca (Richard Gates)?
Fortunately, Bob does get his memory back and remember that it was a bunch of construction workers who moved him. So, it sucks for those well-intentioned workers (hello, lawsuit!) but at least Baker and Ponch are off the hook. And, after seeing how sleazy the used car business is, Baker and Ponch decide to remain on the force and go disco dancing instead!
Actually, Ponch dances. Baker watches and smile awkwardly. It’s interesting that the majority of the episode is centered around Baker having an existential crisis but it all ends by highlighting Ponch on the dance floor. If nothing else, it proves that the people behind the show understood that Wilcox was the actor while Estrada was the one with the big personality.
I enjoyed this episode. The scenery was nice. The show made good use of slo mo of doom when Niles crashed his vehicle. The dog was cute. And the opening theme song was so catchy that I’m still hearing it hours after watching the show. With this episode, the second season got off to a good start.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!
This week, someone is calling in false emergencies and neither Baker nor Ponch are going to let him get away with it!
Episode 1.18 “Cry Wolf”
(Dir by John Florea, originally aired on February 16th, 1978)
A creepy weirdo named Walt (Brad David) is angry at the world. He hasn’t been able to get a job since he got out of prison and his sister is always giving him a hard time. Walt deals with his anger by driving up to police call boxes and phoning in reports of imaginary accidents. For every call, the fire department and the highway patrol waste precious recourses responding. Getraer wants the caller caught and he’s placed Jon in charge of the task force to take him down.
This is one of those episodes where the emphasis is on how all the various departments work together to keep people safe. Whenever Walt places a call, we’re presented with a montage of cops and firemen racing to be the first one to arrive at the “accident.” Though the show makes clear that Walt is not thinking straight and that he’s not in a good place mentally, the emphasis is still on how many resources are wasted on his calls.
It gets so bad that Jon and Ponch start to assume that every call is a prank. When someone calls in to say that a helicopter has crashed on the highway, Jon is shocked to discover that a helicopter actually has crashed. He and Ponch rush the plane’s cargo — rare blood for an operation — to a local hospital and are scolded for showing up late. That’s the danger of crying wolf. When Walt is finally caught by Baker and Ponch, he attempts to jump off a bridge. Baker and Ponch stop him, of course. As they pull him back to safety, Baker says that Walt is lucky they weren’t busy answering a false call.
This was a good episode for Baker, as he also got a subplot in which a minor motorcycle crash led to him meeting and dating an X-ray technician named Karen Rayburn (Kathryn Holcomb). Baker and Karen were a cute couple and there was something undeniably charming about how nervous Baker got whenever he had to flirt. Larry Wilcox was not the most expressive actor but his stiff demeanor was put to good use in this episode.
This was not a bad episode. Since the majority of the episode focused on one storyline, this episode felt more cohesive than some of the ones that came before it. As usual, the main highlight was watching Baker and Ponch weave their way in and out of traffic. The scenery was lovely and there was even an exploding helicopter! You can’t go wrong with that.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!
This week, Ponch and Baker hit the beach!
Episode 1.15 “Surf’s Up”
(Dir by Georg Fenady, originally aired on January 19th, 1978)
At the beginning of this week’s episode, Ponch and Baker are miserable.
Los Angeles, the city that they’ve taken an oath to protect, is no longer as friendly as it once was. The highways are congested. The chases are long and tedious. The citizens don’t seem to appreciate the highway patrol’s hard work. When Baker is forced to throw a reckless driver on someone else’s hood in order to arrest him, the owner of the car (Fran Ryan) yells at him for scratching her car and threatens to sue the department.
Ponch and Baker need a break!
At first, Getraer is dismissive of their concerns. He points out, quite sensibly, that he can’t approve their request for a temporary transfer just because they’re having a bad day. They work in Los Angeles and not every day is going to be a perfect day.
“Thanks a lot, pal,” Ponch snaps.
“I’m your sergeant,” Getraer starts, “if you want a pal….”
“Join the Police Athletic League, we know,” Baker says.
Fortunately, for Ponch and John, the Malibu division has a few men who have gotten the flu so Getraer, realizing that he doesn’t want to have to listen to Ponch and Jon whine for a whole week, finally agrees to giving them a temporary transfer.
