Late Night Retro Television Review: Highway to Heaven 3.18 “A Mother And A Daughter”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan is considered for a promotion!

Episode 3.18 “A Mother And A Daughter”

(Dir by Michael Landon, originally aired on February 4th, 1987)

Jonathan and Mark are in Hollywood …. again!

Seriously, it’s interesting how many episodes of Highway to Heaven found Jonathan and Mark dealing with movie stars and entertainment executives in Hollywood.  Every Hollywood episode basically followed the same plot.  Jonathan is all-business while Mark is excited to meet one of his old screen idols.  One thing that is a bit odd is that Mark always acts as if he’s never been in Hollywood before, even though almost every season usually featured several Hollywood episodes.

This time, they’ve been assigned to repair the relationship between veteran film star Phoebe Hall (Gloria DeHaven) and her estranged daughter, Gail (Judith Chapman).  Gail is writing a tell-all book about Phoebe, one that is set to be published at the same time that Phoebe is receiving a lifetime achievement award at a televised ceremony.  Can Jonathan get Gail to forgive her mother by showing Gail a bunch of old home movies?  Can Mark show Pheobe how much her career means to her fans?  Episodes in which Jonathan dealt with a film star who hadn’t been there for their children always seemed to hit Michael Landon extra hard.  His children have said that Landon was a bit of a workaholic and not always the most present of fathers.  One gets the feeling that this episode was Landon’s way of dealing with his own regrets.

While Jonathan works, he’s observed by another angel, Henry Clifford (Basil Langston).  Henry confides to Mark that Jonathan is being considered for a promotion into Heaven.  Mark briefly thinks about purposefully tanking the assignment so that Jonathan will stay on Earth with him.  Jonathan explains that they can’t do that and, to the show’s credit, Mark quickly realizes that Jonathan’s correct.  (Doing a bad job on purpose would have gone against everything the show had established about Mark’s character.)  In the end, Henry says that Jonathan will be staying on Earth for the time being because that’s obviously where Jonathan can do the most good.  Jonathan and Mark are happy.

That said, I do find it curious that the show has never really examined how Jonathan feels about the prospect of finally heading “upstairs.”  I mean, as Jonathan explains during this episode, he’s dead.  He’s been dead for a long time.  Wouldn’t he like to relax and enjoy his final reward?  Some people really like to work.  To be honest, I’d probably be the same way.  Give me a choice between going to Heaven and reviewing movies as a ghost …. well, it would be a hard decision for me.

Anyway, this was a sweet episode.  Highway to Heaven‘s strength was that it was shamelessly optimistic and earnest and that’s certainly the case here.

Retro Television Review: The Love Boat 4.20 “Quiet, My Wife’s Listening/Eye of the Beholder/The Nudist from Sunshine Gardens”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, The Love Boat makes history.

Episode 4.20 “Quiet, My Wife’s Listening/Eye of the Beholder/The Nudist from Sunshine Gardens”

(Dir by Harry Mastrogeorge, originally aired on February 21st, 1981)

This episode contains a historical first.  It features the first interracial romance to ever be featured on The Love Boat.  It took them three and a half seasons to feature one but, at the same time, in 1981, it still probably took some courage for a primetime television show to feature white David Hedison falling in love with black Leslie Uggams.  Today, of course, we tend to take it for granted that every movie, TV show, and advertisement is going to feature at least one interracial couple.  It’s easy to forget that this is actually a rather recent development.  Consider this:  I’ve reviewed over a hundred episodes of Fantasy Island and The Love Boat and this is the first episode to feature an interracial romance.

It should be noted, of course, that Leslie Uggams plays a blind woman.  At first, I thought the episode was trying to hedge its bets, by assuring any racists in the audience that Uggams didn’t know she was falling in love with a white guy.  But then, David Hedison asked Leslie Uggams to marry him and come live with him on his ranch.

“I am a blind, black woman,” Uggams replies, before asking Hedison how he’s going to handle the reactions of the “people in that small town” to him marrying her.

This, of course, would have been a great chance for Hedison to declare that he didn’t care what anyone else had to say and that love is love.  Unfortunately, he doesn’t say that.

Instead, Hedison jokes, “We’ll just tell people that you’re the new housekeeper.”

AGCK!  Oh, Love Boat, you were so close!  That truly unfortunately joke aside, it was a good story and David Hedison and Leslie Uggams had a likable chemistry together.  It was nice to see them leave the ship together.

