Late Night Retro Television Review: Highway to Heaven 4.11 “In With The In Crowd”

Posted on August 28, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week, Jonathan brings vengeance to a high school.

Episode 4.11 “In With The In Crowd”

(Dir by Michael Landon, originally aired on December 9th, 1987)

This week, Jonathan and Mark are cops, assigned to a ritzy private school where a student recently died of an overdose. They’re working with Denise Kelly (Lar Park Lincoln), an undercover cop who is pretending to be a student in order to uncover the identity of and arrest the school’s main dealer. Unfortunately, the dealer figures out that Denise is a cop and he orders another student (Tom Hodges) to testify that Denise seduced him to get information. Suddenly, it looks like Denise might lose her job and even get charged with a crime herself!

Mark, feeling protective of Denise and also guilty that he stopped recording Denise’s conversation with the student who subsequently accused her, decides to go undercover himself. He tells drug dealing student Ray Russo (Jason Oliver Lipsett) that he’s actually a dealer himself. Ray, however, sees through the ruse and knocks Mark out before injecting him with pure cocaine.

Mark’s in coma. Denise feels like there’s no point in fighting crime. Seeking revenge, Jonathan calls a school assembly and specifically accuses Ray of being the school’s main dealer. Ray pulls out a gun and then runs out of the school. He gets in his car and starts the engine. As he’s speeding down the street, Ray sees that Jonathan is sitting in the passenger’s seat. Ray shoots at him, twice. Jonathan, untouched, says that Ray should look in the back seat. Ray sees the spirit of the girl who died over an overdose. The terrified Ray is so distracted that he crashes into a truck and his car explodes.

JONATHAN KILLED A GUY!

WOW!

That’s something I never thought I’d see on Highway to Heaven.

Now, to be clear, Ray was a very, very bad guy. He tried to murder Mark. He sold the drugs that killed the student. He brought a gun to school. There really wasn’t much hope that Ray would ever reform but still, Jonathan killing him seems to go against everything that Highway to Heaven was usually about. Highway to Heaven usually emphasized the idea of redemption and that everyone — even the worst among us — could change their ways. Part of the appeal of the show was that it was so unapologetically earnest. Ray getting blown up may have been emotionally satisfying but it just seemed to go against everything that the show was about.

In the end, Mark wakes up and Denise is cleared of all the accusations against her. Jonathan and Mark leave for their next assignment. Who knows who Jonathan will kill next!

Retro Television Review: Fantasy Island 5.4 “The Last Cowboy/The Lady and the Monster”

Posted on June 25, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Almost the entire show is currently streaming on Daily Motion, YouTube, Plex, and a host of other sites.

It’s time for another trip to the Island!

Episode 5.4 “The Last Cowboy/The Lady and the Monster”

(Dir by Don Chaffey, originally aired on October 31st, 1981)

For the second week in a row, Tattoo is notably absent in this episode. He is seen in the stock footage that opens each episode of Fantasy Island. Shortly afterwards, his pre-recorded voice is briefly heard when Mr. Roarke explains to Julie that Tattoo has been turned invisible so that he can help with the fantasy of another guest who is also invisible. Seriously, that’s the excuse that the show goes with. Tattoo is “there” but he can’t be seen. I can only imagine what was going on behind-the-scenes with Herve Villechaize. It’s easy to assume that Villechaize was holding out for more money but, to be honest, it’s almost too easy to assume that. It’s also possible that Villechaize may have just asked for some time off to pursue his career as a singer.

As for the fantasies, the better of the two featured Lynda Day George as scientist Carla Frankenstein, who comes to the island because she wants to clear her ancestor’s reputation for being mad. Fortunately, the castle of Baron Frankenstein just happens to be on the Island! In the castle, Carla finds evidence that, rather than trying to bring the dead back to life, the Baron was instead working on ways to extend the average lifespan. She also discovers that the Baron’s monster (played by veteran character actor William Smith) is still living in the castle!

The Monster is a dignified old soul who has been mistreated every time that he’s left the Castle. Carla befriends him but again, the Monster is forced to confront the pettiness of the outside world when a corporate spy (Ken Swofford) tries to take both Carla and Julie hostage. After Carla and Julia are rescued, the Monster retreats to the Castle but Carla promises that she will not only return to see him but that she will also continue her ancestor’s research. In fact, her company is going to build a lab on the Island and presumably employ the one or two Islanders who aren’t already employed by Mr. Roarke.

