4 Shots From 4 Classic Christmas Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

It’s Christmas!  Here are 4 Shots from 4 Christmas classics!

4 Shots From 4 Films

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

Die Hard (1988, directed by John McTiernan, DP: Jan de Bont)

Goodfellas (1990, dir by Martin Scorsese, DP: Michael Ballhaus)

Eyes Wide Shut (1999, dir by Stanley Kubrick, DP: Larry Smith)

4 Shots From 4 Films: Special Francis Ford Coppola Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today is Francis Ford Coppola’s birthday! Coppola is a bit of a controversial figure among some film scholars. While everyone agrees that, with the first two Godfathers, he directed two of the greatest films of all time (and some people would include Apocalypse Now on that list as well) and that he was one of the most important directors of the 70s, his post-Apocalypse Now career is often held up as a cautionary tale. Some say that Coppola’s career suffered because of his own excessive behavior and spending. Others argue that he was treated unfairly by a film industry that resented his refusal to compromise his vision and ambitions. Personally, my natural instinct is to always side with the artist over the executives and that’s certainly the case with Coppola. Coppola has only completed four films since the start of this current century and three of them were not widely released. Say what you will about the films themselves, that still doesn’t seem right. This year will bring us a new Coppola film, Megapolis. I know that we’re all hoping the best.

Regardless of how one views his latter career, Coppola is responsible for some of the best and most important films ever made. And today, on his birthday, it’s time for….

4 Shots From 4 Francis Ford Coppola Films

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)
The Conversation (1974, dir by Francis Ford Coppola, DP: Bill Butler)
The Godfather, Part II (1974, dir by Francis Ford Coppola, DP: Gordon Willis)
Apocalypse Now (1979, dir by Francis Ford Coppola, DP: Vittorio Storaro)

4 Shots From 4 Films: Special Marlon Brando Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

One hundred years ago and on this date, Marlon Brando was born in Omaha, Nebraska.  One of the greatest of American actors and one of the main reasons why so many young actors became enamored with the Method, Marlon Brando played many roles in our culture.  When he was young, he was a Broadway bad boy.  When he went out to Hollywood, he became a legitimate movie star.  In the 60s, he was a cautionary tale as his career suffered a series of notorious flops.  In the 70s, he made a comeback and, in during the final years of his career, he was as known for his eccentricities as for his talent.  It’s a shame that those eccentricities overshadowed Brando as an actor.  When he wanted to be, he was one of the best to ever appear on stage or in the movies.

In honor of the wonderful, tragic, and talented Marlon Brando, it’s time for….

4 Shots From 4 Marlon Brando Films

A Streetcar Named Desire (1951, dir by Elia Kazan, DP: Harry Stradling)

On The Waterfront (1954, dir by Elia Kazan, DP: Boris Kaufman)

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

Apocalypse Now (1979, dir by Francis Ford Coppola, DP: Vittorio Storaro)

6 Shots From 6 Best Picture Winners: The 1970s


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, I’m using this feature to take a look at the history of the Academy Award for Best Picture.  Decade by decade, I’m going to highlight my picks for best of the winning films.  To start with, here are 6 shots from 6 Films that won Best Picture during the 1970s!  Here are….

6 Shots From 6 Best Picture Winners: The 1970s

The French Connection (1971, dir by William Friedkin, DP: Owen Roizman)

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

The Godfather Part II (dir by Francis Ford Coppola, DP: Gordon Willis)

One Flew Over The Cuckoo’s Nest (1975, dir by Milos Forman, DP: Haskell Wexler and Bill Butler)

Rocky (1976, dir by John G. Avildsen, DP: James Crabe)

The Deer Hunter (1978, dir by Michael Cimino, DP: Vilmos Zsigmond)

4 Shots From 4 Films: Special New Year’s Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Happy New Year’s Day!  Did you have as wonderful a celebration as the characters featured in today’s special edition of 4 Shots From 4 Films?

4 Shots From 4 Films

The Poseidon Adventure (1972, dir by Ronald Neame, DP: Harold E. Stine)

The Godfather Part II (1974, dir by Francis Ford Coppola, DP: Gordon Willis)

New Year’s Evil (1980, dir by Emmett Alston, DP: Edward Thomas)

Strange Days (1995, dir by Kathryn Bigelow, DP: Matthew F. Leonetti)

8 Shots From 8 Films: Special Robert Evans Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

92 years ago today, Robert Evans was born in New York City.  He started out working in his brother’s clothing business but a chance meeting with actress Norma Shearer led to him becoming an actor.  And while Evans, by his own account, was not a particularly good actor, he did prove himself to be very skilled at playing the games of Hollywood.  Evans eventually moved from acting to production, first as an executive at Paramount and then as an independent producer.

He lived a life as glamorous and tumultuous as the stars of his pictures and his memoir, The Kid Stays In The Picture, is considered to be one of the classic show biz autobiographies.  He hung out with cinematic rebels like Jack Nicholson and Robert Towne and counted Secretary of State Henry Kissinger as a friend.  He suggested that Francis Ford Coppola should direct The Godfather and, when Paramount put pressure on Coppola to cut the film down to two hours, it was Evans who famously announced that a two-hour Godfather was nothing more than a trailer.  He lost Ali MacGraw to Steve McQueen and, again by own account, he lost a lot of potentially productive years to cocaine.  (The Cotton Club scandal is one of the wildest in the history of Hollywood, though it should be noted that Evans himself was never charged with any wrongdoing.)  But, for all that he lost, Evans continues to gain admirers as being the epitome of the producer who was willing to take chances.  For all of his flamboyance, Evans had an eye for good material and the willingness to protect his directors.  In many ways, he was as important to the cinematic revolution of the 70s as the directors that he hired.  When Evans passed away in 2019, it was truly the end of an era.

