by Erin Nicole
Welcome to October on the Shattered Lens!
Here’s hoping this month finds you with joy, family, friends, fiends, ghouls, and ghosts!
Today is also the start of the Shattered Les’s annual horrorthon! Sit back, enjoy the reviews, the art, and the music videos, and have a great month of ghoulish fun!
by Erin Nicole
Welcome to October! October is a big month here at the Shattered Lens. It’s the month when we devote the majority of our time to the horror genre. It’s time for our annual Horrorthon! Last year, we had a record number of Horrorthon posts. I’d love to that record this year but mostly. I just want this year’s Horrothon for both our writers and our readers!
Here’s what I’m looking forward to in October!
October’s going to be a great month and those of us at TSL can’t wait to celebrate it with you! What are you looking forward to in October?
Happy Horrorthon! This could be a rough start. I would normally be really rough with a short like this, BUT he’s got <500 subs and he’s definitely young. So, I’m gonna play nice.
Noah hear me, I get that you have a love for film, especially weird esoteric film. Here is your MAIN PROBLEM: there is no real story here that is identifiable outside of your own description. A short film needs a beginning, middle, and an end. What makes short-films a special artform is that they create: story, character, and suspense in an instant. They can make you laugh, jump, or cry- if they are done with intentional care.
Other than the make up, there is no character here. It is unclear the lady’s motivation, fear, hope, or even psychosis. The cat is a stranger in the film and it just gets gory for its own sake at the end. I hope you cleaned up after filming and thanked your amazingly patient and lovely parents for letting you do this.
There is NO STORY here. You need a story. You need character. You need for us to care about your protagonist or this is just you messing around with a camera. It is good to have an interest in film, but it’s like you’re trying to fly an airplane before you’ve learned how to walk. Come up with a SIMPLE STORY and get it right; then, go all weird, but even then, you still need a story and character or NO ONE will care about your characters or what happens. I am not doing a plot summary for this because there isn’t one.
I don’t want to be too hard on Noah here, but he’s missing the point of this art. There’s short films on YouTube that are barely a minute long that establish: Story, Character, and Stakes. This is not that, but Noah MIGHT be able to get there if he tries again and starts EXTREMELY small and tells a small story well.
by Gene Colan
Happy horrorthon!
I guess there’s a comic book for every movie.
David Bowie was one of the first artists to truly understand the potential power of a good music video and, as can be seen in this video for Ashes to Ashes, he was an early pioneer of the form. At a time when most music videos were just performance clips, Bowie put together a narrative that offered an artistic interpretation of the song’s lyrics and themes and which invited viewers to interpret the song on their own.
The video was largely shot on two beaches in the UK, at Beachy Head and Hastings. Interior scenes were filmed on the set of the Kenny Everett Show. Bowie’s followers were played by the Blitz kids, who were known for frequenting the Blitz nightclub in Covent Garden.
Bowie said that the video was meant to combine the past and the future, which is why Bowie not only appears as an astronaut but also as an Edwardian clown. The scenes with Bowie as an astronaut are, as the lyrics make clear, a reference to Major Tom. The look of the scenes was heavily influenced by H.R. Giger’s work on Alien.
David Mallet would go on to become one of busiest directors of music videos of the 80s, directing videos for Queen, Iron Maiden, AC/DC, and others. David Bowie would also go on to play a huge role in MTV’s history, due to both his videos and his willingness to call out that station’s initial refusal to feature videos from black artists.
Enjoy!
Artist Unknown
Coming to use from 1939, this cover is here to help us all get ready for the annual TSL horrorthon, starting tomorrow!
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial! The movie? 1983’s Sleepaway Camp!
If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Sleepaway Camp is available on Prime and Tubi!
See you ther
Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!
Agck! Bees!
Episode 2.11 “The Sweetest Sting”
(Dir by David Winning, originally aired on January 16th, 1989)
I have never been stung by a bee or a wasp.
I’m extremely lucky. All of my sisters and all of my cousins have been stung once or twice. My mom was stung multiple times when I was little. But I have never once been stung. I once had a wasp fly straight into my hair and I was able to shake it out without it stinging me. I have had bees land on my bare arm and just sit there without stinging. I once knocked a wasp nest off of a farm doorway and the wasps, while obviously angry, made no attempt to sting me in retaliation. For whatever reasons, the wasps and the bees have decided not to mar my beautiful skin with any of their stingers and I appreciate them for that.
Of course, I’m also very scared that they might someday change their mind. I have no idea what it feels like to be stung but I know it’s painful. On a more serious note, I have no idea whether or not I’m allergic to bees or wasps. I appreciate their kindness but I’m still terrified of their capriciousness.
That’s why this somewhat silly episode of Friday the 13th freaked me out. I say silly because it was about McCabe (Art Hindle), a psycho beekeeper who kept all of his bees in a cursed hive. Whenever he would unleash the bees, the cheap special effects were so bad that it would have made me laugh if not for the fact that I’m already scared enough of innocent bees. Imagine how I feel about cursed ones!
The bees produced cursed honey that can be used to restore the youth of people who allow themselves to be stung by McCabe’s bees. (Because they’re magic bees, they don’t die after stinging someone. I always understood that stinging someone caused a bee to be ripped in half so I’m not sure how the magic works but whatever. I actually kind of feel bad for bees now.) However, the people who accept McCabe’s youth treatment have to have a constant supply of honey and McCabe needs a constant supply of dead bodies so that his clients can fake their own deaths. So, McCabe orders his clients to kill if they want to remain young.
