Back to School Part II #50: Paper Towns (dir by Jake Schreier)


(For the past three weeks, Lisa Marie has been in the process of reviewing 56 back to school films!  She’s promised the rest of the TSL staff that this project will finally wrap up by the end of Monday, so that she can devote her time to helping to prepare the site for its annual October horror month!  Will she make it or will she fail, lose her administrator privileges, and end up writing listicles for Buzzfeed?  Keep reading the site to find out!)

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Looking at the film poster above, you could be forgiven for immediately thinking of The Fault In Our Stars.  Of course, some of that is because it says, “From the author of The Fault In Our Stars” and because it features half of Nat Wolff’s face.  (Wolff had a key supporting role in Fault.)  Beyond that, though, the poster feels as if it could have just as easily been used for The Fault In Our Stars.  Check out the intensity of the stares.  Though we may only see half of their faces, both of the pictured characters appear to be daring the viewer to dismiss their concerns as being mere “teen drama.”

When Paper Towns was released in 2015, it was repeatedly advertised as being the next Fault In Our Stars.  Paper Towns does share Fault‘s unapologetic earnestness and, in a few scenes, its sense of inescapable melancholy.  (As people get older, they tend to sentimentalize the years that came before and, as a result, they often forget how coming-of-age and intense regret often go hand-in-hand.)  But ultimately, though they’re both based on novels by John Green and feature Nat Wolff, Paper Towns tells a very different story from The Fault In Our Stars.

Nat Wolff stars as Quintin, who is better known as Q.  Quintin is a student at Jefferson Park High School in Orlando.  He’s the epitome of a good kid.  He’s shy, he’s polite, and, somewhat inevitably when you consider what is currently valued in American society, he’s not particularly popular at school.  He spends most of his time hanging out with his friends, Ben (Austin Abrams) and Radar (Justice Smith).  And when he’s not hanging out with them, he’s pining for the most popular girl in school, Margo (Cara Delivingne).

Margo and Quintin have been neighbors since they were children.  When Margo’s family first moved in, she and Quintin became close friends but that friendship ended after they came across the body of a man who had committed suicide.  Traumatized, Margo drifted away from Quintin.  Now, nine years later, they are both seniors in high school.  Quintin silently loves Margo.  Margo rarely acknowledges his existence…

Or, that is, she doesn’t until the night that she suddenly climbs through Quintin’s bedroom window.  She explains that her boyfriend has been cheating on her.  She wants revenge on him and all of her friends, none of whom bothered to tell her what was going on.  A night of gleeful vandalism follows, ending with a romantic dance.

The next morning, Margo is gone.  She’s vanished and no one knows where she has gone.  However, Quintin is determined to find her and he is also convinced that she has left him a trail of clues that will lead him to her.  When he concludes that she’s gone to upstate New York, he recruits his friends (and one of Margo’s former friends) to go on a road trip with him.  Quintin is convinced that Margo will be waiting for him but, as always, the truth is a bit more complex…

While the plot description might make Paper Towns sound like a YA version of Gone Girl, it’s actually an achingly sincere and incredibly likable little film.  The entire cast has a good chemistry and their dialogue is clever without sounding artificial.  The best thing about Paper Towns is that it serves as a wonderful showcase for Nat Wolff, who is one of the best and most underrated young actors working today.  If you watch this film directly after watching Wolff convincingly play a self-destructive sociopath in Palo Alto, you’ll get a hint of Wolff’s range.

Paper Towns won’t make you cry like The Fault In Our Stars did but it’s still a pretty decent film.

Back to School #77: The Fault In Our Stars (dir by Josh Boone)


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Well, we’re wrapping things up as far as Back to School is concerned.  A little over a month ago, I set out with a mission.  I said that I would review 80 of the best, worst, most memorable, and most forgettable high school and teen films ever made.  I said it would be able to do it all in one week.  Needless to say I was wrong.  It’s actually taken me five weeks but the end is in sight and, as much as I’ve enjoyed doing this series, that’s probably for the best.  After all, the back to school sales are over.  The kids have already settled back into the school routine.  Everyone’s looking forward to the winter break.

Add to that, it’s nearly October and that means that it’s nearly time for this site to start devoting itself to horror!

