Late Night Retro Television Review: Friday the 13th: The Series 2.26 “Coven of Darkness”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, the second season comes to an end.

Episode 2.26 “Coven of Darkness”

(Dir by George Bloomfield, originally aired on June 12th, 1989)

Jack and Ryan have recovered a “witch’s ladder,” and they’ve put it in the vault.  However, Lysa Redding (Maria Ricossa) is a witch who wants the ladder back.  Lysa (and I do always enjoy hearing my name, even if it is misspelled) is the head of a coven that was connected to evil old Uncle Lewis.  Lysa performs a ceremony that causes Ryan to become possessed so Micki has to become a white witch so that she can battle the dark witches.

Now, I should mention that Micki has never had magical powers before.  In the past, she’s usually been the down-to-Earth skeptic of the group so Jack suddenly announcing that Micki is actually a powerful witch took me by surprise.  But anyway, Micki is able to use her powers to break Lysa’s spell.  It’s such a grueling experience that Jack says its possible that she’s used up all of her magic powers.  What?  Really?  I guess …. okay, I don’t know what to say about that.  They suddenly gave Micki magic powers and then took them away.

This was a weird episode.  Based on this episode and Prisoner, I’m going to guess the production was nearly out of money at the end of season two.  Coven of Darkness takes place over three different locations and it’s mostly just continual jump cuts between Lysa spellcasting and Ryan freaking out and Micki looking intense.  It all feels very cheap and basic and not at all like a typical episode of Friday the 13th.  Instead of using their wits to defeat evil, Chris and Micki use magic.  It just doesn’t feel right.

I’m going to guess, though, that this was an attempt to reboot the show for the third season.  I’ve seen enough of the third season to know that the reboot didn’t stick around but I can kind of see what they were going for.  With John D. LeMay not planning on being a part of the third season, it perhaps seemed like it would be a good idea to turn the show into the Micki Witchcraft Hour.  And it probably would have been interesting but it definitely wouldn’t have had the same feel as classic Friday the 13th.

This brings season two to an end.  It was, overall, a good season, though I think the show lost its way a little towards the end.  The introduction of Johnny Ventura was rather clumsily handled and a few too many episodes seemed to forget that the show was supposed to center on finding Lewis’s cursed antiques.  The highlight of the show was the chemistry between the three leads.  I’m curious to see how the upcoming season will play without Ryan.

We’ll find out starting next week!

Lisa Marie’s Week In Television: 1/19/25 — 1/25/25


Here are just a few (admittedly, very few) thoughts on what I watched this week!

Abbott Elementary (Wednesday Night, ABC)

Unlike the characters in Abbott Elementary, I’m not a fan of the American Labor Movement but I still enjoyed this week’s episode about a bus strike.  The remote learning stuff was definitely the highlight of the episodes.

Dark (Netflix)

Case and I are continuing to watch this German show on Netflix.  It’s a very intriguing saga of time travel and murder.

Hell’s Kitchen (Thursday Night, Fox)

Without Brandon in the competition, who cares?  It seems kind of obvious that Egypt’s going to win.

Kitchen Nightmares (Tuesday Night, Fox)

Chef Ramsay saved another restaurant in New Orleans.  That’s good and all but I still wouldn’t want to eat anywhere that’s been featured on Kitchen Nightmares.  Once a mess, always a mess.  At least, that’s the way that I view things as far as food preparation is concerned.

The Oscar Nominations (Thursday Morning, Hulu)

The nominations didn’t do much for me this year.  Honestly, I have to wonder how long it’s going to be until ABC dumps the Oscars and the ceremony is reduced to just streaming on Hulu.  It’s going to happen sooner or later.

The Presidential Inauguration (Monday, C-Span)

I’m thankful for C-Span.  I was able to watch the whole thing without any commentary for either side.

I also watched and reviewed:

  1. Check It Out
  2. CHiPs
  3. Fantasy Island
  4. Friday the 13th: The Series
  5. Highway to Heaven
  6. The Love Boat
  7. Malibu CA
  8. Miami Vice
  9. Monsters
  10. Pacific Blue
  11. St. Elsewhere
  12. Welcome Back Kotter

Late Night Retro Television Review: Friday the 13th: The Series 2.25 “The Prisoner”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, Johnny goes to prison!

Episode 2.25 “The Prisoner”

(Dir by Armand Mastroianni, originally aired on June 5th, 1989)

After Johnny Ventura’s father is killed by an invisible man….

Wait, what’s Johnny doing here?

