The New York Film Critics Online Honor One Battle After Another


The New York Film Critics Online have announced their picks for the best of 2015.  The winners are listed in bold.

PICTURE
Hamnet
If I Had Legs I’d Kick You
It Was Just an Accident
Marty Supreme
No Other Choice
Nuremberg
One Battle After Another (WINNER)
Sentimental Value
Sinners (RUNNER-UP)
Train Dreams

DIRECTOR
Paul Thomas Anderson – One Battle After Another (RUNNER-UP)
Park Chan-wook – No Other Choice
Ryan Coogler – Sinners (WINNER)
Mona Fastvold – The Testament of Ann Lee
Olivier Laxe – Sirāt
Jafar Panahi – It Was Just an Accident
Lynne Ramsey – Die, My Love
Josh Safdie – Marty Supreme
Joachim Trier – Sentimental Value
Chloe Zhao – Hamnet

SCREENPLAY
Bugonia
Hamnet
If I Had Legs I’d Kick You
It Was Just an Accident (WINNER)
Marty Supreme
One Battle After Another
Sentimental Value (RUNNER-UP)
Sinners
Sorry, Baby
Train Dreams
Twinless

ACTOR
Timothee Chalamet – Marty Supreme (RUNNER-UP)
Leonardo DiCaprio – One Battle After Another
Sope Dirisu – My Father’s Shadow
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon (WINNER)
Lee Byung Hun – No Other Choice
Dylan O’Brien – Twinless
Michael B. Jordan – Sinners
Wagner Moura – The Secret Agent
Jesse Plemons – Bugonia

ACTRESS
Rose Byrne – If I Had Legs I’d Kick You (RUNNER-UP)
Jessie Buckley – Hamnet (WINNER)
Kathleen Chalfant – Familiar Touch
Kate Hudson – Song Sung Blue
Jennifer Lawrence – Die, My Love
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia
Sydney Sweeney – Christy
Tessa Thompson – Hedda

SUPPORTING ACTOR
Michael Cera – The Phoenician Scheme
Benicio Del Toro – One Battle After Another
Jacob Elordi – Frankenstein (WINNER)
Noah Jupe – Hamnet
Delroy Lindo – Sinners
Pierre Lottin – When Fall is Coming
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Alexander Skarsgard – Pillion
Stellan Skarsgard – Sentimental Value (RUNNER-UP)

SUPPORTING ACTRESS
Odessa A’zion – Marty Supreme
Glenn Close – Wake Up Dead Man
Elle Fanning – Sentimental Value
Ariana Grande – Wicked: For Good
Regina Hall – One Battle After Another
Inga Ibsdotter Lilleaas – Sentimental Value (WINNER)
Amy Madigan – Weapons (RUNNER-UP)
Wunmi Mosaku – Sinners
Da’Vine Joy Randolph – Eternity
Teyana Taylor – One Battle After Another

ENSEMBLE CAST
Avatar: Fire and Ash
Hamnet
It Was Just an Accident
Marty Supreme
No Other Choice
One Battle After Another (RUNNER-UP)
Sentimental Value
Sinners (WINNER)
The Testament of Ann Lee
Wake Up Dead Man

USE OF MUSIC
Hamnet
KPop Demon Hunters
Marty Supreme
One Battle After Another
Sinners (WINNER)
Sirāt (RUNNER-UP)
Song Sung Blue
Springsteen: Deliver Me From Nowhere
The Testament of Ann Lee
Wicked: For Good

CINEMATOGRAPHY
Avatar: Fire and Ash
Frankenstein
Hamnet
No Other Choice
One Battle After Another
Sinners (WINNER)
Sirāt
Train Dreams (RUNNER-UP)
The Testament of Ann Lee
28 Years Later
Wicked: For Good

DEBUT DIRECTOR
Akinola Davies Jr. – My Father’s Shadow
Harris Dickerson – Urchin
Sarah Friedland – Familiar Touch
Scarlett Johansson – Eleanor the Great
Harry Lighton – Pillion
Carson Lund – Eephus
Charlie Polinger – The Plague (RUNNER-UP)
Kristen Stewart – The Chronology of Water
Constance Tsang – Blue Sun Palace
Eva Victor – Sorry, Baby (WINNER)

