Film Review: Murder Mystery 2 (dir by Jeremy Garelick)


Four years ago, Nick and Audrey Spitz (Adam Sandler and Jennifer Aniston) solved a convoluted murder mystery and became minor celebrities.  Nick quit his job with the NYPD.  Audrey quit her job as a hairdresser.  They opened up their own private detective agency.

Unfortunately, as a narrator explains to us at the start of Murder Mystery 2, things haven’t gone smoothly for Nick and Audrey.  They’ve struggled to establish themselves as detectives.  In fact, Nick doesn’t even have a P.I. license because he has yet to pass the exam and he balks at having to actually study criminology.  While Audrey tries to convince him to, at the very least, read a book on kidnapping, Nick is more concerned with coming up with cute business cards.  His big idea to combine the traditional business card with floss and a razor.  Personally, I wouldn’t want to use a business card to take care of my teeth but maybe that’s just me.

When Nick and Audrey are invited to an exclusive wedding, it’s a chance for them to reacquaint themselves with Vikram (Adeel Akhatar) and Colonel Ulenga (John Kani), both of whom were featured in the first Murder Mystery.  When Vikram is kidnapped and one of his bodyguards is murdered, it’s a chance to Nick and Audrey to once again prove that they’re capable of solving a crime.  When former MI6 agent-turned-security consultant Captain Miller (Mark Strong) literally emerges from the sea and takes over the investigation, it’s a chance to Audrey to meet one of her heroes and for Nick to get a little jealous.  And when the action moves to France, it’s an excuse for the film’s cast and crew to hang out in Paris for a few weeks.

I enjoyed the first Murder Mystery, which was a surprisingly sweet and funny comedy that showcased Sandler and Aniston’s chemistry while also make good use of Sandler in one of his more likable comedic roles.  Like all Sandler characters, Nick may be something of a manchild but he’s not deliberately destructive.  He means well.  The first film’s mystery was enjoyably convoluted and a lot of the humor came from just how out of place Sandler and Aniston were in an Agatha Christie-style whodunit.

Murder Mystery 2, unfortunately, it not quite as much fun as the first film.  A huge part of the problem is that Nick and Audrey are no longer amateur detectives who are both shocked and secretly thrilled to be solving an actual murder.  Now, they’re professional (if somewhat incompetent) detectives.  The first film had a sweet subtext about Sandler trying to prove that he was as good a detective as thought he was.  He had something to prove, to both his wife and to himself.  In the second film, the emphasis is more on action than humor.  Suddenly, Sandler and Aniston are engaging in high-speed car chases and battles atop the Eiffel Tower.  It all feels a bit mechanical and, much as with his direction of The Binge, director Jeremy Garelick often seems to just be going through the motions.

On the plus side, Sandler and Aniston still have their chemistry and both of them still know how to make an otherwise corny joke work.  Jennifer Aniston gets to wear a lot of really pretty outfits and Adam Sandler gets a memorable scene where he tries to convince himself that he can jump over a moat.  There’s a genuinely funny moment towards the end of the film, when a character unrelated to the mystery randomly shows up and interrupts a tense showdown.  Even though I wish the film had done a bit more with character, Mark Strong also seems to be having parodying his own image.  There are moments of Murder Mystery 2 that are actually pretty amusing, though I think chuckled more than I actually laughed out loud.  Ultimately, though, Murder Mystery 2 is rather forgettable.

Live Tweet Alert: Join #FridayNightFlix for Fire And Ice!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1983’s Fire and Ice!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Fire and Ice is available on Prime and Tubi!  See you there!

 

Here’s The Trailer For Asteroid City!


Judging from the trailer, Asteroid City might be the most Wes Anderson-ish movie that Wes Anderson has ever made.  I have a feeling this is going to be one of those movies that people are either going to love or they’re going to absolutely hate.  I don’t see a lot of middle ground in the future.

Here’s the trailer:

Monday Live Tweet Alert: Join Us For Miami Connection and Dressed to Kill!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

 

Tonight, for #MondayActionMovie, the film will be 1987’s Miami Connection!  Selected and hosted by Matthew Titus, this movie takes place in Miami, at the height of the cocaine boom!  So, you know it has to be good!

 

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1981’s Dressed to Kill, starring Michael Caine and Angie Dickinson!  The film is on Prime!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto twitter, pull up Miami Connection on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Prime, start Dressed to Kill, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

 

Scenes I Love: The Beginning of The Fifth Chapter of Inglourious Basterds


This is, without a doubt, one of the best sequences that Quentin Tarantino has ever directed.  Along with the perfect visuals of Shoshanna getting ready for the premiere, Tarantino makes perfect use of Theme From Cat People, reinventing the song from a somewhat silly horror theme to an anthem of revolution and revenge.

