Horror Film Review: Dogs (dir by Burt Brinckerhoff)


I’ll admit it right now.  I’ve never really been a dog person.

That’s the way it’s been my entire life.  According to my sisters, I was bitten by a dog when I was two years old.  Needless to say, I don’t remember that happening but that still might explain why, when I was growing up, I was scared to death of dogs.  Seriously, if I was outside and I heard a dog barking or if I saw a dog running around loose (or even on a leash), I would immediately start shaking.  It didn’t help that, for some reason, I always seemed to run into the big dogs that wanted to jump and slobber all over me.  (“Don’t be scared,” one dog owner shouted at me, “that’ll just make him more wild,” as if it was somehow my responsibility to keep his dog under control.)

Then there was that time when was I was ten and I was visiting Lake Texoma with my family.  There was another family there and they had a big black dog with them.  When I first saw him, the dog was very friendly.  He ran up to me and, tentatively and with my sisters standing beside me for moral support, I even patted his head,.  He seemed so nice!  Finally, I had met a dog that didn’t scare me.  My family was really happy.  We went down to the lake and everyone told me how proud they were that I had managed to face a dog without running away.  As we came back from the lake, I saw the dog laying down next to his family’s van.  I smiled at the sight of him.  He raised his head, looked at me, and started to growl.  He wasn’t growling at my sisters or my parents.  He was growling at me.  Terrified, I went over to my family’s car and I ducked down behind it.  I could hear my Dad telling the dog to stop and then I heard the loudest barking and saw the dog running towards me.  I jumped in the car and locked the doors.  The dog’s owners eventually grabbed their dog and took him back to their van.  They said that I probably looked like someone who had been mean to it a few weeks earlier.  One thing that they did not really do was apologize.  Instead, they just made me feel like it was somehow my fault.  They didn’t seem sympathetic when my Mom explained that I was terrified of dogs.  When they realized my Dad was on the verge of punching someone, they retreated to their van and quickly left.  At that time, I decided that 1) I would never trust another dog and that 2) dog owners are the most selfish people on the planet.  I know that sounds harsh but seriously, I was traumatized!

As I grew up, I mellowed a bit.  I met nice dog owners who actually made the effort to control their pets.  I even met some friendly dogs and slowly realized that not all of them were going to try to kill me.  I became less scared of dogs but they still definitely make me nervous.  I still cringe when listening to the barking and I still reflexively step back whenever I see a big dog anywhere near me.  Now that I know more about dogs, I have to admit that I feel a little bit guilty about not liking them more.  Knowing that dogs actually blame themselves for me not liking them is kind of heart-breaking and I have been making more of an effort to be, if nothing else, at least polite to the canines who lives in the neighborhood.  That said, I’m a cat person and I’ll always be cat person.  Cats don’t care if you like them or not nor do they blame themselves if you’re in a bad mood, which is lot less of an emotional responsibility to deal with.

1977’s Dogs is a film that seems like it was especially made to give people like me nightmares.  It’s a pretty simple movie.  At a college in Southern California, the students and the faculty find themselves under siege from a bunch of dogs that have been driven mad by pheromones being sprayed into the atmosphere by a nearby, top secret government experiment.  Two professors (David McCallum and George Wyner) attempt to convince everyone to evacuate the college and the town but, in typical Jaws fashion, no one wants to admit the truth about what’s happening.  By the end, nearly everyone is dead (and the final scene of all the dead bodies spread across campus is genuinely haunting) and the cats are starting to hiss at humans.

Dogs is a low-budget drive-in flick but it’s still a frightening film, largely because the dogs are relentless and the victims may be largely stupid but they’re all stupid in realistic ways.  A group of college students is told to wait inside until George Wyner comes back for them but Wyner takes so long in returning that the terrified students decide to make a run for it themselves.  It doesn’t end well but it’s the sort of thing that I can actually imagine happening.  No one likes being told to wait and, with no idea of what’s actually going on, making a run for it might actually seem like as good an idea as any.  Even when the movie recreates the Psycho shower scene (with dogs instead of Norman Bates), it’s far more effective than it perhaps has any right to be.

