James Canning | Through the Shattered Lens

In 1967, a group of young men arrive at the Marie Corp. Recruit Depot in San Diego. Tyrone Washington (Stan Shaw) is a drug dealer from Chicago who tells everyone not to mess with him and who soon emerges as a natural born leader. Dave Brisbee (Craig Wasson) is a long-haired hippie who tried to feel to Canada and who shows up for induction in handcuffs. Vinny Fazio (Michael Lembeck) is a cocky and streetwise kid from Brooklyn. Billy Ray Pike (Andrew Stevens) is a country boy from Texas. Alvin Foster (James Canning) is an aspiring writer who keeps a journal of his experiences. Sgt. Loyce (R. Lee Ermey, making his film debut) molds them into a combat unit before they leave for Vietnam, where they discover that all of their training hasn’t prepared them for the reality of Vietnam.

The Boys In Company C has the same basic structure as Stanley Kubrick’s Full Metal Jacket, right down to R. Lee Ermey playing the tough drill sergeant. The sharp discipline of basic training is compared to the chaos of Vietnam. Ermey always said that he was playing a bad drill sergeant in Full Metal Jacket because he tore down the recruits but never bothered to build them back up. In The Boys In Company C, Ermey plays a good drill sergeant, one who is tough but fair and who helps Washington reach his potential. It doesn’t make any difference once the company arrives in Vietnam, though. Both The Boys In Company C and Full Metal Jacket present the war in Vietnam as being run by a collection of incompetent officer who have no idea what it’s like for the soldiers who are expected to carry out their orders.

Of course, The Boys In Company C is nowhere near as good as Full Metal Jacket. Full Metal Jacket was directed by Stanley Kubrick and it’s a chilling and relentless look at the horrors of combat. The Boys In Company C was directed by Sidney J. Furie, a journeyman director who made a lot of movies without ever developing a signature style. The basic training scenes are when the film is at its strongest. When the company arrives in Vietnam, Furie struggles with the story’s episodic structure and it can sometimes be difficult to keep track of the large ensemble cast. The Vietnam sequences are at their best when the emphasis is on the soldiers grumbling and bitching as their officers send them on one pointless mission after another. The soccer game finale tries to duplicate the satire of the football game that ended Robert Altman’s M*A*S*H but it does so with middling results. The Boys in Company C is a collection of strong moments that never manage to come together as a cohesive whole.

The movie is still important as one of the first major films to be made about the war in Vietnam. However, it’s since been overshadowed by The Deer Hunter, Apocalypse Now, Platoon, and, of course, Full Metal Jacket.

Elvis, not to be confused with the later film starring Austin Butler, is a historically-interesting film for a number of reasons.

Made for television, it was the first of many biopics to be made about the King of Rock and Roll. Seeing as how it went into production just a year after Elvis’s death and that its script was vetted and approved by Priscilla Presley herself, it’s not surprising that Elvis doesn’t really delve into the darker aspects of his life. Elvis shoots a television, gets frustrated with his bad movies, and wonders who he can trust but we don’t see him get fat nor do we see him popping pills. The movie ends with Elvis making his comeback in 1969, allowing a happy ending for the title character.

The film was directed by John Carpenter. It was his first film to be released after the monster success of Halloween, though Carpenter actually started work on Elvis before Halloween was released. Though the film’s television origins means there aren’t many examples of Carpenter’s signature style in Elvis, Carpenter does a good job recreating Elvis’s performances and, most importantly, he comes up with a film that holds your interest for three hours.

Finally, the role of Elvis is played by Kurt Russell, who was at the time still struggling to prove himself as being something more than just a Disney star. Russell, who made his film debut kicking Elvis in the shins, throws himself into playing the role and captures the look, the swagger, and the voice of Elvis without ever descending into caricature. His singing voice is dubbed for the performances but Russell is still convincing as the King. It takes skill to wear that white jumpsuit without looking like you’re wearing a bad Halloween costume. While this film showed that Russell was capable of more than just Disney films, it even more importantly launched his friendship with John Carpenter. Escape From New York, The Thing, and Big Trouble In Little China all began with Elvis.

The movie doesn’t really tell us anything that we didn’t already know about Elvis but its entertaining and it has a big, colorful cast that include Pat Hingle as Tom Parker, Shelley Winters as Elvis’s mother, and Bing Russell (Kurt’s father) as Elvis’s father. Priscilla is played by the beautiful Season Hubley, who married Kurt Russell shortly after filming. (They divorced in 1983.) Joe Mantegna, Ed Begley Jr., Ellen Travolta, and Dennis Christopher all appear in small roles and do their part to bring Elvis’s world to life. Elvis is a fitting tribute to the King of Rock and Roll, one that gave Elvis a happy ending and started a great collaboration between a director and his star.