Horror Film Review: The Plague of the Zombies (dir by John Gilling)


One of the best (and scariest) zombie films of all time came to us from Hammer Studios.

The 1966 film, The Plague of the Zombies, takes place in a small, fog-filled English village.  The village has been hit by a plague, one that is wiping out all of the inhabitants.  Unable to combat or even diagnose the mysterious illness, Dr. Peter Tomlinson (Brook Williams) calls in his friend, Sir James Forbes (Andre Morrill) for help.  Sir James arrives with his daughter, Sylvia (Diane Clare) and suggests that the graves of the recently deceased should be dug up so that he can examine the bodies himself.

Sounds like a reasonable idea, right?  There’s only one problem.  ALL OF THE COFFINS ARE EMPTY!  Now, before anyone asks, they weren’t empty when they went into the ground.  There were dead bodies in them when they were originally buried.  But now the coffins are empty, the bodies are missing, and that can mean only one thing — ZOMBIES!

And since this is a Hammer film, that also means that a squire is to blame!  Seriously, if there’s anything that I’ve learned from watching British horror films, it is to never trust a squire.  Squires always seem to end up practicing some sort of black magic.  In this case, Squire Clive Hamilton (Jack Carson) has just returned from Haiti, where he apparently spent some time researching the art of zombie creation.  Squire Hamilton has a tin mine to manage and undead workers are apparently far less demanding than living workers.

(Of course, today, Squire Hamilton could have just automated the mine and brought in robot workers, who would probably be even less demanding than zombie workers.  In fact, with the march of progress, there may soon be no need for zombie workers at all.)

This is a Hammer film so, needless to say, Sylvia eventually gets kidnapped and it’s up to Dr. Tomlinson and Sir James to put an end to the Squire’s evil plans before Sylvia is transformed into a zombie herself.  That’s not going to be as easy as it seems, because there’s zombies everywhere!

The Plague of the Zombies is one of Hammer’s best films and it’s also one of the few that, even to a modern viewer, remains frightening.  The village is a wonderfully atmospheric location, mixing all of the usual gothic tropes that we’ve come to expect with Hammer films with a very real feeling of decay.  Even before the whole zombie plague started, one gets the feeling that the village was already dying a slow, economic death.  The tin mine may be the only way to keep the village alive but, at the same time, killing the village is also the only way to keep the tin mine open.  The Plague of the Zombies is a moody and rather sad film, one that has a bit more on its mind than just supplying the usual Hammer combination of cleavage and blood.

Speaking of blood, Plague of the Zombies has one of the scariest zombie scenes of all time, in which one of our heroes finds himself wandering through a mist-covered cemetery while the dead rise around him.  At one point, he literally steps over a pool of blood.  Of course, the scene itself turns out to be a dream but it’s still effectively frightening.  Also frightening are the zombies themselves, with their pasty, decaying flesh and their blankly hostile faces.  It has been suggested that Plague of the Zombies was an influence on Romero’s Night of the Living Dead and you can definitely see that in its portrayal of the zombies as being a threat not because they’re fast but because they’re so relentless and pitiless.

The Plague of the Zombies is one of the best Hammer films out there so watch it this Halloween!

Horror on the Lens: Dante’s Inferno (dir by Henry Otto)


Today’s horror on the lens comes to us from 1924!  In Dante’s Inferno, a businessman visualizes Dante’s trip to Hell while little realizing that his behavior is going to lead him to the same destination.

There’s a lot different prints of this film floating around.  The original version ran for 60 minutes.  The version below was a 49-minute version that was released on VHS.  At the time of its release, it’s vision of Hell was considered to be so frightening and definitive that clips of this film were actually used in other films that depict Hell.  In fact, Ken Russell used clips from this film in 1980 to depict a drug-induced hallucination in the film, Altered States.

The quality of the upload is not the best (again, largely because it was taken from an old VHS tape) and it’s impossible not to cringe at the character of the butler (whose portrayal, sadly, is typical of how African-Americans were regularly portrayed in films up until the 1960s) but this is still a bit of cinematic history.

