Horror Film Review: Willy’s Wonderland (dir by Kevin Lewis)


2021’s Willy’s Wonderland takes place in an dilapidated restaurant.

Back in the day, Willy’s Wonderland was the ideal place to go if you were young and celebrating your birthday.  The animatronic mascots would sing “Happy birthday” and maybe meet your parents.  Willy Weasel, Arty Alligator, Cammy Chameleon, Ozzie Ostrich, Tito Turtle, Knighty Knight, Gus Gorilla, and Siren Sara promised fun and cheesy entertainment to anyone looking for a nice family meal!

Unfortunately, people stopped going to Willy’s once it was discovered that the owner was a serial killer.  Jerry Robert Willis (Grant Cramer) and his seven friends were cannibals who regularly sacrificed families.  Eventually, the police caught up to him but, even under new ownership, no one wanted to eat at Willy’s.  There were rumors that Willis and his friends had transferred their souls into the animatronic figures but surely, that could not have been true!

Right?

Nicolas Cage plays a man with no name.  When his car breaks down, the local mechanic agrees to fix the car if the man agrees to spend the night as the janitor at Willy’s.  Apparently, it’s been a struggle to keep a night janitor at the place.  People find the location to be creepy and, of course, the animatronic mascots keep killing anyone dumb enough to try to mop the floors.  Cage’s man with no name silently agrees.  Everything that Cage does, he does without a word.  This is one of the rare films where Nicolas Cage, usually a champion talker, says absolutely nothing.

Now, I should mention that there actually is a plot to Willy’s Wonderland.  Liv (Emily Tosta) and her friends are trying to burn the place down because, years ago, Liv’s parents were murdered by the mascots.  Unfortunately, Liv and her friends aren’t that smart and they end up trapped in Willy’s Wonderland.  The majority of them quickly fall victim to the mascots.  The deaths are appropriately gruesome, though tinged with the dark humor that would come from essentially being killed by a knock-off version of Chuck E. Cheese.

But really, the plot isn’t important.  This film is entirely about Nicolas Cage, playing a man with no name.  Cage takes the janitorial job and, over the course of the night, he battles the mascots.  At the same time, he also makes it a point to continue to do his job.  Besieged or not, he agreed to clean the place up.  He takes his breaks and plays pinball exactly as scheduled, even if that means abandoning Liv and her friends.  Normally, you might think that this would be bad behavior on the part of Cage’s character.  Abandoning someone in the middle of a battle is not usually encouraged.  But Liv and her friends are very annoying.  Cage is ultimately the hero by default.  Yes, he’s fighting and killing the mascots but he’s really only doing it because they’re getting in his way while he’s trying to do his job.  The fact that he helps out Liv is largely coincidental.

Willy’s Wonderland proves that Cage doesn’t need a lot of lines to be the center of a film.  Even without speaking, he’s such a wonderfully eccentric presence that you can’t help but watch him and cheer him on.  Admittedly, Willy’s Wonderland is never that scary, though the “Happy Birthday” song is definitely creepy.  The mascots are a bit too cartoonish to be truly frightening.  But, if the film doesn’t really work as a horror film, it does work as an adrenaline-fueled Cage match.  And that’s nearly as good.

Monday Live Tweet Alert: Join Us for The Satanic Rites of Dracula!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be The Satanic Rites of Dracula!  So, if you missed the #ScarySocial live tweet, I guess this is your second chance.

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up The Satanic Rites of Dracula on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Horror Film Review: The Vampire Bat (dir by Frank R. Strayer)


In 1933’s The Vampire Bat, people are dying in a small German village, victims of blood loss.  A woman named Martha Mueller (Rita Carlisle) was recently attacked by a bat, leading to rumors of a vampire.  When the local town eccentric, a twitchy man named Hermann Glieb (Dwight Frye), argues that bats are actually harmless and admits that he likes bats because they are “soft” and “nice,” people start to suspect that he might be the vampire.  Another man named Kringen (George E. Stone) claims that he was attacked by a vampire and insinuates that it was Glieb.  Glieb may seems like a strange man who likes to collect bats but could he be something even more sinister?