BREAKTHROUGH PERFORMER
Odessa A’zion
Everett Blunck
Miles Caton (RUNNER-UP)
Chase Infiniti (WINNER)
Jacob Jupe
Inga Ibsdotter Lilleaas
Kayo Martin
Abou Sangare
Eva Victor

ANIMATION
A Magnificent Life
Arco (WINNER)
Elio
KPop Demon Hunters
Little Amelie or the Character of Rain (RUNNER-UP TIE)
100 Meters
Predator: Killer of Killers
Scarlet
Zootopia 2 (RUNNER-UP TIE)

INTERNATIONAL FEATURE
It Was Just an Accident (WINNER)
Left-Handed Girl
No Other Choice
Resurrection
The Secret Agent
Sentimental Value (RUNNER-UP)
Sirāt
Sound of Falling
The Voice of Hind Rajib
We Will Not Be Moved

DOCUMENTARY
Afternoons of Solitude
BLKNWS: Terms & Conditions (WINNER)
Come See Me in the Good Light
Cover-Up
My Undesirable Friends: Part 1 — Last Air in Moscow
Pee-wee as Himself
Put Your Soul in Your Hand and Walk
The Perfect Neighbor (RUNNER-UP)
The Alabama Solution
2000 Meters to Andriivka

Here Are The 2025 Nominations of the New York Film Critics Online


Here are the 2025 nominations of the New York Film Critics Online!

PICTURE
Hamnet
If I Had Legs I’d Kick You
It Was Just an Accident
Marty Supreme
No Other Choice
Nuremberg
One Battle After Another
Sentimental Value
Sinners
Train Dreams

DIRECTOR
Paul Thomas Anderson – One Battle After Another
Park Chan-wook – No Other Choice
Ryan Coogler – Sinners
Mona Fastvold – The Testament of Ann Lee
Olivier Laxe – Sirāt
Jafar Panahi – It Was Just an Accident
Lynne Ramsey – Die, My Love
Josh Safdie – Marty Supreme
Joachim Trier – Sentimental Value
Chloe Zhao – Hamnet

SCREENPLAY
Bugonia
Hamnet
If I Had Legs I’d Kick You
It Was Just an Accident
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
Sorry, Baby
Train Dreams
Twinless

ACTOR
Timothee Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Sope Dirisu – My Father’s Shadow
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Lee Byung Hun – No Other Choice
Dylan O’Brien – Twinless
Michael B. Jordan – Sinners
Wagner Moura – The Secret Agent
Jesse Plemons – Bugonia

ACTRESS
Rose Byrne – If I Had Legs I’d Kick You
Jessie Buckley – Hamnet
Kathleen Chalfant – Familiar Touch
Kate Hudson – Song Sung Blue
Jennifer Lawrence – Die, My Love
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia
Sydney Sweeney – Christy
Tessa Thompson – Hedda

SUPPORTING ACTOR
Michael Cera – The Phoenician Scheme
Benicio Del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Noah Jupe – Hamnet
Delroy Lindo – Sinners
Pierre Lottin – When Fall is Coming
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Alexander Skarsgard – Pillion
Stellan Skarsgard – Sentimental Value

SUPPORTING ACTRESS
Odessa A’zion – Marty Supreme
Glenn Close – Wake Up Dead Man
Elle Fanning – Sentimental Value
Ariana Grande – Wicked: For Good
Regina Hall – One Battle After Another
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Da’Vine Joy Randolph – Eternity
Teyana Taylor – One Battle After Another

ENSEMBLE CAST
Avatar: Fire and Ash
Hamnet
It Was Just an Accident
Marty Supreme
No Other Choice
One Battle After Another
Sentimental Value
Sinners
The Testament of Ann Lee
Wake Up Dead Man

USE OF MUSIC
Hamnet
KPop Demon Hunters
Marty Supreme
One Battle After Another
Sinners
Sirāt
Song Sung Blue
Springsteen: Deliver Me From Nowhere
The Testament of Ann Lee
Wicked: For Good

CINEMATOGRAPHY
Avatar: Fire and Ash
Frankenstein
Hamnet
No Other Choice
One Battle After Another
Sinners
Sirāt
Train Dreams
The Testament of Ann Lee
28 Years Later
Wicked: For Good

DEBUT DIRECTOR
Akinola Davies Jr. – My Father’s Shadow
Harris Dickerson – Urchin
Sarah Friedland – Familiar Touch
Scarlett Johansson – Eleanor the Great
Harry Lighton – Pillion
Carson Lund – Eephus
Charlie Polinger – The Plague
Kristen Stewart – The Chronology of Water
Constance Tsang – Blue Sun Palace
Eva Victor – Sorry, Baby