Would this film be as effective from the point of view of someone who doesn’t have a history of being scared of dogs?  It’s a legitimate question.  Dogs aren’t like sharks.  Most people like dogs.  But when they’re barking and growling and determined to bite your throat, they can be pretty scary!  I’ll just say that Dogs is a film that seemed to be uniquely designed to give me nightmares.

Retro Television Review: St. Elsehwere 1.18 “Dog Day Hospital”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, Judith Light has got a gun!

Episode 1.18 “Dog Day Hospital”

(Dir by Victor Lobl, originally aired on March 22nd, 1983)

Finally, Dr. Ehrlich is performing his first solo operation.  Dr. Craig is assisting but Ehrlich is in charge.  He gets to play his music in the OR.  He gets to decide what type of retractor to use.  It’s a simple hernia operation.  The patient (Sam Anderson) is awake and babbling through the whole operation.

Unfortunately, there’s also an angry woman in the OR and she has a gun.  Barbara Lonnicker (Judith Light) is eight months pregnant, despite her husband claiming that he got a vasectomy at St. Eligius.  As she already has several children to deal with, she wants to see the doctor who screwed up the vasectomy but she’s just as willing to shoot any other doctor to get her revenge.  The operation continues while Dr. Craig and Dr. Westphall negotiate with her.

I have to admit that I did find a lot of this episode to be amusing.  Ehrlich’s excitement over getting to do his first operation, Dr. Craig’s stuffy annoyance with being interrupted by a woman with a gun, and the patient’s nonstop rambling all made me smile more than once.  And Judith Light, not surprisingly, was great as the woman with the gun.  I loved the her husband was played by Tom Atkins.  You never know who you might see at St. Eligius!  That said, after the episode ended, I couldn’t help but think about how dumb the whole thing actually was.  How are people always managing to get guns into St. Eligius?  How did Barbara manage to get into an operating room without being stopped beforehand?  (Luther does tell her that she can’t be back there but he’s the only one who seems to notice her before she bursts into the OR.)  How come no one in the hospital seems to be more upset about the fact that there’s a woman waving a gun around an operating room?  At one point, Barbara shoots Ehrlich’s radio and hardly anyone seems to react.  The plot is played for laughs and that’s fine.  But, in this case, the story was a bit too implausible for its own good.

Meanwhile, Nurse Rosenthal returned to work after her mastectomy and struggled to get back into her routine.  Carolyn Pickles did a great job portraying Rosenthal in this episode.  And Fiscus and Shirley Daniels visited an old woman in a nursing home.  The subplots were handled well but, for the most part, this episode still felt as if it was trying a bit too hard.

Going Berserk (1983, directed by David Steinberg)


John Bourgignon (John Candy) is a man of many talents.  He’s a limo driver.  He’s a drummer.  He is an occasional actor, having starred in Kung Fu U. for his friend, director Sal DiPasquale (Eugene Levy).  John is also improbably engaged to Nancy Reece (Alley Mills), the daughter of Congressman and presidential candidate Ed Reese (Pat Hingle).  As the wedding approaches, John deals with a number of things.  He chauffeurs around a group of Spanish Beatles impersonators.  He finds himself handcuffed to a fugitive (Ernie Hudson) who dies at an inopportune time.  A cult leader (Richard Libertini) attempts to brainwash John into assassinating Ed, though the process might just turn John into a “schmuck.”

Going Berserk was John Candy’s first lead feature role and it was obviously designed to play to Candy’s popularity as one of the stars of SCTVGoing Berserk doesn’t gave a plot as much as it’s a collection of skits, some of which work better than others but all of which are held together by Candy’s comedic timing and amiable presence.  Going Berserk is disjointed and wildly uneven but it’s also frequently funny and that is a testament to Candy’s talent.  Even an overlong parody of The Blue Lagoon raises a smile because John Candy is just so committed to playing out the joke.