No, don’t get me wrong.  I understand why Johnny’s there, mostly because I have the benefit of hindsight.  I know that Johnny is going to replace Ryan during the third season and this episode was obviously designed to get the audience used to the idea of Johnny being a part of the show.  The majority of the episode follows Johnny as he’s sent to prison, having been framed for murdering his own father.  The culprit is another prisoner, Dayton Railsback (Larry Joshua).  Dayton has a kamikaze pilot’s jacket that allows him to turn invisible whenever blood is spilled on it.  Whenever Dayton’s invisible, he sneaks out of the prison and searches for some money that he stole ten years earlier. Johnny is the only person in the prison who knows what Railsback is doing so soon, he’s being targeted by the invisible man.

While Johnny is dealing with life in prison, Micki, Ryan, and Jack are attempting to prove that Railsback is the murderer.  It’s a bit odd because the three of them — our stars! — are barely in the episode and, when they do appear, they’re just hanging out in the antique shop.  They talk about all of the investigating that they’ve been doing but we don’t actually see them doing it.  Watching the episode, one gets the feeling that John D. LeMay, Robey, and Chris Wiggins all shot their scenes in one day and then left on an extended vacation.  They showed up just long enough to establish this as being an episode of Friday the 13th, despite the fact that almost the entire episode is about Johnny.

Needless to say, it was a bit of a disjointed episode.  The show kept jumping from Johnny in prison to Railsback killing people outside of prison to everyone hanging out in the antique shop and it was a bit difficult to keep track of who was planning what.  Myself, I was surprised at how quickly the show went from Johnny’s father being murdered to Johnny getting tossed into prison.  We don’t even see Johnny’s trial.  Johnny was passed out when his father was shot and, quite frankly, it seems like he could have made a very credible argument that he was framed.  (The invisible Railsback puts the gun in Johnny’s hands but he doesn’t manipulate Johnny into pulling the trigger so it’s not like there would have been any powder residue on Johnny’s fingers.)  Johnny and his father appeared to have a pretty good relationship so you really have to wonder what type of case the prosecution made.  The episode ends with Johnny killing Railsback and then being released from prison.  So, is Johnny going to have to on trial again?  I mean, he just stood there while Railsback burned to death.

Weird episode.  It didn’t do too much for me.  I’m going to miss Ryan once season 3 starts.

Late Night Retro Television Review: Friday the 13th 2.24 “The Shaman’s Apprentice”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, Micki is faced with a moral dilemma.

Episode 2.24 “The Shaman’s Apprentice”

(Dir by William Fruet, originally aired on May 29th, 1989)

Micki’s friend, Blair (Isabelle Mejias) is in the hospital.  She’s been having serious chest pains and, as Micki puts it, she’s too young to be suffering from them.  Blair finds out that she has a sarcoma and the doctors are not giving her much chance to live.  Dr. Lamar (James B. Douglas), the arrogant head of surgery at the local hospital, doesn’t seem to really care whether Blair lives or dies.  All he cares about is taking care of the wealthy patients who might be moved to donate some of their money to the hospital.

However, Blair has found a reason for hope.  There is a Native American doctor named John Whitecloud (Paul Sanchez).  He has his own clinic, one that is funded by a rich man who Dr. Lamar said couldn’t be saved.  Dr. Lamar hates Whitecloud, largely because Lamar is a racist who views Whitecloud’s “shamanistic” techniques with scorn.  However, Whitecloud appears to be capable of saving anyone.  Of course, the doctors and the nurses who have failed to treat Whitecloud with respect have a habit of mysteriously dying, usually right before Whitecloud manages to save a terminal patient.

Whitecloud does indeed have an objects that Jack and Ryan are interested in retrieving.  It’s not a cursed antique.  Instead, it’s a rattle that Whitecloud stole from his grandfather, Spotted Owl (Gordon Tootoosis).  Whitecloud is using the rattle to cure his patients but, for every cure, he also has to use it to kill someone else.  Whitecloud even uses it to kill Spotted Owl, though Whitecloud seems to feel bad about doing it.  When Jack realizes that Whitecloud’s next target is going to be Dr. Lamar, he and Ryan are determined to stop him….

….except, as Micki points out, stopping Whitecloud will mean that her friend Blair will die.  Why, Micki wonders, should Lamar get to live while Blair dies?  Micki argues that they should at least let Whitecloud cure Blair but Jack gently explains that it doesn’t work that way.  Jack says that their job is not to play God.