BREAKTHROUGH PERFORMER
Odessa A’zion
Everett Blunck
Miles Caton
Chase Infiniti
Jacob Jupe
Inga Ibsdotter Lilleaas
Kayo Martin
Abou Sangare
Eva Victor

ANIMATION
A Magnificent Life
Arco
Elio
KPop Demon Hunters
Little Amelie or the Character of Rain
100 Meters
Predator: Killer of Killers
Scarlet
Zootopia 2

INTERNATIONAL FEATURE
It Was Just an Accident
Left-Handed Girl
No Other Choice
Resurrection
The Secret Agent
Sentimental Value
Sirāt
Sound of Falling
The Voice of Hind Rajib
We Will Not Be Moved

DOCUMENTARY
Afternoons of Solitude
BLKNWS: Terms & Conditions
Come See Me in the Good Light
Cover-Up
My Undesirable Friends: Part 1 — Last Air in Moscow
Pee-wee as Himself
Put Your Soul in Your Hand and Walk
The Perfect Neighbor
The Alabama Solution
2000 Meters to Andriivka

Here Are The 2025 Golden Globe Nominations


Does anyone care about the Golden Globes any more?  I remember that there was a feeling of relief when it looked like we would finally be free from having to worry about them.  Of course, the Globes are back and under new management.  They’re clawing their way back to relevancy, or at least they’re trying.

To be honest, I don’t trust the nominations below.  I think it’s all about getting people to watch their ceremony again.  Still, the Golden Globes are a thing and here are the film nominations for this year.  The winners will be revealed on January 11th.

BEST MOTION PICTURE, DRAMA
Frankenstein
Hamnet
It Was Just an Accident
The Secret Agent
Sentimental Value
Sinners

BEST MOTION PICTURE, MUSICAL OR COMEDY
Blue Moon
Bugonia
Marty Supreme
No Other Choice
Nouvelle Vague
One Battle After Another

BEST DIRECTOR, MOTION PICTURE
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Guillermo del Toro – Frankenstein
Jafar Panahi – It Was Just an Accident
Joachim Trier – Sentimental Value
Chloe Zhao – Hamnet

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE, DRAMA
Jessie Buckley – Hamnet
Jennifer Lawrence – Die, My Love
Renate Reinsve – Sentimental Value
Julia Roberts – After the Hunt
Tessa Thompson – Hedda
Eva Victor – Sorry, Baby

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE, MUSICAL, OR COMEDY
Rose Byrne – If I Had Legs I’d Kick You
Cynthia Erivo – Wicked: For Good
Kate Hudson – Song Sung Blue
Chase Infiniti – One Battle After Another
Amanda Seyfried – The Testament of Ann Lee
Emma Stone – Bugonia

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Emily Blunt – The Smashing Machine
Elle Fanning – Sentimental Value
Ariana Grande – Wicked: For Good
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Teyana Taylor – One Battle After Another

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE, DRAMA
Joel Edgerton – Train Dreams
Oscar Isaac – Frankenstein
Dwayne Johnson – The Smashing Machine
Michael B. Jordan – Sinners
Wagner Moura – The Secret Agent
Jeremy Allen White – Springsteen: Deliver Me from Nowhere

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE, MUSICAL, OR COMEDY
Lee Byung-hun – No Other Choice
Timothee Chalamet – Marty Supreme
George Clooney – Jay Kelly
Leonardo DiCaprio – One Battle After Another
Ethan Hawke – Blue Moon
Jesse Plemons – Bugonia

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
Benicio Del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Stellan Skarsgård – Sentimental Value

BEST SCREENPLAY, MOTION PICTURE
Hamnet
It Was Just an Accident
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

BEST ORIGINAL SCORE, MOTION PICTURE
F1: The Movie
Frankenstein
Hamnet
One Battle After Another
Sinners
Sirat

BEST ORIGINAL SONG, MOTION PICTURE
Avatar: Fire and Ash – “Dream as One”
KPop Demon Hunters – “Golden”
Sinners – “I Lied to You”
Train Dreams – “Train Dreams”
Wicked: For Good – “No Place Life Home”
Wicked: For Good – “The Girl in the Bubble”

