October True Crime: My Father’s Shadow: The Sam Sheppard Story (dir by Peter Levin)


On July 3rd, 1954, Marilyn Sheppard was murdered in her bedroom.

The wife of a prominent neurosurgeon, Marilyn Sheppard was bludgeoned to death in her own bedroom.  Her husband, Sam Sheppard, claimed that he had fallen asleep on a downstairs couch and was woken up by the sound of his wife screaming.  Sheppard said that, when he ran upstairs to the bedroom, he saw a bushy-haired man in the shadows.  The man hit Sheppard, knocking him out.  When Sheppard came to, he saw the man fleeing the house and chased after him.  The two fought outside and again, Sheppard was knocked out.

The police did not believe Sam Sheppard’s story and, after days of headlines that flat out accused him of being the murderer, he was arrested and charged with murdering his pregnant wife.  The press had a field day with the story and the trial was frequently described as being a circus.  Sheppard’s case was damaged by the revelation that he had cheated on his wife multiple times.  Contemporary accounts of the trial portrayed Sheppard as being cocky and arrogant.  As the jury was not sequestered, they saw every tabloid headline about Sheppard.  After deliberating for four days, the jury found Dr. Sam Sheppard guilty of murdering his wife.  He was sentenced to prison.

Sheppard would stay in prison until 1966.  During that time, his mother committed suicide, his father died of an ulcer, and his former father-in-law also chose to end his own life.  Sheppard’s original attorney died in 1961 and his appeals were taken over by a young lawyer named F. Lee Bailey.  In 1966, Bailey argued before the U.S. Supreme Court that Sheppard was denied due process due to the jury not being sequestered.  The Supreme Court agreed and granted Sheppard a new trial.  This time, with the flamboyant Bailey defending him, Sheppard did not testify and the defense focused on the lack of any real evidence that would suggest Sheppard had lied about the Bushy-haired Man.  Sheppard was acquitted.

Today, if Sam Sheppard is remembered, it’s for inspiring The Fugitive, a show about a doctor wrongly accused of murder.  (The show aired while Sheppard was still in prison.)  The majority of online posts and articles that I’ve read about Sam Sheppard have always focused on the retrial and usually end with Sheppard leaving prison.  It’s rare that Sheppard’s life after prison is discussed,  That’s probably because it’s a very sad story.

Sheppard may have been acquitted but he had also just spent 12 years in prison and he came out a changed man.  Sheppard tried to return to practicing medicine but his surgical skills had deteriorated to the extent that two of his patient died after he nicked an artery.  Facing multiple wrong death suits, he resigned from the only hospital that had been willing to give him a job.  He became a professional wrestler and was known as “Killer” Sam Sheppard at some of his matches.  He was also an alcoholic.  Less than four years after getting out of prison, he was dead at the age of 46.

1998’s My Father’s Shadow: The Sam Sheppard Story features Peter Strauss as Dr. Sheppard and Henry Czerny as his namesake son.  The film alternates between flashbacks to Dr. Sheppard’s life and scenes set in the 90s that focus on his son’s attempts to definitively clear his father’s name.  The film suggests that the murder was actually committed by Richard Eberling (John Colicos), who worked as a handyman and a window washer at the Sheppard home and who, when he was arrested for burglary several years after the murder, was discovered to have some of Marilyn Sheppard’s jewelry in his possession.  In the 80s, Eberling was convicted of murdering another one of his clients.  Eberling himself died in prison, the same year that this movie aired.

It’s a big story and My Father’s Shadow tries to do a lot in just 90 minutes.  Sometimes, it tries to do too much.  The flashbacks are occasionally a bit difficult to keep track of.  Sam Sheppard’s son goes from being a military school brat to a long-haired hippy so suddenly that, from a narrative point of view, it’s a bit distracting.  Overall, though, this is an effective look at an interesting story and it features two excellent performances from Strauss and Czerny.  It may not be the definitive telling of Sam Sheppard’s story but it’s a good place to start.

Horror On The Lens: Little Shop of Horrors (dir by Roger Corman)


Whenever it’s time to share this film for Horrorthon, I have a little story that I like to tell:

Enter singing.

Little Shop.…Little Shop of Horrors.…Little Shop.…Little Shop of Terrors….

When I was 19 years old, I was in a community theater production of the musical Little Shop of Horrors.  Though I think I would have made the perfect Audrey, everybody always snickered whenever I sang so I ended up as a part of “the ensemble.”  Being in the ensemble basically meant that I spent a lot of time dancing and showing off lots of cleavage.  And you know what?  The girl who did play Audrey was screechy, off-key, and annoying and after every show, all the old people in the audience always came back stage and ignored her and went straight over to me.  So there.

