Retro Television Review: St. Elsewhere 3.3 “Two Balls And A Strike”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, the nurses go on strike.  Fire all of them!, I say.

Episode 3.3 “Two Balls and a Strike”

(Dir by David Anspaugh, originally aired on October 3rd, 1984)

It’s another depressing few days at St. Eligius.

When negotiations break down, all of the nurses — except for Shirley Daniels — go on strike.  Led by Nurse Rosenthal, they march out of the hospital and join a picket line in the rain.  Triumphant music plays on the soundtrack  Rosenthal gets on her bullhorn and announces that anyone making deliveries to the hospital will be crossing the picket line and not showing solidarity with the union.  Honestly, though?  Screw the union.  It’s a hospital!  It needs supplies.  There are people dying inside of that building and they’re not even going to have the dignity of clean linen because of Nurse Rosenthal and her stupid union.  And another thing …. Rosenthal is the head of union at St. Eligius.  So, why isn’t she marching in the rain and carrying a sign?  Why does she get to stand in the doorway and shout at people?  Get out there and suffer for your union, you British commie!

Obviously, the show wanted me to be inspired by Rosenthal and the union.  Whenever it switched over to the picket line, triumphant music started playing.  I’m with Nurse Daniels on this one, though.  Daniels didn’t vote the union so why should she have to suffer in the rain?  She stays on the job.  “Good luck,” Rosenthal tells her, “you’ll need it.”  And all I can say to that is that at least Shirley Daniels isn’t deserting the hospital’s patients.

While the nurses are on strike, Dr. Canavero is attacked by a hulking man wearing a ski mask.  Canavero is able to fight him off.  Westphall and everyone else at the hospital immediately assumes that the man was Peter White but Peter has an alibi.  He was in radiology when Canavero was attacked.  So, is there a new ski mask rapist haunting the hospital?  The first ski mask rapist storyline was pretty disturbing, especially since Peter got away with it.  I’m not sure I want to go through a second one.

Dr. Craig and Ellen went to couples therapy.  As usual, Dr. Craig got annoyed with the whole thing.  There’s really nothing more fun than watching Dr. Craig get annoyed.  No one gets annoyed better than William Daniels.  Still, it seemed to do Dr. Craig and Ellen some good, with Ellen making plans to go to Hawaii and Dr. Craig acknowledging that he’s not always the easiest person to deal with.

As for Dr. Westphall …. he spent most of this episode depressed.  Westphall is always depressed.

This is my final St. Elsewhere review for 2025.  Retro Television Review is taking a break for the holidays, so I can focus on Awards Season and Christmas movies!  St. Elsewhere will return on January 9th.

Retro Television Review: St. Elsewhere 3.2 “Playing God: Part Two”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, the hospital is a depressing place.

Episode 3.2 “Playing God: Part Two”

(Dir by Bruce Paltrow, originally aired on September 26th, 1984)

There was a lot going on in this episode.

Sister Domenica demanded that Sister Theresa be taken off of life support and she threatened to sue the hospital if it didn’t happen.  This led to Dr. Westphall telling another long and depressing story about his dead wife.  I don’t mean to be flippant about anyone’s tragedies but it’s hard not to notice that almost everything seems to lead to Westphall telling a depressing story.  Westphall is one of the most saddest television characters that I’ve ever come across.

The nurses are closer to striking.  A labor negotiator named Richard Clarendon (Herb Edelman) is brought in by the nurses and it’s hard not to notice that he looks a lot like Helen Rosenthal’s ex-husband.  I think I can already guess where this is heading.

A sick child was brought in by a woman (Tammy Grimes) who claimed to be his fairy godmother.  This gave Fiscus an excuse to get a consultation from Kathy Martin, who has abandoned the morgue for psychiatry and who is no longer dressing exclusively in black.

At home, Dr. Craig struggled with impotence.  At the hospital, Dr. Ehrlich gave an awkward lecture about whether or not one can have sex after heart surgery.

The firefighters are still recovering from their burns.

Clancy got an abortion, despite Morrison’s objections.

And yet, all that drama was overshadowed by the fact that the Dr. Peter White — the drug-addicted rapist who nearly killed more than a few patients due to his own incompetence — is once again walking the halls of St. Eligius.  White won his lawsuit.  I’m not really sure that I understand what the basis of his lawsuit was.  St. Eligius could only ask a select number of residents to return and, even if you overlook the fact that White was accused of rape, it’s not as if Dr. White was ever an especially competent doctor.  It would seem that just his struggle with drug addiction would be enough to justify not asking him to return.  And yet, somehow, Dr. Peter White is once again a resident at St. Eligius.  (The ruling was probably handed down by a Carter judge.)