Here, in honor of the birth and legacy of Robert Evans, are 8 Shots from 8 Films that Evans produced, either as studio chief at Paramount or as an independent producer.

8 Shots From 8 Robert Evans Films

Rosemary’s Baby (1968, dir by Romnn Polanski, DP: William A. Fraker)

Love Story (1970, dir by Arthur Hiller, DP: Richard Kratina)

The Godfather (1972, dir by Francis Ford Coppola, Cinematography by Gordon Willis)

Chinatown (1974, dir by Roman Polanski, DP: John A. Alonzo)

Marathon Man (1976, dir by John Schlesinger, DP: Conrad Hall)

The Cotton Club (1984, dir by Francis Ford Coppola, DP: Stephen Goldblatt)

The Two Jakes (1990, dir by Jack Nicholson, DP: Vilmos Zsigmond)

Sliver (1993, dir by Phillip Noyce, DP: Vilmos Zsigmond)

6 Shots From 6 Films: Special Gordon Willis Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today the Shattered Lens celebrates what would have been the 91st birthday of the great cinematographer, Gordon Willis.  Willis was the master of using shadow and underexposed film to create some of the most haunting movie images of the 70s and 80s.  He was also one of the first cinematographers to take advantage of the so-called “magic hour,” that moment when the sun is setting and everything is bathed in a golden glow.  Today, everyone does that but Willis was the first.

Willis has often been cited as one of the most influential cinematographers of all time but, amazingly, Willis would receive only two Academy Award nominations (for Zelig and The Godfather Part III) and he would never win a competitive Oscar.  Remember that, the next time someone argues that the Oscars are the final arbitrator as far as cinematic quality is concerned.

(Actually, does anyone argue that anymore?)

In memory of Gordon Willis, here are….

6 Shots From 6 Gordon Willis Films

End of the Road (1970, dir by Aram Avakian, Cinematography by Gordon Willis)

The Godfather (1972, dir by Francis Ford Coppola, Cinematography by Gordon Willis)

The Parallax View (1974, dir by Alan J. Pakula, Cinematography by Gordon Willis)

The Godfather Part II (dir by Francis Ford Coppola, Cinematography by Gordon Willis)

All The President’s Men (1976, dir by Alan J. Pakula, Cinematography by Gordon Willis)

Manhattan (1979, dir by Woody Allen, Cinematography by Gordon Willis)

6 Shots From 6 Films: Special Al Pacino Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

With all the excitement (or not) surrounding the Oscars, it might be easy to overlook the fact that today is also the birthdays of one of the greatest and most iconic American actors of all time!  We cannot let this day end without wishing a happy birthday to the one and only Al Pacino!

In others words, it’s time for….

6 Shots From 6 Al Pacino Films

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

Dog Day Afternoon (1975, dir by Sidney Lumet, DP: Victor J. Kemper)

Scarface (1983, dir by Brian DePalma, DP: John A. Alonzo)

Heat (1995, dir by Michael Mann, DP: Dante Spinotti)

The Devil’s Advocate (1997, dir by Taylor Hackford, DP: Andrzej Bartkowiak)

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino, DP: Robert Richardson)

 

 

4 Shots From 4 Films: Special Francis Ford Coppola Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today is Francis Ford Coppola’s birthday! Coppola is a bit of a controversial figure among some film scholars. While everyone agrees that, with the first two Godfathers, he directed two of the greatest films of all time (and some people would include Apocalypse Now on that list as well) and that he was one of the most important directors of the 70s, his post-Apocalypse Now career is often held up as a cautionary tale. Some say that Coppola’s career suffered because of his own excessive behavior and spending. Others argue that he was treated unfairly by a film industry that resented his refusal to compromise his vision and ambitions. Personally, my natural instinct is to always side with the artist over the executives and that’s certainly the case with Coppola. Coppola has only completed three films since the start of this current century and none of them were widely released. Say what you will about the films themselves, that still doesn’t seem right.

Regardless of how one views his latter career, Coppola is responsible for some of the best and most important films ever made. And today, on his birthday, it’s time for….

4 Shots From 4 Francis Ford Coppola Films

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)
The Conversation (1974, dir by Francis Ford Coppola, DP: Bill Butler)
The Godfather, Part II (1974, dir by Francis Ford Coppola, DP: Gordon Willis)
Apocalypse Now (1979, dir by Francis Ford Coppola, DP: Vittorio Storaro)

Somebody’s Watching Me: Jane Fonda in KLUTE (Warner Brothers 1971)


gary loggins's avatarcracked rear viewer

Original Cinema Quad Poster - Movie Film Posters

I was going to post on KLUTE last week, but between my Internet service going on the fritz and getting swept up in Oscar Fever, I never got around to it. Better late than never though, and KLUTE is definitely a film worth your time. It’s a neo-noir directed by that master of 70’s paranoia, Alan J. Pakula, who’s also responsible for THE PARALLAX VIEW, ALL THE PRESIDENT’S MEN, and SOPHIE’S CHOICE. KLUTE is both an intense thriller and character study, with an Oscar-winning performance by Jane Fonda.

PI John Klute is sent to New York City to investigate the disappearance of his friend, Tom Gruneman. Seems Gruneman has been sending obscene letters to Bree Daniels, a call girl he met there. Klute sets up shop in her apartment building, shadowing her and tapping her phone. When he finally goes to question her, Bree says she doesn’t remember Gruneman, but it’s possible he could…

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