It’s my birthday so today, here are four shots from my four favorite films!
4 Shots From My 4 Favorite Films
It’s my birthday so today, here are four shots from my four favorite films!
4 Shots From My 4 Favorite Films
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens takes a look at New York. It’s time for….
4 Shots From 4 New York Films
Brad listed his top Bronson films so I guess I should list mine! Below are my six favorite Bronson films. (Why 6? Because Lisa doesn’t do odd numbers!)
Now, to make clear, I’m not the Bronson expert that Brad is so I will picking from a smaller pool of selections. But no matter! Let’s do this!
6. Death Wish III (1985, dir by Michael Winner)
Yes, I have to start with Death Wish III. The Death Wish sequels are definitely a mixed bag but Death Wish III was wonderfully over-the-top, a film that cheerfully dropped Bronson in the middle of an absurd circus and allowed him to tame the lions, as it were. I will always love this film for the presence of Plunger Guy, a bad guy who heads into battle carrying a plunger.
5. Breakheart Pass (1975, dir by Tom Gries)
This is an enjoyable mix of a western, a murder mystery, and an adventure film. Charles Bronson is a mysterious man on a snowbound train. Charles Durning, Ben Johnson, Richard Crenna, Jill Ireland, and Ed Lauter co-star and everyone — especially Johnson and Durning — bring a lot to their roles. This may not be one of Bronson’s best-known films but it is one of his most enjoyable and Bronson himself is at his most likable.
4. Death Wish (1973, dir by Michael Winner)
“My heart bleeds a little for the less fortunate,” Bronson’s Paul Kersey says at the start of the film and those of us watching immediately say, “C’mon, Charlie, really?” That said, one reason why Death Wish works as well as it does is because Bronson actually gives a very good and very emotionally honest performance as a man who finally snaps and starts to take the law into his own hands. (I love the barely veiled contempt that’s present whenever Paul talks to his son-in-law.) Not surprisingly, considering that it was directed by Michael Winner, Death Wish is an often-sordid film that doesn’t have a hint of subtlety. But it’s also brutally effective, a film that captures the way a lot of people feel when they hear about reports of out-of-control crime. Even today, it’s easy to see why Death Wish was the film that finally Bronson a star in the United States.
3. Once Upon A Time In The West (1968, dir by Sergio Leone)
Bronson plays Harmonica in the most epic of all of Sergio Leone’s spaghetti westerns. Leone pays homage to the American western while also gleefully subverting it. The quiet and unemotional Bronson is the film’s hero. Henry Fonda is the sadistic villain who guns down a child. Jason Robards is an outlaw. While I don’t consider it to be quite as good as either The Good, The Bad, or the Ugly or Once Upon A Time In America, Once Upon A Time In The West is still one of Leone’s masterpieces.
2. From Noon Till Three (1976, dir by Frank D. Gliroy)
For all of his reputation for being a tough guy who didn’t show much emotion, there was no denying Bronson’s love for his second wife, Jill Ireland. From Noon Till Three brings Bronson and Ireland together in a film that is a third western, a third romantic comedy, and a third social satire. It’s a film that gives Bronson a chance to show off his romantic side and it might leave you surprised! The film also featured Jill Ireland’s best performance in a Bronson film. I always highly recommend this one. It’s proof that there was more to Bronson than just shooting the bad guys.
This is the ultimate 80s Bronson film and one that I like for a reason that might surprise you. On the one hand, you’ve got Bronson as a tough cop, Andrew Stevens as his liberal partner, and Gene Davis as the disturbingly plausible serial killer, Warren Stacy. Bronson is great as the world weary cop. His scenes with Stevens are amusing and, at times, even poignant. (It helps that Stevens was the rare co-star that Bronson liked.) Davis is terrifying and the film’s final moments are very emotionally satisfying. (“No, we won’t.”) But the reason why I love this film is because of the relationship between Bronson’s cop and his daughter, who played by Lisa Eilbacher. Their scenes together — testy but loving — are well-acted by both actors and they always make me think of me and my Dad. Ten To Midnight is the Bronson film that actually makes me cry.
Today is Charles Bronson’s birthday! I sent the trailer kitties out to gather the trailers for this week’s edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers with one mission in mind. Make it Bronsonriffic! Let’s see how they did!
