Retro Television Reviews: The Love Boat 1.17 “Winner Take Love / The Congressman Was Indiscreet / Isaac’s History Lesson”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, things get awkward as we set sail on The Love Boat!

Episode 1.17 “Winner Take Love / The Congressman Was Indiscreet / Isaac’s History Lesson”

(Dir by Jack Arnold, originally aired on January 28th, 1978)

It’s the most awkward cruise ever!

A beauty contest is being held on the ship!  The winner becomes Ms. Pacific Princess and, along with getting a lot of money, she also sacrifices a year of her life so that she can go on free cruises and promote the Pacific Princess line.  Along with being beautiful, the winner is also expected to be “virtuous.”  Of course, judging from The Love Boat, the cruise line seems to specifically cater to people who are desperately looking to get laid so the rules seem to be a bit hypocritical.

The head of the contest, Waldo Linden (Graham Jarvis), recruits Captain Stubing to act as host.  Unfortunately, after Stubing gets a few laughs from the jokes that Waldo has written for him, the Captain turns into a prima donna.  He starts punching up the script on his own.  Waldo, however, has even more to worry about than the captain.  Suzy (Maureen McCormick), one of the contestants, is secretly traveling with her boyfriend, Rick (Bobby Sherman).  When Waldo tries to disqualify Suzy for not being “virtuous,” another contestant, the klutzy Jeanette (Priscilla Barnes), asks that Waldo help her zip up her dress and, after Waldo kisses her, she points out that Waldo hasn’t been living up to his own standards.  Due to Jeanette’s blackmail, Suzy is allowed to compete and she wins!  But then she refuses the crown so that she can marry Rick and, as a result, Jeanette becomes Miss Pacific Princess.

While that’s going on, scandal-plagued Congressman John Whitcomb (Dick Van Patten) falls in love with Robin Brandt (Vickie Lawrence).  What the Congressman doesn’t know is that Robin works for a tabloid newspaper and Robin’s editor expects Robin to report on whether or not allegations of an affair are going to led to Whitcomb resigning his seat. 

All of that is certainly awkward but it’s nothing compared to the third storyline.  Almost everyone loves passenger Virgil Gibson (played by the engaging Scatman Crothers), who is always the life of the party and who loves to make people laugh.  The only person who doesn’t like him is Prof. Stephanie Hayden (Vernee Watson), who is on the cruise to work on a study about African-American history.  Hayden feels the Virgil is acting like a fool and playing into all of the demeaning stereotypes that white people have about black people.  Hayden encourages Isaac to learn more about his background and soon, Isaac is being rude to Virgil and telling him not to call people “boss.”

Captain Stubing notices this.  He approaches Isaac — while Isaac is working — and says, “I notice you’ve been reading a lot of black history.”

AGCK!  As soon as the very white Captain Stubing says those words to Isaac, the cringing begins.

Stubing goes on to explain that Virgil was a pitcher in the Negro Baseball Leagues and that, if not for him, blacks would never have made it into the major leagues.  “And I wouldn’t be serving drinks on this cruise,” a remorseful Isaac says.  “And I wouldn’t be teaching,” Stephanie agrees.  Stubing goes on to explain that Virgil is acting the way he acts because that’s the way blacks were expected to behave when Virgil was a young man.  After being chastised by the ship’s white authority figure, Isaac and Stephanie agree that they were wrong to judge Virgil.

And, in many ways, Captain Stubing does have a point about judging people and Isaac and Stephanie were being a bit harsh in their dismissal of Virgil.  But that doesn’t change the fact that this episode features the extremely white Captain Stubing explaining black history to not only the ship’s only black employee but also a black college professor who has spent her entire academic career researching and writing about black history.  Stubing is essentially telling two black people how they should interpret and feel about black history.  It’s incredibly weird to watch and one has to wonder why the writers thought that Stubing — as opposed to Virgil himself — was the correct character to explain Virgil’s past and Virgil’s character.  It just doesn’t feel right, at all.

That said, there was a lot to like about this episode.  Scatman Crothers shows the same charm here that he showed in The Shining.  As cringey as Captain Stubing is when he lectures on black history, the plotline of him turning into a diva was actually pretty funny and Gavin MacLeod seemed to be having fun playing up the pompous side of the character.  The beauty pageant subplot was dumb but Maureen McCormick actually gave a pretty good performance as Suzy.  This episode had its moments though, in the end, it will always be defined by the awkwardness.

 

Retro Television Reviews: The Love Boat 1.9 “The Captain’s Captain / Romance Roulette / Hounded”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Love?  Don’t worry.  Love won’t hurt anymore.

