Horror On TV: Kolchak: The Night Stalker 1.6 “Firefall” (dir by Don Weis)


It appears that YouTube is finally back up (for the sake of future historians, YouTube was down for several hours on the night of Tuesday, October 16th, 2018, leading to great panic on twitter) so I can share tonight’s episode of Kolchak: The Night Stalker!

In this episode, our favorite neurotic journalist investigates several cases of spontaneous human combustion.  It all appears to have something to do with the spirit of a dead gangster, one who is wandering around in the form of a famous (and still living) conductor.

I swear, Chicago was a crazy place to live in the 70s.

This episode originally aired on November 8th, 1974.

Enjoy!

Dream On: After Midnight (1989, directed by Jim and Ken Wheat)


Prof. Edward Derek (Ramy Zada) teaches a class called The Psychology Of Fear.  He claims that the things that most scare us are the things that we can believe in.  (To quote the observers from the peanut gallery, “No shit, Sherlock.”)  After Prof. Derek demonstrates fear by pulling out a fake gun and pretending to kill himself, a jock ends up pissing himself and the class is suspended.  Fortunately, Prof. Derek has a backup plan.  He invites his students to his house, where he tells them three horror stories that are all designed to prove that the scariest things are the things that could actually happen in real life.

What does Prof. Derek believe to be scary?

In the first story, it’s scary when your wife decides that the perfect way to throw a surprise party would be to trick you into thinking that you’re trapped in a haunted house and you’re going to die if you don’t start chopping off some heads.

In the second story, it’s scary when a group of girls take a wrong turn, piss off the wrong gas station attendant, and end up getting chased by pack of killer dogs.

In the third story, it’s scary with an answering service operator (played by a pre-CSI Marg Helgenberger) starts getting calls from a psycho.

None of the three stories are really that scary but the first story does have a twist ending that would have made EC Comics proud.  The third story is the best, if just because it focuses on one character and that character is played by Marg Helgenberger.  There’s also the wrap-around story involving the professor and his students.  Just when that story’s getting good, it cops out with an ending that you’ll see coming from a mile away.

With the exception of Marg Helgenberger’s segment, After Midnight is a largely forgettable horror anthology film that will be best appreciated by viewers who are nostalgic for 80s fashion and cheap special effects.

Horror Scene That I Love: The Monster Reveals Itself In The Curse of Frankenstein


Today’s horror scene that I love comes from the 1957 classic, The Curse of Frankenstein!

In this scene, the Monster (Christopher Lee) reveals himself and then promptly attack his maker (Peter Cushing).  My favorite thing about this scene is that zoom shot of the Monster’s face after the bandages have been removed.  The look he’s giving Frankenstein leaves no doubt about how the Monster feels about being reanimated.

Knowing that Lee and Cushing were close friend in real life makes this scene all that more enjoyable.

4 Shots From 4 Films: The Plague of the Zombies, Frankenstein Created Woman, The Mummy’s Shroud, The Satanic Rites of Dracula


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, we pay tribute to the TSL’s favorite British studio with….

4 Shots From 4 Hammer Films

The Plague of the Zombies (1966, dir by John Gilling)

Frankenstein Created Woman (1967, dir by Terence Fisher)

The Mummy’s Shroud (1967, dir by John Gilling)

The Satanic Rites of Dracula (1973, dir by Alan Gibson)

Horror On The Lens: The Cloning of Clifford Swimmer (dir by Lela Swift)


Today’s horror on the lens is 1974’s The Cloning of Clifford Swimmer.

This short but entertaining sci-fi film may be a bit obscure but it’s a personal favorite of mine.  Check out my review here and then be sure to enjoy the show!

Horror On TV: Kolchak: The Night Stalker 1.5 “The Werewolf” (dir by Alan Baron)


What a day!

Hi, everyone.  If today’s horrorthon seemed to be missing some of the usual contributions, that’s because today has been a crazy day.  It’s been raining in Dallas since last Friday and it’s supposed to continue to do so for the next week.  This morning, the storms brought lightning and that lighting struck a building and set it on fire.  The building’s roof proceeded to collapse.  That building belonged to AT&T and it’s destruction let to what those of us in Dallas have christened the Great ATT Outage of 2018.