Anyway, during rehearsals, our director thought it would be so funny if we all watched the original film.  Now, I’m sorry to say, much like just about everyone else in the cast, this was my first exposure to the original and I even had to be told that the masochistic dentist patient was being played by Jack Nicholson.  However, I’m also very proud to say that — out of that entire cast — I’m the only one who understood that the zero-budget film I was watching was actually better than the big spectacle we were attempting to perform on stage.  Certainly, I understood the film better than that screechy little thing that was playing Audrey.

The first Little Shop of Horrors certainly isn’t scary and there’s nobody singing about somewhere that’s green (I always tear up when I hear that song, by the way).  However, it is a very, very funny film with the just the right amount of a dark streak to make it perfect Halloween viewing.

So, if you have 72 minutes to kill, check out the original and the best Little Shop of Horrors….

 

Music Video of the Day: People Are Strange By The Doors (1967, directed by ????)


This was one of the earliest music videos, featuring a band that seemed to be destined to take advantage of the format.  The song was written a time when Jim Morrison was going through a period of depression.  While watching the sunset at Robby Krieger’s house, he suddenly had the realization that “If you’re strange, people are strange.”

Enjoy!

Horror on TV: Gargoyles (dir by Bill Norton)


For today’s horror on television, we have a made-for-TV monster movie from 1972, Gargoyles!

What happens when a somewhat condescending anthropologist (Cornel Wilde) and his daughter (Jennifer Salt) head out to the desert?  Well, they stop by a crazy old man’s shack so that they can look at his genuine monster skeleton.  Before Wilde can thoroughly debunk the old man’s claims, the shack is attacked by real monsters!

That’s right!  Gargoyles exist and they apparently live in Arizona!  There’s nothing particularly surprising about the plot but the gargoyles are memorable creations and Bernie Casey gives a good performance as their leader.  The gargoyle makeup was designed by none other than Stan Winston, who won an Emmy for his work here and who went on to win Oscars for his work on Aliens, Terminator 2, and Jurassic Park.

As well, a very young Scott Glenn shows up in the cast.  I like to think that he’s playing the same character in both Gargoyles and Sucker Punch.

Enjoy!

The Hong Kong Film Corner – THE UNTOLD STORY (1993), starring Anthony Wong and Danny Lee! 


Loosely based on the real-life exploits of a serial killer in Hong Kong in the mid-80’s, THE UNTOLD STORY (1993) unfolds over a couple of different timelines. The film opens with a flashback to Hong Kong circa 1978, where we witness a horrific murder committed by Chan Chi-Leung (Anthony Wong) over a game of mahjong. In order to try to conceal the murder, we see the killer as he destroys his old identification documents and creates a completely new identity. As the opening credits end, we’re “in the present” and join a group of kids playing on the beach when they discover a plastic bag containing severed human body parts. Soon the police are on the scene, led by Inspector Lee (Danny Lee) and a ragtag team of wisecracking detectives. Their investigation leads them to the Eight Immortals Restaurant, a place that is known for its barbecued pork buns, and its seemingly polite but evasive owner, Wong Chi Hang, who just happens to be the same guy we saw committing vicious murder at the opening of the film. Wong claims he bought the place from Cheng Lam (Siu-Ming Lau), who along with his entire family, has mysteriously vanished. As the cops dig deeper, too many things just aren’t adding up, like the restaurant’s high employee turnover rate and Wong’s inability to produce ownership papers. The cops eventually arrest him and attempt to torture a confession out of him. The flashback timeline kicks back in after Wong is arrested and put through hell by his fellow jailbirds and by the police themselves. When he finally cracks, we learn the secrets of “the untold story!”

Right off the bat, I want to make the statement that THE UNTOLD STORY is not a film that’s meant for everyone. Unless you have a strong stomach and can handle extreme gore and vicious cruelty (of both a violent and sexual nature) depicted in graphic detail, you may want to stay away. As I’m definitely a squeamish viewer, I stayed away from this film for many years due to its reputation. My curiosity eventually overcame my good sense, and I gave it a watch a number of years ago. I mean, the film is a Hong Kong “Category III” rated landmark, and Anthony Wong did win the Best Actor Award at the Hong Kong Film Awards for his performance in the movie. It stands to reason that a guy who calls himself a true fan of Hong Kong cinema should give THE UNTOLD STORY a go! Let me just say this, as someone who grew up on Hollywood films, even the goriest films had certain lines that they would not cross. There are no such lines in this film. Director Herman Yau’s 1993 Hong Kong exploitation film is an unflinching punch to the gut in its willingness to go to unacceptable extremes without any apology to the viewer. Just know that going in. 

