Creature Double Feature 2: IT CAME FROM BENEATH THE SEA and 20 MILLION MILES TO EARTH (Columbia, 1955 & 1957)


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Let’s return to those thrilling days of yore before CGI and enter the wonder-filled world of Special Effects legend Ray Harryhausen! I’ve covered some of Harryhausen’s fantastic work before (ONE MILLION YEARS BC EARTH VS THE FLYING SAUCERS THE VALLEY OF GWANGI ), and most of you regular readers know of my affection for his stop-motion wizardry. So without further ado, let’s dive right into IT CAME FROM BENEATH THE SEA.

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An atomic submarine picks up a mysterious large object on its sonar. The sub’s hit hard, and radiation is detected in the surrounding area. The damaged sub is taken to Pearl Harbor for repairs, and a substance found on it is determined to be from a “living creature” by eminent scientist Dr. John Carter (Donald Curtis) and beautiful marine biologist Prof. Leslie Joyce (Faith Domergue ). Sub Commander Pete Matthews (Kenneth Tobey ) and Leslie immediately butt heads…

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Rockin’ in the Film World #9: JIMI HENDRIX: ELECTRIC CHURCH (2015)


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Back in March, I attended the “Experience Hendrix” live show, featuring guitar gods Kenny Wayne Sheppard, Buddy Guy, Zakk Wylde, Dweezil Zappa, Jonny Lang, and others jamming to the music of Jimi Hendrix. But as they say “Ain’t nothin’ like the real thing, baby”, and the documentary JIMI HENDRIX: ELECTRIC CHURCH is a full-on aural assault chronicling Hendrix’ 1970 performance at the Atlanta Pop Festival.

Director John McDermott begins the film with some famous talking heads (Paul McCartney, Steve Winwood, Susan Teschi, Metallica’s Kirk Hammett, Rolling Stone writer Anthony DeCurtis), as well as residents of the tiny town of Byron, where the festival was actually held (and they seem to be having a ball reminiscing!). There are clips of Hendrix on THE DICK CAVETT SHOW and of segregationist Georgia Gov. Lester Maddox (who hates them damn hippies!).

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Then it’s showtime, as Jimi and his band dive into classics like “Fire”. “All Along the Watchtower”…

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Number One With A Bullet: Lawrence Tierney in DILLINGER (Monogram 1945)


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Poverty Row Monogram Studios found themselves with a huge hit on their hands when they released DILLINGER, making a star out of an obscure actor named Lawrence Tierney in the process. This King Brothers production brought the gangster movie back in big way, with Tierney’s ferocious performance turning him into a film noir icon. DILLINGER burst the Kings out of the B-movie bracket, and gave the little studio its first major Oscar nomination for Best Screenplay.

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The saga of bank robber John Dillinger should be familiar to most of you through its myriad film portrayals, so let’s skip the story and go straight to Tierney. Though the film bills him as “Introducing Lawrence Tierney”, the RKO contract player had been in films a couple years playing bit parts in movies like GHOST SHIP and BACK TO BATAAN when his home studio loaned him out to the Kings. The New York-born actor took…

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Rockin’ in the Film World #8: BEYOND THE VALLEY OF THE DOLLS (20th Century Fox 1970)


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Sex and drugs and rock and roll!! That about sums up BEYOND THE VALLEY OF THE DOLLS, a lightning-fast paced Russ Meyer extravaganza covering the end of the decadent 60’s with a BANG… literally! The movie was originally intended to be a sequel to 1967’s soapy and sappy VALLEY OF THE DOLLS, but Meyer and screenwriter Roger Ebert (yes, THAT Roger Ebert!) changed course and concocted this satirical, surrealistic saga that skewers Hollywood, rock music, the sexual revolution, and anything else that got in its way.

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Like the original, the story concerns three nubile young ladies trying to make it out in La-La Land (that’s Los Angeles, folks), only this time they’re a Midwestern rock power trio named The Kelly Affair. Kelly (Dolly Read, former Playmate and soon-to-be wife of comedian Dick Martin), Pet (model/actress Marcia McBroom), and Casey (Playmate Cynthia Meyers), along with Kelly’s boyfriend and band manager Harris…

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TRIXIE, QUEEN OF THE JUGGLERS!