BEST MOTION PICTURE, ANIMATED
Arco
Demon Slayer: Kimetsu No Yaiba The Movie
Elio
KPop Demon Hunters
Little Amelie or the Character of Rain
Zootopia 2

BEST MOTION PICTURE, FOREIGN LANGUAGE
It Was Just an Accident
No Other Choice
The Secret Agent
Sentimental Value
Sirat
The Voice of Hind Rajab

GOLDEN GLOBE FOR CINEMATIC & BOX OFFICE ACHIEVEMENT
Avatar: Fire and Ash
F1: The Movie
KPop Demon Hunters
Mission: Impossible — The Final Reckoning
Sinners
Weapons
Wicked: For Good
Zootopia 2

Review: Glass Onion: A Knives Out Mystery (dir. by Rian Johnson)


“Everyone loves a puzzle until it’s time to solve it.” — Benoit Blanc

Glass Onion: A Knives Out Mystery is a follow-up to the original Knives Out film, starring Daniel Craig as the ingenious detective Benoit Blanc. It builds on the premise of a murder mystery but wraps it inside a colorful, satirical commentary on wealth, influence, and the human condition. Set on the private island of a tech billionaire named Miles Bron, the story assembles a quirky cast of characters, all entangled in complicated relationships that unravel layer by layer. The casual tone of the movie masks a sharp, incisive look at the absurdities of the ultra-rich and the moral compromises they often make.

From the outset, Glass Onion shines with its clever blending of classic whodunit tropes and contemporary social critique. The gathering on the island is ostensibly for a murder mystery party, but the tension quickly escalates when the lines between game and reality blur. As detective Benoit Blanc begins to peel back the layers, it becomes clear that the story is much more than just a puzzle; it’s a reflection on fame, fortune, intellectual theft, and the lengths people will go to protect their reputations and secrets. The mystery itself is engrossing, delivering plenty of twists and turns that keep viewers guessing without feeling predictable.

The characters are vividly drawn, each embodying a certain archetype of privilege and excess, yet crafted with enough depth to avoid caricature. Miles Bron, in particular, captures the archetypal tech mogul—brash, arrogant, and unapologetically wealthy—but his flaws and vulnerabilities make him an intriguing focal point. His colorful group of friends each contribute their quirks and motives, creating a dynamic interplay that enriches the plot. Through their interactions, the film deftly explores themes of betrayal, sycophantic behavior, and the moral decay that can accompany unchecked power.

Edward Norton’s portrayal of Miles Bron has often been linked to Elon Musk, mostly because Bron’s flamboyant personality and billionaire tech mogul status seem reminiscent of Musk. However, director Rian Johnson and Norton himself have been clear that the character is not based specifically on Musk. Instead, Miles embodies the broader archetype of “tech bros”: exceedingly wealthy, extremely arrogant, and more than a bit sociopathic. Norton’s portrayal blends charm, obliviousness, and bravado, embodying this tech mogul stereotype more than mimicking any particular real-life figure. This approach allows the film to critique the broader billionaire culture, using Miles as a symbol of its excesses and absurdities, rather than targeting one individual.

A distinctive feature of Glass Onion is how it incorporates the reality of its production during the height of the COVID-19 lockdown. Set in May 2020, during global lockdowns, the film naturally weaves in social distancing and mask-wearing as part of its narrative fabric. This not only adds an element of authenticity but also becomes a device to reveal character traits—whether sincere compliance or performative adherence. The pandemic protocols also shaped production logistics, reducing extras and focusing tightly on the main cast, creating an intimate but tense atmosphere. By anchoring the isolation of its characters in a real-world health crisis, the film echoes classic mystery confinements while feeling relevant and immediate.

Emotional stakes in Glass Onion are amplified through Helen, who arrives on a personal mission to uncover the truth behind her sister’s death. Unlike many self-interested guests on the island, Helen represents a disruptive force challenging the privileged elite. Her story adds urgency and depth, highlighting themes of justice, accountability, and silence’s costs. This subplot weaves seamlessly into the larger narrative, enriching the mystery’s resolution with meaningful emotional weight.

Visually, the film dazzles with opulent settings and a vibrant color palette that amplify the sense of excess and detachment characterizing the guests’ lives. The private island itself almost becomes a character—a lush, insular playground where drama explodes amid luxury. Production design and cinematography balance whimsy with darker undertones, while costumes and set details root satire in an authentic world.

