Tag Archives: Frank Farmer

Late Night Retro Television Review: 1st & Ten 1.3 “All Roads Lead To Dayton”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, the Bulls are on the road!

Episode 1.3 “All Roads Lead to Dayton”

(Dir by Bruce Seth Green, originally aired on December 9th, 1984)

The Bulls are playing their second game in Dayton!  It’s a road game and Coach Denardo tells all of the players that they are expected to conduct themselves like gentlemen on the road.

“Booooo!” the team replies.

Denardo replies, “I know but the owner’s a broad now….”

Speaking of Dana Barrow, she has a lot to deal with.  The Arcola Brothers are still trying to muscle their way into the team’s business.  Meanwhile, her ex-husband, Paul (now played by Ben Cooper), is determined to get his team back.  At the hotel in Dayton, he and his sleazy lawyer arrange for Dana’s drink to be drugged so that the hotel’s assistant manager can rape Dana while being filmed by a camera hidden behind a two-way mirror.  They plan to leak the tape to the press and claim that Dana is a nymphomaniac who shouldn’t be allowed to own an NFL team.  Fortunately, quarterback Bob Dorsey stops by Dana’s hotel room to discuss an offer he’s gotten to become a sports commentator and he proceeds to beat the hell out of the assistant manager, shatter the mirror, and give the camera the finger.  And he wins the game!

Take that, Dayton!

He even scores an extra touchdown, just so the Mafia won’t make any money on their bets.

Take that, Arcola Brothers!

The episodes of 1st & Ten that are on Tubi are apparently a combination of episodes that were edited for syndication and the original HBO episodes.  The version that I saw of All Roads to Dayton was clearly the HBO original, as there was significant amount of cursing and quite a bit of nudity.  I get the feeling that those were the two main reasons that 1st and Ten found success when it first aired.  It certainly wasn’t for the acting or the storylines, neither of which were especially noteworthy.  That said, I’m from Dallas and I’ve heard all the stories about the Cowboys and Jerry Jones so I imagine that this episode’s depiction of a football team on a road trip was probably fairly tame when compared to the real thing.

As for this episode, Dana was a bit too naive to be believed.  Delta Burke actually gives a good performance as Dana but the scripts continually let her down.  We’re only three episodes in and Roger, the team’s general manager, has planted drugs in her house, caused Bob to get seriously injured during practice, and drugged her so that she could be raped in her hotel room.  I would seriously be looking for a new general manager at this point.  On the plus side, I do like Geoffrey Scott’s performance as Bob Dorsey.  He’s charming without being smarmy about it.

Next week …. more football stuff, I guess.

Late Night Retro Television Review: CHiPs 3.9 and 3.10 “Drive, Lady, Drive”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, it’s a special two-hour episode of CHiPs!

Episodes 3.9 and 3.10 “Drive, Lady, Drive”

(Dir by Don Weis, originally aired on November 10, 1979)

The police at nearby Palma Vista are on strike and the state of California has agreed to allow some members of the Highway Patrol to patrol the town until the strike is over.  Getraer assigns Baker, Ponch, Bear, and some new guy named Lenny (Leon Isaac Kennedy) to head over to the town,  Baker is named the OIC, which I eventually figured out stood for “Officer in Charge.”  Getraer knows better than to give the job to Ponch.

Ponch, by the way, is back!  After being absent for two episodes due to Erik Estrada actually injuring himself in a motorcycle crash, Ponch returns in this episode and he goes through the entire episode with this huge grin on his face as if he’s saying, “You know you missed me.”  Ponch’s return means that Baker is once again relegated to being the strong, silent partner who doesn’t really get to do anything.  In fact, Baker crashes his motorcycle early on in this episode, as if the show was trying to tell us, “See?  It could happen to anyone!”

The striking cops accuse Baker, Ponch, Bear, and Lenny of being scabs and strike breakers.  I’m not really a fan of public sector unions.  (When it comes to the police striking, my hero is Calvin Coolidge, who came to fame when he broke up a policeman’s strike in Massachusetts.)  Still, it felt strange to watch the show’s heroes cross that picket line.  That would definitely not happen on television today.