Episode 1.9 “The Captain’s Captain / Romance Roulette / Hounded”

(dir by Jack Arnold, originally aired on November 26th, 1977)

As I watched the opening scenes of the cruise’s passengers making their way onto the Love Boat, I noticed that this episode was directed by Jack Arnold.  I did some online checking and I discovered that this was indeed the same Jack Arnold who directed It Came From Outer Space, Creature From The Black Lagoon, The Incredible Shrinking Man, Tarantula, and a host of other so-called B pictures.  By the time the 70s rolled around, Arnold was directing blaxploitation films (including Fred Williamson’s Boss) and episodic television.  As I watched the episode, I found myself wondering which member of the cast probably asked Arnold the most questions about shooting Creature From The Black Lagoon.  I guess that it was probably Fred Grandy, since apparently he’s a pretty intelligent guy.

As for the show itself, it featured the typical three-story structure.  Gary Burghoff (who I had just watched on Fantasy Island) played a passenger who found himself trapped in his cabin with a security dog that had somehow gotten loose.  As I’ve mentioned before, I have a fear of big dogs so this particular scenario would be quite traumatic for me.  Burghoff, however, got along with the dog and even helped to deliver her puppies.  Awwwwwwww!  Big dogs are scary but little puppies are cute!

While Captain Stubing was dealing with the dog problem, his irascible father (played by Phil Silvers), who was himself a former cruise ship captain, was wandering around the ship and eventually falling in love with a cook named P.J. Muldoon (Judy Canova).  Captain Stubing was skeptical of his father’s romance but, by the end of the episode, he was proposing a toast to his future stepmother.  This storyline was fairly predictable but Phil Silvers and Gavin MacLeod were believable as father-and-son and their scenes together added some depth to Captain Stubing, a character who, in other episodes, has come across as being a bit flat.

Finally, Jane Curtin played Regina Parker, a literature professor who was on the cruise with two friends from college (Joanna Kerns and Susan Heldfond).  The three of them played a game, in which they basically had to make the first man that they heard use a certain word fall in love with them for the duration of the cruise.  The word was “screwdriver.”  When Regina went up to Isaac’s bar to wait for someone to order a screwdriver, she was taken by surprise when Frank (Vincent Baggetta), the ship’s plumber, walked up with a toolbox and asked for someone to hand him a screwdriver.  Regina started to hit on Frank.  Frank almost immediately fell in love with her and he let her read some of his poetry.  Even though his poetry was terrible, Regina fell in love with him.  As you can guess, Frank eventually found out about the game but, by the end of the episode, he and Regina were promising to write each other every day.  In its undeniably silly way, this was actually kind of a fun storyline.  Curtin and Baggetta actually had a lot of chemistry.  Frank’s poems still sucked though.

All in all, this was a pleasant episode.  The guest stars were likable and the cruise itself looked like it would have been a lot of fun.  Was this episode life’s sweetest reward?  It was good but I wouldn’t go that far.  Love is life’s sweetest reward.

Horror Scenes That I Love: Swimming With The Creature From The Black Lagoon


Today’s horror scene that I love comes from one of my favorite films, 1953’s Creature From The Black Lagoon.  In this scene, Julia Adams goes for a swim.  Little does she realize that, under the water, the Creature is following her every move.  Wonderfully directed by Jack Arnold, this creepy yet oddly lovely scene is one of the best of the 50s.

4 Shots From 4 Horror Films: The Mid 50s


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the mid-50s!

4 Shots From 4 Horror Films: The Mid 50s

Creature From The Black Lagoon (1954, dir by Jack Arnold, DP: William E. Snyder)

Tarantula (1955, dir by Jack Arnold, DP: George Robinson)

Bride of the Monster (1955, dir by Ed Wood, DP: Ted Allan and William C. Thompson)

It Conquered The World (1956, dir by Roger Corman, DP: Fred E. West)

4 Shots From 4 Horror Films: The Early 50s


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the early 50s!

4 Shots From 4 Horror Films: The Early 50s

The Thing From Another World (1951, dir by Christian Nyby, DP: Russell Harlan)

It Came From Outer Space (1953, dir by Jack Arnold, DP: Clifford Stine)

The War of the Worlds (1953, dir by Byron Haskin, DP: George Barnes)

House of Wax (1953, dir by Andre de Toth, DP: Bert Glennon, J. Peverell Marley, and Lothrop B. Worth)

The Man From Bitter Ridge (1955, directed by Jack Arnold)


When Jeff Carr (Lex Barker) comes riding into the town of Tomahawk, he’s nearly lynched by the townspeople, who are convinced that Carr must be responsible for a series of recent stagecoach robberies.  Luckily, before they can finish the deed, they discover that Carr has actually been sent by the government to investigate the very same robberies!

Once the townspeople realize that Carr isn’t responsible, they go back to blaming the the local sheepherders.  When Carr investigates the number one suspect, Alec Black (Stephen McNally), he quickly realizes that Ale is not the guilty party.  Carr and Alec team up to solve the crime but complicating their efforts is the fact that Carr has fallen in love with Alec’s girl, Holly (the beautiful Mara Corday).