Now that I’ve properly prepared you for the excessively cruel and gruesome nature of the violence in the film, I now have to try to put into words my actual thoughts on the film itself. One of the things that stood out to me as I watched the movie is the stark contrast between the horrific nature of the violence on screen and the “zany antics” of the police who are working the case. Led by THE KILLER’s Danny Lee as the distracted Inspector Lee, who always has a beautiful prostitute on his arm as he visits crimes scenes and the police station, this group of investigators spends a lot of their time acting like immature teenagers rather than serious cops. Imagine if you and your friends in high school were trying to solve a serial killer case, and we got to watch how you acted on stakeouts and in the police locker room, and you might get an idea of what I mean. My guess is that this is meant to make the violent content a little easier to swallow, as well as poke some fun at the “macho men” who are in charge of solving these kinds of crimes. In some ways it works, but there’s still no protection once Wong goes bonkers. 

And speaking of Anthony Wong, he is absolutely incredible in this film as the unimaginably disturbed killer. We watch him explode with rage, commit the most heinous acts imaginable, and then just clean up his mess like he’s doing his daily household chores. I guess it helps that he’s a good cook! Hell, there’s a point near the end of the film where his performance almost leads you to having sympathy for him as the police and his fellow inmates are torturing him! Almost, because the worst flashbacks are still yet to come. Wong is one of the best actors to have ever worked in Hong Kong cinema, and his masterful acting elevates the film to a level of cinematic respectability not yet afforded to such a grisly exploitation film. This is the first of five Hong Kong Film awards won by Anthony Wong. 

Overall, THE UNTOLD STORY is cinema as an endurance test, delivering an all too real depiction of a vicious killer committing unspeakable violence on screen. The goofy police squad provides some tonal relief, but this movie is not for the faint of stomach. However, for those brave viewers who can handle the graphic violence and who enjoy dramatizations of true crime from incredible actors, you will be rewarded because the filmmakers were able to come up with something special. As I type this, it’s streaming on Tubi for free!

Bonus Horror On The Lens: I Was A Teenage Werewolf (dir by Gene Fowler, Jr.)


1957’s I Was A Teenage Werewolf combines two genres that were very popular in the late 50s.

On the one hand, it’s a film about a teenage rebel.  Tony Rivers (Michael Landon) is a teenager that means well but he keeps losing his temper.  If he can’t learn to control his anger, he could very well be looking at a life behind bars.

On the other hand, it’s also a horror film.  When Tony visits a hypnotist (Whit Bissell), the end result is Tony turning into a werewolf and going on a rampage, all while still wearing his letterman jacket.

All in all, this is a pretty fun little movie.  You can check out my review of it by clicking here.

And you can watch the movie below!

Scenes That I Love: The Opening of Suspiria!


The opening of Dario Argento’s 1977 masterpiece, Suspiria, is about as perfect an opening as one could hope for.  American ballet student Suzy Banyon (Jessica Harper) arrives in Frieburg, Germany.  Both Argento and Harper perfectly portray Suzy’s confusion as she makes her way through the airport and, as torrential rain drenches her, attempts to hail a taxi and get a ride to the dance academy.  (What Suzy doesn’t know, of course, is that the dance academy is home to the ancient witch known as Our Mother of Sighs.)  With this opening scene, Argento both immediately establishes the off-center, nightmarish atmosphere of Suspiria and establishes Suzy as a character who we, as the audience, relate to and care about.  Suspiria is a great film and certainly one that didn’t need a pretentious remake.  The greatness of the original Suspiria all begins with this brilliant opening.

Horror Song of The Day: Main Theme From Suspiria by Goblin


Suspiria (1977, dir by Dario Argento, DP: Luciano Tovoli)

You knew this was coming!

Today’s horror song of the day is the classic main theme to Dario Argento’s Suspiria!  (The Argento version is the only version that matters.)  The iconic soundtrack was composed by Goblin.  I saw an interview with Claudio Simonetti in which he said he wanted the song to be “almost annoying” in its intensity.  While I could never be annoyed this song, I do understand Simonetti’s point.  The score is designed to be as overwhelming as the evil at the center of the film.

All together now: “WITCH!”