Music Video of the Day: First Date by Danko Jones (2006, dir by Micah Meisner)


Today’s music video of the day brings us a little more vampire action.  I guess we shouldn’t be too surprised.  Vampires always seem to inspire musicians in a way that werewolves don’t.  This video came out two years before Twilight and it basically tells a less romanticized version of the same story….

Still, there is an odd romance to vampirism, though that might not be obvious from this video.  In this video, the vampire just comes across as being a pervy stalker but, in the popular imagination, there’s usually nothing sexier than a centuries-old vampire.  Maybe it’s all the ennui.

To be honest, I just like the bottles of blood in the refrigerator.  That makes me laugh every time I see it.

Enjoy!

Horror On TV: One Step Beyond 3.5 “If You See Sally” (dir by John Newland)


On tonight’s epiosde of One Step Beyond, we visit the legend of the ghostly hitchhiker.

Will Sally ever make it home?

This episode originally aired on October 18th, 1960!

Horror Scenes I Love: The Poltergeist Face Peeling Scene


This is from the original, 1982 version Poltergeist.

It’s just a ghost movie about a mother’s love, suburban conformity, and a guy’s face falling into the sink.  For whatever reasons, the ghosts just seemed to take a really intense dislike to this guy.

“The house is clean.”

Not bloody likely.

“You moved the headstone but you left the bodies!?  WHY!?  WHY!?”

Whoops, different scene.

Anyway, let’s watch Marty lose face:

4 Shots From 4 Films: Anaconda, The Devil’s Advocate, I Know What You Did Last Summer, Scream 2


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, we’re using 4 Shots From 4 Films to look at some of the best years that horror has to offer!

4 Shots From 4 1997 Horror Films

Anaconda (1997, dir by Luis Llosa)

The Devil’s Advocate (1997, dir by Taylor Hackford)

I Know What You Did Last Summer (1997, dir by Jim Gillepsie)

Scream 2 (1997, dir by Wes Craven)

Horror on the Lens: The Terror (dir by Roger Corman)


Have you ever woken up and thought to yourself, “I’d love to see a movie where a youngish Jack Nicholson played a French soldier who, while searching for a mysterious woman, comes across a castle that’s inhabited by both Dick Miller and Boris Karloff?”

Of course you have!  Who hasn’t?

Well, fortunately, it’s YouTube to the rescue.  In Roger Corman’s 1963 film The Terror, Jack Nicholson is the least believable 19th century French soldier ever.  However, it’s still interesting to watch him before he became a cinematic icon.  (Judging from his performance here and in Cry Baby Killer, Jack was not a natural-born actor.)  Boris Karloff is, as usual, great and familiar Corman actor Dick Miller gets a much larger role than usual.  Pay attention to the actress playing the mysterious woman.  That’s Sandra Knight who, at the time of filming, was married to Jack Nicholson.

Reportedly, The Terror was one of those films that Corman made because he still had the sets from his much more acclaimed film version of The Raven.  The script was never finished, the story was made up as filming moved alone, and no less than five directors shot different parts of this 81 minute movie.  Among the directors: Roger Corman, Jack Hill, Monte Hellman, Francis Ford Coppola, and even Jack Nicholson himself!  Perhaps not surprisingly, the final film is a total mess but it does have some historical value.

(In typical Corman fashion, scenes from The Terror were later used in the 1968 film, Targets.)

Check out The Terror below!

Music Video Of The Day: Life As A Vampire by 8-Bit Heroes (2018, dir by ????)


Wow.  Apparently, life as a vampire is not all that it’s cracked up to be.

This video reminds me of the classic Andrew Parkinson film, I, Zombie.  That film followed a young man who is forced to deal with the fact that he’s slowly turning into a zombie.  Apparently, being a vampire is just as depressing as becoming a zombie.  Maybe it would be best to avoid fraternizing with the living dead all together.

Enjoy!