The rest of the episode follows Ponch and John as they patrol Malibu. It turns out that Malibu has the same problems as Los Angeles but it’s also closer to the beach. (“You can hear the ocean from headquarters!” an excited Ponch says.) Not only do Ponch and Baker stop a car theft (and save the baby who was trapped in the back seat) but they also catch a gang of van thieves. Ponch also takes a few kids from the neighborhood to Disneyland, in order to make up for having incorrectly accused one of them of having stolen a radio and bunch of sunflowers.
Of course, we don’t actually see Ponch at Disneyland. We just hear about afterwards. What we do see is Ponch and Baker hanging out on the beach and trying out a jet ski. As I watched this episode, it occurred to me that CHiPs really wasn’t a police show as much as it was an hour long commercial for California. The theme of this episode appeared to be, “Even if Los Angeles is too crowded and smoggy for you, you can still go to Malibu, meet and date two flight attendants, and conquer the ocean on a jet ski!” And really, this show is at its most effective when it focuses on being a travelogue. I imagine quite a few people watched this episode in 1978 and thought to themselves, “I have to get to Malibu!”
Scenery aside, this is a bit of a dull episode. The van thieves were not particularly impressive villains and even the show’s famous chase scenes felt a bit perfunctory. As a drama, this episode fell flat but it worked wonderfully as a commercial.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!
This week, CHiPs makes me cry!
Episode 1.14 “Rustling”
(Dir by Phil Bondelli, originally aired on January 12th, 1978)
This week’s episode of CHiPs featured a scene that brought tears to my mismatched eyes.
A drunk driver (played by G.W. Bailey) swerves across the highway and causes another car to flip over. While Ponch chases after the driver, Baker goes to investigate the crash. He discovers that the car’s driver is a 17 year-old girl named Susie (Pamelyn Ferdin) and she has been pinned under the wreckage. He manages to free her and carry her away from the car before it explodes. YAY! Another life saved by Jon Baker, right?
That’s when Susie says that she can’t feel her legs.
That scene got to me. It was far more well-acted than anything that I think one would normally expect to find on a episode of CHiPs, with both Ferdin and Larry Wilcox bringing a lot of emotional sincerity to their roles. Susie realizes that she may never walk again. Baker realizes that, just because he saved her from the car, he can’t save Susie from the other consequences of the accident. I wanted to cry. Actually, I did cry.
Now, I should admit that I’m recovering from a sprained ankle and I was doing my ankle exercises while watching this scene. So, not only did I already have tears in my eyes (seriously, some of those exercises hurt!) but I was also feeling pretty emotional. But still, even if I was just watching this scene while sitting on a couch, I think it would have had the same effect on me.
Of course, for the record, Ponch does capture the drunk driver (and the driver starts to sob when he realizes what he has done). And, by the end of the episode, Baker is informed that Susie is going to be okay. I was happy about that.
Excuse me, I’m starting to cry again….
Okay, believe it or not, that was only a small part of the episode. The main storyline featured the great L.Q. Jones as a cattle rustler who, when he’s not driving his truck full of stolen cattle, rides a motorcycle. Fortunately, after a lengthy chase, Baker and Ponch are able to capture him and his accomplice (Paul Tuerpe). It was a pretty simple story but, at the same time, L.Q. Jones was one of those brilliant character actors who make even the most mundane of characters interesting.
Also, over the course of the episode, Ponch and Baker deal with an irate driver (Mill Watson) who claims that he was only speeding because his gear shift failed. In court, Ponch is able to prove that the gear shift didn’t break by pointing out that the brake lights would have come on in that case. (“Your honor,” the defense attorney says, “my client would like to change his plea to guilty.”) Ponch and Baker also stop a magician and his assistant and are so fascinated by the magician’s tricks that they nearly forget to write his assistant a ticket.
Finally, Ponch arranges for everyone to meet at Baker’s apartment to throw him a surprise birthday party. Whoops! Baker’s birthday isn’t for another three months. Ponch looked at Baker’s personnel file and misread his employment number as being his birthdate. Oh, Ponch! Still, the party is a success. Getraer shows up with zucchini. The magician shows up and performs a trick that involves tossing milk on Ponch and Baker. What? Well, whatever.
What’s important is that one scene that brought tears my eyes. The rest of the episode may have been generic but that one scene was beautifully done and I’ll never forget it.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!
This week, Baker has a double!