Craig returns as Benoit Blanc with a mix of charm, wit, and gravitas, anchoring the film amidst eccentric chaos. Blanc’s character delights as a master detective who enjoys intellectual puzzles but wrestles with moral questions. Meanwhile, the supporting cast gives nuanced performances that capture their characters’ complexities and motivations.

Narratively, Glass Onion triumphs by delivering an engaging mystery while embedding incisive social commentary on inequality and hypocrisy. The film compellingly probes how wealth and influence can obscure truth and the costs endured by those who confront power. The sharp, often humorous writing makes it both entertaining and thought-provoking.

Whether viewed casually or analyzed deeply, Glass Onion offers much to enjoy. Plot twists, sharp dialogues, visual style, and strong performances combine for an engrossing experience. At its core, the story emphasizes how the pursuit of personal gain can harm others, and reckoning with uncomfortable truths demands courage and sacrifice.

Ultimately, Glass Onion is a skillfully crafted, entertaining mystery that surpasses typical genre fare. It balances suspense, humor, and social critique naturally and compellingly. Cementing Rian Johnson’s success in the Knives Out franchise, it reclaims his reputation after the contentious backlash to The Last Jedi. While fan expectations proved insurmountable in that galaxy far, far away, Glass Onion confirms Johnson as a brilliant filmmaker capable of crafting sharp, layered stories. The film invites audiences to not only solve a crime but also reflect on integrity, power, and humanity’s search for justice and meaning. Its impact lingers long after the credits roll.

Lisa Marie’s Way Too Early Oscar Predictions For June


Click here for my April and May predictions!

Best Picture

Avatar: Fire and Ash

Deliver Me From Nowhere

F1

Hamnet

It Was Just An Accident

The Secret Agent

Sentimental Value

Sinners

The Smashing Machine

Wicked For Good

Best Director

Jon M. Chu for Wicked For Good

Ryan Coogler for Sinners

Joseph Kosinski for F1

Jafar Panahi for It Was Just An Accident

Joachim Trier for Sentimental Value

Best Actor

Timothee Chalamet in Marty Supreme

Dwayne Johnson in The Smashing Machine

Michael B. Jordan in Sinners

Wagner Moura in The Secret Agent

Jeremy Allen White in Deliver Me From Nowhere

Best Actress

Cynthia Erivo in Wicked For Good

Lucy Liu in Rosemead

Renate Reinsve in Sentimental Valure

Amanda Seyfried in Ann Lee

June Squibb in Eleanor The Great

Best Supporting Actor

Miles Caton in Sinners

Colman Domingo in Michael

Paul Mescal in Hamnet

Stellan Skarsgard in Sentimental Value

Christoph Waltz in Frankenstein

Best Supporting Actress

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Gabby Hofman in Deliver Me From Nowhere

Kate Hudson in Song Song Blue

Nia Long in Michael

Lisa Marie’s Way Too Early Oscar Predictions For May


We’re taking just a short break from our Eastwood-a-thon so that I can share my Oscar predictions for May.

As I say every month, don’t read too much into anything this early in the year.  I do think Sinners has a decent chance of getting nominated, despite being released early in the year.  And since Cannes has now emerged as a semi-reliable precursor, you’ll find a lot of this year’s winners mentioned below.  That said, in all probability, the actual Oscar nominations will look completely different from what’s below.  That’s part of the fun of doing monthly predictions!

I should note that Clint Eastwood is apparently working on another film.  Given how quickly he directs, he might be directing this year’s next sudden contender.

Click here for my April predictions!

Best Picture

Avatar: Fire and Ash

Deliver Me From Nowhere

F1

Hamnet

It Was Just An Accident

The Secret Agent

Sentimental Value

Sinners

The Smashing Machine

Wicked For Good

Best Director

Jon M. Chu for Wicked For Good

Ryan Coogler for Sinners

Joseph Kosinski for F1

Jafar Panahi for It Was Just An Accident

Joachim Trier for Sentimental Value

Best Actor

Timothee Chalamet in Marty Supreme

Dwayne Johnson in The Smashing Machine

Michael B. Jordan in Sinners

Wagner Moura in The Secret Agent

Jeremy Allen White in Deliver Me From Nowhere

Best Actress

Cynthia Erivo in Wicked For Good

Lucy Liu in Rosemead

Renate Reinsve in Sentimental Valure

Amanda Seyfried in Ann Lee

June Squibb in Eleanor The Great

Best Supporting Actor

Miles Caton in Sinners

Colman Domingo in Michael

Paul Mescal in Hamnet

Stellan Skarsgard in Sentimental Value

Christoph Waltz in Frankenstein

Best Supporting Actress

Elle Fanning in Sentimental Value

Ariana Grande in Wicked For Good

Gabby Hofman in Deliver Me From Nowhere

Kate Hudson in Song Song Blue

Nia Long in Michael

Film Review: Deepwater Horizon (dir by Peter Berg)