Basically, for the past 11 hours, the Texas Bureau of the Shattered Lens has had no internet access!  So, I’m sorry to say that I was not able to write and post all of the reviews that I wanted to post today.  I’ll have to play catch up later this week.  I do want to say thank you to Gary, Jeff, and Case for their contributions today!  It’s nice to know that you can depend on your partners in crime!

Fortunately, things are back up and running once again.  And just in time for me to share the fifth episode of Kolchak: The Night Stalker.  In this one, our favorite nervous reporter deals with a — you guessed it! — a werewolf!  This episode originally aired on November 1st, 1974.

Enjoy!

Satan’s Cop: Psycho Cop Returns (1993, directed by Adam Rifkin)


 Psycho Cop is back!

The Psycho Cop is Officer Joe Vickers (Robert R. Schaffer), who upholds the law with the help of Satan and the occult.  When he overhears two office mates talking about a party that they’re going to be throwing for a friend, Officer Vickers decides to stop by and dispense a little Hellish justice.  After killing the security guard, the Psycho Cop spends the rest of the money stalking white-collar workers and strippers.  He’s an efficient killer with a police-related pun for nearly every occasion but he meets his match when he goes after an accountant.  As much as he tries, Psycho Cop cannot catch the accountant.  He can catch security guards.  He can catch strippers.  He can catch low-level executives.  But an accountant?  That’s just a bridge too far.

Psycho Cop seems like he should be a good horror villain and, for the first half of the movie, he seems like he’s unstoppable.  But then he easily gets outwitted by both the nerdiest of the office workers and an accountant and you end up losing respect for him.  The idea of a demonic policeman will always have possibilities but Psycho Cop Returns never reaches the heights of Maniac Cop or even Kevin Bacon’s crazed sheriff in Cop Car.  For everything that you could do with the character of a policeman who is in league with the devil, Psycho Cop Returns just turns him into a one-liner spouting maniac.  Robert R. Schaffer does okay as the title character and he has the right look to play a psycho cop but he’s still no Robert Z’Dar.

As you can tell from the title, this is a sequel.  I haven’t seen the first Psycho Cop so I don’t know if it does a better job at exploiting the whole killer cop angle.  Psycho Cop Returns has potential and a sense of humor but, ultimately, there’s little to distinguish it from the countless other manic-on-the loose films that went straight to video in the 90s.

Horror On The Lens: Carnival of Souls (dir by Herk Harvey)


Well, we are halfway through October and, traditionally, that’s when all of us in the Shattered Lens Bunker gather in front of the television in Arleigh’s penthouse suite, eat popcorn, drink diet coke, and gossip about whoever has the day off.

Of course, after we do that, I duck back into my office and I watch the classic 1962 film, Carnival of Souls!

Reportedly, David Lynch is a huge fan of Carnival of Souls and, when you watch the film, it’s easy to see why.  The film follows a somewhat odd woman (played, in her one and only starring role, by Candace Hilligoss) who, after a car accident, is haunted by visions of ghostly figures.  This dream-like film was independently produced and distributed.  At the time, it didn’t get much attention but it has since been recognized as a classic and very influential horror film.

This was director Herk Harvey’s only feature film.  Before and after making this film, he specialized in making educational and industrial shorts, the type of films that encouraged students not to cheat on tests and employees not to take their jobs for granted.  Harvey also appears in this film, playing “The Man” who haunts Hilligoss as she travels across the country.

Enjoy Carnival of Souls!

Music Video of the Day: Has Ended by Thom Yorke (2018, dir by Ruffmercy)


Today’s music video of the day is from Thom Yorke’s soundtrack for the upcoming Suspiria remake or rehash or reboot or whatever the Hell it’s supposed to be.

I may not be particularly happy about the idea of a new version of Suspiria (especially one that apparently doesn’t involve a single Argento) but I do like what I’ve heard of the soundtrack.  Of course, nothing can improve on Claudio Simonetti’s work on the original but still….

Enjoy!