The Elements of Style: Steve McQueen in BULLITT (Warner Brothers 1968)


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Steve McQueen was the personification of 60’s screen cool in BULLITT, a stylish action film directed by Peter Yates. It’s the first of producer Philip D’Antoni’s cop trilogy, both of which (THE FRENCH CONNECTION and THE SEVEN-UPS) I’ve previously covered. Unlike those two films, the grittiness of New York City is replaced by the California charm of San Francisco, and the City by the Bay almost becomes a character itself, especially in the groundbreaking ten minute car chase between McQueen’s Mustang and the bad guy’s Dodge Charger.

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Style permeates the film from the get-go, with the snappy opening credits montage by Pablo Ferro. Then we get right into the story, as San Francisco detective Frank Bullitt is assigned to guard mob witness John Ross, scheduled to testify before a Senate Subcommitte on crime. Hot shot politician Walt Chalmers wants Bullitt because of his reputation and PR value with the papers. Things go awry when Ross…

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Fast & Furious: Bruce Lee in ENTER THE DRAGON (Warner Brothers 1973)


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Haai-ya! The Seventies was the era of kung-fu cinema, and nobody did ’em better than the great Bruce Lee. Probably the biggest martial arts star ever, Lee came to prominence in the USA as Kato in the 60’s series THE GREEN HORNET. He acted and trained Hollywood stars in the art of kung fu, including James Coburn and Steve McQueen. When the kung fu craze hit the screens, Lee’s Hong Kong films THE BIG BOSS and FISTS OF FURY were released here to packed houses. ENTER THE DRAGON was Lee’s first American starring film, and unfortunately his last due to his untimely death shortly after the films’ release.

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The plot’s pretty simple: Shaolin martial arts master Lee is sent to thwart the evil Han, a Shaolin gone rogue, involved with the drug and white slavery trades. Han is the ruler of his own island, and he’s holding a martial-arts tournament there. Americans Roper…

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Spies Like Us: THE VENETIAN AFFAIR (MGM 1967)


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Robert Vaughn played superspy Napoleon Solo on TV’s THE MAN FROM U.N.C.L.E. from 1964 to 1968. The series was inspired by the James Bond craze, filled with outlandish gadgets and evil supervillains. Vaughn’s popularity led to a starring role in THE VENETIAN AFFAIR, a Cold War spy thriller with a much more adult theme. Here, he plays Bill Fenner, ex-CIA agent, now a hard-drinking reporter who gets caught up in international intrigue.

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Fenner is sent to Venice after a U.S. diplomat supposedly sets off a bomb at an international nuclear disarmament conference. He soon learns the assignment was arranged by his former CIA boss, “Rosey” Rosenfeld (Edward Asner). Rosey wants to use Fenner to smoke out old flame Sandra Fane (Elke Sommer), a Communist agent with a mysterious link to the bombing. Fenner’s odyssey takes him through double-and-triple crosses in the world of international espionage he once left behind.

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Boris Karloff is on hand in…

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