1) Once Upon A Time In The West (1968)
2) Someone Behind The Door (1970)
3) Death Wish (1974)
4) From Noon Till Three (1976)
5) Telfon (1977)
6) 10 to Midnight (1983)
What do you think, Trailer Kitty?
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
The great Italian director Luchino Visconti was born 119 years ago today. It’s time for….
4 Shots From 4 Luchino Visconti Films
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, let us take a look back at a classic cinematic year. It’s time for….
4 Shots From 4 1966 Films
Really? Oscar predictions on Halloween night?
Eh. Why not?
Click here for my April and May and June and July and August and September predictions!
Best Picture
Hamnet
It Was Just An Accident
Jay Kelly
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
The Smashing Machine
Train Dreams
Wicked For Good
Best Director
Paul Thomas Anderson for One Battle After Another
Ryan Coogler for Sinners
Benny Safdie for The Smashing Machine
Joachim Trier for Sentimental Value
Chloe Zhao for Hamnet
Best Actor
Timothee Chalamet in Marty Supreme
Joel Edgerton in Train Dreams
Ethan Hawke in Blue Moon
Dwayne Johnson in The Smashing Machine
Wagner Moura in The Secret Agent
Best Actress
Jessie Buckley in Hamnet
Cynthia Erivo in Wicked For Good
Kate Hudson in Song Sung Blue
Renate Reinsve in Sentimental Valure
Sydney Sweeney in Christy
Best Supporting Actor
Benicio del Toro in One Battle After Another
Jacob Elordi in Frankenstein
Paul Mescal in Hamnet
Adam Sandler in Jay Kelly
Stellan Skarsgard in Sentimental Value
Best Supporting Actress
Emily Blunt in The Smashing Machine
Elle Fanning in Sentimental Value
Ariana Grande in Wicked For Good
Regina Hall in One Battle After Another
Amy Madigan in Weapons
This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.
Today, we bring our history of horror to a conclusion …. for now.
8 Shots From 8 Horror Films
For better or worse, Awards Season started today with the announcement of the Gotham nominations. The Gothams are supposed to honor independent films, though the line between studio and independent is now so thin that it’s sometimes difficult to tell which is which.
In the past, the Gothams honored obscure films and also low-budget films that captured the public’s imagination. This year, they gave the majority of their nominations to One Battle After Another, a big-budget film that starred a slew of Hollywood heavyweights. Meanwhile, Sinners, a genuinely independent feature, received one nomination.
It’s debatable how much of a precursor the Gothams are. They’re a critic-selected award and it’s always the guild awards that serve as the best precursors. Still, it always helps to be mentioned somewhere.
Here are the 2025 Gotham nominations!
Best Feature
Bugonia
East of Wall
Hamnet
If I Had Legs I’d Kick You
Lurker
One Battle After Another
Sorry, Baby
The Testament of Ann Lee
Train Dreams
Best Director
Mary Bronstein – If I Had Legs I’d Kick You
Jafar Panahi – It Was Just an Accident
Kelly Reichardt – The Mastermind
Paul Thomas Anderson – One Battle After Another
Oliver Laxe – Sirât
Outstanding Lead Performance
Jessie Buckley – Hamnet
Lee Byung-hun – No Other Choice
Rose Byrne – If I Had Legs I’d Kick You
Sopé Dìrísù – My Father’s Shadow
Ethan Hawke – Blue Moon
Jennifer Lawrence – Die My Love
Wagner Moura – The Secret Agent
Josh O’Connor – The Mastermind
Amanda Seyfried – The Testament of Ann Lee
Tessa Thompson – Hedda
Outstanding Supporting Performance
Benicio Del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Inga Ibsdotter Lilleaas – Sentimental Value
Indya Moore – Father Mother Sister Brother
Wunmi Mosaku – Sinners
Adam Sandler – Jay Kelly
Andrew Scott – Blue Moon
Alexander Skarsgård – Pillion
Stellan Skarsgård – Sentimental Value
Teyana Taylor – One Battle After Another
Best Original Screenplay
If I Had Legs I’d Kick You
It Was Just an Accident
The Secret Agent
Sorry, Baby
Sound of Falling
Best Adapted Screenplay
No Other Choice
One Battle After Another
Pillion
Preparation for the Next Life
Train Dreams
Best International Feature
It Was Just an Accident
No Other Choice
Nouvelle Vague
Resurrection
Sound of Falling
Best Documentary Feature
2000 Meters to Andriivka
BLKNWS: Terms & Conditions
My Undesirable Friends: Part I – Last Air in Moscow
The Perfect Neighbor
Put Your Soul on Your Hand and Walk
Breakthrough Director
Constance Tsang – Blue Sun Palace
Carson Lund – Eephus
Sarah Friedland – Familiar Touch
Akinola Davies Jr. – My Father’s Shadow
Harris Dickinson – Urchin
Breakthrough Performer
A$AP Rocky – Highest 2 Lowest
Sebiye Behtiyar – Preparation for the Next Life
Chase Infiniti – One Battle After Another
Abou Sangaré – Souleymane’s Story
Tonatiuh – Kiss of the Spider Woman
Halloween approaches! I’ll be posting another list of movies in a few days but here’s ten horror movie recommendations for between now and Wednesday!