Going Berserk also features several familiar faces, like Richard Libertini, Pat Hingle, Ernie Hudson, Dixie Carter, Kurtwood Smith, Paul Dooley, and two of Candy’s SCTV co-stars, Eugene Levy and Joe Flaherty.  I especially liked Levy’s performance as the sleazy director who blackmails his way into filming the wedding.  Going Berserk was frequently stupid but, more often than not, it made me laugh.

Late Night Retro Television Reviews: Highway to Heaven 1.2 “Pilot: Part Two”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

 

This week, we finish up the pilot for Highway to Heaven, with Jonathan revealing the true nature of his job to Mark and the old people heading to the horse races!

Episode 1.1 “Highway to Heaven: Part Two”

(Dir by Michael Landon, originally aired on September 19th, 1984)

The second half of the pilot for Highway to Heaven opens with things looking up at the retirement community.  Everyone is enjoying the new garden.  There’s a new sense of community amongst the residents.  Even Estelle (Helen Hayes) has finally come out of her room and is now taking care of the dog that Jonathan previously gave her.  Sidney Gould (John Bleifer) is especially happy to see Estelle out and about, especially after Estelle agrees to have dinner with him.

The only person who is not happy with the changes that Jonathan has brought to everyone’s lives is Mark Gordon.  Mark is still suspicious of Jonathan’s motives and he’s not happy that his sister, Leslie (Mary McCusker), is falling for a man who she really knows nothing about.  When Jonathan is having dinner at Leslie’s apartment, Mark breaks into Jonathan’s apartment and discovers that Jonathan owns nothing.  There’s not even a toothbrush in the bathroom.

Jonathan catches Mark in his apartment and, after Mark demands to know just who exactly Jonathan is, Jonathan explains that he works for “the Boss.”  He travels from location to location, helping people who need help.  When Mark demands to know who the Boss is, Jonathan can only look heaven-ward.

Needless to say, Mark is not at all convinced that Jonathan is an angel.  But there’s an even bigger problem to deal with!  Mr. Sinclair (Joe Dorsey), the owner of retirement home, has sold the land to a developer!  Everyone who worked there is now out of a job and everyone who lived there has been given just a few days to move out and find somewhere else to live.

When Jonathan pays Mr. Sinclair a visit, he discovers that Sinclair has spent his life making money in order to get over the shame of being rejected by his high school love.  Unfortunately, she’s now dead and Sinclair no longer cares about anyone.  Still, Jonathan is able to convince Mr. Sinclair to give him a chance to raise enough money to buy the retirement home.

Mark’s suggestion is that they take the money that they already have and bet it at the tracks.  Jonathan is not sure if the Boss would like him gambling but, in the end, he agrees to Mark’s plan.  At the tracks, it first appears that the horse that the old people put their money on has lost.  But then then Sidney discovers that the person at the betting window accidentally gave him the wrong ticket and — it’s a miracle!  They win the money!

The old people are able to buy their retirement home and Mark is now convinced that Jonathan is angel.  In fact, Mark is so convinced that he insists on driving Jonathan around the country and helping him out.

(Don’t worry about Leslie.  Though she’s upset when Jonathan leaves, a handsome and single man immediately moves in next door to her.)

This episode ends with Jonathan getting into Mark’s car and the two of them driving off, down the highway.

Wow, this was an earnest show.  Seriously, there’s not a hint of sarcasm or snarkiness to be found in this episode, which I imagine explains why this show is still airing on the retro stations and streaming on a hundred different sites.  To an extent, it’s easy to be dismissive of a show where a bunch of quirky old people got to the race track to win enough money to be able to stay together in their retirement home.  There’s nothing subtle not particularly surprising about any of it.  I mean, we know there’s no way Helen Hayes and that adorable dog are going to lose their home!  But this episode was so achingly sincere in its approach that it worked.

We’ll see if it continues to work next week!

Late Night Retro Television Reviews: Highway to Heaven 1.1 “Pilot: Part One”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

Highway to Heaven is one of those old shows that, decades after its final episode, still always seems to either be airing or streaming somewhere.  The show’s premise was a simple one.  Jonathan Smith (Michael Landon) was an angel who had been sent to Earth to help people.  Working with him was a retired cop named Mark Gordon (Victor French).  Together, they drove across the country and met a different guest star every week.