4 Shots From 4 Films: Special Quentin Tarantino Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 60th birthday to director/screenwriter/cultural institution, Quentin Tarantino!

Here are….

4 Shots From 4 Quentin Tarantino Films

Pulp Fiction (1994, dir by Quentin Tarantino, DP: Andrzej Sekuła)

Kill Bill (2003, dir by Quentin Tarantino, DP: Robert Richardson)

Inglourious Basterds (2009, dir by Quentin Tarantino, DP: Robert Richardson)

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino, DP: Robert Richardson)

Retro Television Reviews: The Alpha Caper (dir by Robert Michael Lewis)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1973’s The Alpha Caper!  It  can be viewed on YouTube!

After years of faithful service and hard work, parole officer Mark Forbes (Henry Fonda) is on the verge of mandatory retirement.  He’s spent his entire career playing by the rules and taking orders and helping recently released criminals go straight.  For all of his service, all he’s gets is a small party and a cheap retirement gift.

Still, Mark is on the job when he gets a call that one of his parolees, Harry (Noah Beery, Jr.), is currently in the middle of a stand-off with the cops.  Mark goes to the crime scene, where he discovers that Harry was trying to rob a warehouse full of weapons.  He also discovers that Harry is dying, as the result of being shot by the police.  Before Harry passes, he tells Mark that he and three other ex-cons were plotting to steal a shipment of gold bars.

Mark decides to carry out Harry’s plan.  Working with Mitch (Leonard Nimoy), Tudor (Larry Hagman), and Scat (James McEachin), Mark comes up with a plan to rob the armored cars that are going to be transporting the gold.  While Tudor and Scat are quick to join up with Mark, Mitch is a bit more hesitant.  In the end, though, they all decide to work together.  The plan they come up with is a clever one but its main strength is that it’s being spearheaded by Mark, a man who no one would ever expect to commit a crime.  No one but his colleague and friend, Lee (John Marley), that is.

I watched The Alpha Caper last night, with my friend Phil, Janeen, and Spiro.  To be honest, I selected the film because the title led me to suspect that it would be a science fiction film of some sort.  I was a little surprised when it turned out to be a crime thriller but I was even more surprised by just how good the film itself turned out to be.  Cleverly plotted and well-acted by the entire cast (and featuring a scruffy Leonard Nimoy playing a role that’s about as far from the coldly logical Mr. Spock as one can get), The Alpha Caper is an entertaining crime film but it’s also surprisingly poignant.  Mark is someone who feels that he’s lived his entire life without taking a single risk and, as a result, he has nothing to show for it.  He compares his situation to the mythical Kilroy of “Kilroy was Here” graffiti fame.  Kilroy will always be remembered, even though no one is really sure who he was.  Mark fears that he’s destined to be forgotten.  The robbery is Mark’s way of announcing that “Mark Forbes was here.”  The film ends on a surprisingly touching, if rather bittersweet, note.

The Alpha Caper originally aired on ABC on October 6th, 1973.  It was apparently meant to be a pilot for an anthology show that would be called Crime.  The series wasn’t picked up but, two years later, The Alpha Caper was theatrically released in Italy.  Today, it can be seen on YouTube.  Like Mark Forbes and Kilroy, the film has not been forgotten.

4 Shots From 4 Films: Special John Stockwell Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to actor/director John Stockwell!  Though the critics might not always realize it, Galveston-born John Stockwell is responsible for some of the best beach movies of the 21st Century.  No one can make the beach and the ocean look as inviting (or as dangerous) as John Stockwell.

It’s time for….

4 Shots From 4 John Stockwell Films

Blue Crush (2002, dir by John Stockwell, DP: David Hennings)

Into the Blue (2005, dir by John Stockwell, DP: Shane Hurlbut and Pete Zuccarini)

Turistas (2006, dir by John Stockwell, DP: Enrique Chediak and Peter Zuccarini)

In the Blood (2014, dir by John Stockwell, DP: P.J. Lopez)

Scenes That I Love: The Match-to-Desert Cut In Lawrence of Arabia


The great British director David Lean was born 115 years ago today.

In honor of his films and his legacy, here is a scene that I love from Lawrence of Arabia.  In this scene, Peter O’Toole blowing out a flame transports us straight to a sunrise in the desert.  Though Lean started out his career directing small-scale but emotionally rich films like Brief Encounter and Great Expectations, he ultimately became best-known for directing historical epics and cinematic spectacles.  This scene shows us why.  Even to this day, it seems as if any epic film is destined to be compared to the work of David Lean.

Live Tweet Alert: Watch 13 Eerie with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Tim Buntley will be hosting 2013’s 13 Eerie!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.