So, we have four more Back to School reviews to go and, keeping with the chronological nature of this series, they are all for films that were released in 2014!

Speaking of which, 2014 has been the year of Shailene Woodley.  Much as how Jennifer Lawrence dominated 2012 by starring in The Hunger Games and winning an Oscar for Silver Linings PlaybookWoodley has proven herself to be both capable of carrying a franchise and starring in a serious film.  Also, much like Jennifer Lawrence in 2012, Shailene has been the subject of several condescending posts  over at AwardsDaily.com.  And, as we all know, you haven’t arrived in this business until Sasha Stone talks down to you.

Shailene’s serious film of 2014 was The Fault In Our Stars, which is based on the excellent and heart-breaking novel by John Green.  The book made me cry and cry.  In fact, it made me cry so much that I wasn’t sure whether I would have any tears left over for the film.  Don’t get me wrong.  I knew the film would probably be good.  Just on the basis of her excellent performances in The Descendants and The Spectacular Now, I knew that Shailene Woodley was an ideal pick for the role of the Hazel, a sarcastic 16 year-old who has thyroid cancer and can’t go anywhere without her oxygen tank.  But I wondered, knowing already what was going to happen, would the film still have as strong an effect on me as it would if I was going in with no knowledge as to what was waiting for me.

I really shouldn’t have even wondered.  For that matter, I probably should not have worn mascara on the night that I saw the movie because, seriously, by the end of it, my face was a mess!  The Fault In Our Stars is one of those films that has been specifically made to make you cry.  And yes, it’s undeniably manipulative and I’ll even agree with those critics who have used the dreaded “schmaltz” label while describing the film but so what?  In the end, the tears are earned.  In the end, the film works.

And that’s largely due to Shailene Woodley’s performance as Hazel.  While Ansel Elgort gives an okay performance as Augustus, the boy who has lost a leg to cancer and who Hazel loves, the film really does belong to Shailene.  She gives a fierce performance, capturing both Hazel’s dark humor and, even more importantly, her independence and her inner strength.  It’s the type of performance that more than justifies 2014 being the year of Shailene Woodley.

Probably one of the more critically divisive scenes in the film comes when Hazel and Augustus are taking a tour of the Anne Frank House in Amsterdam.  (They’re in Amsterdam because they’re looking for Hazel’s favorite writer, a drunken recluse who is well-played by Willem DaFoe.)  Over the course of the tour, Hazel has to climb several staircases and ladders and it’s not easy for her.  However, Hazel never gives up and, at the end of the tour, she and Augustus share as kiss.  And, of course, everyone else who was on the tour breaks out into applause.  For many, I think this is the scene where the film says, “You can either take me as I am or you can leave the theater.”  Yes, it is incredibly manipulative and yes, I do think it would have been just as effective without everyone else breaking out into applause.  But, dammit, the scene works!  You have grown to so much care about Hazel that the scene works.  It also helps that, up until this point, the film has been so unsentimental about the horrible reality of cancer that the fact that you’re happy to finally see Hazel get that over-the-top moment of happiness.  Hazel has earned it, the film has earned it, and so has Shailene Woodley.

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Lisa Marie’s Ten Favorite Novels of 2012


Continuing my series on the best of 2012, I now present my 10 favorite novels of the previous year.  For a lot of reasons, I didn’t get to read quite as much as I wanted to over the past year.  My New Year’s resolution — well, one of them — is to do better in 2013.

Without further ado, here’s my list.  All 10 of the novels provided an entertaining, thought-provoking read over the past year and you should read them all.

1) The Great Escape by Susan Elizabeth Phillips

2) Gone Girl by Gillian Flynn

3) Bring Up The Bodies by Hilary Mantel

4) Into the Darkest Corner by Elizabeth Haynes

5) This Is How You Lose Her by Junot Diaz

6) The Book of Summers by Emylia Hall

7) The Fault In Our Stars by John Green

8) Odd Apocalypse by Dean Koontz

9) Blue Moon Bay by Lisa Wingate

10) On Demon Wings by Karina Halle

Coming up tomorrow, it’s the list that we’ve all been waiting for — my favorite 26 films of 2012!