Long story short: The spirit of Spotted Owl shows up to drag Whitecloud into the afterlife.  Jack gives the rattle back to the tribe, despite Ryan feeling that it should be in the vault.  (“It’s not ours to take,” Jack explains in that reasonable and reassuring way of his.)  Micki is angry and depressed that Blair is probably going to die.  Blair stands on a street corner and stares at Whitecloud’s now empty clinic.  Roll the end credits!

Wow, that was depressing!  But it was really the only way the episode could end and I respect the fact that the show had the courage and the integrity to stay true to itself and end on such a down note.  Not many shows would have had the courage to resist coming up with some sudden, miracle solution.  This episode had some really cheap looking special effects and some not-so-great acting from some of the guest stars but Chris Wiggins, Robey, and John D. LeMay were as strong as always.  This episode was especially an effective showcase for Chris Wiggins, who played Jack with just the right amount of weary gravitas.  This was a depressing episode but it was a good one.

Lisa Marie’s Week In Television: 1/5/25 — 1/11/25


Here’s some thoughts on what I watched this week as I waited for the snow to arrive.

Abbott Elementary (Wednesday Night, ABC)

The idea of the dark and cynical It’s Always Sunny In Philadelphia crossing over with the earnest Abbott Elementary sounds like something that shouldn’t work but, instead, it worked brilliantly.  Dee becoming Janine’s best friend and then trying to steal away Gregory was brilliant.  I was so proud of Charlie, learning how to read at a kindergarten level.  Barbara is a wonderful teacher.

Check It Out (Tubi)

Look for my review later tonight.

Dark (Netflix)

As the snow fell in Texas, Case and I watched two more episodes of Dark.  We’ll have to get around to reviewing this intriguing German show soon.

Degrassi High (Tubi)

Look for my review tomorrow!

Doc (Tuesday Night, Fox)

This is a new show about a doctor who has amnesia.  I feel like this show is going to be limited by the fact that she’s going to have to get her memory back at some point.  I watched the premiere but I don’t remember much about it.  Maybe I’ve got amnesia!

Fantasy Island (YouTube)

You can read my review here!

Friday the 13th: The Series (YouTube)

You can read my review here!

Going Dutch (Thursday Night, Fox)

The second episode of Going Dutch, much like the pilot, didn’t do much for me.  I doubt I’ll be watching the third episode.

Hell’s Kitchen (Thursday Night, Fox)

It’s black jacket time!  I felt sorry for Amanda, who I would have kept over the eternally aggrieved Whit.  That said, it’s pretty obvious that Brandon’s going to win.

Highway to Heaven (Tubi)

You can read my review here!

Kitchen Nightmares (Tuesday Night, Fox)

Kitchen Nightmares has returned for another season.  Chef Ramsay is in New Orleans, helping terrible restaurants prepare for the Super Bowl.  This week featured part one of the two-part season premiere.  I think that the restaurant that Ramsay is trying to help is a lost cause but we’ll see what happens next week.  Nothing kills my appetite quicker than a cockroach-filled episode of Kitchen Nightmares.

The Love Boat (Paramount Plus)

You can read my review here!

Monsters (YouTube)

You can read my review here!

Pacific Blue (Tubi)

I started reviewing Pacific Blue this week.  I have a feeling I’m going to regret this decision.

Shifting Gears (Wednesday Night, ABC)

Tim Allen will always be Buzz Lightyear to me and I like Kat Dennings but the first episode of their new sitcom didn’t do much for me.  They really should just call it Last Auto Mechanic Standing.

Special Forces: World’s Toughest Test (Thursday Night, Fox)

A bunch of middle-aged celebs are put through special forces training and are ridiculed when they drop out.  Telling 50-somethings Stephen Baldwin and Denise Richards that they failed themselves by not completing the training feels a bit silly.  Baldwin dropped out because he didn’t want to get hurt because it would cost him an acting job he had lined up.  (As far as I can tell, that’s a totally understandable concern.)  Richards was accused of being a princess because she didn’t want to drown.  Unless the goal is to actually put together a unit of out-of-shape commandos, how about giving it a rest with the whole, “The Corp doesn’t want quitters!” routine?

St. Elsewhere (Hulu)

You can read my review here!

Welcome Back, Kotter (Prime)

You can read my review here!

Late Night Retro Television Review: Friday the 13th: The Series 2.23 “The Maestro”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, it’s personal for Jack!