Episode 1.13 “One Two Many”
(Dir by Paul Krasny, originally aired on January 5th, 1978)
This week’s episode of CHiPs opens with a member of the California Highway Patrol pulling over a woman on the highway. From a distance, he looks a bit like Jon Baker. However, it soon becomes obvious that he’s not Baker when the fake highway patrolman (played by William Whitaker) says something offensive to the woman in the car. We don’t hear what he said but the woman announces that she’s never been spoken to so crudely and drives back into traffic. She also causes a crash as another car swerves to avoid her. Inside the car, a woman is about to give birth. Her husband begs for the fake patrolman’s help. Instead, the suddenly panicked faker drives away.
Fortunately, Baker and Ponch then roll up and they get their day started by helping to deliver a baby. As usual, it’s Baker who actually knows what to do while Ponch stands around and flashes that blinding grin of his.
Back at headquarters, the woman from the car has filed a complaint against the obscene patrolman. When she takes a look at the pictures of all of the patrolman who were on duty at the time, she selects Baker. Knowing that Baker isn’t turned on by anything outside of memories of his life Montana, Sgt. Getraer figures out that there’s a fake cop out there, one who looks just like Jon Baker!
Appropriately enough, Baker and Ponch are the ones who finally arrest him. Actually, they cross paths with the guy several times, suggesting that God himself means for them to meet. At one point, Baker and Ponch see a woman named Jobina (Trish Stewart) who is struggling with the fake cop. They assume that she’s resisting arrest and they grab her. The fake cop runs off while another real cop — this one from the LAPD — shows up and demands to know what’s going on. It’s all a bit messy but let’s give credit where credit is due. William Whitaker is effectively creepy as the fake cop while Trish Stewart gives a strong and emotionally realistic performance as the most prominent of his victims. After everything she’s been through, she doesn’t want to spend time with any cops, whether they’re real or fake. The show seems to understand that she has a point.
While this is going on, Ponch is getting on Baker’s last nerve. Ponch’s RV is being fixed for numerous electronic problems so Ponch moves into Baker’s tastefully decorated apartment. It turns out that Ponch is not easy to live with, as he really likes to listen to music while he’s sleeping. As well, Ponch keeps hitting on all of Baker’s neighbors. In the end, Baker decided to say in Ponch’s damaged RV while Ponch stays in the apartment so let’s just hope the building manager doesn’t find out because next week, both Baker and Ponch might be homeless!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!
This week, Baker meets an old friend and Ponch is nearly commits a crime.
Episode 1.10 “Highway Robbery”
(Dir by Nicholas Colasanto, originally aired on December 1st, 1977)
There’s a man on a motorcycle who is driving up and down the highways of California. Whenever he comes across a traffic jam, he pulls up to people’s car and snatches whatever he can. One man loses his wallet and his watch. A woman has her purse taken. When Ponch and Baker arrest him, the thief is revealed to be Leo Norrison (David Wilson), an old high school classmate of Baker’s.
Baker and Leo used to play on the school’s football team. As Baker explains it, Leo was the student that everyone looked up to. He was “Mr. Most Likely To Succeed.” However, Leo fell on hard times after high school. He won a scholarship to play football in college but then he flunked the entrance exam. He joined the army but ended up losing his temper and striking his captain. Now, with a dishonorable discharge on his record, Leo is unemployable and bitter.
Baker offers to help Leo out and Leo seems to appreciate the offer. But, soon enough, Leo is back to stealing purses. When Baker and Ponch arrest him for a second time, it’s clear that Leo will not be getting any more chances at redemption.
Wow, what a sad story for an episode of CHiPs! Larry Wilcox can be a bit of a stiff actor but he actually did a really good job in this episode. Baker couldn’t believe that his high school hero was now a petty criminal and Leo couldn’t believe that Baker had ever looked up to him. As I watched this episode, I found myself wondering how many of my old high school classmates were now in jail.
Of course, this episode wasn’t all sad. For instance, there was a rather lengthy scene that centered around a minor accident involving a traveling circus. One of the circus’s elephants helped to pull a truck over to the side of the road. Good elephant!
And then there was Ponch’s storyline. In this episode, Ponch is even more cringey than usual. He has grown obsessed with a model in an ad for suntan lotion, to the extent that he’s constantly putting on suntan lotion and he has a cut-out of the ad hanging in his locker. When Ponch learn that the model is a friend of Getraer’s family, Ponch begs Getraer to set him up on a blind date. Getraer says it’s not a good idea but Ponch insists. Finally, Getraer relents.