2016’s Deepwater Horizon tells the story of the 2010 explosion that led to the biggest oil spill in American history.

Owned by British Petroleum, the Deepwater Horizon was an oil rig sitting off the coast of Louisiana and Texas.  A series of explosions, which were found to be the result cost-cutting and negligence on the part of BP, killed eleven men, injured countless others, and led to an 87-day oil spill that leaked 210 million gallons of oil into the Gulf of America (or the Gulf of Mexico, as it was known back then.  I know, it can be heard to keep track).  I can still remember when the disaster happened.  It was seen as an early test of the “government-can-fix-anything” philosophy of the Obama era and it pretty much proved the opposite.  Private citizens (including Kevin Costner) offered to help and were rebuffed.  The governor of Louisiana was criticized for ordering the construction of barrier islands, even though they were more effective than was that the federal government was offering up.  The CEO of British Petroleum issued a self-pitying apology.  For a generation coming of political age in 2010, witnessing the government’s ineffective attempts to deal with the oil spill was as radicalizing a moment as the COVID lunacy would be for people coming of age in 2020.

In all the chaos surrounding the oil spill, it was often overlooked that 11 people died in the initial explosion.  In all the rightful criticism that was directed towards British Petroleum, the heroic efforts of the workers on the Deepwater Horizon, all of whom risked their lives to try to prevent the disaster from getting worse, were also often overlooked.  To an extent, Deepwater Horizon corrects that oversight, paying tribute to the men on that rig while also portraying the extent of the environmental disaster caused by BP’s negligence.

The film centers of Jimmy Harrell (Kurt Russell) and Mike Williams (Mark Wahlberg), two engineers who attempt to warn BP execs like Donald Virdrine (John Malkovich) that cutting costs on safety will inevitably lead to disaster.  Russell, Wahlberg, and Malkovich are all ideally cast, with Russell and Wahlberg capturing the spirit of men who try to do their job well and who live their life by the philosophy of not leaving anyone behind.  Malkovich is playing a corporate stooge, the man who many people blamed for the disaster.  But, to his credit, Malkovich is able to turn Virdrine into a complex character.  Virdrine makes terrible mistakes but he never becomes one-dimensional corporate villain.  Though Deepwater Horizon is dominated by its special effects and the explosion is an undeniably intense scene, the film doesn’t forget about the human cost of the disaster.  Russell, Wahlberg, and Malkovich are supported by good performances from Ethan Suplee, Gina Rodriguez, and Kate Hudson.  (Hudson, in particular, deserves a lot of credit for making her thinly-written role into something compelling.)  Kurt Russell does such a good job of capturing Jimmy’s quiet confidence and his expertise that, the minute he’s injured by the explosion, the audience knows that Deepwater Horizon is doomed.  If even Kurt Russell can’t save the day, what hope is there?

Director Peter Berg specialized in films about ordinary people who found themselves caught up in extraordinary situations.  His well-made and earnest films — like Lone Survivor, Patriots Day, and this one — were rarely acclaimed by critics, many of whom seemed to take personal offense at Berg’s unapologetically patriotic and individualistic vision.  Personally, I appreciate Berg’s pro-American aesthetic.  At a time when we were being told that individuals didn’t matter and that everyone should be content with merely being a cog in a bigger machine, Berg’s films came along to say, “This is what team work actually means.”  It’s been five years since Berg’s last film.  Hopefully, we will get a new one soon.

 

Music Video of the Day: Talk About Love by Kate Hudson (2024, dir by Kimberly Stuckwisch)


Today’s music video of the day is for the debut single of actress Kate Hudson.  Kate’s got a good voice, though I’m not sure how many people in their mid-40s have been able to launch a successful music career.  Oh well, no matter!  Best of luck to her!

Enjoy!