Special Veteran’s Day Edition: THE STORY OF G.I. JOE (United Artists 1945)


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William Wellman’s THE STORY OF G.I. JOE tells the tale of boots-on-the-ground combat soldiers through the eyes of war correspondent Ernie Pyle, Pulitzer Prize winning syndicated columnist for Scripps-Howard newspapers. The film was one of the most realistic depictions of the brutality of war up to that time, and made a star out of a young actor by the name of Robert Mitchum . In fact, this was the one and only time Mitchum ever received an Oscar nomination – a shocking fact given the caliber of his future screen work.

Burgess Meredith  plays Pyle, who embeds with the 18th Infantry’s ‘C’ Company in order to give his stateside readers the grim realities of war from the soldier’s point of view. The men accept him, affectionately calling him ‘Pop’, as he shares their hardships, heartbreaks, and victories. Meredith’s voice over narrations are taken directly from Pyle’s columns, detailing the cold nights, dusty…

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Hoods vs Huns: ALL THROUGH THE NIGHT (Warner Brothers 1942)


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A gang of Runyonesque gamblers led by Humphrey Bogart take on Nazi spies in ALL THROUGH THE NIGHT, Bogie’s follow-up to his breakthrough role as Sam Spade in THE MALTESE FALCON. Here he plays ‘Gloves’ Donovan, surrounded by a top-notch cast of character actors in a grand mixture of suspense and laughs, with both the action and the wisecracks coming fast and furious in that old familiar Warner Brother style. Studio workhorse Vincent Sherman, whose directorial debut THE RETURN OF DOCTOR X also featured Bogart, keeps things moving briskly along and even adds some innovative flourishes that lift the film above its meager budget.

Bogie’s gangster image from all those 1930’s flicks come to a humorous head in the part of ‘Gloves’. He’s a tough guy for sure, but here the toughness is humanized by giving him a warm, loving mother (Jane Darwell ) and a fondness for cheesecake…

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Pulp Fiction #1: Mickey Spillane’s Mike Hammer


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“The roar of the .45 shook the room. Charlotte struggled back a step. Her eyes were a symphony of incredulity, an unbelieving witness to truth. Slowly, she looked down at the ugly swelling in her belly where the bullet went in.

“How c-could you”, she gasped.

I only had a moment before talking to a corpse. I got it in.

“It was easy”, I said. “

– from I, THE JURY by Mickey Spillane, first published in 1947 by EP Dutton

Mickey Spillane’s PI Mike Hammer made his debut in I, THE JURY, and set the shocked literary world on its collective ear with its sex-and-violence laden story. Critics savaged Spillane, but the book buying public ate it up, turning I, THE JURY into a best seller and launching Hammer as a pop culture icon. Hammer’s roots were deeply set in the bloody pulps and another 20th century phenomenon… the four-color comics!

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Cleaning Out the DVR Pt 15: Halloween Leftovers 2


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Halloween (and ‘Halloween Havoc!’) may have come and gone, but for horror fans every day’s Trick or Treat! Here are 5 fright films scraped from the bottom of this year’s candy bag:

THE BEAST OF HOLLOW MOUNTAIN (United Artists 1956; D: Edward Nassour and Ismael Rodriguez) – This US/Mexican coproduction stars Guy Madison (TV’s WILD BILL HICKOCK) and Patricia Medina (PHANTOM OF THE RUE MORGUE) up against a giant prehistoric Allosaurus in the Old West. The movie starts as just another standard Western until the three-quarter mark, when the beast finally makes his appearance. Jack Rabin’s cartoonish special effects can’t hold a candle to the great Willis O’Brien , who’s given credit for the film’s story idea (later remade as the much better VALLEY OF GWANGI ). Good as Saturday matinée kiddie fare, nothing more. Fun Fact: Patricia Medina was the wife of actor Joseph Cotten, who made quite a…

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An OMG Moment with The Ross Sisters


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While laid up at home battling sciatic nerve pain (which is pretty damn painful!), I turned on TCM for relief, and started watching BROADWAY RHYTHM, a 1944 musical starring George Murphy, Gloria DeHaven, and Jimmy Dorsey, among others. The movie itself was no great shakes, but this scene featuring a trio known as the Ross Sisters singing and dancing to “Solid Potato Salad” grabbed my attention:

Holy pretzels, Batman! Who were these scat-singing, torso-bending ladies?? I did a little research and found out, because… well, because that’s what I do! Apparently, they were Betsy, Vicki, and Dixie Ross from West Texas, who performed under the stage names Aggie, Maggie, and Elvira. These show-biz kids were teens at the time, but already gaining steam for their acrobatic contortions and three-part harmonies. The sisters even performed before the King & Queen of England at the London Pallaidium in 1946. Imagine that!