This was a Halloween episode so a Frankenstein fantasy feels appropriate. William Smith played the role of the Monster with a wounded dignity that was actually quite touching. His lonely existence was quite sad and I was actually glad when Roarke suggested that he and Julie would, from now on, be joining the Monster for dinner.

As for the other fantasy, Joe Campbell (Stuart Whitman) is yet another city slicker who wants to be a cowboy. Joe thinks that Roarke is going to send him to the old west, as he has done for so many other people with the exact same fantasy. Instead, Roarke gets all technical and says that Joe’s specific fantasy was to be a cowboy and not to travel to the old west. Joe finds himself working as a hired hand on a modern-day ranch. Once Joe stops whining (and it takes a while), he falls in love with widow Margaret Blair (Diane Baker), becomes a surrogate father to Jimmy Blair (Jimmy Baio), and he chasess off an evil biker (Robert Tessier). In the end, Joe asks for permission to remain at the ranch and Fantasy Island. Roarke agrees, probably so Joe can potentially replace Julie if she ever asks for a raise like Tattoo did.

This fantasy felt a bit too familiar. It’s always weird how Roarke will arbitrarily decide to be strict with some guests while letting others do whatever they want.

Anyway, here’s hoping Tattoo returns next week!

Horror Film Review: Terror at London Bridge (dir by E.W. Swackhamer)

Posted on October 31, 2022 by Lisa Marie Bowman

On a foggy London night in 1888, the shadowy killer known as Jack the Ripper is pursued by a combination of police and citizens. Cornered and facing certain execution if captured, Jack jumps off of London Bridge and disappears into the murky waters of the Thames.

Jump forward to the late 80s. London Bridge has been transported, brick-by-brick, to a town in Arizona and it now serves as a somewhat tacky tourist attraction. Unfortunately, it turns out that Jack the Ripper’s spirt is inside in the bricks and transporting the bridge has also transported Jack. Considering that Jack died in the Thames, I’m not really sure why his spirit will still be trapped in the bricks of the bridge. It seems like his spirit should still be in the river but whatever. Let’s just go with it. One tourist accidentally cuts her finger while walking across the bridge. Her blood hits the wrong brick and suddenly, Jack the Ripper is alive and killing in Arizona! Can the murders be stopped before they interfere with the tourist season!?

Only Detective Don Gregory (David “The Hoff” Hasselhoff) thinks that Jack the Ripper has returned to life. His captain (Clu Gulager) doesn’t believe him. The sleazy city councilamn (Lane Smith) doesn’t believe him. His potential girlfriend, Angie (Stepfanie Kramer), has doubts about Don’s theory. His own partner (Randolph Mantooth) doesn’t buy it. Even Angie’s best friend, a librarian named Lynn (Adrienne Barbeau), doesn’t think that there’s any connection between Jack the Ripper and the handsome Englishman (Paul Rossilli) who has recently been stopping by the library and flirting with her.

And really, why would anyone believe Don? His theory makes no sense, even if it does turn out to be true. Indeed, Don is remarkably quick to accept the idea of Jack the Ripper traveling through time. Of course, what also doesn’t make sense is the city council’s refusal to shut down the bridge until the killer’s been caught. It’s the tourist season but seriously, it seems like a serial killer — whether he’s Jack the Ripper or not — would be bad for business!

This 1985 movie was made for television. The premise is intriguing but the execution is a real let-down. It’s a 90 minute film and the Hoff doesn’t really seem to get serious about trying to hunt down Jack the Ripper until 60 minutes in. This is the odd Jack the Ripper film in which the Ripper is often treated as an afterthought. Instead, the majority of the film is taken up with Don flirting with Angie and trying to come to terms with an accidental shooting that occurred when Don was a cop in Chicago. The whole Jack the Ripper subplot is almost treated like a red herring, which is an odd way to treat a 19 century villain who can travel through time. I mean, sometimes, romance has to wait until the time-traveling serial killer has been taken care of. It’s all about priorities.