Vampire Circus (1972) is a gloriously macabre film that I recommend to everyone. This British film takes place in a Serbian village that a vampire curses with his dying breath. Twenty years later, the village is ravaged by the plague and blockaded by other towns. With the inhabitants basically prisoners in their own home, they are easily tempted by the arrival of a circus. The circus, of course, is not what it seems. This is a stylish film, full of quirky characters, disturbing imagery, and a lot of blood. It’s perfect for Halloween. You can view it on Prime.
Speaking of vampires, Count Yorga, Vampire (1970) features Robert Quarry as a vampire in 1970s California. Apparently, the film was originally envisioned as being a soft-core film that would feature a few horror elements but Quarry insisted that the script be rewritten to emphasize the count’s vampirism. That was probably a good idea as Quarry turned Yorga into one of the most memorable movie vampires not named Dracula. Serious actor Michael Murphy appears in this film as well. It’s interesting to note that Murphy went from battling a vampire to working with Robert Altman and Woody Allen and appearing in some of the best films of the 70s. You can view Yorga here.
In Magic (1978), Anthony Hopkins plays a ventriloquist who is basically at the mercy of his foul-mouthed, foul-tempted, all together foul dummy. This is one of the best examples of a creepy ventriloquist dummy film. Hopkins’s neurotic performance is brilliant and actually far more interesting than his best-known work as Hannibal Lecter. Burgess Meredith and Ann-Margaret offer strong support. Hopefully, the dummy was used for kindling after this film was shot because seriously ….. agck! Magic is on Prime.
Prime also has some of Vincent Price’s classic collaborations with Roger Corman. The Fall of the House of Usher (1961), The Pit and The Pendulum (1961), and The Raven (1963) are available for your Halloween viewing and I recommend them all. It’s not really Halloween without a generous amount of Vince Price, is it? The Fall Of the House of Usher, The Pit and The Pendulum, and The Raven can all be found on Prime.
The Witchfinder General (1968) stars Vincent Price and was released as The Conqueror Worm in the United States but it should not be mistaken for one of Corman’s Poe adaptation. Instead, The Witchfinder General is a visually stunning and intense film that features Price is one of his best villainous roles. There’s very little camp or intentional humor to be found in this film. Instead, it’s just Price giving a genuinely frightening performance. Under its American Title of The Conqueror Worm, The Witchfinder General can be found on Prime.
Earlier, I mentioned that Robert Quarry’s Count Yorga was one of the most interesting not named Dracula. I should also mention that William Marshall made for an equally interesting vampire in 1972’s Blacula. The film may have been a bit campy but William Marshall gave a strong and dignified performance as Count Mamuwalde, who is transformed into a vampire by Dracula (who is not just a bloodsucker but a racist as well) and later finds himself in 1970s America. Blacula was followed by a sequel, 1973’s Scream, Blacula, Scream. The sequel is a mess but worth watching for the teaming of William Marshall and Pam Grier. Blacula and Scream, Blacula, Scream are both on Tubi.
Finally, I have to mention that Bruno Mattei’s 1984 masterpiece, Rats: Night of Terror can now be viewed on Tubi. The film may seem ludicrous but you’ll never get that final shot out of your head! It can be viewed on Tubi.