Though the show aired its final episode over 30 years ago and both of the stars have since passed on, Highway to Heaven remains popular in both syndication and streaming.  From the few episodes that I’ve seen, it appears that the show’s main appeal was just how unabashedly sentimental it was.  For people living in a cynical age, the show is a throwback to a simpler time.  Of course, I imagine that some people also find it to be a fairly campy show.  There’s nothing subtle about the messaging of Highway to Heaven. 

Anyway, it seems like a good show to review for Retro Television Reviews, so here we are.  Let’s head down that highway!

Episode 1.1 “Highway to Heaven: Part One”

(Dir by Michael Landon, originally aired on September 19th, 1984)

In a small town in Arizona, there’s a retirement community that is full of people who are in need.

For instance, Estelle Wicks (Helen Hayes) hasn’t left her room in years.  She’s convinced that her daughter is going to come to get her at any minute, even though everyone else at the community tries to get her to understand that her daughter hasn’t been by to see her in years.  That said, at least Estelle still has some hope.  Everyone else in the community appears to be resigned to spending all of their time indoors, watching television and waiting for the end.

Mr. Haskins (John O’Leary), the owner of the community, is struggling to pay the bills and is thinking of selling the retirement home to a group of land developers.  Mr. Haskins rarely smiles and hardly ever interacts with the people living at the community.  He doesn’t want them going outside or doing any special activities because he’s worried about potential lawsuits.  He’s not willing to spend the money necessary to even make the community look like an inviting place to live.

Mr. Haskins’s assistant, Leslie Gordon (Mary McCusker), is a lonely woman who lives in an apartment with her brother, Mark (Victor French).  Mark is a former cop who refuses to trust anyone and who can’t hold down a job.  He’s developing quite a drinking problem and spends most of his time either watching television and having a beer or going down to the local bar and having even more beer.

No one, and I mean no one, in this town appears to be happy.  But then a mysterious drifter named Jonathan Smith (Michael Landon) hitchhikes into town and applies for a job as a maintenance worker at the retirement community.  As he explains to Mr. Haskins, he doesn’t have any references but he’s willing to work without a salary for a month in order to prove that he can handle the job.  Mr. Haskins hires Jonathan, who immediately plants a flower garden and gets to know the residents at the retirement community.  He even gets Estelle to agree to take care of a puppy.

With Jonathan’s gentle encouragement, even Leslie starts to enjoy life a little bit more.  When Jonathan shows up one morning with a bicycle, Leslie rides it to work.  When Leslie asks Jonathan how he could afford the bike, he says that a friend gave it to him.  When she asks how Jonathan could afford to plant all of the flowers for the retirement home, he says that a friend helped out.  For a drifter who just came to town, Jonathan certainly seems to have a lot of friends!

This raises the concern of Mark, who thinks that Jonathan must be a conman of some sort.  He sets out to investigate just exactly who Jonathan is.  He first stop is the local bicycle shop, where the owner says that he’s never met a Jonathan Smith.  And then — the episode ends!  “TO BE CONTINUED” reads the title card.

It’s a rather abrupt ending, undoubtedly the result of the pilot originally being aired as a two-hour movie.  As often happens, the pilot was split into two parts for syndication.  Of course, the viewer already knows that Jonathan is an angel who has been sent to Earth to help people but the first episode of the series ends with Mark still convinced that Jonathan is just a con man.  I assume he’ll find out the truth next week.

As far as first episodes go, this one is hard to judge because it’s obviously incomplete.  That said, the pilot’s unapologetic earnestness is definitely its strongest trait.  Early on, Jonathan says, “Kindness doesn’t cost a thing,” and Michael Landon delivers the line with such sincerity that he makes it work despite the fact that it’s also a cliché.

Anyway, next week, we’ll finish up the pilot and see if Mr. Haskins will ever learn how to run a retirement community.  Hopefully, Estelle will finally come out of her room as well.  And, most importantly, we’ll see how Mark went from thinking Jonathan was a con artist to traveling around the country with him.

Until then, be kind.