Episode 2.23 “The Maestro”

(Dir by Timothy Bond, originally aired on May 22nd, 1989)

Famed choreographer Anton Pascola (Colm Feore) is fond of saying that great art requires pain and he would know.  A former dancer, Anton was injured in an accident and now walks with a pronounced limp.  He has devoted his life to choreography and he has a small company of dancers who are devoted to him, despite his fearsome temper.  Because Anton’s dancers tend to be accident prone and also suicide-prone, there are frequent openings in his company.

Pascola’s newest dancer is Grace Cowell (Cynthia Preston).  Grace is young and naive and she thinks her dreams are about to come true.  She is also the daughter of one of Jack’s best friends.  When she takes Jack, Ryan, and Micki to a Pascola-choreographed performance of Romeo and Juliet, they are shocked to hear that the lead actors recently leapt out of a window together.  When Jack discovers that one of the cursed antiques is a Victorian music box that plays an amazing symphony but also forces the listeners to dance until they die, he realizes that Grace is in danger.

For all the time that they spend searching for cursed antiques, it’s amazing how often Jack, Ryan, and Micki just happen to stumble across one being used by someone they know.  I understand, of course, that it’s meant to add an extra personal element to their adventures.  Trying to save the daughter of his (never-seen) best friend adds something to the story that wouldn’t be there if Jack was trying to save someone he wasn’t personally close to.  But, at times, the way that this show depends on coincidence can get to be a bit much.

That said, Jack’s personal connection to this week’s antique does lead to one of the show’s most devastating endings.  Proving that he practices what he preaches, Anton dances to the music box’s symphony while an audience watches.  He dances until he dies.  Unfortunately, Grace is dancing with him and she dies as well.  This is not the first time that someone close to the main characters has died on this show.  What makes this episode unique is Jack’s reaction.  Jack has always been the wise father figure who helps to keep Micki and Ryan strong.  But when Grace dies, Jack has a breakdown.  He goes from obsessively trying to clean Grace’s blood off the music box to throwing antiques across the shop.  For once, it’s Micki and Ryan who have to calm down the distraught Jack.

The episode has more than a few plot holes and Grace’s actions often don’t make sense.  Even after she discovers that Pascola is killing his dancers, she still wants to work with him.  The implication is that she’s been brainwashed by his claims that art requires pain but there’s a difference between pushing yourself and killing yourself.  If Grace had previously acted like someone who had a death wish, the episode would not only make more sense but it would actually be a good deal more interesting.  That said, as someone who grew up going to dance classes and rehearsing and performing, I’ve certainly known my share of Anton Pascolas.  This was an episode to which I could relate.

Late Night Retro Television Review: Friday The 13th 2.22 “Wedding Bell Blues”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, we meet Johnny Ventura!

Episode 2.22 “Wedding Bell Blues”

(Dir by Jorge Montesi, originally aired on May 15th, 1989)

With Ryan and Jack out of town, it falls to Micki to retrieve a cursed pool cue stick.  Helping her out, despite all of her attempts to convince him to get lost, is Johnny Ventura (Steve Monarque), a friend of Ryan’s who Ryan hired to help search for the cue stick.  Even after Johnny finds out that the item has been cursed by Satan and Micki’s entire life currently revolves around supernatural violence, Johnny wants to not only help out but to also stick around, just because he likes Micki.  Micki might want to tell him about all of her previous boyfriends who have all died as a result of getting involved in the search for cursed antiques.

I understand that Johnny is going to eventually replace Ryan on the show, starting with the third season.  This episode isn’t particularly subtle about setting Johnny up as a Ryan substitute, though Johnny’s crush on Micki is a bit less cringey than Ryan’s.  (Ryan is Micki’s cousin, which is something that the show often seems to overlook.)  Johnny is established as being a cocky guy who is willing to break the rules.  In other words, he’s just like every other guy who has ever been a lead character on a show like this.  One of the stranger things about Johnny is that everyone keeps referring to him as being a “kid,” even though he looks like he’s older than just about everyone else on the show.

As for the cursed pool cue, it belongs to Jennifer (Elizabeth Maclellan), a waitress at a seedy bar.  She wants to marry Danny (Louis Ferreira), a self-centered pool player who treats her terribly.  Jennifer is convinced that Danny is just worried about winning the upcoming pool tournament so she impales people with the cursed pool cue.  Each time Jennifer kills someone, the next game that Danny plays is his best ever.  Jennifer is slightly sympathetic because she’s convinced that Danny will marry her right after he wins the tournament and she’s too insecure to see what a cad he is.  (She’s also pregnant, though Danny doesn’t know it.)  When Jennifer’s sister (played, in a very early role, by Lolita Davidovich) says that Danny is never going to marry her, Jennifer refuses to believe it.  When Jennifer discovers that her sister is sleeping with Danny, Jennifer has found her next victim.