There’s a lot going on in Palma Vista.  There’s some rich kids who keep joyriding in a dune buggy and who think they can escape prosecution by crossing the city limits.  (Joke’s on them!  The Highway Patrol has jurisdiction everywhere!)  There’s some truck hijackers who are setting up a headquarters in town.  There’s an angry city councilman (Michael Conrad) who doesn’t feel his children should be held accountable for their actions.

That said, the majority of this two-hour episode centered on a stock car race and one of the racers, Candi Wright (Kelly Harmon).  Will Candi win the big race or will she lose to her friendly rival (and possible future romantic partner) Don Croyden (Jordan Clarke)?  Will Ponch be able to both date her and do his job?  And most importantly, will she be able to adopt a traumatized little girl (played by Tracey Gold) who Candi discovered outside of a burning house?  That’s a lot of storylines for someone who wasn’t even a regular cast member and a part of me wonders if maybe this episode was meant to be a secret pilot for a Candi Wright television series.  It would explain a lot.

This really was a basic episode of CHiPs, with the only real difference being that it was two-hours long for some reason.  A lot of what happened in the episode, especially the racing footage, felt like filler.  There was really no need for this to be a double-sized episode.  It also doesn’t help that, as opposed to the lovely Los Angeles scenery that we usually see, this episode took place in a rather ugly town.  There was some appropriately spectacular crashes but, in the end, this episode ran too long and felt a bit pointless.  Get the Highway Patrol back on the highways!

Late Night Retro Television Reviews: Highway to Heaven 1.12 “Hotel of Dreams”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Mark and Jonathan work at a hotel …. a hotel of dreams!

Episode 1.12 “Hotel of Dreams”

(Dir by Michael Landon, originally aired on December 12th, 1984)

Barry Rudd (Brian Kerwin) may be the son of a wealthy hotel owner but he’s far more comfortable living out in the country, wearing denim and flannel, and helping to raise goats.  However, one day, Barry is summoned to his father’s hotel.  His father even sends a helicopter out to get him.  Barry gets on the helicopter but he insists on bringing his goat with him.

At the hotel, Barry’s father (Jacques Aubuchon) explains that he’s gotten married to a woman who is much younger than him and he needs Barry to run the hotel while he’s on his honeymoon.  Barry is stuck running the snootiest hotel in California, despite the fact that he doesn’t even own a suit and all he really wants to do is look after his goat.  Unfortunately, the hotel has a lot of problems.  The manager (played by Dean Dittman) is a mean-spirited snob who takes bribes from the guests.  A child (Douglas Emerson) is running wild through the halls of the hotel, all because his father is too busy working to keep an eye on him.  Saintly maid Elena (Julie Carmen) does the best job that she can but she’s looked down upon by the guests and the hotel’s manager.

Can Barry solve all of the hotel’s problems and also find time to attend his high school reunion?  Will he stay true to himself or will he sell out in an effort to impress people like his former classmate, Allison Rutledge (Judith-Marie Bergan)?  It’s not going to be easy and Barry doesn’t even know where to begin.  Fortunately, he has some help.  The hotel’s two new bellhops are Jonathan Smith and Mark Gordon!

Especially when compared to the previous two episodes, Hotel of Dreams is a rather light-hearted episode.  There’s nothing particularly surprising to be found in this episode.  Of course, Allison is going to turn out to be a total snob.  Of course, Elena is going to help Barry take care of his goat.  Of course, Barry and Elena are going to fall in love and end up together, all with the help of Jonathan.  And, of course, Mark is going to become a surrogate father figure for the bratty kid.  This is a thoroughly pleasant if not particularly memorable episode, one that plays out more like a pilot for a show about the hotel than an episode about an angel trying to make the world a better place.  Brian Kerwin and Julie Carmen make for an attractive couple and, as the episode ends, you can’t help but hope that Barry and Elena are going spend the rest of their lives raising goats together.

There is an unfortunate moment in this episode when Jonathan gives Mark a hard time for smoking.  When Jonathan tells Mark that he could die if he doesn’t stop smoking, Mark replies that everyone has to die of something.  Mark then asks Jonathan what cause his death.

“Lung cancer,” Jonathan replies.

Victor French, who played Mark, would die of lung cancer just five years later.  Shortly afterwards, Michael Landon would also die of cancer.