Scenes I Love: The End of The Original Dawn of the Dead


The original Dawn of the Dead, which was released in 1978 and directed by George Romero, is not only one of the most influential horror films of all time.  (Even more so than Night of the Living Dead, Dawn was responsible for inspiring the Italian zombie boom.)  It’s also a rather dark satire of humanity and commercialism.  With the world ending, both humans and zombies head to the mall.  Briefly, the humans manage to form their own peaceful society but, inevitably, they end up screwing it all up.  The Dead may be slow and not particularly intelligent but, as poor old Steve discovered in that elevator, they’re absolutely determined to get what they want.

Dawn of the Dead ends with an apocalytpic combination of bikers, zombies, and one helicopter that has next to no fuel.  Our two remaining survivors head off in search of some place safe but we all know that helicopter isn’t going to stay in the sky for long.  In its way, the ending of Dawn of the Dead is even more bleak than the end of Night of the Living Dead.   With the end of this film, Romero’s message is clear.  Society is as dead as the creatures tearing it down.

4 Shots From 4 Films: Special George Romero Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been George Romero’s 86th birthday.

Now, those of you who have been reading us since the beginning know how important the work of George Romero has been to this site.  A mutual appreciation of Night of the Living Dead is one of the things that first brought many of us together.  It’s a film that we watch ever Halloween and Arleigh’s review of the original remains one of our most popular posts.  If this site had a patron saint, it would probably be George Romero.

And yet, Romero wasn’t just a director of zombie films.  He made many films, dealing with everything from hippie lovers (There’s Always Vanilla) to wannabe vampires (Martin) to government conspiracies (The Crazies) and eccentric bikers (Knightriders).  George Romero was one of the pioneers of independent films and today, on his birthday, we should all take a minute to consider and appreciate the man’s cinematic legacy.  It’s not just horror fans who owe George Romero a debt of gratitude.  It’s lovers of cinema everywhere.

With that in mind, here are….

4 Shots From 4 George Romero Films

Night of the Living Dead (1968, dir by George Romero, DP: George Romero)

The Crazies (1973, dir by George Romero, DP: S. William Hinzman)

Martin (1978, dir by George Romero, DP: Michael Gornick)

Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)

Scenes That I Love: The Harvard Graduation Dance From Heaven’s Gate


How many westerns do you know that open with a graduation ceremony at Harvard?  I can only think of Michael Cimino’s Heaven’s Gate.

Today’s scene that I love comes from the controversial 1981 epic western.  Some people feel that Heaven’s Gate is a secret masterpiece.  I’m not quite one of those people but I do think the Harvard graduation scene was a great way to launch Cimino’s idiosyncratic vision of the Old West.

4 Shots From 4 Films: Special Michael Cimino Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, it is time to celebrate the birth of one of the most intriguing (if uneven) filmmakers of the 20th Century, Michael Cimino!  It’s time for….

 4 Shots From 4 Michael Cimino Films

Thunderbolt and Lightfoot (1974, directed by Michael Cimino, DP: Frank Stanley)

The Deer Hunter (1978, dir by Michael Cimino. DP: Vilmos Zsigmond)

Heaven’s Gate (1980, dir by Michael Cimino, DP: Vilmos Zsigmond)

The Year of the Dragon (1985, dir by Michael Cimino, DP: Alex Thomson)

Brad reviews YOU’VE GOT MAIL (1998), starring Tom Hanks and Meg Ryan!


Kathleen Kelly (Meg Ryan) owns a children’s bookstore in New York City named “The Shop Around the Corner.” It’s a small, cozy store that she inherited from her dear mother, and it’s part of the lifeblood of who she is as a person, as well as the community itself. Joe Fox (Tom Hanks), on the other hand, is the heir to a major bookstore chain, Fox Books (think Barnes & Noble), that threatens to wipe places like Kathleen’s off the map. As fate would have it, the two meet anonymously online where they trade their hopes, dreams and insecurities through daily e-mails, with both excitedly opening their computers each night hoping to hear those three little words, “You’ve Got Mail.” Things begin to get interesting when Joe plans to open up a Fox Books Superstore just around the corner from Kathleen’s place with neither knowing that they’re real-life business adversaries. When will they find out that they’re enemies in the business world? Can true love find a way in the most difficult of circumstances? And isn’t that why we watch these kinds of movies in the first place?!

