Retro Television Review: Miami Vice 4.21 “Deliver Us From Evil”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Caitlin makes a fateful return to Miami, an old enemy emerges from the shadows, and Crockett crosses a line that he never thought he would cross.  Will he ever be able to come back?

Episode 4.21 “Deliver Us From Evil”

(Dir by George Mendeluk, originally aired on April 29th, 1989)

At the end of this week’s episode, Crockett executes a man in cold blood!

Whoa!

Now, I should note that the guy that Crockett killed was really, really bad.  Frank Hackman (Guy Boyd) was a hitman who was previously on Death Row for killing one of Crockett’s former partners.  Hackman, who was pretending to be born again and seeking redemption, tricked Crockett into “proving” his innocence and getting his conviction overturned.  Only as Frank left the prison did he smirk at Crockett and reveal that all of the “new” evidence was faked.  It was one of Miami Vice’s darkest episodes.

Frank went back to his old ways, committing crimes and killing families.  Crockett made it his mission to take down Frank but, during a shootout with Frank’s gang, Frank’s wife was caught in the crossfire.  Crockett blamed himself, even though the bullet that killed her came from Frank’s gun.  Frank also blamed Crockett and, while Crockett was struggling with whether or not he wanted to remain a member of the Vice Squd, Frank plotted his revenge.

Caitlin Davies, Crockett’s wife, returned from her European tour.  Unfortunately, her homecoming concert was abruptly ended when she was shot by a sniper.  She died in Crockett’s arms, bringing to an end a marriage that never really made much sense to begin with.

Crockett spent a few days drinking on his boat and then rejoined the Vice Squad, determined to track down Frank.  Castillo did that thing where he narrowed his eyes and looked vaguely concerned but he still allowed Crockett to work the case.  After Crockett and Tubbs learned that Frank was living on a nearby island, Crockett confronted him alone.

“You wouldn’t shoot an unarmed man,” Frank said, smiling while lounging by the pool.

BANG!

Frank was wrong.

It was a powerful moment but one that was diminished by one final shot that showed Frank had been holding a gun in his hand when he was shot.  From what I’ve been able to uncover online, this was apparently added at the insistence of the network, who did not want Crockett to become a cold-blooded killer.  I doubt that would be an issue for the networks today.

Season 4 has been pretty uneven but this was a powerful episode.  As it ended, it definitely seemed as if Crockett had crossed  a line and that he would never again be the same.  Who knows what that might mean for next week’s season finale?

We’ll find out!

Retro Television Review: Miami Vice 4.19 “Blood & Roses”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Gina’s in trouble again!

Episode 4.19 “Blood & Roses”

(Dir by George Mendeluk, originally aired on April 1st, 1988)

Frank Mosca (Stanley Tucci) is back!

In case you’ve forgotten, Mosca was the villain from the fourth season premiere, Contempt of Court.  That episode ended with Mosca getting away with everything.  This episode finds him killing a rival drug lord (Michael Wincott) and trying to kill Crockett.  Because Mosca knows who Crockett and Tubbs are, it falls on Gina to go undercover.  This becomes yet another episode where Gina starts to fall for the bad guy and ends up having sex with the target of a Vice investigation.  As often happens with these type of episodes, Gina ends up shooting Mosca to keep him from shooting Sonny.  Mosca’s body plummets down an air shaft and it’s hard not to notice that Stanley Tucci has suddenly become a mannequin with painted hair.

Stanley Tucci gave a magnetic performance as the charismatic but evil Frank Mosca.  Watching Tucci, it’s easy to see why the show brought him but Mosca was such a memorable character that it’s shame that he was given a standard Miami Vice death scene.  Mosca deserved to go out with a bit more style.  Saundra Santiago gave a good performance as Gina but it’s hard not to notice that every time she’s at the center of an episode, it’s pretty much the same basic plot.  As a character, Gina deserved better than to constantly be used as a sex toy by every bad guy she went undercover to investigate.

Watching this episode, I found myself wondering if the show’s writers remembered that Crockett was supposed to be married.  Between his jealousy over Gina getting close to Mosco and a scene where he and Gina shared a brief but intense kiss, it was hard not to notice that Crockett didn’t seem to be thinking about his wife.  Perhaps this episode was originally meant to air earlier in the season, before Crockett’s somewhat improbable wedding.  Who knows?  It’s been a while since anyone asked Crockett about Caitlin.  Maybe they got a quickie divorce offscreen.

This episode was typical of season 4.  It was well-made but everything just felt a bit too familiar. to be effective.