It’s really not that interesting of a curse but then again, this episode is more concerned with introducing the character of Johnny Ventura than with anything else.  Unfortunately, at least in this episode, Johnny really isn’t that compelling of a character.  This was a bit of a disappointing episode but who knows?  Maybe Johnny Ventura will grow on me.

Next week, Micki and Ryan go to the ballet!  Yay!

Lisa Marie’s Week In Television: 12/22/24 — 12/28/24


Here are a few thoughts about what I watched during the final week of 2024.

Check It Out (Tubi)

Look for my review of this show next Saturday.

Degrassi High and Degrassi: The Next Generation (Tubi)

I’ve had a cold since the day after Christmas so I’ve been spending a lot of time in bed and rewatching the Degrassi franchise.

Dragnet (YouTube)

Joe Friday and Bill Gannon kept the streets safe in the episodes that I watched on Friday as I tried to get over my cold.  Good for them!

Friday the 13th: The Series (YouTube)

In order to get a head start on 2o25, I watched an episode of Friday the 13th this week.  Look for my review next Friday!

Happy New Year, Charlie Brown (Apple TV+)

I watched this classic special with Erin on Thursday.  Someone needs to check on Charlie Brown.  He’s sleeping in the snow!  He’ll never finish War and Peace if he gets pneuomonia!

Highway to Heaven (Tubi)

I returned to Highway to Heaven this week.  Look for my review next week!

Homicide: Life On The Street (Peacock)

Look for my review next week!

King of the Hill (Hulu)

Hank rented a truck for the holidays!  “You mean …. a convoy!?”  Absolutely one of my favorite episodes of this classic show and I was happy to watch it on Monday.

I went on to binge a few more episodes on Thursday, Friday, and Saturday.  I’ve had a cold and this show has definitely kept me entertained as I’ve tried to will myself into good health.

The Love Boat (Paramount+)

I watched an episode of The Love Boat this week.  Look for my review next week!

Malibu, CA (YouTube)

I forced myself to watch two episodes of this show on Sunday.  Look for my reviews in 2025!

Monsters (YouTube)

I returned to Monsters this week.  Look for my review next week!

Santa Claus Is Comin’ To Town (Sunday Night, ABC)

I watched this holiday classic with my sisters on Sunday night.  It made me smile, as it always does.  I love the holidays!

Seinfeld (Netflix)

I watched the Festivus episode on Monday (which, appropriately enough, was Festivus!).  I always enjoy it when Bryan Cranston shows up as the decadent dentist.

St. Elsewhere (Hulu)

Look for my reviews to return next week!

TV 2000 (Night Flight+)

I watched an episode of this 80s music video program on Friday night.  They were really wild about Bruce Springsteen.  I’ve never really gotten his appeal but then again, I’m not from New Jersey.

Welcome Back, Kotter (Prime)

I’m continuing my way through the fourth and final season.  My reviews will return in 2025.

Late Night Retro Television Review: Friday the 13th 2.21 “Wedding in Black”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, the departed return!

Episode 2.21 “Wedding in Black”

(Dir by Rodney Charters, originally aired on May 8th, 1989)

In South America, a man named Calvin Collier (Stephen Meadows) is carrying around a snow globe and strangling women.  After he kills a young Jill Hennessy (credited here with playing “Spanish Hooker,”), Calvin is taken to prison.  However, an ominous voice says that it has need of Calvin’s soul.

In Africa, Brother Antonio (Guy Bannerman) is caught trying to rape a woman and is promptly set on fire.

In America (or maybe Canada), Maya Zedler (Carolyn Dunn) is released from prison and promptly kills herself.

What do all three of these people have in common?  They all know the folks at Curious Goods!  Calvin is a friend of Micki’s.  Brother Antonio is an acquaintance of Jack’s.  Maya used to be Ryan’s girlfriend.  And even though all three of them are now dead, Lucifer sent them back into the world of the living because he’s decided that he wants Micki to give birth to his child.

Calvin and Antonio show up and draw Micki and Jack out of the store and into a sudden blizzard.  Suddenly, all four of them find themselves in the castle that sits in the middle of Calvin’s snow globe.  Calvin sets about trying to seduce Micki on behalf of Lucifer.