“You just can’t admit that you were wrong about me!” White snaps at Westphall.

Westphall replies that White is a terrible human being and not worthy of being a doctor and that he will not be allowed to work with any patients at the hospital.  And, for once, I wanted to cheer Dr. Westphall.  He may be depressing but he understands exactly who and what Peter White is.

Whatever the future may hold for the hospital, I have a feeling that it’s not going to be happy.  Two episodes in and the third season has already settled into a pit of melancholy.  That said, melancholy is perhaps the right mood for a medical show.  When it comes to hospitals, there aren’t many happy endings.

Retro Television Review: St. Elsewhere 3.1 “Playing God, Part One”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

Today, we start the third season of St. Elsewhere with some new opening credits!

Episode 3.1 “Playing God, Part One”

(Dir by Bruce Paltrow, originally aired on September 19th, 1984)

The opening of the third season finds that St. Eligius is just as depressing as it’s ever been.

Fiscus leads a group of new residents, including Dr. Elliott Axelrod (played by new series regular Stephen Furst), through the hospital.  Fiscus comes across as being an arrogant jackass.  I guess that’s the appeal of being a second-year resident.  You get to look down on all of the first-years.

Jack is still dating Clancy (young Helen Hunt).  When Clancy tells Jack that she’s pregnant, he’s shocked when she says she’s planning on getting an abortion.  Jack proposes to her.  Clancy says she’s not ready to get married and she’s not ready to have a baby.

Dr. Craig is still yelling at Dr. Ehrlich.  Dr. Ehrlich is still annoying the nurses.

Speaking of the nurses, they’re going on strike!

Three firefighters (one of whom is played by Erin Hudson) are injured while on the job and are rushed to St. Eligius with severe burns.  Luckily, plastic surgeon Bobby Caldwell (Mark Harmon, without that terrible mustache he wore during season two) is on call.

Dr. Peter White is working in a shady clinic and is still suing for his right to be a resident.

A traffic accident leaves one nun in a coma and apparently brain-dead.  Sister Doemnica (Michael Learned) wants to take her off life-support.  Westphall (Ed Flanders), who seems even more depressed than usual, disagrees.  It looks like there’s going to be some conflict about this.  For once, I’m on Westphall’s side.  I’m believer in hope.

Auschlander is still battling his cancer.

In other words, it’s another day at St. Eligius.  The third season premiere did a good job of re-introducing viewers to the hospital.  The snarkiness of Fiscus’s tour nicely balanced all of the more dramatic moments in the episode.  If anything has me worried, it’s the possible return of the loathsome Peter White.  How is the hospital going to deal with the return of a man who they all know is a rapist, even if he was somehow acquitted?  I guess we’ll find out.

Late Night Retro Television Review: Highway to Heaven 1.24 & 1.25 “Thoroughbreds”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, season one concludes with a two-part episode.

Episodes 1.24 and 1.25 “Thoroughbreds”

(Dir by Michael Landon, originally aired on May 1st and 8th, 1985)

For their last assignment of the first season, Jonathan and Mark are sent to work at a stable owned by the wealthy Mr. Armstong (Stephen Elliott).  Lizzy MacGill (a young Helen Hunt) is the daughter of one of Amrstrong’s employees (Noble Willingham) and has practically grown up at the stables.  She loves horses and, as the first episode progresses, she also falls in love with Mr. Armstrong’s spoiled son, Garth (John Hammond).

Garth falls in love with Lizzie as well, learning how to be both a better horseman and just a better man from his interactions with her.  Despite his father’s threat to disown him, Garth breaks off his engagement to Ms. Richy McSnobby Snob (that may not have been her actual name) and he elopes with Lizzie.

Yay!

Except …. Lizzie has cancer and she doesn’t know it!  The test comes back on the exact same day that she runs off with Garth.  Part one ends with two fathers in tears, though each for different reasons.

At the start of Part Two, Jonathan tracks down Lizzie and informs her of her diagnosis.  Without telling Garth what’s going on, she returns home and is informed that 1) she must start chemotherapy immediately and 2) she’s pregnant.  Her doctor (Richard Bull) tells Lizzie that she’ll have to have an abortion if she wants to start treatment.  Lizzie runs from the hospital.