I’ll start off by saying that Meg Ryan is operating at the top of her “America’s sweetheart” phase here… she’s cute, sincere, nostalgic, slightly neurotic, and ultimately quite believable as a person who romanticizes her world and truly believes there will always be a place for her small store and the gigantic superstores! I grew up and still live in the state where Wal-Mart started so I definitely know how hard it is for the “mom and pop” stores to compete. Tom Hanks walks a bit more of a tightrope as Joe Fox. He’s likable enough that you want him to be able to win her heart, but he’s also just arrogant enough that you understand why Kathleen resents everything he stands for. Ultimately, Hanks is able to pull it off with enough charm that you still root for him even when he can be a little bit of a jerk at times.

What’s really strange about revisiting YOU’VE GOT MAIL at this point in my life is the fact that it takes me back to the late 90’s when the internet was something new to me and it seemed like something magical. In this movie, the internet connects two souls, and when we hear “you’ve got mail” as they fire up their computers, the movie expects you to feel genuine excitement, without a hint of irony. Compare that with where the world is today with almost any kind of online activity, especially social media. While there are still a lot of positives to be found, it’s sad that going online now is often exhausting, hateful, and stressful! In 1998, though, it was still possible to believe that logging on could lead to something incredible!

Nora Ephron, who directed the film and co-wrote the screenplay, does a good job of presenting a sad reality of the real world underneath this romantic comedy’s love story. “Progress” can be cruel, and it seems like it just can’t be stopped no matter what! I spend a lot of time talking about the wonderful hours I spent in the video stores of my youth. Those stores are all gone now and have been for decades. The stores that replaced them are mostly gone now, and almost all of my movie viewing is now done through online streaming. In YOU’VE GOT MAIL, Fox Books certainly isn’t better than Kathleen’s Shop Around the Corner. As a matter of fact, it’s not nearly as educational or personal. What it is, however, is bigger, cheaper, and more efficient, and that’s what seems to win in the end, just like it did with the local video stores and Wal-Mart. This is where Ephron does her strongest balancing act. Joe Fox and Kathleen Kelly still fall in love despite the fact that the realities of the world around them take their realistic and natural course. A true human connection is made in the most difficult and painful of circumstances, and that ultimately means more than anything else in the film.

Revisiting YOU’VE GOT MAIL now doesn’t feel that much different than revisiting the film that inspired it, 1940’s THE SHOP AROUND THE CORNER, starring Jimmy Stewart and Margaret Sullavan. Both films are time capsules of a world that no longer really exists. However, both films ultimately realize the time-tested truth that it’s our relationships with other people that provides the most meaning to our lives. That’s a truth that won’t change whether we’re writing letters, sending e-mails, exchanging texts or whatever “progress” the human race achieves in communication in the future! I find some comfort in that.

Join #MondayMania For The Wrong Stepmother!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for 2019’s The Wrong Stepmother!

You can find the movie on Prime and Tubi and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

4 Shots From 4 Films: Special Early Bill Murray Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Admittedly, it is not Bill Murray’s birthday today but it’s not really anyone else’s birthday either (and don’t you dare say Paul Mescal because you need to be around for a long while to get one of these appreciation posts).  Today is Groundhog Day and, even though the production of the movie of the same name was not exactly harmonious by most accounts, it is one of the movies that has come to define everything that people love about Bill Murray.

So today, it just seem appropriate to share….

4 Shots From 4 Bill Murray Films

Ghostbusters (1984, dir by Ivan Reitman, DP: Laszlo Kovacs)

Groundhog Day (1993, Dir. by Harold Ramis, DP: John Bailey)

Rushmore (1998, dir by Wes Anderson, DP: Robert Yeoman)

Lost In Translation (2003, dir by Sofia Coppola, DP: Lance Acord)

Monday Live Tweet Alert: Join Us For Millennium!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1989’s Millennium!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube and hit play at 8 pm et, and use the #MondayActionMovie hashtag!  The  watch party community is a friendly group and welcoming of newcomers so don’t be shy.   

See you soon!

6 Shots From 6 Films: Special John Ford Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

John Ford was born 132 years ago today, in Maine.  Seeing as how John Ford is one of the most influential and important directors of all time, it was pretty much guaranteed that we were going to share a few shots from his filmography on the Shattered Lens.

In honor of John Ford, here are….

6 Shots From 6 Films: Special John Ford Edition

The Informer (1935, dir by John Ford, DP: Joseph August)

Stagecoach (1939, dir by John Ford, DP: Bert Glennon)

The Grapes of Wrath (1940, dir by John Ford. DP: Gregg Toland)

My Darling Clementine (1946, dir by John Ford, DP: Joseph MacDonald)

The Searchers (1956, dir by John Ford, DP: Winston C. Hoch)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)