Two town leaders have opposite feelings about the claim that a vampire is attacking the town.  Karl Brettschneider (Melvyn Douglas) is the local police inspector and he deals with facts.  He doesn’t believe in superstition and he initially scoffs at the idea that a vampire is attacking the village.  Meanwhile, Dr. Otto von Niemann (Lionel Atwill) is the town’s doctor.  He’s been treating the victims of the bat attacks and he’s even be letting some of his patients live at his home.  Everyone knows that Dr. von Neimann is a kindly man of science.  Karl is even dating Ruth (Fay Wray), one of Otto’s boarders.  But is the doctor as benevolent as everyone assumes?

When answering that question, consider these four facts:

  1.  Dr. von Neimann is the one who encouraged Kringen to spread stories about a vampire haunting the town, despite the fact that Kringen himself said that he didn’t want to start a panic.
  2. Dr. van Niemann is played by Lionel Atwill.
  3. Glieb is played by Dwight Frye.
  4. Karl is played by Melvyn Douglas.

Indeed, for horror fans, the casting of Lionel Atwill gives the game away.  Lionel Atwill appeared in a number of horror films and it was rare that he wasn’t cast as the villain.  (One of his non-villainous role was as the one-armed Inspector Krogh in The Son of Frankenstein.)  From the minute the viewer sees Atwill, he seem to give off sinister vibes and it’s not really a surprise when he turns out to be less than trustworthy.

As for Dwight Frye, horror fans love him for playing a number of unhinged weirdos, like Renfield in the Lugosi-version of Dracula and the torch-bearing servant in Karloff’s Frankenstein.  Frye was good at playing twitchy types but one thing that all of Frye’s characters had in common is that they were pretty much destined to be victims.  Even when Frye played an unlikeable character,  like in Frankenstein, it was obvious that he was going to end up getting killed at the hands of the Monster.

Finally, Melvyn Douglas was the epitome of propriety in every film in which he appeared.  If Douglas thinks that there is something more going on than just a vampire attacking people, there probably is.  And since we know Douglas can’t be the main bad guy, that pretty much just leaves Lionel Atwill.

The Vampire Bat is a short and enjoyable B-movie that puts an interesting spin on the typical vampire legend.  Though the budget may be low, the cast of Atwill, Douglas, Frye, and Wray can’t be beat and all of them give fully committed performances.  Dwight Frye, in particular, gives one of his best performance as the unfortunate Glieb.  As always, Lionel Atwill makes for an entertaining villain.  At its best, The Vampire Bat comments on the power of hysteria.  Convinced that there is a vampire in their midst, the town goes mad and it directs its anger towards those who are seen as being on the outside, men like Glieb.

The Vampire Bat is more than worthy of your Halloween viewing.

Horror On The Lens: Where Have All The People Gone? (dir by John Llewellyn Moxey)


In the creepy 1974 film, Peter Graves plays a father who goes on a camping trip with his two teenage children (one of whom is played by Kathleen Quinlan).  A sudden earthquake and a solar flare causes the trio to try to return to civilization, where they discover that almost everyone has been reduced to a powdery substance and there are only a few crazed survivors.  They try to make their way back to their home in Malibu, facing danger at every leg of their journey.

(It’s almost a low-budget and far more dramatic version of Night of the Comet.)

Effective despite its made-for-TV origins, Where Have All The People Gone? was obviously mean to serve as a pilot for a television series.  The series didn’t happen but, even with a somewhat open-ended conclusion, the movie still works.

 

6 Trailers For October 13th, 2025


For today’s edition of Lisa Marie’s Favorite Grindhouse And Exploitation Film Trailers, we share some trailers from the maestro of Italian horror, Mario Bava!

  1. Black Sunday (1960)

After starting his career as a cinematographer and a visual effects engineer, Mario Bava made his directorial debut with 1960’s Black Sunday, starring Barbara Steele!

2. Black Sabbath (1963)

In 1963, Bava directed one of his most popular films, the horror anthology Black Sabbath.  The trailer put the spotlight on the great Boris Karloff.

3. Planet of the Vampires (1965)

One of Bava’s best films, Planet of the Vampires, was later cited by many as an influence on the Alien films.

4. Bay of Blood (1971)

One of the first slasher films, Bay of Blood was also a social satire that featured Bava’s dark sense of humor.

5. The House of Exorcism (1974)

When it was released in the United States, Bava’s Lisa and the Devil was re-titled House of Exorcism and, after new scenes were filmed, sold as a rip-off to The Exorcist.

6. Shock (1977)

Bava’s final film as a director was Shock, which starred Daria Nicolodi as a woman who is being haunted by the ghost of her first husband.