(Incidentally, Leslie Uggams herself married a white man in 1965, at a time when interracial marriage still illegal in many States.  They’re still married today.)

As for the other two stories, they were pleasantly bland.  Barbie Benton played a nudist who was determined to sunbathe on the ship.  Though Doc Bricker volunteered to deal with the problem personally, Gopher instead declared that it was his duty — as purser — to convince her to cover up.  Peter Haskell played the ACLU lawyer who threatened to sue Gopher for violating Benton’s first amendment rights.  Haskell and Benton fell in love, despite the fact that Benton was 20-something while Haskell appeared to be close to 70.

Meanwhile, Dick Martin boarded the ship with his mistress (Judith Chapman) but he was so paranoid about the possibility of his wife bugging his cabin that his mistress got frustrated and left him.  Martin then fell in love with Mary Ann Mobley, an electronic expert who offered to de-bug his cabin.  Of course, Mobley was actually a detective sent to catch Martin with his mistress but she fell in love with Martin so I guess it just sucks for Martin’s wife.

The Barbie Benton storyline had some funny moments.  The Dick Martin storyline reminded me how hard it is to have sympathy for someone who would cheat on his wife with two different women on one cruise.  Overall, this was a pleasant — and historically significant — cruise.

Retro Television Reviews: Fantasy Island 2.3 “The Beachcomber/The Last Whodunit”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week …. Tattoo gets a trumpet!

Episode 2.3 “The Beachcomber/The Last Whodunit”

(Dir by George McCowan, originally aired on September 30th, 1978)

Tattoo is learning how to play the trumpet and Mr. Roarke can barely hide his anger.  That is this week’s Tattoo/Roarke storyline and it rasies a lot of questions about Roarke and Tattoo’s relationship.  Is Roarke upset because Tattoo is a bad trumpet player or does he just dislike Tattoo in general?  Does Tattoo really care about learning how to play the trumpet or is he just looking for an excuse to annoy Mr. Roarke?  I think all of those possibilities may be true at the same time.  If the previous two episodes hinted that Roarke and Tattoo no longer hated each other, this episode seems to confirm that they’re still the frenemies that they’ve always been.  I sympathize with Roarke but it’s hard not to appreciate Tattoo’s determination to be an agent of chaos.

As for the fantasies, Charles Preston (John Astin) is a successful businessman who wants to throw it all ways so that he can spend the rest of his life as a beach bum.  Roarke sets Preston up in a cabin on one of the shabbiest beaches on Fantasy Island.  Seriously, the layout of Fantasy Island is just weird.  A third of the island is a luxury resort.  A third of the island is a magical jungle.  And a third of the island is apparently just a collection of poverty-stricken fishing villages.  Do the people who live on the island know that they could be having a fantasy if they only had the money?  Let’s hope none of them ever pick up a copy of Marx or Piketty. 

Anyway, Preston soon discovers that the life of a beach bum is not as easy as he thought it would be.  For one thing, the chief of the island’s indigenous population demands that Preston marry his daughter.  (The joke is that his daughter is overweight and …. well, it’s all pretty cringey by 2022 standards.)  Meanwhile, a bounty hunter slaps some handcuffs on Preston and threatens to take him back to his family unless Preston pays him $70,000.  “All of you beachcombers have a stash!” the bounty hunter hisses.  Fortunately, Preston’s wife shows up and announces that she’s fine with him being a beach bum, as long as he’s a responsible beach bum who helps to pay the bills.  And that’s the end of that.  What an underwhelming fantasy.

Luckily, the episode’s other fantasy is a bit more entertaining.  Mabel Jarvis (Celeste Holm) loves mystery stories and she wants to spend a weekend as her favorite fictional detective.  Of course, Mabel soon finds herself investigating the real-life murder of Mabel’s favorite writer.  Mr. Roarke explains that the writer was a friend of his and that he hoped Mabel could solve the case.  That seems like a lot of responsibility to put on someone who is just looking for a vacation but, fortunately, Mabel proves to be up to the job.  Anyway, this was a fun little fantasy and, as an avid reader of mysteries, it was one to which I could relate.  Celeste Holm seemed to be having a lot of fun as Mabel and, even more importantly, her cat played a key role in solving the mystery.

This was not a bad episode.  The beach stuff was forgettable but the episode was saved Celeste Holm and Tattoo’s trumpet.