Ponch shows up at the model’s house and discovers that Getraer is already there, having a glass of brandy with the model’s father (James Beach). They tell Ponch that “Janey” will be right down. When Janey (Wendy Fredericks) finally does come down to meet her date, Ponch is shocked to discover that …. SHE’S 15!
Getraer mention that Janey looks older in photographs. Baker and two other officers — Fitz (Lew Saunders) and Grossman (Paul Linke, a future series regular) — step into the living room and start laughing. Getraer laughs. Janey’s father laughs. Janey accepts Ponch’s flowers and then rests her head on his shoulder as the credits role….
So, just to repeat — SHE’S FIFTEEN!
Obviously, Ponch didn’t know that but still, it’s bizarre to see Janey’s father laughing about a 30 year-old showing up at the house to go on a date with his fifteen year-old daughter. Getraer essentially set Ponch up to potentially commit a felony and everyone thinks its hilarious. As the end credits rolled, I kept expecting Chris Hansen to step in the room and demand that everyone have a seat and explain what exactly it is they though they were doing.
Weird episode. The stuff involving Leo was surprisingly well-done for this show. The stuff with Ponch was truly cringe-inducing. I mean, even if Janey had been an adult, Ponch’s obsession with her would have been creepy. In the end, Baker’s friend went to jail and Ponch was thoroughly humiliated. I guess it all balances out.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!
This week, Ponch gets bowling fever!
Episode 1.9 “Hustle”
(Dir by Georg Fenady, originally aired on November 24th, 1977)
Life is a hustle when you work for the California Highway Patrol.
Ponch and Baker deal with a lot of things over the course of this episode. While pursuing two motorcycle riders who are suspected of holding up a grocery store, Ponch gets a cigarette tossed on him by a passing motorist. The suspects turn out to be two women who were just out for an afternoon ride. They seem to be pretty amused by the whole thing, despite the fact that Baker roughly frisked them as soon as they pulled over. Luckily, the sight of the hole that was left on Ponch’s uniform by the cigarette (and the boxers underneath) gives everyone an excuse to laugh.
This is not the best time for Ponch to have a wardrobe malfunction because he’s due in court. Ponch gave a ticket to Sidney Engelhart (Marty Ingels) but Sidney claims that the only person who is guilty of reckless driving is Ponch. Sidney tries to prove his point by basically stalking Ponch while he does his job.
While Ponch deals with his stalker, Baker pulls over a car being driven by veteran screen actor Broderick Crawford. Ponch is totally excited to see Crawford but Baker is fairly nonchalant about the whole thing. When his pen runs out of ink, Baker borrows Crawford’s gold fountain pen and then forgets to return it to the actor, which leads to Baker getting called out at the next morning briefing.
Meanwhile, there’s a huge car accident that leads to Ponch and Baker saving a mother and her baby from a live electrical wire. Baker also pulls over a man driving a car that only has three wheels and, of course, there are the grocery store robbers to deal with.
And yet, for everything going on, Ponch’s main concern remains the department’s bowling tournament. As has been a consistent theme so far during the first season of CHiPs, Ponch’s main concern continues to be doing things that don’t have much to do with his actual job. Whereas Baker comes across as if nothing makes him happier than writing a speeding ticket, Ponch often seems to view policework as something to do until something better comes along. On the one hand, this does not make Ponch a particularly effective cop. We’re only 9 episodes into the series and I’ve lost count of the number of times that he’s had to go back to the trailer park to change his uniform. On the other hand, it is probably a realistic portrayal of how most people view their jobs. Ponch does enough to get by.
As for the episode itself, this was another “day-in-the-life” style episode. So far, the first season of CHiPs has been dominated by rather loose plotting. Ponch and Baker just ride and see what type of trouble they can find on the highways. As for the bowling subplot, Baker turns out to be a surprisingly competent bowler and Ponch plots to win a lot of money from his fellow officers. But then Baker sprains his bowling fingers and it looks like Ponch is once again out of a small fortune. Poor Ponch, he is fortune’s fool!
(I actually have gone bowling a few times. I’m not any good at it but I’ve been told that the important thing is to jump up and down regardless of what happens.)
This Hustle, I would give a solid B. The scenery was nice. There was an exciting motorcycle chase at the start of the show. The episode was a pleasant-enough diversion, albeit not one that leaves a huge impression afterwards.
Through the Shattered Lens 