The Man From Bitter Ridge is mostly a generic Western but the plot does have one interesting wrinkle.  The man who is actually behind the stagecoach robberies is planning on using the stolen loot to fund his political career!  This is actually historically accurate, as many outlaws in the post-Civl War west attempted to either redeem or protect themselves by seeking political office and many of those efforts were funded by money that had been stolen from the very people who were now expected to vote for them.  Several of the outlaws were actually successful in their efforts, proving that the more things change, the more they stay the same.

Otherwise, The Man From Bitter Ridge is a typical B-western with Mara Corday’s lovely screen presence providing occasional relief from the bland performances of Barker and McNally.  The movie does wrap up with an exciting gun battle in the town square but. overall, The Man From Bitter Ridge is most just for for B-western completists and fans of Mara Corday.

4 Shots From 4 Jack Arnold Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

105 years ago today, future director Jack Arnold was born in Connecticut.  Arnold started his film career making documentaries and he ended it directing episode of The Brady Bunch and The Love Boat.  In between all of that, he directed some of the best-remembered “creature” films of the 1950s.  Anytime you see a movie featuring giant monsters, you’re seeing a film that owes a debt to the work of Jack Arnold.  Arnold also directed the classic Creature of the Black Lagoon.

Today, in honor of Jack Arnold, TSL is proud to present….

4 Shots From 4 Jack Arnold Films

It Came From Outer Space (1953, dir by Jack Arnold, DP: Clifford Stine)

Creature From The Black Lagoon (1954, dir by Jack Arnold, DP: William E. Snyder)

Tarantula (1955, dir by Jack Arnold, DP: George Robinson)

The Incredible Shrinking Man (1957, dir by Jack Arnold, DP: Ellis W. Carter)

4 Shots From 4 Jack Arnold Films: It Came From Outer Space, Creature From The Black Lagoon, Tarantula, The Incredible Shrinking Man


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, we’re using this feature to recognize and honor some of our favorite horror directors!  Today, we honor the one and only Jack Arnold!

4 Shots From 4 Jack Arnold Films

It Came From Outer Space (1953, dir by Jack Arnold)

Creature From The Black Lagoon (1954, dir by Jack Arnold)

Tarantula (1955, dir by Jack Arnold)

The Incredible Shrinking Man (1957, dir by Jack Arnold)

The Swiss Conspiracy (1976, directed by Jack Arnold)


In The Swiss Conspiracy, David Janssen growls his way through another international crime thriller.

Janssen plays David Christopher, a former Treasury agent who is now living in Geneva.  When a Swiss bank is contacted by blackmailers who threaten to reveal the secret account numbers of some of its most prominent and unsavory clients, the bank’s president, Johann Hurtill (Ray Milland), hires Christopher to find out who is behind the plot.  Unfortunately, one of the account holders is a U.S. gangster named Robert Hayes (John Saxon, naturally) and he’s not happy about having to work with a former fed.

With The Swiss Conspiracy, you know what you’re getting into the minute that the film opens with a narrator giving a lengthy explanation about how Swiss bank accounts work.  This is one of those 70s thriller where the budget is low, the plot is often nonsense, and the entire cast seems to be more interested in hitting the slopes than actually making a convincing movie.  The cast is full of familiar actors who, at the time of filming, had seen better days.  Along with Ray Milland, John Ireland, Anton Diffring, and Elke Sommer all have small roles while “German screen sensation” Senta Berger is cast as the woman who might be in love with David Christopher.  Martin Landau is not in this movie but it certainly feels like he should have been.

David Janssen made a lot of movies like this in the 70s.  Janssen was a good actor and he was especially skilled at playing grizzled tough guys but in The Swiss Conspiracy, he seems to be more interested in checking out the sights than in anything else.  You can’t really blame him because the film was shot on location in Zurich and the local scenery is always more interesting than anything else that’s happening on screen.

The Swiss Conspiracy was directed by Jack Arnold, a veteran B-movie director who was also did The Creature From The Black Lagoon and The Incredible Shrinking Man.  His direction in The Swiss Conspiracy is workmanlike and undistinguished but he does make great use of the locations.  The Swiss Conspiracy may not be a great movie but I’ll damned if I don’t want to hop on the next plane and head to Switzerland for the week.

4 Shots From 4 Films: The Incredible Shrinking Man, Sleepwalkers, Team America: World Police, Captain Marvel


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Happy International Cat Day!

4 Shots From 4 Films

The Incredible Shrinking Man (1957, dir by Jack Arnold)

Sleepwalkers (1992, dir by Mick Garris)

Team America: World Police (2004, dir by Trey Parker)

Captain Marvel (2019, dir by Anna Bolden and Ryan Fleck)