The Terror Experiment (2010, directed by George Mendeluk)


At the Houston Federal Building, a disgruntled domestic terrorists sets off a bomb that not only rocks the building but also unleashes a government-designed nerve gas that turns anyone exposed to it into an animalistic, rage-fueled zombie who attacks everyone that they see.  Soon, the building is full of former friends and co-workers who are now obsessed with ripping each other to shreds.  The few people who were not exposed to the nerve gas are hiding on the top floor.  Under the reluctant leadership of Cale (Jason London), they try to figure out how to escape from the building.

Meanwhile, on the outside, Police Chief Grosso (C. Thomas Howell) and Fire Chief Lohan (Lochlyn Munro) attempt to rescue as many people as they can before the building is blown up.  The scientist on the scene (Robert Carradine) sees all of this as a research opportunity while a sinister government agent (Judd Nelson) conspires to keep word about what has happened from reaching the public.

With its images of suit-and-tie wearing madmen trying to kill everyone in the building, The Terror Experiment may seem like it would have much in common with The Belko Experiment (which came out a few years after Terror Experiment) but actually, The Terror Experiment is mash-up of Die Hard and 28 Days Later, with Jason London and Lochlyn Munro filling in for Bruce Willis and Reginald Veljohnson.  With its frequent scenes of formerly normal people suddenly going mad and turning into homicidal maniacs, The Terror Experiment has its effective moments and Jason London does the best that anyone probably could with the role of the film’s reluctant hero.  But the film also suffers because you never really get to know who any of these people were before they were trapped in the building and there aren’t really any emotional stakes to whether or not they’ll manage to get out.  As well, the scenes outside the building often fill like filler that was included so that some “name” actors could be recruited to appear in the film.  Howell, Carradine, and Nelson are all fine in their roles but the only thing they add to the movie is an opportunity to recreate the one of the most crowd-pleasing moments from the finale of Die Hard.

The Terror Experiment is occasionally diverting but it’s hard not to feel that it never really reaches its potential.

Shattered Politics #48: The Kidnapping of the President (dir by George Mendeluk)


Kidnapping_of_the_president

Agency was not the only Canadian film to be made about American politics in 1980.  There was also The Kidnapping of the President, a low-budget political thriller that, because it has since slipped into the public domain, can currently be found in a few dozen DVD box sets.  In fact, you may very well own a copy of The Kidnapping of the President without even realizing it!

Don’t worry if you do.  The Kidnapping of the President is a fairly harmless little film.

U.S. President Adam Scott (Hal Holbrook) is visiting Toronto when he gets handcuffed to a South American revolutionary named Roberto Assanti (Miguel Fernandes).  Assanti locks President Scott in an armored car that is wired with explosives and then demands a hundred million in diamonds and two planes.  (Though the film never explicitly states it, I imagine that Assanti was primarily motivated by jealousy over the fact that Che is on a million t-shirts while Assanti remains fairly unknown.)  It’s up to secret service agent Jerry O’Connor (William Shatner) to negotiate with Assanti and rescue the President!  Meanwhile, the ethically compromised Vice President (Van Johnson) is left as acting President in Washington and struggles to keep things calm while his ambitious wife (Ava Gardner) plots for a brighter future.

Overall, the Kidnapping of the President is okay for what it is.  It’s neither exceptionally good nor memorably bad.  It just sort of is.  Hal Holbrook is always well-cast as a President and William Shatner gives a typical Shatner performance, which is either a good or a bad thing depending on how you feel about William Shatner.  And, for that matter, Miguel Fernandes is a properly unlikable villain though he never really seems to have the charisma necessary to make him believable as the dynamic leader that he’s supposed to be.

Probably the most interesting thing about The Kidnapping of the President is that it doesn’t try to pass Montreal off for being a location in the United States.  Instead, the film was not only filmed in but is actually set in Toronto as well.  When Jerry attempts to deal with the local authorities, that means that he ends up talking to a bunch of very polite men in red uniforms.

But what’s strange about this is that the people of Toronto are so excited about the arrival of the President.  You half expect to hear one extra say, “I never thought I’d live long enough to see the day that a leader that I can’t vote for and who has next to nothing to do with my everyday life would come to visit Toronto.”

Don’t get me wrong.  If you follow me on twitter, then you know that I am unashamed to declare my love for all things Canadian.  And obviously, as neighbors, Canada and the United States do have a close relationship.  But would people in Toronto really be that excited to see the President?

If so, I think we really owe the people of Canada an apology for not knowing more about their government.  At the very least, we should definitely invite Stephen Harper over for lunch.

http://www.youtube.com/watch?v=tqyWEPkdxn4