As for Garth, he naturally wants to know what’s going on.  Lizzie lies to him and tells him that she only wanted him for his father’s money and since he’s now cut-off, they might as well just call off the marriage as well.  Heart-broken, Garth decides to marry RIchy McSnobby Snob.

Worst ending ever, right?  Well, don’t worry, it’s not over yet.  Jonathan and Mark crash the wedding (and Jonathan tells a lie to get into the church, which I thought was a no-no for angels) and Jonathan causes A FIRE TO BREAK OUT IN THE CHURCH’S BASEMENT!  Again, this does not seem like good angel behavior.  Anyway, all the smoke gives Garth time to realize that he actually does love Lizzie and, after Mark informs him about why Lizzie actually left him, Garth rushes back to Lizzie and they go to the local Justice of the Peace to get married.  Fortunately, Jonathan is able to convince Mr. Elliott to come to that wedding as well.

The episode ends with a flashforward,  in which we see Lizzie and Garth’s toddler son playing outside while an apparently healthy Lizzie watches.

Yay!

It’s not a bad way to end the first season, though I do think the story could have just as easily been told in one episode as opposed to two.  (The first episode especially feels padded out.)  Helen Hunt and John Hammond made for a perfectly adorable couple and their chemistry ensured that the show’s signature mix of sentimentality and melodrama never felt too cloying.  All in all, this was a good ending to a fairly strong first season.

Next week, season 2 begins!

Cleaning Out the DVR: Scared Straight! Another Story (dir by Richard Michaels)


Who is ready to be scared straight … again!?

Scared Straight!  Another Story is a made-for-television movie from 1980.  As you can tell by the name, the movie was inspired by the documentary Scared Straight! and the addition of Another Story to the title would lead one to suspect that this was actually a follow-up or continuation to that documentary and I guess it kind of is.  A group of teenagers, all of whom have been in trouble with the law, are sent to a prison where they are finger-printed, forced to stay in a cell, and then yelled at by a bunch of prisoners who assure them that they don’t have what it takes to survive in prison.  Then, just as in the documentary, the teenagers leave the prison.  Some of them continue to get in trouble and some of them are scared straight.  As for the prisoners, they remain imprisoned.

The main difference is that, instead of featuring real prisoners and real delinquents, Scared Straight! Another Story is a dramatization.  As a result, the prisoners are saying the same thing that they said in the first Scared Straight! but now the prisoners themselves are played by actors who will be familiar to anyone who has watched enough old TV shows.  The prisoners may be yelling about how much life sucks but the viewer knows that they are all actors and, as a result, Scared Straight!  Another Story lacks the rough authenticity of the first film.  (It also doesn’t help that most of the profanity from the original documentary has been replaced with softer expressions of disgust.)  The film again makes the argument that the Scared Straight program can turn someone’s life around but it’s not as effective because, again, the troubled teens are all actors.  The viewer knows that they’re actors.  Their lives have already been turned around.

Surprisingly, the scenes of the prisoners yelling are the least effective parts of this film.  Instead, Scared Straight!  Another Story works best when it is exploring everyone’s life before and after the trip to the prison.  Stan Shaw, in particular, is effective as a prisoner who is inspired to take part in the program after he comes across the body of an inmate who has been driven to suicide.  Also well-cast is Terri Nunn, playing Lucy, the girlfriend of a small-time drug dealer.  Both she and her boyfriend are scared straight but it turns out to be too little too late as her boyfriend is eventually sent to jail for the crimes that he committed before the program.  (There’s an interesting scene, one that I wish had been explored in greater detail, where Lucy’s father observes the scared straight program and, instead of understanding that prison is a terrible place to send a kid, reacts by saying that the prisoners are all getting what they deserve.)  Finally, Cliff De Young, who has played a lot of corrupt government agents and out-of-touch teachers over the course of his career, gets a sympathetic role as Paul, the idealistic juvenile probation officer who sends three of his clients to the program.  The program works for two of them while the other eventually ends up joining the inmates who previously tried to warn him.  If nothing else, the film deserves some credit for admitting that the Scared Straight program isn’t going to magically reform everyone who attends.

Despite some good performances, Scared Straight! Another Story lacks the rough edged authenticity of the documentary.  It’s just not as effective when you know that everyone, including the prisoners, could go home at the end of the day.  Today, this is one of those films that is mostly interesting as a historical artifact.  Apparently, there really was a time when anything could inspire a TV movie.