Music Video of the Day: Devil Woman by Cliff Richard (1976, directed by ????)


Cliff Richard sings about how he became cursed after seeing a black cat with yellow eyes.  Cliff went to a fortune teller, asking her to lift the curse but it turned out that the fortune teller was the one who cursed him in the first place!

The message?  If it can happen to Cliff Richard, it can happen to anyone.

Enjoy!

Moments #26: Invasion of the Dolls


by Erin Nicole

I don’t know why some people think that dolls are creepy.  These dolls, which were originally from my mother’s collection, have been sitting on the dining room curio cabinet for years and I’ve never seen them move once.

Except for the one with the blonde curls and the black dress.

Previous Moments:

  1. My Dolphin by Case Wright
  2. His Name Was Zac by Lisa Marie Bowman
  3. The Neighborhood, This Morning by Erin Nicole
  4. The Neighborhood, This Afternoon by Erin Nicole
  5. Walking In The Rain by Erin Nicole
  6. The Abandoned RV by Erin Nicole
  7. A Visit To The Cemetery by Erin Nicole
  8. The Woman In The Hallway by Lisa Marie Bowman
  9. Visiting Another Cemetery by Erin Nicole
  10. The Alley Series by Erin Nicole
  11. Exploring The Red House by Erin Nicole
  12. The Halloween That Nearly Wasn’t by Erin Nicole
  13. Watchers and Followers by Erin Nicole
  14. Visitors by Erin Nicole
  15. Fighting by Case Wright
  16. Walking In The Fog by Erin Nicole
  17. A Spider Does What It Can by Erin Nicole
  18. Downtown Richardson, In The Rain by Erin Nicole
  19. Me, our kids, and ONCE UPON A TIME IN HOLLYWOOD! by Bradley Crain
  20. The Statues of SMU by Erin Nicole
  21. Exploring the Back Yard Of An Abandoned House by Erin Nicole
  22. The Ugly Old Swing by Erin Nicole
  23. The Fourth of July In My Town by Erin Nicole
  24. A 4th of July Tradition: Blurry Firework Pictures! by Erin Nicole
  25. That Doll by Erin Nicole

Horror on TV: Highway to Heaven 4.5 “I Was A Middle-Aged Werewolf” (dir by Michael Landon)


Since we’ve been talking about werewolves today, I decided to take a one-night break from Hammer House of Horror and share this Halloween-themed episode of Highway to Heaven.  Michael Landon recreates his role as the Teenage Werewolf and scares Mark half to death.  He also helps a kid play some tricks and get some treats.

This originally aired on October 28th, 1987.  The series was a bit silly but this episode is kind of fun.  Keep an eye out for Michael Berryman!

Doctor Who — Pyramids of Mars (1975, directed by Paddy Russell)


Did you ever wonder who built the pyramids of Egypt?

It was the aliens, of course!

In 1911, Dr. Marcus Scarman (Bernhard Archard) excavates a pyramid.  When he enters a room that has the Eye of Horus over the doorway, he is hit by a beam of light.

Months later, The Doctor (Tom Baker) and Sarah Jane (Elisabeth Slader) materialize at the Scarman Estate in England.  They run into Dr. Scarman’s friend, Dr. Warlock  (Peter Copley).  (Dr. Warlock?  Really?)  Warlock explains that Scarman has been missing every since he went to Egypt and that his estate is now occupied by a mysterious man named Namin (Peter Maycock).

Namin is eagerly waiting the arrival of Sutekh (Gabriel Woolf), who Namin thinks is an ancient Egyptian god but who is actually the last-surviving member of the Osirian alien race.  The Osirians imprisoned Sutekh on a temple on Mars but Sutekh has taken over the body of Scarman and is using him to construct a missile that will free Sutekh from his Martian prison.  The possessed Scarman returns his estate, kills Namin, and gets to work.

Pyramids of Mars takes the usual Doctor Who themes of aliens and time travel and mixed them with mummies and ancient Egyptian curses.  This serial doesn’t skimp on the horror.  Sutekh tries to strangle almost everyone he meets and, once the Doctor and Sarah reach Mars, there’s plenty of scenes of mummies come to life and stalking pyramind to appeal to the most discerning of viewers.  Pyramids of Mars is one of the Doctor Who episodes that is perfect for October!