Meanwhile, Maya shows up and tries to keep Ryan distracted so that he won’t go looking for Micki and Jack.  However, it turns out that Maya still has a conscience and eventually, she turns on Lucifer and sacrifices herself to help Ryan.

This episode was an interesting change of pace.  The snow globe may have been an antique but wasn’t one of the antiques and instead of Micki and Ryan stumbling into whatever terrible thing was happening, Lucifer instead came directly for them.  If nothing else, this episode showed that the producers of Friday the 13th: The Series understood the danger of falling into a rut and that they were capable of changing things up without losing the overall macabre atmosphere of the show.  The scenes in the castle were appropriately surreal and both Chris Wiggins and the often underused Robey gave good performances.  Of the three souls, Guy Bannerman made the strongest impression just by playing his character as being totally and unashamedly evil.

At the same time, it was hard not to feel that this episode was a bit of a missed opportunity.  While it was interesting to have Micki, Jack, and Ryan meet up with three spirits of people who they used to know, it’s hard not to feel that the episode would have worked better if the producers had reached into the past and brought back some of the show’s former guest stars.  Not an episode passed in which Micki, Jack, or Ryan doesn’t lose someone that they cared about and it would have been fun to see some of those people come back.  Imagine the emotional impact if John Stockwell or Catherine Disher or maybe one of Jack’s old war buddies had returned to life.

All in all, this was a good episode that could have been even better.

Due to the holidays, this is my final Friday the 13th review for 2024.  These reviews will return on January 3rd!

Late Night Retro Television Review: Friday the 13th: The Series 2.20 “Mesmer’s Bauble”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, things get dark.

Episode 2.20 “Mesmer’s Bauble”

(Dir by Armand Mastroianni, originally aired by May 1st, 1989)

Howard Moore (Martin Neufeld) is the latest in a long line of nerdy Friday the 13th villains.  With his long hair, unwashed appearance, and crazy eyes, Howard is an easy target for some of the less compassionate citizens of Canada.  Of course, Howard doesn’t help things by having a totally creepy personality.  He works in a vinyl record store, where he offers up unsolicited music advice to the teenage customers, the majority of whom giggle awkwardly whenever he’s nearby.  Howard is obsessed with a singer named Angelica (Vanity) but there’s no way Howard could ever actually meet her.

Or at least, that’s the case until he finds Mesmer’s Bauble.  Having once belonged to the inventor of hypnotism, this crystal pendant grants Howard anything that he asks for, as long as he first uses it to hypnotize people and then kill them.  (It turns out that merely looking at the pendant is enough to send someone into a hypnotic trance.)  As with so many Friday the 13th villains, Howard quickly comes to love having the power to kill people.  I’ve always felt that the majority of this show’s villains are basically addicts.  Instead of being addicted to drugs, they’re addicted to the rush of power that comes with using a cursed antique to get what they want.  That’s certainly the case with Howard.

At first, Howard thinks that he wants Angelia to love him.  He kills both her publicist and her manager in order to get closer to her.  But, once he’s finally close to her, Howard apparently realizes that he actually wants to be Angelica.  In an effectively nightmarish sequence, Howard and Angelica’s body appear to merge into one.  Howard literally turns into Angelia while Angelica presumably withers away into nothingness.  Howard is now Angelica, which will undoubtedly upset Ryan, who has bought two tickets for Angelica’s latest show.

It’s up to Micki and Ryan to recover the pendant and they manage to do so in the most anticlimactic way possible.  They go to Angelica/Howard’s concert and Micki grabs the pendant while Angelica/Howard is singing.  Without the pendant, Angelica dissolves into Howard and then a panicked Howard is promptly electrocuted on stage.

Howard’s dead but so are a lot of other people.  At the shop, Micki and Ryan confess to Jack that they feel that they failed because so many people died before they got the pendant.  Jack shrugs and basically tells them “that’s life.”  What a dark ending!  Actually, it was rare that Friday the 13th didn’t end on a dark note.

This was an effectively creepy episode, one that worked because of just how dark it allowed things to get.  Even Jack pointed out that the pendant’s powers didn’t always make sense, which made it even more dangerous in the hands of someone like Howard.  There were a few loose ends.  I found it a bit odd that there wasn’t a bigger public reaction to a famous black woman turning into an ugly white guy and then dying in front of a crowded club.  In fact, the show left it a bit unclear as to what actually happened to Angelica after Howard transformed into her but I’m going to guess it was nothing good.  In the end, though, this episode was effectively macabre.