Betsy…

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Halloween Havoc!: Alfred Hitchcock’s THE BIRDS (Universal 1963)


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Many years ago, back in the 80’s I believe, I spent a week on Martha’s Vineyard. It was early in the morning on a gorgeous summer day, and as my friend was still crashed from the previous evening’s debauchery, I decided to walk down to the beach and catch some rays. I strolled past a particularly marshy stretch when, out of nowhere, a seagull buzzed by my head. Then another. And another. And soon there were about ten of the nasty flying rats swooping down at me, screeching and dive-bombing toward my long-haired dome (this was back when I actually had hair!). I ducked and dodged, yelling and snapping my beach towel at the airborne devils, and ran as fast as I could away from the area, scared to death one of these buzzards was going to peck my eyeballs out! It was like something straight out of Alfred Hitchcock’s 

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Halloween Havoc! Extra: Vincent Price Does “The Monster Mash”


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In what’s become an annual tradition here at Cracked Rear Viewer, it’s time for Halloween season’s theme song, “The Monster Mash” ! This time around, Vincent Price and his fiends, including fellow horror icon John Carradine , perform the hit from 1981’s cult movie THE MONSTER CLUB, featuring a scary soliloquy by Vincent on the monsters known as “humes”! Without further ado, here’s this year’s “Monster Mash”! And Happy Halloween, boys and ghouls!:

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Halloween Havoc!: THE SMILING GHOST (Warner Brothers 1941)


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A mysterious killer stalks his prey in an old, dark house! Sound familiar? Sure, the formula has been around since Lon Chaney Sr. first crept his way through 1925’s THE MONSTER, and was perfected in the 1927 horror comedy THE CAT AND THE CANARY. THE SMILING GHOST, a 1941 variation on the venerable theme, doesn’t add anything new to the genre, but it’s a pleasant enough diversion with a solid cast courtesy of the Warner Brothers Stock Company of contract players and a swift 71-minute running time.

Lucky Downing, a somewhat dimwitted chemical engineer heavily in debt to his creditors, answers a newspaper ad for a male willing to do “anything legal’ for a thousand bucks. Rich Mrs. Bentley explains the job is to get engaged to her granddaughter, Elinor Bentley Fairchild, for a month. Smelling easy money, and a way out of the hole, Lucky and his best friend/valet Clarence take a train…

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Halloween Havoc!: THEM! (Warner Brothers 1954)


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The iconic, bloodcurdling scream of little Sandy Descher heralds the arrival of THEM!, the first and best of the 50’s “Big Bug” atomic thrillers. Warner Brothers had one of their biggest hits of 1954 with this sci-fi shocker, putting it up there with Cukor’s A STAR IS BORN, Hitchcock’s DIAL M FOR MURDER, and Wellman’s THE HIGH AND THE MIGHTY as their highest-grossing films of the year. Not bad company for director Gordon Douglas , previously known for his work with Our Gang and Laurel & Hardy! THEM! was also Oscar nominated that year for its special effects (and should’ve been for Bronislaw Kaper’s terrific score).

The movie begins with the look and feel of a noir mystery courtesy of DP Sidney Hickox’s (DARK PASSAGE, THE BIG SLEEP  , WHITE HEAT) brooding shadows and sandstorm-battered landscape. New Mexico policemen Ben Peterson and Ed Blackburn come across a little girl wandering…

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Halloween TV Havoc!: Boris Karloff in “The Crystal Ball” (from THE VEIL TV Series, 1958)


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You all remember Boris Karloff’s pre-THRILLER supernatural anthology series THE VEIL, right? Of course you don’t!! That’s because it never aired! It was being filmed at Hal Roach Studios when they went belly up, and only 10 episodes were filmed. Karloff had a role in most of the episodes, including this spooky oddity entitled “The Crystal Ball”, presented here for your Halloween enjoyment. (The series itself is available through Something Weird Video for all you Karloff Kollectors!):

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