In the end, this one is for hardcore Hasselhoff fans only. Those who want to watch a Jack the Ripper time traveling movie would be better served by watching Time After Time, featuring David Warner as the Ripper and Malcolm McDowell as H.G. Wells.

A Cry For Help (1975, directed by Daryl Duke)

Posted on July 21, 2020 by Jedadiah Leland

Harry Freeman (Robert Culp) is a radio talk show host in California who specializes in abusing his listeners. They call in and they tell Harry their problems and their opinions and then Harry tells them that they’re stupid and whiny. Despite (or maybe because of) his abrasive style, Harry is very popular. Everyone on the California coast listens to him in the morning.

When a depressed teenage girl named Ingrid (Elayne Heilveil) calls his show and says that she’s going to kill herself, Harry doesn’t taker her seriously and tells her to go ahead and do it. It’s only after he hangs up on her that he realizes that she might have actually been telling the truth. When Harry calls the cops to tell them about the call, they treat him in much the same way that he treated Ingrid. They refuse to take him or Ingrid seriously.

Not getting any help from the police, Harry turns to his listeners. He asks them to help him track down Ingrid and to keep her from harming herself. The film alternates between scenes of Ingrid meeting people throughout the day and then Harry in his studio, taking calls from those people. Since Ingrid is no longer listening to Harry’s show, she has no idea that people are looking for her and it becomes a race against time to find her before she carries out her plans.

A Cry For Help is largely a showcase for Robert Culp, a talented actor whose career was often harmed by his own independence and reputation for being abrasive. That reputation made him the perfect choice to play Harry and Culp gives a terrific performance as a not particularly nice man trying to do the right thing for once. Interestingly, the film keeps it ambiguous as to whether Harry has really had an attack of conscience or if he’s just trying to save Ingrid for the publicity and the ratings. Even at the end of the film, it’s hard to know if Harry was really worried about Ingrid ending her life or if he was just looking to promote himself.

Along with Culp, the film’s cast is a who’s who of 70s television actors. Among those who Ingrid and Harry deal with during the day: Michael Lerner, Bruce Boxlietner, Ken Swofford, Chuck McCann, Julius Harris, and Gordon Jump. Seeing Jump in the film was especially interesting since he would later star in another production about the potential power of radio, WKRP In Cincinnati.

A Cry For Help is a suspenseful made-for-TV movie from 1975. It’s never been released on DVD but it is on YouTube.

A Movie A Day #26: The Taking of Beverly Hills (1991, directed by Sidney J. Furie)

Posted on January 26, 2017 by Jedadiah Leland

After a toxic chemical spill, Beverly Hills is evacuated. While its citizens wait in a hotel, their mansions and valuables are guarded by the police and agents of the EPA. Or so they think. It turns out that the chemical spill was faked and that both the police and the government agents are in on it. While the town’s deserted, they’re going to rob everyone blind. The scheme’s mastermind is Bat Masterson (Robert Davi), the owner of L.A. Rams. What Masterson doesn’t realize is that one citizen of Beverly Hills stayed behind, his own quarterback, Boomer Hayes (Ken Wahl). Teaming up with Ed Kelvin (Matt Frewer), the last honest cop in town, Boomer sets out to protect Beverly Hills.

It’s just a dumb as it sounds. In fact, of the many Die Hard ripoffs that came out in the late 80s and the early 90s, The Taking of Beverly Hills is probably the dumbest, which also makes it one of the most entertaining. Boomer, who has an impressive mullet, can only speak in football analogies, constantly assuring Ed that it’s only the first down and that they can turn things around after halftime. When Boomer gets serious, he says, “It’s time to play offense.” One of the stranger things about The Taking of Beverly Hills is that, unlike working class hero John McClane, Boomer is not an outsider. He’s in Beverly Hills because he’s rich. The Taking of Beverly Hills is basically about one rich guy trying to keep another rich guy from robbing a bunch of other rich people. It’s Die Hard if Hart Bochner had been the hero instead of Bruce Willis.

Keep an eye out for Lee Ving, lead singer of Fear, playing one of the corrupt cops and an uncredited Pamela Anderson cast as a cheerleader. And keep your ears open for songs like Epic by Faith No More because their presence on the soundtrack (and the associated rights issue) is the reason was this stupidly entertaining movie will probably never get a DVD/Blu-ray release in the United States.