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Recently, TCM aired THE BROADWAY MELODY OF 1940, starring Fred Astaire and Eleanor Powell. There was plenty of singing and dancing, but one scene in particular caught my eye:

Holy guacamole!! Who was this blonde cutie bouncing balls off her head and juggling plates with aplomb? Well, your Cracked Rear Viewer spared no expense to get to the bottom of this mystery! Her name was Trixie Firschke, and she was known as Queen of the Jugglers. She was born in Hungary in 1920 to a family of circus entertainers, and began learning her craft at the age of 11. Trixie and her family travelled across Europe, playing for capacity crowds and heads of state, including Adolph Hitler, who gave the young girl an autographed box of bon-bons (she later said she found him very scary!). In 1938, the clan moved to America except her mom and sick younger sister. Times…

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Have A Happy Thanksgiving with BLOOD FREAK (Full Movie from 1972 )


Lisa gave you the poster, now here’s the movie! Happy Turkey Day!

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Before you eat all that Thanksgiving turkey, save some room for a real MOVIE turkey about a man who becomes a hopeless pothead, eats some tainted turkey, and winds up turning into a giant turkey craving the blood of stoners! Sound bizarre? You bet your giblets it is! Hosted by YouTube’s “Al Omega”, here’s 1972’s BLOOD FREAK! Gobble, gobble!:

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Happy Birthday Boris Karloff: John Ford’s THE LOST PATROL (RKO 1934)


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King of Classic Horror Boris Karloff was born on this date in 1887. The actor is beloved by fans for his work in genre flicks like FRANKENSTEIN, THE MUMMY , THE BLACK CAT, THE BODY SNATCHER , and many other screen tales of terror. But Karloff had always prided himself on being a working actor, and stepped outside the genre bounds many times. He excelled in some early gangster classics (THE CRIMINAL CODE, SCARFACE), played George Arliss’ nemesis in HOUSE OF ROTHSCHILD, was a Chinese warlord in WEST OF SHANGHAI, an Oriental sleuth in Monogram’s MR. WONG series, the psychiatrist in THE SECRET LIFE OF WALTER MITTY, and a scientist in THE VENETIAN AFFAIR . And then there’s John Ford’s THE LOST PATROL.

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The film itself tells the story of a British troop traveling through the Mesopotamian desert circa 1917. When their leader is shot dead by an unseen Arab bullet, the stoic Sergeant…

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Outside the (Hat) Box: PHANTOM LADY (Universal 1944)


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Interested in a Hitchcockian 40’s thriller full of suspense and noir style? Then PHANTOM LADY is the film for you, a small gem based on a Cornell Woolrich novel and  directed by the talented Robert Siodmak. I wouldn’t go so far as to call this film noir like many do, but it certainly contains many of the stylistic elements of the genre in its gripping murder mystery story. Pretty damn close, though!

The Hitchcock influence clearly comes from Joan Harrison , former secretary and screenwriter for The Master of Suspense, who became one of only three female producers working during Hollywood’s Golden Age. There’s Hitchcock’s famed McGuffin to be found in the form of a “crazy hat” worn by the mysterious woman of the title that’s crucial to the film’s plot. Add the tension ratcheted up by screenwriter Bernard Schoenfeld and you’ve got a Hitchcock movie without Hitchcock.

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The noir elements…

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That’s Blaxploitation! 8: SUPER FLY (Warner Brothers 1972)


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Pimpmobiles, outrageous fashions, and the funkiest score in movie history are only part of what makes SUPER FLY one of the best Blaxploitation/Grindhouse hits of all time. This low-budget film by director Gordon Parks Jr. captures the grittiness of 70’s New York in a way few larger productions ever could in its portrait of a street hustler yearning to get out of the life.

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Priest is a New York City coke dealer with all the outward trappings of success. As his partner Eddie puts it, he’s got “8-Track stereo, color TV in every room, and you can snort a half piece of dope every day… that’s the American dream, nigga! Ain’t it?”. To Priest, the answer is no. He’s tired of the hustle, the rip-off artists, and the deadbeats like Fat Freddie, and he’s got a plan to get out for good by scoring 30 keys through his mentor Scatter, selling…

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Pre Code Confidential #8: Barbara Stanwyck in BABY FACE (Warner Brothers 1933)


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Barbara Stanwyck uses sex as a weapon and screws her way to the top in BABY FACE, an outrageously blatant Pre-Coder that had the censors heads spinning back in 1933. Miss Stanwyck plays Lily Powers, a young woman who works in her Pop’s speakeasy in smog-filled Erie, PA, where Pop’s been pimping her out since she was 14. Lily has a black female friend named Chico who seems to be more than just a friend (though it’s never stated, the implication’s definitely there). All the men paw over her like dogs with a piece of raw meat except the elderly Mr. Cragg, who gives her a book by Fredrich Nietzche along with some advice: “You have power… you don’t realize your potentialities… you must use men, not let them use you… exploit yourself, use men! Be strong, defiant!”.

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When Pop’s still blows to smithereens, taking Pop with it, Lily and…

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