To be honest, the whole plot kind of feels like it was made up on the spot but the great Canadian character actor Art Hindle gives an amusingly over-the-top performance as McCabe. McCabe is the type of villain who laughs whenever he’s thinking about doing something evil. There’s nothing subtle about Hindle’s performance but it works in the contest of the episode’s overall absurdity. The bees are obviously fake. Art Hindle chews up every piece of scenery he can get his hands on. The episode’s a lot of fun.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.
Mister Who?
Episode 2.15 “Mr. Swlabr”
(Dir by Warner Shook, originally aired on January 28th, 1990)
11 year-old Roy Barton (Robert Oliveri) spends all of his time in the basement of his house, playing with his train set and making dinosaur figurines. His mother (Kate McGregor-Stewart) is abusive. His older sister (Danielle Ferland) is spoiled and self-centered. Roy doesn’t have a friend in the world and has never gotten over his father abandoning the family when he was younger.
One day, Roy opens a box of cereal and finds a small dinosaur toy. Roy puts the toy in water and it comes to life. Mr. Swlabr (voiced by New York performance artist Rockets Redglare) says that he’ll be Roy’s friend and promises that he’ll never leave. Awwwww! Roy’s evil mother tries to drown Mr. Swlabr with a hose but the water just causes Mr. Swlabr to grow into an even bigger dinosaur. Mr. Swlabar spits a bunch of green goo on Roy’s sister. It doesn’t hurt her but it does convince her and her mother to do whatever Roy tells them to do.
This was an odd episode. It played out like a particularly macabre fairy tale, with Roy finally getting a friend who was big enough to bully everyone who was previously bullying him. It had its moments. I teared up a bit when Roy begged Mr. Swlabr not to abandon him the way that his father did. But, in the end, the hand puppet dinosaur was a bit too silly to be an effective monster.
Probably the most interesting thing about this episode was the casting of Rockets Redglare as the voice of Mr. Swlabr. From the 1970s up until his death in 2001, Rockets Redglare was a fixture of the New York underground. He was a comedian, a performance artist, and eventually a character actor. He worked as a drug counselor while, at the same time, delivering drugs to people like Jean-Michel Basquiat and Sid Viscous. He was reportedly the last known person to have seen Sid and his girlfriend Nancy Spungen alive and he was a suspect when Nancy was later found dead. According to Phil Strongman’s Pretty Vacant: A History of Punk, Redglare later told his friends that he was the one who had murdered Nancy. That said, musician Howie Pyro later said that Redglare was notorious for making up stories to get attention. (For their part, the police focused their investigation on Sid Viscous, who they claimed confessed despite the fact that Viscous was also too drugged out to really remember much of anything. The main lesson here: Stay away from the heroin.) Redglare went on to become a bit of an underground celebrity, appearing in movies directed by Jim Jarmusch, Stee Buscemi, and Olive Stone. (He played himself in Julian Schnabel’s Basquiat). Redglare died at the age of 52, saying in his final interview that everything he did, he “did to excess.” RIP, Mr. Swlabr.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on YouTube!
This week, Donna’s got a knife!
Episode 2.11 “Possessed”
(Dir by David W. Hagar, originally aired on February 2nd, 1997)
A notorious serial killer dies when a prison bus is struck by several cars. His blood gets on several of the people present at the accident and, as a result, he starts possessing them person-by-person. He inhabits a body, commits several murders, and, once his current body expires, he moves on to the next person.
For instance, lifeguard Donna DiMarco was on the scene of the accident and soon, she finds herself putting on sexy lingerie, grabbing a knife, and driving around in search of young hitchhikers to seduce and kill. Oh no! That’s not the Donna that we all know. Fortunately, Mitch and Ryan realize what’s happening and Mitch is able to track Donna down before she kills her first hitchhiker. The killer’s spirit flees Donna’s spirt and possesses its next victim.
Ray Reegun (Robert Ginty) is a cop who was one of the first people on the scene of the accident. When he becomes possessed by the killer, he immediately heads down to Mitch’s office and kidnaps Ryan. While Mitch tries to find them, Ray takes Ryan to an abandoned movie theater and tells her about all of the great movies that have premiered at the theater.
“Is this you or is this the killer?” Ryan asks.
It seems like a strange question to ask. I mean, does it really matter? Ray is possessed by a serial killer and is holding Ryan prisoner. So, whether it’s Ray or the killer who is into the movies really doesn’t seem that important. Bad people can like movies too, after all. And Ray’s married so if he’s the one flirting with Ryan at the theater, that’s not a good thing.
Fear not, though. Mitch is able to save both Ryan and Ray. It’s left ambiguous as to whether or not the evil spirit has truly been defeated after it leaves Ray’s body. The episode actually ends with Ryan and Mitch leaving to check on another person who was at the accident so who know? We know that Mitch went back to being a lifeguard after the end of this season but we don’t know what happened to Ryan. Maybe she’s still running around the country, trying to track down that spirit.
It’s an interesting idea. I liked the idea of the spirit jumping from person-to-person and the idea of the spirit moving in the order of the people who arrived at the scene of the accident predates the Final Destination films. The first half of the show, which featured Donna trying to kill that hitchhiker, was enjoyably absurd, But the stuff with Ray and Ryan got bogged down with Ray giving that endless monologue in the theater. Watching this, one gets the feeling that whoever wrote the episode lost intrest about halfway through. Not even the presence of Robert Ginty can liven things up.
Oh well. Next week — two Vikings come back to life and they’re mad! Woo hoo!
Through the Shattered Lens 